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Journal articles on the topic 'George Eliot'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Eigner, Edwin M., Rosemary Ashton, Sally Shuttleworth, and William Myers. "George Eliot." Modern Language Review 82, no. 4 (1987): 932. http://dx.doi.org/10.2307/3729073.

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2

Jauksz, Marcin. "George Eliot, George Henry Lewes i mechanizmy literackiego oddziaływania." Forum Poetyki, no. 7 (March 6, 2017): 18–31. http://dx.doi.org/10.14746/fp.2017.7.26757.

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Celem artykułu jest analiza wybranych wątków przemian w obrębie poetyki dziewiętnastowiecznej powieści, do których dochodzi pod wpływem rozwoju psychologii i innych nauk społecznych. Przypadek intelektualnej interakcji między George Eliot a Georgem Henrym Lewesem, partnerów tak w życiu, jak i w zainteresowaniach literackich, pozwala zaobserwować jak bliskie były ambicje realistycznych pisarzy oraz badaczy życia społecznego w zakresie odkrywania mechanizmów ludzkiej psychiki. Sceny z życia duchownych oraz Miasteczko Middlemarch, czytane z perspektywy Virginii Woolf, pełne sa przykładów na to, w

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3

Lovesey. "Examining George Eliot." George Eliot - George Henry Lewes Studies 71, no. 2 (2019): 143. http://dx.doi.org/10.5325/georelioghlstud.71.2.0143.

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4

Kurnick, David. "UNSPEAKABLE GEORGE ELIOT." Victorian Literature and Culture 38, no. 2 (2010): 489–509. http://dx.doi.org/10.1017/s1060150310000136.

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The very idea of Victoriancosmopolitanism might at first glance seem an oxymoron. Historically bracketed by a Romanticism that took political inspiration from France and intellectual cues from Germany and by a modernism whose most prominent “English” personnel were largely from overseas, the Victorians can look decidedly parochial. The most incisive recent attempts to link cosmopolitan thinking to specific formal or stylistic innovations have tended to leave the Victorians out of the picture. A recent essay by David Simpson, for example, nominates what he terms the Romantic “historical-geograp

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5

Costa, Catherine. ""My George Eliot": Deutera Dickinson/Mutter Eliot." Emily Dickinson Journal 5, no. 2 (1996): 59–65. http://dx.doi.org/10.1353/edj.0.0122.

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6

MAHAWATTE, ROYCE. "GEORGE MURRAY SMITH TO GEORGE ELIOT." Notes and Queries 46, no. 1 (1999): 50—b—51. http://dx.doi.org/10.1093/nq/46-1-50b.

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7

MAHAWATTE, ROYCE. "GEORGE MURRAY SMITH TO GEORGE ELIOT." Notes and Queries 46, no. 1 (1999): 50—b—51. http://dx.doi.org/10.1093/nq/46.1.50-b.

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8

Auerbach, Nina. "The Waning George Eliot." Victorian Literature and Culture 25, no. 2 (1997): 353–58. http://dx.doi.org/10.1017/s1060150300004836.

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Taken together, the four books under review here make me feel, not too comfortably, like a character in Middlemarch: in the aggregate, recent work on George Eliot is so slight that it evokes books unwritten, mighty tasks not only unfinished, but unbegun. The comparative modesty of even excellent work like Rosemarie Bodenheimer's, the sense that criticism is returning, in a smaller compass with more scrupulous vision, to ground already broken, is symptomatic of a void in our generation's imagination. An adequate appraisal of George Eliot needs an ambition as encompassing as George Eliot's own,

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9

Wolff, Michael. "George Eliot, Other-Wise Marian Evans." Browning Institute Studies 13 (1985): 25–44. http://dx.doi.org/10.1017/s0092472500005356.

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My title, “George Eliot, Other-Wise Marian Evans,” is intended in the first place simply to remind us of the Marian Evans behind George Eliot and to get us to acknowledge afresh the strangeness of her situation as a woman living within a man's name. It also reminds us that she brought wisdom to her creation of George Eliot, a wisdom derived in part from her awareness of the complex history of her own life and in part from the intense dedication with which she practised her vocation of authorship.

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10

GALLAGHER, CATHERINE. "George Eliot: Immanent Victorian." Representations 90, no. 1 (2005): 61–74. http://dx.doi.org/10.1525/rep.2005.90.1.61.

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ABSTRACT Using Middlemarch as its primary instance, this essay argues that George Eliot's realism (and by extension nineteenth-century British realism generally) contains a tension between reference (to types of extradiegetic persons) and realization (which is aligned with the fictionality of novelistic characters). The dynamic of Eliot's novels involves the constant deviation of characters away fromtypes and toward fictional particularity, and it thereforematches a more general turn in British culture away froma desire for salvation conceived of as spiritual or ideational transcendence and to

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11

Myers, William, and Alexander Welsh. "George Eliot and Blackmail." Modern Language Review 83, no. 4 (1988): 982. http://dx.doi.org/10.2307/3730942.

