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1

O'Neill, Dan. "George Georges (1920–2002)." Queensland Review 14, no. 01 (2007): 21–22. http://dx.doi.org/10.1017/s1321816600005869.

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2

Hammer, Gerd. "Georg Simmel, Stefan George und der Erste Weltkrieg." Philosophica: International Journal for the History of Philosophy 27, no. 53 (2019): 79–89. http://dx.doi.org/10.5840/philosophica201927537.

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Initially, the Great War was received euphorically by many writers and philosophers, including Max Weber, Martin Buber and Max Scheler along with Georg Simmel. For Simmel, the war was synonimous with a greater pace of life, a form of dealing with / overcoming the levelling of society caused by the worshipping of money (´Mammonismus`). This exaltation of the war on the part of intellectuals was not common to all – the harsh criticisms of Simmel´s enthusiasm for the war on the part of Georg Lucácz and Ernst Bloch are well-known. Regarding Stefan George, in 1901 Simmel had written: ´His art has b
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3

KIRA, Masahiro. "Dr. George Cotsarelis." Nishi Nihon Hifuka 72, no. 1 (2010): 81–82. http://dx.doi.org/10.2336/nishinihonhifu.72.81.

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4

Kim, Sergey. "Notule sur une mystérieuse église byzantine de Kaouvi." Scrinium 12, no. 1 (2016): 361–67. http://dx.doi.org/10.1163/18177565-00121p22.

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The note offers a corrected reading of a Georgian colophon in Iviron, georg. 69, that R. P. Blake published in 1932. It is demonstrated that George the Athonite, its author, did not mention a Byzantine church of Kaouvi, as Blake had read. Several literary parallels from other texts connected to George are provided.
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5

Jauksz, Marcin. "George Eliot, George Henry Lewes i mechanizmy literackiego oddziaływania." Forum Poetyki, no. 7 (March 6, 2017): 18–31. http://dx.doi.org/10.14746/fp.2017.7.26757.

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Celem artykułu jest analiza wybranych wątków przemian w obrębie poetyki dziewiętnastowiecznej powieści, do których dochodzi pod wpływem rozwoju psychologii i innych nauk społecznych. Przypadek intelektualnej interakcji między George Eliot a Georgem Henrym Lewesem, partnerów tak w życiu, jak i w zainteresowaniach literackich, pozwala zaobserwować jak bliskie były ambicje realistycznych pisarzy oraz badaczy życia społecznego w zakresie odkrywania mechanizmów ludzkiej psychiki. Sceny z życia duchownych oraz Miasteczko Middlemarch, czytane z perspektywy Virginii Woolf, pełne sa przykładów na to, w
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6

Baldwin, Thomas. "Cambridge Philosophers V." Philosophy 71, no. 276 (1996): 275–85. http://dx.doi.org/10.1017/s0031819100041486.

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Moore much disliked the names ‘George Edward’ which his parents had bestowed upon him. Hence he was always known just as ‘Moore’ in his professional life, although at home there seems to have been a profusion of names—in his Commonplace Book he writes1: ‘I used to be called “Jumbo’, and used to be called “Tommy”; & also “Georgie”, & am still called by my brothers and sisters “George”; by Dorothy & others I am called “Bill”…‘
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7

Schäfer, Thomas. "Wortmusik - Tonmusik." Die Musikforschung 47, no. 3 (2021): 252–73. http://dx.doi.org/10.52412/mf.1994.h3.1120.

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Der Beitrag versucht, sowohl Arnold Schönbergs als auch Stefan Georges Verhältnis zu Richard Wagner zu beleuchten. Dabei werden anhand von Schönergs <George-Liedern> op. 15 zweifacher Hinsicht produktive Rezeptionshaltungen beschrieben. Georges <buch der hängenden gärten> und Schönbergs Liederzyklus werden in diesem Kontext als Allusionen auf Wagners Musikdrama <Tristan und Isolde> gelesen. (Schäfer, Thomas)
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8

Wolner, Edward W. "George Bellows, Georg Simmel, and Modernizing New York." American Art 29, no. 1 (2015): 106–21. http://dx.doi.org/10.1086/681650.

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9

Carlson, Gabrielle A., and Farheen Fahim. "“George”." Journal of Affective Disorders 51, no. 2 (1998): 195–98. http://dx.doi.org/10.1016/s0165-0327(98)00181-5.

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10

Rogers, Bob. "George." English in Education 22, no. 1 (1988): 101–2. http://dx.doi.org/10.1111/j.1754-8845.1988.tb00267.x.

