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Dissertations / Theses on the topic 'George Eliot'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Williamson, D. A. "Two Georges and the dragon : the Heroine's Journey in selected novels of George Sand and George Eliot /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0004/NQ42772.pdf.

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2

Vitaglione, Daniel. "George Eliot and George Sand : a comparative study." Thesis, University of St Andrews, 1990. http://hdl.handle.net/10023/15069.

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The thesis is a comparative study of George Eliot and George Sand. Numerous references to Sand in Eliot's correspondence, as well as in Lewes's criticism, show that the link between the two female authors was more profound than suspected. Lewes and Sand met and corresponded for a few years and his art theory is greatly indebted to Sand's novels. Sand also exerted a profound influence on Eliot's intellectual and artistic development before Eliot met Lewes. Sand was her "divinity." However, it is Lewes who encouraged Eliot to follow in Sand's footsteps. The thesis is thematic and compares first

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3

Koo, Seung-Pon Simpkins Scott. "The politics of sympathy secularity, alterity, and subjectivity in George Eliot's novels /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/ark:/67531/metadc12145.

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4

Holmes, John Steven. "George Eliot and political reform." Thesis, Cardiff University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.254509.

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5

Murayama, Haruho. "George Eliot and the Bible." Thesis, University of Newcastle Upon Tyne, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251996.

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6

Fontes, Janaina Gomes. "George Eliot : a maternidade ressignificada." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/15531.

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Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas,Programa de Pós-Graduação em Literatura, 2014.<br>Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2014-04-30T14:08:57Z No. of bitstreams: 1 2014_JanainaGomesFontes.pdf: 1834313 bytes, checksum: 0629da2461016856df2d73659acaad1e (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2014-04-30T14:54:29Z (GMT) No. of bitstreams: 1 2014_JanainaGomesFontes.pdf: 1834313 bytes, checksum: 0629da2461016856df2d73659acaad1e (MD5)<br>Made a

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7

Bowen, Leslie E. H. "Vocation, marriage and "The Woman Question" in George Eliot's Middlemarch." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1995. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1995.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2841. Typescript. Abstract precedes thesis as preliminary leaves. Includes bibliographical references (leaves 89-91).

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8

Hesse, David Maria. "George Eliot and Auguste Comte : the influence of Comtean philosophy on the novels of George Eliot /." Frankfurt am Main ; New York ; Paris [etc.] : P. Lang, 1996. http://catalogue.bnf.fr/ark:/12148/cb376314668.

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9

Hadjiafxendi, Kyriaki. "George Eliot, the literary market and sympathy." Thesis, University of East Anglia, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442540.

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Working at the intersection between the scholarly fields of affect, gender and print media, my thesis argues that George Eliot's conception of art as a means of extending sympathy was integral to her authorship during 1851-64. Eliot's authorial formation as a promoter of sympathetic feeling was, to a large degree, a product of and a critical response to a burgeoning print culture. Her concern with sympathy during the early years of her journalistic and literary careers permeated both her writing and her relationship with critics, editors, publishers and readers. It is the diverse meanings that

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10

Tucker, Joshua. "Words that we couldn't say the narrator's search for meaning in Middlemarch /." Diss., Connect to the thesis, 2004. http://thesis.haverford.edu/89/01/2004TuckerJ.pdf.

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11

Da, Sousa Correa Delia Gwendolen. "George Eliot and music in nineteenth-century literature." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358448.

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12

Davis, J. "Visionary realism : From George Eliot to Doris Lessing." Thesis, University of Liverpool, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375137.

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13

Platt, Alison M. "George Eliot and the revolutions of the mind." Thesis, University of Liverpool, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366406.

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14

Seichepine, Marielle. "Le temps dans les romans de George Eliot." Paris 4, 1996. http://www.theses.fr/1996PA040123.

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Je me propose, en me fondant sur les théories du philosophe Paul Ricœur, d'apporter un éclairage général sur l'aspect temporel de l'œuvre eliotienne. En fait, la romancière souscrit aux nouvelles conceptions philosophiques du début du dix-neuvième siècle, qui se caractérisent par un dynamisme mesure, et qui reposent sur la notion de continuité et de développement progressif. Le temps, parfois mythique et statique, revêt généralement un caractère organique, illustrant que Paul Ricœur nomme la "répétition du même" à travers l'évocation de l'histoire naturelle, mais aussi "historique" par la pris

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15

Reilly, James Dominic. "History and representation in George Eliot, Hardy and Conrad." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240043.

