Log in

Relevant bibliographies by topics / George Eliot's Middlemarch

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'George Eliot's Middlemarch'

Author: Grafiati

Published: 19 February 2023

Last updated: 20 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'George Eliot's Middlemarch.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "George Eliot's Middlemarch"

1

Osborne, Katherine Dunagan. "Inherited Emotions: George Eliot and the Politics of Heirlooms." Nineteenth-Century Literature 64, no. 4 (March 1, 2010): 465–93. http://dx.doi.org/10.1525/ncl.2010.64.4.465.

Full text

Abstract:

Katherine Dunagan Osborne, "Inherited Emotions: George Eliot and the Politics of Heirlooms" (pp. 465––493) This essay removes George Eliot's heroines from heterosexual dyads to focus on the roles that things play in women's autonomous moral and sexual development. Because Eliot's female protagonists can adapt heirlooms for their own private and emotional purposes, they can replace traditional inheritance based on bloodlines with a non-familial, emotional inheritance, thus illustrating the subtlety of Eliot's family and gender politics. This reading of Eliot contextualizes specific heirlooms in Middlemarch (1871––72) and Daniel Deronda (1876)——including miniature portraits, emeralds, turquoises, and diamonds——to reveal the surprising politics embedded in Eliot's heirlooms that her nineteenth-century readers would certainly have recognized.

APA, Harvard, Vancouver, ISO, and other styles

2

Moscovici, Claudia. "Allusive Mischaracterization in Middlemarch." Nineteenth-Century Literature 49, no. 4 (March 1, 1995): 513–31. http://dx.doi.org/10.2307/2933731.

Full text

Abstract:

This essay traces some of the social and generic implications of George Eliot's abundant use of allusion as a mode of characterization in Middlemarch. By analyzing the manner in which the characters in Middlemarch tend t misread each other by means of false or inappropriate associations with prominent cultural figures and especially with gender-based stereotypes, this essay explores some of the ways in which George Eliot's text employs allusion as a mode of interrogating and subverting those cultural stereotypes that, from both her own ambivalently "feminist" position and from current feminist perspectives, are perceived as having been especially confining and devalorizing for women.

APA, Harvard, Vancouver, ISO, and other styles

3

Tondre, Michael. "George Eliot's “Fine Excess”: Middlemarch, Energy, and the Afterlife of Feeling." Nineteenth-Century Literature 67, no. 2 (September 1, 2012): 204–33. http://dx.doi.org/10.1525/ncl.2012.67.2.204.

Full text

Abstract:

This article advances a fresh understanding of the ethics and aesthetics that defined George Eliot's fictional maturity, particularly in light of Eliot's fascination with energy science. Victorian scientists discovered that the energy of the world was ineluctably lost or “diffused,” never again to perform productive work. But many mid-Victorians saw diffusion in optimistic terms, in contrast to more disconsolate perspectives at the century's close. In Middlemarch (1873-74), I argue, Eliot utilized the theory of energy diffusion as a model of eternal fulfillment. She did so in two ways. First, energy science provided a heuristic for Eliot's sympathetic vision. While her protagonists reflect the breakdown of interpersonal bonds—the impossibility of any perfect recognition of another's pain—the novel deploys the terms and tropes of diffusion to suggest sympathy's post-subjective effects in the lives of others. Second, I submit that energy science shaped Eliot's distinctive understanding of the novel itself as a mode of cultural production. Through figurations of unproductive energy, Eliot came to imagine how wasteful, prodigal acts of reading could bring about an ethically revitalized world. Energy science thus enabled Eliot to reconcile conventional claims about the social purpose of the novel with incipiently Arnoldian canons of art's autonomy from politics. By reading Eliot's work alongside the work of contemporary scientists, I disclose a radical ideal of literature's unproductive powers, one that linked new ideologies of formal appreciation with the novel's longstanding social promise.

APA, Harvard, Vancouver, ISO, and other styles

4

Ryder, Molly. "Building the Brain: The Architectural Interior in George Eliot's Middlemarch." Victoriographies 7, no. 3 (November 2017): 224–38. http://dx.doi.org/10.3366/vic.2017.0281.

