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Journal articles on the topic 'George Lamming'

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Published: 4 June 2021

Last updated: 25 April 2022

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1

Mao, Douglas. "Transcolonial Bildung: George Lamming, Social Death, and Actually Existing Modernism." Modernist Cultures 13, no. 1 (February 2018): 33–54. http://dx.doi.org/10.3366/mod.2018.0193.

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This article begins by situating the semi-autobiographical narrator of George Lamming's In the Castle of My Skin amid modernist representations of child philosophers at the imperial ‘periphery’ and in relation to the figure of the ‘scholarship boy’ elaborated by Richard Hoggart. It then examines the relation between modernism and exile in Lamming's writing in light of recent work on how Lamming's rise as an author was facilitated by a contest between modernism and rival modes in mid-century British literary life. It further shows that in Castle and related writings, Lamming sets up an opposition in which the scholarship boy, the Caribbean middle classes, British culture, and contempt for blackness appear on the other side of a divide of death from the philosophizing child, the Caribbean peasant, non-British culture, and blackness. It concludes by arguing that Lamming's rendering of this opposition exemplifies how fictions of decolonization could extend and modify the paradigm of thwarted bildung whose centrality to modernist fictions of empire has been illuminated by Jed Esty.

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2

Harbi Mahdi Al-Azawi, Basma. "The Genesis of Violence and Self-Destruction in George Lamming’s Water With Berries." Al-Adab Journal 1, no. 120 (December 18, 2018): 19–30. http://dx.doi.org/10.31973/aj.v1i120.301.

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This paper examines George Lamming’s Water with Berries, a postcolonial text, to reveal the counter literary strategy used by the writer to redefine the colonized against the Western cultural hegemony and the attempts done by the colonial writers to misrepresent and stereotype the colonized people. The paper discusses how the counter text with its alternative interpretation challenges the constitution upon which the canonical work has been based. Re-writing and writing back represent the textual resistance to the misrepresentations and ideas expressed by the center. Lamming explores the colonial experience and its effects on the social, moral, cultural values of previously colonized people. By re-writing Shakespeare’s The Tempest, Lamming provides an alternative reading that might appropriate or undermine the original text. Thus, writing from a post-colonial perspective creates a new perception of colonialism and its effects.

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3

Phillips, Caryl. "Interview: George Lamming talks to Caryl Phillips." Wasafiri 13, no. 26 (September 1997): 10–17. http://dx.doi.org/10.1080/02690059708589555.

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4

Brown, J. Dillon. "Exile and Cunning: The Tactical Difficulties of George Lamming." Contemporary Literature 47, no. 4 (2006): 669–94. http://dx.doi.org/10.1353/cli.2007.0012.

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5

Scott, D. "The Sovereignty of the Imagination: An Interview with George Lamming." Small Axe: A Caribbean Journal of Criticism 6, no. 2 (January 1, 2002): 72–200. http://dx.doi.org/10.1215/-6-2-72.

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6

Ochillo, Yvonne. "Like Mother, Like Daughter: Women in Jean Rhys and George Lamming." Caribbean Quarterly 34, no. 1-2 (March 1988): 37–48. http://dx.doi.org/10.1080/00086495.1988.11829424.

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7

Schwarz, B. "C. L. R. James and George Lamming: The Measure of Historical Time." Small Axe: A Caribbean Journal of Criticism 7, no. 2 (January 1, 2003): 39–70. http://dx.doi.org/10.1215/-7-2-39.

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8

Perry. "Caribbean Revolutions and Cultural Sovereignty: C.L.R. James and George Lamming on Cuba." Global South 13, no. 1 (2019): 81. http://dx.doi.org/10.2979/globalsouth.13.1.05.

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9

Schwarz, Bill. "C. L. R. James and George Lamming: The Measure of Historical Time." Small Axe: A Caribbean Journal of Criticism 14 (September 2003): 39–70. http://dx.doi.org/10.2979/sax.2003.-.14.39.

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10

Gomariz, José. "Cuba y el Caribe. Diáspora, raza e identidad cultural." América sin nombre, no. 19 (December 15, 2014): 5. http://dx.doi.org/10.14198/amesn.2014.19.00.

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De la pluma del Almirante, las islas del Caribe comienzan a emerger en la imaginación europea dando comienzo al mito de la creación americana, así como de sus letras. En su singularidad, las islas se repiten en la plantación colonial, como sugiere Antonio Benítez Rojo; mientras que en el espacio postcolonial, son para George Lamming una familia de comunidades imaginadas. La transculturación de Fernando Ortiz, el discurso antillano de Édouard Glissant, el elogio de la créolité haitiana, son discursos de (com)unidad y pluralidad cultural que dan el perfil y la cifra de un Caribe, al decir de Iris Zavala, dialógico.