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11

Rosen., Michael. "George." English in Education 22, no. 3 (1988): 39. http://dx.doi.org/10.1111/j.1754-8845.1988.tb00287.x.

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12

MAHAWATTE, ROYCE. "GEORGE MURRAY SMITH TO GEORGE ELIOT." Notes and Queries 46, no. 1 (1999): 50—b—51. http://dx.doi.org/10.1093/nq/46-1-50b.

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13

MAHAWATTE, ROYCE. "GEORGE MURRAY SMITH TO GEORGE ELIOT." Notes and Queries 46, no. 1 (1999): 50—b—51. http://dx.doi.org/10.1093/nq/46.1.50-b.

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14

Goerlitz, Guido. "Visage et ornement. Remarques sur une préhistoire de la visagéité photographique dans la modernité allemande chez Simmel et George." Envisager, no. 8 (August 10, 2011): 103–19. http://dx.doi.org/10.7202/1005542ar.

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Partant de l’importance que revêt la question du visage et du gros plan dans le medium cinématographique, et de sa théorisation dans la modernité allemande de la République de Weimar chez Walter Benjamin, Bela Balazs et Siegfried Kracauer, cet article jette un regard rétrospectif sur cette question en tentant de décrire l’enracinement de la nouvelle poétique de la surface photographique dans des questions herméneutiques abordées au tournant du siècle par Georg Simmel et Stefan George. Simmel a conceptualisé la signification esthétique du visage comme un agencement centralisateur, contre le dis
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15

Maier, Pauline, George Washington, W. W. Abbot, et al. "Good Show: George Washington Plays George Washington." Reviews in American History 17, no. 2 (1989): 187. http://dx.doi.org/10.2307/2702917.

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16

Johnson, Chris. "George F. Walker Directs George F. Walker." Theatre Research in Canada 9, no. 2 (1988): 157–72. http://dx.doi.org/10.3138/tric.9.2.157.

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This article is based on the observation of rehearsals for the 1987 Factory Theatre production of George F. Walker's Zastrozzi: The Master of Discipline, directed by Walker. Walker's casting choices and rehearsal techniques are examined to delineate his 'language of the stage' as a complement to the language of his script, and to determine his current interpretation of the play.
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17

Bayer, Roberta. "George Grant." International Philosophical Quarterly 48, no. 4 (2008): 542–44. http://dx.doi.org/10.5840/ipq200848470.

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18

Pearson,, Jennifer. "George, Doreen." Nursing Standard 26, no. 8 (2011): 33. http://dx.doi.org/10.7748/ns2011.10.26.8.33.p6744.

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19

Low, Anthony. "George Herbert." Renascence 45, no. 3 (1993): 159–78. http://dx.doi.org/10.5840/renascence199345314.

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20

Saatkamp, Herman. "George Santayana." Newsletter of the Society for the Advancement of American Philosophy 17, no. 53 (1989): 6–7. http://dx.doi.org/10.5840/saap1989175312.

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21

Holloway, Robin, and Howard Pollack. "Glorious George." Musical Times 149, no. 1902 (2008): 112. http://dx.doi.org/10.2307/25434527.

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22

Terezis, Christos. "George Pachymeres." Philosophical Inquiry 20, no. 1 (1998): 111–18. http://dx.doi.org/10.5840/philinquiry1998201/29.

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23

Lawler, Diego. "George Santayana." Philosophers' Magazine, no. 53 (2011): 101–2. http://dx.doi.org/10.5840/tpm20115382.

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24

BOUDENS, R. "George Tyrrell." Ephemerides Theologicae Lovanienses 61, no. 4 (1985): 340–54. http://dx.doi.org/10.2143/etl.61.4.556285.

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25

Walmsley, Jonathan. "George Berkeley." Philosophers' Magazine, no. 8 (1999): 30. http://dx.doi.org/10.5840/tpm1999814.

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26

Naylor, John F., and Jonathan Schneer. "George Lansbury." American Historical Review 97, no. 1 (1992): 209. http://dx.doi.org/10.2307/2164614.

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27

Andrews, Benny, and George Andrews. "George Andrews." Art Journal 53, no. 1 (1994): 22. http://dx.doi.org/10.2307/777522.

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28

Raphael, Judith, and George Cohen. "George Cohen." Art Journal 53, no. 1 (1994): 31. http://dx.doi.org/10.2307/777526.