Full text

Abstract:

While George Eliot's use of organic structures (such as water, webs, and currents) as a vehicle for the representation of contemporary psychological theories and mental processes has been extensively explored, far less critical attention has been paid to the structural counterpart to these organic images: the labyrinth, staircase, and anteroom. Focusing on Middlemarch (1872), this article explores the slippage between the well-documented organic mode of representation and that of the architectural and built metaphors through which Eliot pushes at the boundaries of the realist aesthetic, as well as the moments in which she displays a conversion technique by describing something organic in architectural terms. Eliot demonstrates these conversions particularly during the portion of the novel set in Rome, a city that unites the architectural and the archaeological, allowing the novel's heroine to construct and renovate her vision of her husband's mind via these schemes. Through such analysis, this article argues that Eliot's formal mode creates a bridge between material and psychological realism.

APA, Harvard, Vancouver, ISO, and other styles

5

Auerbach, Nina. "The Waning George Eliot." Victorian Literature and Culture 25, no. 2 (1997): 353–58. http://dx.doi.org/10.1017/s1060150300004836.

Full text

Abstract:

Taken together, the four books under review here make me feel, not too comfortably, like a character in Middlemarch: in the aggregate, recent work on George Eliot is so slight that it evokes books unwritten, mighty tasks not only unfinished, but unbegun. The comparative modesty of even excellent work like Rosemarie Bodenheimer's, the sense that criticism is returning, in a smaller compass with more scrupulous vision, to ground already broken, is symptomatic of a void in our generation's imagination. An adequate appraisal of George Eliot needs an ambition as encompassing as George Eliot's own, but we seem to have directed our intensity to smaller, slyer writers.

APA, Harvard, Vancouver, ISO, and other styles

6

Tadlock, Caterina. "Boredom and Marriage in George Eliot's MIDDLEMARCH." Explicator 73, no. 2 (April 3, 2015): 82–85. http://dx.doi.org/10.1080/00144940.2015.1007439.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Givner, Jessie. "Industrial History, Preindustrial Literature: George Eliot's Middlemarch." ELH 69, no. 1 (2002): 223–43. http://dx.doi.org/10.1353/elh.2002.0005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Coit, Emily. ""This Immense Expense of Art": George Eliot and John Ruskin on Consumption and the Limits of Sympathy." Nineteenth-Century Literature 65, no. 2 (September 1, 2010): 214–45. http://dx.doi.org/10.1525/ncl.2010.65.2.214.

Full text

Abstract:

Emily Coit, "'This Immense Expense of Art': George Eliot and John Ruskin on Consumption and the Limits of Sympathy" (pp. 214––245) This essay attempts to better our understanding of George Eliot's conservatism by examining a body of ideas about consumption and moral obligation that she and John Ruskin share. I use a discussion of consumer ethics to explore the moral logic of their conservatism by examining the role of the aesthetic within it. Economic consumption and the aesthetic are subjects inextricably connected, not just because the discourses of political economy and aesthetics have a shared origin in eighteenth-century moral philosophy, but also because the discourse of aesthetics has long served to legitimize select modes and acts of consumption. By marking out a limit where one may reasonably cease to sympathize and instead devote energy (and money) to personal gratification, the treatment of consumption in George Eliot's Middlemarch (1871) offers an important articulation of moral thought. Eliot suggests that aesthetic pleasure can make consumption morally defensible, but she also anticipates Pierre Bourdieu's critique of the aesthetic: her novel represents both the display of cultural capital and the exercise of the aesthetic disposition as ways of maintaining social and economic hierarchies. She thus at once critiques and participates in the system within which the aesthetic functions to preserve social and political stasis. Using John Ruskin's economic writings to expose Middlemarch as a novel of consumer ethics, this essay examines Eliot's representation of personal economic consumption as an emergent mode of social and political agency that might operate productively within that stasis.

APA, Harvard, Vancouver, ISO, and other styles

9

Wormald, Mark. "Microscopy and Semiotic in Middlemarch." Nineteenth-Century Literature 50, no. 4 (March 1, 1996): 501–24. http://dx.doi.org/10.2307/2933926.