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11

Birbalsingh, Frank. "History and the West Indian nation." New West Indian Guide / Nieuwe West-Indische Gids 72, no. 3-4 (January 1, 1998): 283–89. http://dx.doi.org/10.1163/13822373-90002594.

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[First paragraph]The Art of Kamau Brathwaite. STEWART BROWN (ed.). Bridgend, Wales: Seren/Poetry Wales Press, 1995. 275 pp. (Cloth US$ 50.00, Paper US$ 22.95)Atlantic Passages: History, Community, and Language in the Fiction of Sam Selvon. MARK LOOKER. New York: Peter Lang, 1996. x + 243 pp. (Cloth n.p.)Caliban's Curse: George Lamming and the Revisioning of History. SUPRIYA NAIR. Ann Arbor: University of Michigan Press, 1996. viii + 171 pp. (Cloth US$ 34.50)Phyllis Shand Allfrey: A Caribbean Life. LlZABETH PARAVISINI-GEBERT. New Brunswick NJ: Rutgers University Press, 1996. xii + 335 pp. (Cloth US$ 55.00, Paper US$ 18.95)Of the four books to be considered here, those on Brathwaite, Selvon, and Lamming fit snugly together into a natural category of literature that has to do with the emergence of a Creole or African-centered Caribbean culture, and related issues of race, color, class, history, and nationality. The fourth is a biography of Phyllis Shand Allfrey, a white West Indian, who is of an altogether different race, color, and class than from the other three. Yet the four books are linked together by nationality, for Allfrey and the others are all citizens of one region, the English-speaking West Indies, which, as the Federation of the West Indies between 1958 and 1962, formed a single nation.

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12

DeGuzman, Kathleen. "The Pleasures of Excerpts: George Lamming, New World Quarterly, and the Novel." Anthurium A Caribbean Studies Journal 11, no. 2 (December 10, 2014): 2. http://dx.doi.org/10.33596/anth.267.

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13

Fabrizio, Alex. "V. S. Naipaul and George Lamming at the BBC: Reconsidering the Windrush Generation's Political Art." ariel: A Review of International English Literature 52, no. 1 (2021): 153–79. http://dx.doi.org/10.1353/ari.2021.0005.

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14

Dalleo, R. "Authority and the Occasion for Speaking in the Caribbean Literary Field: Martin Carter and George Lamming." Small Axe: A Caribbean Journal of Criticism 10, no. 2 (January 1, 2006): 19–39. http://dx.doi.org/10.1215/-10-2-19.

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15

Seligmann, Katerina Gonzalez. "The Void, the Distance, Elsewhere." Small Axe: A Caribbean Journal of Criticism 24, no. 2 (July 1, 2020): 1–16. http://dx.doi.org/10.1215/07990537-8604442.

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Given the importance of literature to various forms of social cohesion, it is not surprising that the European and US empires that have dominated the geopolitical existence of the insular Caribbean have not readily invested in literary infrastructure throughout the archipelago. The impact of empire on infrastructure for the production of Caribbean literature remains underexamined at large, however. Accounting for the political and economic dimensions of the literary power produced by empire would contribute to the denaturalization of such power, and, this essay argues, decolonize the terms of literary value. The author illuminates the centrality of literary infrastructure to Caribbean literary history through a reparative critique of Pascale Casanova’s theory of the world literary marketplace in dialogue with reflections by a contemporaneous set of highly influential authors from the francophone, hispanophone, and anglophone Caribbean: Aimé Césaire, Lino Novás Calvo, George Lamming, and V. S. Naipaul.

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Campbell, Chris. "Glancing backwards: George Lamming, John Cowper Powys and vexed visions of labour in the capitalist world-ecology." Green Letters 20, no. 2 (March 25, 2016): 170–82. http://dx.doi.org/10.1080/14688417.2016.1160794.

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17

Joyce Ann Joyce. "“What We Do and Why We Do What We Do”: A Diasporic Commingling of Richard Wright and George Lamming." Callaloo 32, no. 2 (2009): 593–603. http://dx.doi.org/10.1353/cal.0.0450.

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18

Anim-Addo, Joan. "Translational Space and Creolising Aesthetics in Three Women’s Novels: the Radical Diasporic (Re)turn." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 7 (May 1, 2015): 7. http://dx.doi.org/10.12681/syn.16194.

