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Relevant bibliographies by topics / George Eliot's Middlemarch

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Dissertations / Theses

Academic literature on the topic 'George Eliot's Middlemarch'

Author: Grafiati

Published: 19 February 2023

Last updated: 20 February 2023

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Dissertations / Theses on the topic "George Eliot's Middlemarch"

1

Andrews, Sandra Hildegarde. "Optative Regret in George Eliot's Middlemarch." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355502521.

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2

Bowen, Leslie E. H. "Vocation, marriage and "The Woman Question" in George Eliot's Middlemarch." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1995. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1995.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2841. Typescript. Abstract precedes thesis as preliminary leaves. Includes bibliographical references (leaves 89-91).

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3

Kelly, Katherine Marie. "George Eliot's Middlemarch: The Making of a Modern Marriage." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1173.

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In this thesis I examine the evolving social and personal attitudes about marriage and love as depicted in George Eliot's Middlemarch by arguing that Eliot anticipates modern marriages by critiquing traditional Victorian marital values. For the purposes of this analysis, the applicable aspects of modern marriage are sexuality, shifting gender roles, and a dismissal of social class as the major factor in choosing a partner. In order to achieve this end, I apply close textual analysis as well as a New Historical approach to examine how Middlemarch is conditioned by its historical context.

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4

Ericsson, Linn. "Structural Metaphors in George Eliot's Middlemarch and their Swedish Translations." Thesis, University of Skövde, School of Humanities and Informatics, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-1045.

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5

Bleakney, Sarah Wing. ""Inconsistent" desire self-government and age-disparate marriage in George Eliot's Middlemarch /." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0011862.

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6

Contractor, Tara D. "The Aesthetics of Sympathy: George Eliot's representations of the visual arts." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/235.

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George Eliot filled her novels with discussions of art and references to specific paintings and sculptures. Though this element of her fiction is easy for the contemporary reader to overlook, it was well loved by her Victorian readership, and is invested with a great deal of thematic content. This thesis analyzes representations of the visual arts in Romola, Middlemarch, and Daniel Deronda, investigating the way that art becomes inseparable from Eliot’s larger moral themes of sympathy and historical consciousness.

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7

Shepherd, Jennifer L. "Reading the web, web and textile imagery in George Eliot's The mill on the floss, Silas Marner and Middlemarch." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0009/MQ36530.pdf.

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8

Ray-Barruel, Gillian. "In the Eye of the Beholder: Intellectual Difference in Victorian Literature, Culture, and Beyond." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/367374.

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This research takes a cultural disability studies approach to the history of intellectual disability and examines its ramifications for modern discourses of autism Specifically, J investigate how and why concepts of intellectual disability shift over time in response to social, political, medical, and educational motivations. The nineteenth century was a time of tremendous change in the categorisation of people according to perceptions of intelligence, the consequences of which continue to resonate in the current era and structure how we regard intellectual disability and difference. We now ha

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9

Payne, Juliana. "The changing role and portrayal of 'the individual' in historical context in Jane Austen's Pride and Prejudice and Emma, George Eliot's Middlemarch and Daniel Deronda, and Thomas Hardy's The Mayor of Casterbridge and Tess of the d'Urbervilles." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1994. https://ro.ecu.edu.au/theses/1109.

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In an analysis of six novels published in the nineteenth century, the thesis examines the changing role and portrayal of the 'individual' in Victorian fiction. Jane Austen's Pride and Prejudice (1813) and Emma (1816), George Eliot's Middlemarch (1872) and Daniel Deronda (1876), and Thomas Hardy's Mayor of Casterbridge (1886) and Tess of the d'Urbervilles (1891) are analysed in depth. The discussion focuses on how the social and historical context shapes the development of theme, character and plot in the novels, especially focusing on literary conceptions of character as an individualistic bei

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10

Rosa, Débora Souza da. "Silenced angels: an obscure Saint Theresa in George Eliots Middlemarch." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4018.

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Universidade Castelo Branco<br>A presente dissertação objetiva a comparação proposta no Prelúdio do romance Middlemarch por sua autora George Eliot entre a protagonista da obra, Dorothea Brooke, e a figura histórica Teresa dÁvila. A partir de tal estudo, busca-se compreender de que modo a situação específica da mulher na Era Vitoriana é articulada no romance de modo a espelhar a crise ontológica e epistemológica do próprio ser humano diante das transformações consolidadas com o Iluminismo e as revoluções liberais do século XVIII que culminariam na morte de Deus. Dorothea mostra-se uma cristã

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