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12

Lindau, Buff. "A George Eliot Note." George Eliot - George Henry Lewes Studies 64-65, no. 1 (2013): 109. http://dx.doi.org/10.2307/42827928.

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13

Sartori, Éric. "George Eliot, romancière positiviste ?" Commentaire Numéro166, no. 2 (2019): 379. http://dx.doi.org/10.3917/comm.166.0379.

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14

Lindau, Buff. "A George Eliot Note." George Eliot - George Henry Lewes Studies 64-65, no. 1 (2013): 109. http://dx.doi.org/10.2307/georelioghlstud.64-65.1.0109.

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15

Levine. "The Dickensian George Eliot." Dickens Studies Annual 50, no. 1 (2019): 48. http://dx.doi.org/10.5325/dickstudannu.50.1.0048.

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16

Lee, Peter M. "George Eliot and mathematics." BSHM Bulletin: Journal of the British Society for the History of Mathematics 31, no. 2 (2016): 154. http://dx.doi.org/10.1080/17498430.2016.1162406.

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17

WIESENFARTH, J. "George Eliot and Blackmail." Modern Language Quarterly 47, no. 1 (1986): 75–78. http://dx.doi.org/10.1215/00267929-47-1-75.

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18

MAHAWATTE, ROYCE. "LETTER TO GEORGE ELIOT." Notes and Queries 46, no. 1 (1999): 50—a—50. http://dx.doi.org/10.1093/nq/46-1-50a.

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19

MAHAWATTE, ROYCE. "LETTER TO GEORGE ELIOT." Notes and Queries 46, no. 1 (1999): 50—a—50. http://dx.doi.org/10.1093/nq/46.1.50-a.

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20

Horowitz, Evan. "George Eliot: The Conservative." Victorian Studies 49, no. 1 (2006): 7–32. http://dx.doi.org/10.2979/vic.2006.49.1.7.

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21

Bonaparte, Felicia. "George Eliot and Community." New Vico Studies 3 (1985): 226–31. http://dx.doi.org/10.5840/newvico1985343.

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22

Schneller, Beverly, and Rosemary Ashton. "George Eliot: A Life." Albion: A Quarterly Journal Concerned with British Studies 30, no. 2 (1998): 324. http://dx.doi.org/10.2307/4053573.

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23

Zhang, Liang, and Lingqin Zeng. "George Eliot’s Feminine Assertion in Middlemarch." Theory and Practice in Language Studies 7, no. 7 (2017): 540. http://dx.doi.org/10.17507/tpls.0707.06.

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As a female writer, especially the one capable of winning a unique reputation among the male-dominated literary circle during the Victorian era, George Eliot was sensitive and much concerned for women’s living circumstances and difficulties in the community. The article aims to make a tentative interpretation on Eliot’s feminine perspectives by a closing reading of her representative novel, Middlemarch. The article concludes that George Eliot was not a feminist, and she herself might refuse to be entitled a feminist. Through analysis of her female images, it is clear that George Eliot never pu

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24

Ernstrom, Adele M. "Anna Jameson and George Eliot." RACAR : Revue d'art canadienne 20, no. 1-2 (1993): 72. http://dx.doi.org/10.7202/1072760ar.

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25

Grogan. "A George Eliot Family Archive." George Eliot - George Henry Lewes Studies 72, no. 2 (2020): 174. http://dx.doi.org/10.5325/georelioghlstud.72.2.0174.

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26

Linklater, Ian. "George Eliot: English moral Realism." Estudos Germânicos 6, no. 1 (1985): 174. http://dx.doi.org/10.17851/0101-837x.6.1.174-185.

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27

BIdney, Martin. "George Eliot. The Spanish Gypsy." George Eliot - George Henry Lewes Studies 56-57, no. 1 (2009): 141–43. http://dx.doi.org/10.2307/42827865.

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28

Garratt, Peter. "George Eliot: Novelist, Lover, Wife." George Eliot - George Henry Lewes Studies 62-63, no. 1 (2012): 131–34. http://dx.doi.org/10.2307/42827912.

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29

Garratt, Peter. "George Eliot: Novelist, Lover, Wife." George Eliot - George Henry Lewes Studies 62-63, no. 1 (2012): 131–34. http://dx.doi.org/10.2307/georelioghlstud.62-63-1.0131.

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30

BIdney, Martin. "George Eliot. The Spanish Gypsy." George Eliot - George Henry Lewes Studies 56-57, no. 1 (2009): 141–43. http://dx.doi.org/10.2307/georelioghlstud.56-57-1.0141.