Full text

Abstract:

This paper reveals a frogotten formative influence on George Eliot. Most accounts of Eliot's debts to science examine the circle of eminent scientists she and Lewes knew in the 1860s and 1870s and his own late work, Problems of Life and Mind. Here I explore much earlier and less celebrated writing: the microscopical investigations of primitive water creatures that Lewes conducted as an amateur popularizer of science in the mid to late 1850s and the vigorous culture of microscopy to which he introduced George Eliot as early as 1856. After summarizing the technological advances in the microscope that had nurtured this culture and surveying the role of Victorian periodicals in sustaining it, I trace the significance of the discipline, particularly as conveyed in Lewes's neglected article "Only a Pond!," for the texture and structure of Middlemarch. The language of her characters' dialogues teems with details of vocabulary and metaphor first developed by Lewes to map the world of the water-drop onto the equally parasitic relationships of mid-Victorian society. More surprising, Eliot also made her narrator one of the novel's two amateur microscopists, the other being Camden Farebrother, Middlemarch's own amateur natural historian. The pater then explores the different kinds of "advantage" this interest in microscopes secures for Farebrother over Lydgate, the book's representative of professional science, and argues that Farebrother is the novelist's private tribute to Lewes's earlier enthusiams.

APA, Harvard, Vancouver, ISO, and other styles

10

GALLAGHER, CATHERINE. "George Eliot: Immanent Victorian." Representations 90, no. 1 (2005): 61–74. http://dx.doi.org/10.1525/rep.2005.90.1.61.

Full text

Abstract:

ABSTRACT Using Middlemarch as its primary instance, this essay argues that George Eliot's realism (and by extension nineteenth-century British realism generally) contains a tension between reference (to types of extradiegetic persons) and realization (which is aligned with the fictionality of novelistic characters). The dynamic of Eliot's novels involves the constant deviation of characters away fromtypes and toward fictional particularity, and it thereforematches a more general turn in British culture away froma desire for salvation conceived of as spiritual or ideational transcendence and toward a longing to attain a state of immanent existence that escapes the requirements of ““meaning.””

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "George Eliot's Middlemarch"

1

Andrews, Sandra Hildegarde. "Optative Regret in George Eliot's Middlemarch." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355502521.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bowen, Leslie E. H. "Vocation, marriage and "The Woman Question" in George Eliot's Middlemarch." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1995. http://www.kutztown.edu/library/services/remote_access.asp.

Full text

Abstract:

Thesis (M.A.)--Kutztown University of Pennsylvania, 1995.
Source: Masters Abstracts International, Volume: 45-06, page: 2841. Typescript. Abstract precedes thesis as preliminary leaves. Includes bibliographical references (leaves 89-91).

APA, Harvard, Vancouver, ISO, and other styles

3

Kelly, Katherine Marie. "George Eliot's Middlemarch: The Making of a Modern Marriage." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1173.

Full text

Abstract:

In this thesis I examine the evolving social and personal attitudes about marriage and love as depicted in George Eliot's Middlemarch by arguing that Eliot anticipates modern marriages by critiquing traditional Victorian marital values. For the purposes of this analysis, the applicable aspects of modern marriage are sexuality, shifting gender roles, and a dismissal of social class as the major factor in choosing a partner. In order to achieve this end, I apply close textual analysis as well as a New Historical approach to examine how Middlemarch is conditioned by its historical context.

APA, Harvard, Vancouver, ISO, and other styles

4

Ericsson, Linn. "Structural Metaphors in George Eliot's Middlemarch and their Swedish Translations." Thesis, University of Skövde, School of Humanities and Informatics, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-1045.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Bleakney, Sarah Wing. ""Inconsistent" desire self-government and age-disparate marriage in George Eliot's Middlemarch /." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0011862.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Contractor, Tara D. "The Aesthetics of Sympathy: George Eliot's representations of the visual arts." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/235.

Full text

Abstract:

George Eliot filled her novels with discussions of art and references to specific paintings and sculptures. Though this element of her fiction is easy for the contemporary reader to overlook, it was well loved by her Victorian readership, and is invested with a great deal of thematic content. This thesis analyzes representations of the visual arts in Romola, Middlemarch, and Daniel Deronda, investigating the way that art becomes inseparable from Eliot’s larger moral themes of sympathy and historical consciousness.