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29

Berlind, Robert, and George McNeil. "George McNeil." Art Journal 53, no. 1 (1994): 55. http://dx.doi.org/10.2307/777536.

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30

Ross, Doron H. "George Hughes." African Arts 34, no. 1 (2001): 50. http://dx.doi.org/10.2307/3337734.

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31

Sutton, Dorothy. "Gorgeous George." Hudson Review 52, no. 2 (1999): 281. http://dx.doi.org/10.2307/3853420.

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32

Taz, Humaira. "George Crabtree." MRS Bulletin 44, no. 06 (2019): 509. http://dx.doi.org/10.1557/mrs.2019.144.

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33

Michelsen, John M. "George Santayana." Overheard in Seville: Bulletin of the Santayana Society 11, no. 11 (1993): 30–40. http://dx.doi.org/10.5840/199311114.

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34

Sawicka, Alicja. "George Steiner." Dialogue and Universalism 19, no. 3 (2009): 325–37. http://dx.doi.org/10.5840/du2009193/571.

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35

GÓMEZ PARRA, Elena. "George Herbert." Hikma 6, no. 6 (2007): 22. http://dx.doi.org/10.21071/hikma.v6i6.6671.

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36

George, François. "François George." Raison présente 89, no. 1 (1989): 43–44. http://dx.doi.org/10.3406/raipr.1989.2739.

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37

Johnson, Bret. "George Rochberg." Tempo 60, no. 235 (2006): 35–36. http://dx.doi.org/10.1017/s004029820624004x.

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ROCHBERG: Symphony No. 2; Imago Mundi. Naxos 8.559182.ROCHBERG: Symphony No. 5; Black Sounds; Transcendental Variations. Naxos 8.559115.ROCHBERG: Violin Concerto (revised and extended version). Peter Sheppard Skaerved (vln). Naxos 8.559129. All three discs Saarbrücken Radio Symphony Orchestra c. Christopher Lyndon-Gee.
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38

Watts, Geoff. "George Russell." Lancet 380, no. 9842 (2012): 644. http://dx.doi.org/10.1016/s0140-6736(12)61361-0.

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39

Francella, F., and Steven E. Davis. "George Kelly." Journal of Cognitive Psychotherapy 11, no. 4 (1997): 303–6. http://dx.doi.org/10.1891/0889-8391.11.4.303.

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40

Chesterton, G. K. "George MacDonald." Chesterton Review 17, no. 3 (1991): 287–91. http://dx.doi.org/10.5840/chesterton1991173/491.

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41

Chesterton, G. K. "George MacDonald." Chesterton Review 27, no. 1 (2001): 3–7. http://dx.doi.org/10.5840/chesterton2001271/274.

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42

Quinlan, Michael. "George Bull." Chesterton Review 27, no. 1 (2001): 167–70. http://dx.doi.org/10.5840/chesterton2001271/296.

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43

MacDonald, George, and C. S. Lewis. "George MacDonald." Chesterton Review 34, no. 1 (2008): 355–58. http://dx.doi.org/10.5840/chesterton2008341/2133.

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44

MacDonald, George. "George MacDonald." Chesterton Review 35, no. 1 (2009): 288–89. http://dx.doi.org/10.5840/chesterton2009351/247.

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45

Sprigge, T. L. S., and John Lachs. "George Santayana." Philosophical Quarterly 40, no. 158 (1990): 119. http://dx.doi.org/10.2307/2219976.

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46

Gool, Rustum Y. "George David." Medical Journal of Australia 162, no. 2 (1995): 102. http://dx.doi.org/10.5694/j.1326-5377.1995.tb138447.x.

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47

Notarianni, Philip F., and Helen Papanikolas. "Emily--George." Journal of American History 75, no. 2 (1988): 650. http://dx.doi.org/10.2307/1887962.

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48

Malcolmson, Cristina, Stanley Stewart, Eugene D. Hill, Joanna Martindale, and Elizabeth Cook. "George Herbert." Yearbook of English Studies 20 (1990): 260. http://dx.doi.org/10.2307/3507563.

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49

Kaneko, Sho. "Stefan George, Sämtliche Gedichte in japanischer Sprache (Georuge-Zenshishû)." Arbitrium 14, no. 3 (1996). http://dx.doi.org/10.1515/arbi.1996.14.3.398.

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50

Frederix, Lode. "George Berkeley." De Uil van Minerva 4, no. 2 (1987). http://dx.doi.org/10.21825/uvm.v4i2.1235.

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