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16

Ryu, Son-Moo. "Imagining society William Blake, William Wordsworth, and George Eliot /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3167282.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2005.<br>Title from PDF t.p. (viewed Dec. 3, 2008). Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 1010. Chair: Nicholas Mark Williams.

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17

Vlahakis, Mary. "George Eliot and Maggie Tulliver : a symbiosis with the past /." Title page, contents and introduction only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arv865.pdf.

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18

Wah, Sarah Jane. "Fame and the female author : Charlotte Brontë and George Eliot." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615010.

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19

Norgan, J. "The construction of realism in the novels of George Eliot." Thesis, Cardiff University, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293514.

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Drawing on recent developments in the theory of language and literature, this work explores the realism of George Eliot, with particular emphasis on how her novels, in various ways, show the linguistic and ideological conditions and constraints of the production of meaning in the genre of realism. Chapter 1 presents an introduction to the main issues at stake in realism and defines the key terms 'realism' and 'ideology' in preparation for the rest of the thesis. Chapter 2 then follows the introduction by looking at Eliot's first novel, Adam Bede, and suggesting ways in which a poststructuralis

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20

Lynn, Andrew Bertrand. "Totality and autonomy : George Eliot and the power of narrative." Thesis, University of Glasgow, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325255.

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21

Sakoda, Maho. "George Eliot and Pre-Raphaelitism : literature, painting, sculpture and photography." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/64074/.

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This thesis explores the multi‐layered inter-relationships between the works of George Eliot and those of the Pre‐Raphaelites. Taking up the very different mediums of painting, sculpture, and photography as they emerge in Pre‐Raphaelitism, it assesses their relation to Eliot's novels as reinforcing a web of Victorian visual art and literature. The discussion begins by examining proximities between the paintings of Dante Gabriel Rossetti and Eliot's Adam Bede and Daniel Deronda. I explore, in particular, their shared interest in dichotomies of female representation in the nineteenth century, an

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22

McCaw, Neil Alexander. "Doubtful realism : the changing dynamics of history in George Eliot." Thesis, University of Winchester, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360485.

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George Eliot's realist project was one fundamentally undercut by doubt; doubt both as to her ability to represent a coherent and essentially unified notion of human existence, and also (and ultimately) doubt as to the nature of nineteenthcentury reality itself. The barometer of this, this dissertation argues, is Eliot's increasingly problematic representation of history and the historical process. Towards the end of her literary career, it is argued, the doubt undermining her realism culminated in a loss of faith in the historical process; not just in her ability to accurately recreate history

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23

Jougan, Sylvie. "La stratégie de l'indirection dans l'oeuvre romanesque de "George Eliot"." Paris 3, 1999. http://www.theses.fr/1999PA030017.

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Ce travail analyse trois romans dans l'ordre chronologique : adam bede, the mill on the floss et middlemarch. Le fait d'avoir choisi un pseudonyme, et qui plus est un pseudonyme masculin, revele chez marian evans, alias + george eliot, ; une strategie de dedoublement. Pareille strategie semble servir un but precis : la distance qui separe celle qui produit les enonces de fiction a la troisieme personne et + celui ; qui s'y enonce permet de montrer (voire de se montrer) en meme temps que de se taire. C'est ainsi que nous pouvons discerner dans chacun des trois ouvrages etudies, et en particulie

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24

Wardell, Rebecca. "Men, mentors, and masculinity in three of George Eliot's novels /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3074450.

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25

Almqvist, Norbelie Barbro. "Oppressive narrowness : a study of the female community in George Eliot's early writings /." Stockholm : Almqvist och Wiksell, 1992. http://catalogue.bnf.fr/ark:/12148/cb355431195.

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26

Pipping, Git Claesson. "Könet som läsanvisning : George Eliot och Viktoria Benedictsson i det svenska 1880-talet - en receptionstudie /." Stockholm ; Stehag : Symposion graduate, 1993. http://catalogue.bnf.fr/ark:/12148/cb37153985z.

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27

Koo, Seung-Pon. "The Politics of Sympathy: Secularity, Alterity, and Subjectivity in George Eliot's Novels." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12145/.