APA, Harvard, Vancouver, ISO, and other styles

7

Shepherd, Jennifer L. "Reading the web, web and textile imagery in George Eliot's The mill on the floss, Silas Marner and Middlemarch." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0009/MQ36530.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Ray-Barruel, Gillian. "In the Eye of the Beholder: Intellectual Difference in Victorian Literature, Culture, and Beyond." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/367374.

Full text

Abstract:

This research takes a cultural disability studies approach to the history of intellectual disability and examines its ramifications for modern discourses of autism Specifically, J investigate how and why concepts of intellectual disability shift over time in response to social, political, medical, and educational motivations. The nineteenth century was a time of tremendous change in the categorisation of people according to perceptions of intelligence, the consequences of which continue to resonate in the current era and structure how we regard intellectual disability and difference. We now have labels of learning disability and autism spectrum disorder: classifications that previously did not exist. J explore how autistic identity is constructed in the competing discourses of the medical and social models, the poststructuralist approach, and the neurodiversity and autism advocacy approach, and I question the implications of the shifting discourses of autism on the subjectivity of the person with an autism diagnosis.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Education and Professsional Studies
Arts, Education and Law
Full Text

APA, Harvard, Vancouver, ISO, and other styles

9

Payne, Juliana. "The changing role and portrayal of 'the individual' in historical context in Jane Austen's Pride and Prejudice and Emma, George Eliot's Middlemarch and Daniel Deronda, and Thomas Hardy's The Mayor of Casterbridge and Tess of the d'Urbervilles." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1994. https://ro.ecu.edu.au/theses/1109.

Full text

Abstract:

In an analysis of six novels published in the nineteenth century, the thesis examines the changing role and portrayal of the 'individual' in Victorian fiction. Jane Austen's Pride and Prejudice (1813) and Emma (1816), George Eliot's Middlemarch (1872) and Daniel Deronda (1876), and Thomas Hardy's Mayor of Casterbridge (1886) and Tess of the d'Urbervilles (1891) are analysed in depth. The discussion focuses on how the social and historical context shapes the development of theme, character and plot in the novels, especially focusing on literary conceptions of character as an individualistic being within the wider framework of society. The emphasis is on the characters' engagement with their society, and how the portrayal connects with the social and historical context. The development of the novel as a literary form is examined in the light of literary history. The thesis discusses the relationship between recorded history and the development of literary characters. It analyses how the concept of the individual evolved: how the process enacted itself from traditional identity to one which is slowly revealed and unfolded within the text. It investigates the differences between the ideas of character identity as a given property, or identities which are formed and developed throughout the course of the novel in their historical context. The characters' relationships to their social worlds and its demands, and the process by which a character acquires subjectivity and involves him or herself in the social life of the society is investigated, in the light of the rapidly changing Victorian society. The eighteenth-century social inheritance is established, locating the origins and catalysts of change and how the nineteenth-century society's immediate ancestors fanned, and were fanned by, their social world. The sociological and historical framework of the Victorian world is examined and related to the portrayal and development of individuality. A vital consideration is the pervasiveness and rapidity of social change in the nineteenth century, to an extent previously never experienced by any society. The progression and effects of this change through the century are interpreted through the writers' portrayal of individuals. The tidal movement of ideas between progression and traditionalism, between character and fate will be charted through the century. The thesis questions how much freedom of choice, or the illusion of it, affects the unfolding concept of the individual.

APA, Harvard, Vancouver, ISO, and other styles

10

Rosa, Débora Souza da. "Silenced angels: an obscure Saint Theresa in George Eliots Middlemarch." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4018.

Full text

Abstract:

Universidade Castelo Branco
A presente dissertação objetiva a comparação proposta no Prelúdio do romance Middlemarch por sua autora George Eliot entre a protagonista da obra, Dorothea Brooke, e a figura histórica Teresa dÁvila. A partir de tal estudo, busca-se compreender de que modo a situação específica da mulher na Era Vitoriana é articulada no romance de modo a espelhar a crise ontológica e epistemológica do próprio ser humano diante das transformações consolidadas com o Iluminismo e as revoluções liberais do século XVIII que culminariam na morte de Deus. Dorothea mostra-se uma cristã tão fervorosa quanto a Teresa quinhentista, mas faltam-lhe certezas e a resolução para concretizar as reformas sociais que defende, pois ela encarna o mito de feminilidade oitocentista batizado de Anjo do Lar ideal de sujeição feminina à ordem falocêntrica cujas funções são a proteção e difusão da moralidade burguesa e a substituição de elementos cristãos no universo do sagrado a uma sociedade cada vez mais materialista e insegura de valores absolutos. As aflições de Dorothea representam as aflições da mulher vitoriana, mas o momento crítico desta mulher reflete, em Middlemarch, uma crise muito maior do Ocidente, que teve início com a Era da Razão
The present dissertations purpose is the comparison proposed by George Eliot in the Prelude of the novel Middlemarch between its protagonist, Dorothea Brooke, and the historical character Teresa of Avila. Such study endeavors to understand in which way the specific situation of the Victorian woman is articulated within the novel as to mirror the ontological and epistemological crisis of the human being itself during the transformations consolidated by the Enlightenment and the liberal revolutions of the eighteenth century which culminated in the death of God. Dorothea is as ardent a Christian as the fifteenth century Teresa, but she lacks the certainties and the resolution to concretize the social reforms she defends, because she incarnates the nineteenth century myth of womanhood known as the Angel in the House an ideal of feminine subjection to the phalocentric order whose functions are the protection and diffusion of the bourgeois morality and the replacement of Christian elements within the imaginary universe of the sacred to a society progressively more materialistic and insecure of absolute values. The afflictions of Dorothea represent the afflictions of the Victorian woman, but the critical moment of this woman reflects, in Middlemarch, a much greater crisis in the Western thought, which began with the Age of Reason

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "George Eliot's Middlemarch"

1

Rosensfit, Gail Rae. George Eliot's Middlemarch. Piscataway, N.J: Research & Education Association, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Wright, T. R. George Eliot's Middlemarch. New York: Harvester Wheatsheaf, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Eliot's Middlemarch: Reader's guide. London: Continuum, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Kathleen, Blake, and Modern Language Association of America., eds. Approaches to teaching Eliot's Middlemarch. New York: Modern Language Association of America, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

George Eliot, Middlemarch. Cambridge: Cambridge University Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Neale, Catherine. George Eliot, Middlemarch. London, England: Penguin Books, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

1947-, Peck John, ed. Middlemarch, George Eliot. Basingstoke: Macmillan, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Rutherford, Anna. George Eliot, Middlemarch: Notes. Harlow: Longman, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Rutherford, Anna. George Eliot, Middlemarch: Notes. Harlow: Longman, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Handley, Graham. Middlemarch by George Eliot. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-07932-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "George Eliot's Middlemarch"

1

Szirotny, June Skye. "Middlemarch." In George Eliot's Feminism, 143–71. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137406156_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Gray, Beryl. "Middlemarch." In George Eliot and Music, 79–99. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-10018-7_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Jay, Elisabeth. "George Eliot: Middlemarch." In Literature in Context, 119–34. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-04191-3_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Lenz, Bernd. "Eliot, George: Middlemarch." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8456-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Handley, Graham. "George Eliot." In Middlemarch by George Eliot, 1–7. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-07932-2_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Arnold, Jean. "Organic Realism in Middlemarch." In George Eliot, 119–37. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10626-3_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Wilkes, Joanne. "Middlemarch and Reform." In Antipodean George Eliot, 128–44. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003362821-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Haight, Gordon S. "The Heroine of Middlemarch." In George Eliot’s Originals and Contemporaries, 58–67. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12650-7_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

McSweeney, Kerry. "Felix Holt (1866) and Middlemarch (1871–72)." In George Eliot, 118–30. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1057/9780230389656_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Lovesey, Oliver. "Middlemarch’s Colonial Imaginary." In Postcolonial George Eliot, 159–216. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-33212-7_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "George Eliot's Middlemarch"

1

Selitrina, Tamara. "A POST-ROMANTIC PORTRAIT OF GEORGE ELIOT’S “MIDDLEMARCH” PROTAGONIST DOROTHEA BROOKE: “ANTIQUE FORM ANIMATED BY CHRISTIAN SENTIMENT”." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.22.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!