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31

Streeter, Patrick. "Florence Streeter And George Eliot." George Eliot - George Henry Lewes Studies 56-57, no. 1 (2009): 140–41. http://dx.doi.org/10.2307/georelioghlstud.56-57-1.0140.

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32

Harris, Margaret. "George Eliot Interviews And Recollections." George Eliot - George Henry Lewes Studies 60-61, no. 1 (2011): 156–58. http://dx.doi.org/10.2307/georelioghlstud.60-61-1.0156.

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33

Vogeler, Martha S. "George Eliot as Literary Widow." Huntington Library Quarterly 51, no. 2 (1988): 73–87. http://dx.doi.org/10.2307/3817504.

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34

Szirotny, J. S. "George Eliot, Lucretius, and Bacon." Notes and Queries 57, no. 2 (2010): 216–18. http://dx.doi.org/10.1093/notesj/gjq049.

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35

GETTELMAN, D. "Reading Ahead in George Eliot." Novel: A Forum on Fiction 39, no. 1 (2005): 25–47. http://dx.doi.org/10.1215/ddnov.039010025.

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36

Segal, Eyal. "A Companion to George Eliot." Poetics Today 36, no. 4 (2015): 572–75. http://dx.doi.org/10.1215/03335372-3455198.

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37

Mahawatte, R. "Note. Letter to George Eliot." Notes and Queries 46, no. 1 (1999): 50–51. http://dx.doi.org/10.1093/nq/46.1.50.

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38

Baker, William. "Romola. Andrew Brown , George Eliot." Papers of the Bibliographical Society of America 87, no. 3 (1993): 375–78. http://dx.doi.org/10.1086/pbsa.87.3.24304393.

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39

Neal, Allison. "A Companion to George Eliot." Women's Writing 21, no. 4 (2014): 611–13. http://dx.doi.org/10.1080/09699082.2014.913858.

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40

Turner, Mark, and Caroline Levine. "Gender, Genre and George Eliot." Women's Writing 3, no. 2 (1996): 95–96. http://dx.doi.org/10.1080/0969908960030201.

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41

Baker, William. "George Eliot: Eight Unpublished Letters." English Studies 101, no. 7 (2020): 849–57. http://dx.doi.org/10.1080/0013838x.2020.1820712.

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42

Newton, K. M. "The otherness of George Eliot." Textual Practice 28, no. 2 (2013): 189–214. http://dx.doi.org/10.1080/0950236x.2013.840115.

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43

Newton, K. M. "George Eliot and the Ethical." Essays in Criticism 63, no. 3 (2013): 298–316. http://dx.doi.org/10.1093/escrit/cgt015.

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44

Urwin, Cathy. "On darwin and George Eliot." Infant Observation 6, no. 3 (2003): 58–59. http://dx.doi.org/10.1080/13698030408406163.

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45

Newton, K. M. "George Eliot As Proto-Modernist." Cambridge Quarterly XXVII, no. 4 (1998): 275–86. http://dx.doi.org/10.1093/camqtly/xxvii.4.275.

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46

Henry, Nancy. "GEORGE ELIOT AND THE COLONIES." Victorian Literature and Culture 29, no. 2 (2001): 413–33. http://dx.doi.org/10.1017/s1060150301002091.

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Women are occasionally governors of prisons for women, overseers of the poor, and parish clerks. A woman may be ranger of a park; a woman can take part in the government of a great empire by buying East India Stock.— Barbara Bodichon, A Brief Summary in Plain Language, of the Most Important Laws Concerning Women (1854)ON OCTOBER 5, 1860, GEORGE HENRY LEWES VISITED a solicitor in London to consult about investments. He wrote in his journal: “[The Solicitor] took me to a stockbroker, who undertook to purchase 95 shares in the Great Indian Peninsular Railway for Polly. For £1825 she gets £1900 wo

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47

Newton, K. M. "George Eliot and the Bushmen." Notes and Queries 55, no. 1 (2008): 45–46. http://dx.doi.org/10.1093/notesj/gjm274.

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48

Newton, K. "George Eliot as proto-modernist." Cambridge Quarterly 27, no. 4 (1998): 275–86. http://dx.doi.org/10.1093/camqtly/27.4.275.

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49

Sperlinger, T. "'The Sensitive Author': George Eliot." Cambridge Quarterly 36, no. 3 (2007): 250–72. http://dx.doi.org/10.1093/camqtly/bfm017.

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50

Henry, Nancy. "George Eliot and Jonathan Swift." Études anglaises 73, no. 1 (2020): 57. http://dx.doi.org/10.3917/etan.731.0057.

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