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This study examines the practical and political implications of sympathy as a mode of achieving the intercommunicative relationship between the self and the other, emphasizing the significance of subjective agency not simply guided by the imperative category of morality but mainly enacted by a hybrid of discourses through the interaction between the two entities. Scenes of Clerical Life, Eliot's first fictional narrative on illuminating the intertwining relation of religion to secular conditions of life, reveals that the essence of religion is the practice of love between the self and the othe

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28

Cetinkaya, Goksev. "An Analysis Of The Moral Development Of George Eliot&#039." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1218106/index.pdf.

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This study analyzes the moral development of George Eliot&#039<br>s characters in her novel Middlemarch according to Lawrence Kohlberg&#039<br>s theory called &quot<br>The Cognitive-Developmental Theory of Moralization&quot<br>. Eliot&#039<br>s moral view is characterized by man&#039<br>s relation with other men, not man&#039<br>s relation with God. As long as the individuals treat others with sympathy and understanding, they can develop morally. Eliot&#039<br>s aim is to contribute to the creation of a happier society by presenting the harms of egoism. According to Kohlberg&#039<br>s theory,

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29

Bennison, Neil Stewart. "Unfolding the process : character, narratology, and the fiction of George Eliot." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242819.

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30

Sola, Andrew. "The presence of Hegel in Daniel Deronda : George Eliot and spirit." Thesis, University of East Anglia, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268480.

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31

Toussaint, Benjamine. "Religion et humanisme dans l'œuvre d'Elizabeth Gaskell et de George Eliot." Paris 4, 2002. http://www.theses.fr/2002PA040154.

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Elizabeth Gaskell était unitarienne et profondément croyante tandis que George Eliot était agnostique et pensait, comme Feuerbach, que Dieu n'est qu'une projection des qualités de l'homme idéal. Cependant, l'unitarisme est une religion rationnelle, tolérante et peu dogmatique, de sorte qu'Elizabeth Gaskell a une approche très pragmatique de la foi. Quant à George Eliot, son humanisme est fortement marqué par la tradition chrétienne ; si elle souhaite replacer l'homme au centre de la religion, elle juge tout aussi important de préserver sa capacité à vénérer un idéal sacré. Bien que leurs point

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32

Wyko, Mary E. "That Besetting Sin: How George Eliot Punishes Her Ambitious Female Characters." Connect to resource online, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1263604143.

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33

Lee, Sung-Ae. "Utopias, dystopias, and abjection pathways for society's others in George Eliot's major fictions /." Phd thesis, Australia : Macquarie University, 2003. http://hdl.handle.net/1959.14/45363.

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Thesis (PhD)--Macquarie University, Division of Humanities, Department of English, 2003.<br>Bibliography: p. 250-270.<br>Introduction -- Female subjectivity, abjection, and agency in Scenes of clerical life -- A questionable Utopia: Adam Bede -- Dystopia and the frustration of agency in the double Bildungsroman of The mill on the floss -- Abjection and exile in Silas Marner -- Justice and feminist Utopia in Romola -- Radicalism as Utopianism in Felix Holt, the radical -- The pursuit of what is good: Utopian impulses in Middlemarch -- Nationalism and multiculturalism: shaping the future as tran

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34

Wright, Margaret S. "Private vs. public conscience the contradiction between George Eliot's atheism and her use of traditional Christianity in her fiction /." Diss., Online access via UMI:, 2007.

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35

Andrews, Sandra Hildegarde. "Optative Regret in George Eliot's Middlemarch." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355502521.

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36

Jumeau, Alain. "George eliot, ses personnages et son lecteur : genese d'une fiction (1857-1861)." Paris 3, 1987. http://www.theses.fr/1987PA030064.

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Marian evans, traductrice de strauss et de feuerbach, et responsable de la revue radicale the westminster review, est devenue une creatrice de fiction en publiant sous le pseudonyme masculin de george eliot. Mais ce travail s'interesse surtout a une autre fiction : celle d'une relation entre "george eliot" (personnalite fictive creee par le pseudonyme, et renforcee par la presence d'un narrateur masculin), ses personnages (eux aussi le produit d'une fiction) et son lecteur (un lecteur fictif present dans ses romans). Il commence avec la publication des scenes of clerical life et s'acheve avec

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37

Henri-Lepage, Savoyane. "Traduire les voix dans The mill on the Floss de George Eliot." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81495.

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The Mill on the Floss, by Victorian novelist George Eliot, is a polylinguistic novel in Bakhtine's sense of the word in that it integrates the linguistic diversity of the society which it depicts. This novel published in 1860 was translated six times into French but never enjoyed a great reception in France. We examine three translations in this thesis: the first is by Francois D'Albert-Durade (1863), the second is by Lucienne Molitor (1957) and the last is by Alain Jumeau (2003).<br>D'Albert-Durade's translation evacuates the linguistic diversity in order to shape the novel to the requ

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38

Canton, Licia 1963. "The fate of the fallen woman in George Eliot and Thomas Hardy /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65544.

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39

Corner, J. "The beginnings of George Eliot : the creative process of the early fiction." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598004.

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My dissertation aims to determine the means by which Marian Evans began to write fiction. It argues that her beginnings were achieved through a process of self-reinvention, from which she emerged as George Eliot, the artistic identity for which she became universally known. My thesis is that Marian Evans was only aware of, and therefore able to present, her self-reinvention while actively engaged in that process. The fiction is therefore read for its expression of the shifts and schisms in her identity. In the light of the seemingly unbridgeable distance between the limited voice of Marian Eva

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40

Mahabir, Lorraine Michele. "The voice and vision of George Eliot : the rescuer of human meaning." Thesis, University of Liverpool, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283558.

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41

Davis, Michael Dominic. "Exploring the unmapped country : George Eliot and nineteenth-century science of mind." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368684.

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42

Williams, Christopher. "Readings in Eliot : allusion as technique in the poetry of George Seferis." Thesis, King's College London (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362880.

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43

Costa, Monica Chagas da. "George Eliot, o nome na capa de The mill on the floss." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/143597.

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Este trabalho tem como objetivo analisar o conceito de autoria no contexto da obra de George Eliot. Para realizá-lo, definiram-se dois aspectos relevantes da atividade do autor. O primeiro deles é sua existência empírica, situada dentro de determinadas práticas, como apontado por Martha Woodmansee, Michel Foucault, Marisa Lajolo e Regina Zilberman. O segundo, seu funcionamento intratextual, como instância discursiva, destilado das teorias enunciativas de Emile Benveniste e das proposições teóricas de Wayne Booth, Umberto Eco e Wolfgang Iser. A partir dessas elaborações, foram desenvolvidas as

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44

Stufflebeem, Barbara. "Visionary Excitability and George Eliot: Judeo-Mythic Narrative Technique in Daniel Deronda." Oberlin College Honors Theses / OhioLINK, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1396955096.

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45

Jumeau, Alain. "George Eliot, ses personnages et son lecteur genèse d'une fiction (1857-1861) /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37606324n.

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46

Hollis, Hilda Margaret. "Unsatisfactory answers : dialogism in George Eliot's later novels /." *McMaster only, 1998.

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47

Law-Viljoen, Bronwyn. "A hermeneutical study of the Midrashic influences of biblical literature on the narrative modes, aesthetics, and ethical concerns in the novels of George Eliot." Thesis, Rhodes University, 1993. http://hdl.handle.net/10962/d1002279.

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The thesis will examine the influence of Biblical literature on some of the novels of George Eliot. In doing so it will consider the following aspects of Eliot criticism: current theoretical debate about the use of midrash; modes of discourse and narrative style; prophetic language and vision; the influence of Judaism and Jewish exegetical methods on Adam Bede, "The Lifted Veil", The Mill on the Floss, Felix Holt, and Daniel Deronda. Literary critics have, for a long time, been interested in the influence of the Bible and Biblical hermeneutics on literature and the extent to which Biblical nar

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48

Stockslager, Tess Rebecca. ""Life wants padding" food, eating, and bodies in George Eliot's novels /." Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.

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49

Teranishi, Masayuki. "Polyphony in fiction : a stylistic analysis of Middlemarch, Nostromo, and Herzog /." Oxford ; Bern Berlin Bruxelles Frankfurt, M. New York, NY Wien : Lang, 2008. http://d-nb.info/987953192/04.

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50

Ritterhoff, Teresa. "Novellenschatz : searching for treasure in the novellas of Gottfried Keller and George Eliot /." Ann Arbor, Mich : UMI, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000252643.

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