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Proposing the notion of translational space, I consider the classroom and the literary text as crucial though differentiated spaces of translation. The idea of translational space borrows from Doreen Massey’s elaboration of space as a “complex web of relations of domination and subordination, of solidarity and cooperation.” I interlink the complexity of Massey’s “web” with an intention by the radical Other to translate, and interrogate how selected Caribbean diasporic texts might be shown to engage a process of translation, and for whom, particularly in light of George Lamming’s pronouncement concerning the West Indian writer, that “[h]e writes always for the foreign reader”. What is the translational impetus of a later generation of writers who Lamming was unable to imagine, namely, women authors of the region? I consider the translational space created by those authors’ challenging of canonical traditions that not only break through publication barriers, but place black women protagonists as central to their writing. The crux of my enquiry is the diasporic imaginary–represented in Beryl Gilroy’s In Praise of Love and Children, Andrea Levy’s Small Island, and Velma Pollard’s Karl–an imaginary which, centring black women characters is also concerned with a dialogic representation of the Other. I highlight issues of Creole or Caribbean identity that such an imaginary figures in its aesthetics and I foreground the diaspora as contested space whether public or intimate. Additionally in these texts, the (re)turn, as I consider it, affords a contemporary contextual presencing in dialogue with a violently muted historical past. Arising from this, my larger questions concern the meanings that might be inferred from such a Creole diasporic imaginary and its representation in terms of aesthetics and translational space. I explore the fictional representation of Caribbean lives “on the move” in Cresswell’s terms and their transnational representation. In their gendering of creolisation, diaspora and race, how do the writers translate the spatial interface that their characters negotiate? Whether in memories of Toronto in Pollard’s writing or in the London of Levy’s and Gilroy’s fiction, how do these texts represent space not only as cultural crossings but also as translational space within the new triangle that contests and dislodges notions of identity?

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19

WREL. "George Alexander Lammie." British Dental Journal 210, no. 1 (January 2011): 47. http://dx.doi.org/10.1038/sj.bdj.2010.1223.

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20

Ellis, David. "‘Foreign Bodies’: George Lamming's The Emigrants." Comparative Critical Studies 9, no. 2 (June 2012): 213–25. http://dx.doi.org/10.3366/ccs.2012.0053.

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21

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 3-4 (January 1, 2008): 253–323. http://dx.doi.org/10.1163/13822373-90002497.

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Ileana Rodríguez; Transatlantic Topographies: Islands, Highlands, Jungles (Stuart McLean)Eliga H. Gould, Peter S. Onuf (eds.); Empire and Nation: The American Revolution in the Atlantic World (Peter A. Coclanis)Michael A. Gomez; Reversing Sail: A History of the African Diaspora (James H. Sweet)Brian L. Moore, Michele A. Johnson; Neither Led Nor Driven: Contesting British Cultural Imperialism in Jamaica, 1865-1920 (Gad Heuman)Erna Brodber; The Second Generation of Freemen in Jamaica, 1907-1944 (Michaeline A. Crichlow)Steeve O. Buckridge; The Language of Dress: Resistance and Accommodation in Jamaica, 1760- 1890 (Jean Besson)Deborah A. Thomas; Modern Blackness: Nationalism, Globalization, and the Politics of Culture in Jamaica (Charles V. Carnegie)Carolyn Cooper; Sound Clash: Jamaican Dancehall Culture at Large (John D. Galuska)Noel Leo Erskine; From Garvey to Marley: Rastafari Theology (Richard Salter)Hilary McD Beckles; Great House Rules: Landless Emancipation and Workers’ Protest in Barbados, 1838‑1938 (O. Nigel Bolland)Woodville K. Marshall (ed.); I Speak for the People: The Memoirs of Wynter Crawford (Douglas Midgett)Nathalie Dessens; Myths of the Plantation Society: Slavery in the American South and the West Indies (Lomarsh Roopnarine)Michelle M. Terrell; The Jewish Community of Early Colonial Nevis: A Historical Archaeological Study (Mark Kostro)Laurie A. Wilkie, Paul Farnsworth; Sampling Many Pots: An Archaeology of Memory and Tradition at a Bahamian Plantation (Grace Turner)David Beriss; Black Skins, French Voices: Caribbean ethnicity and Activism in Urban France (Nadine Lefaucheur)Karen E. Richman; Migration and Vodou (Natacha Giafferi)Jean Moomou; Le monde des marrons du Maroni en Guyane (1772-1860): La naissance d’un peuple: Les Boni (Kenneth Bilby)Jean Chapuis, Hervé Rivière; Wayana eitoponpë: (Une) histoire (orale) des Indiens Wayana (Dominique Tilkin Gallois)Jesús Fuentes Guerra, Armin Schwegler; Lengua y ritos del Palo Monte Mayombe: Dioses cubanos y sus fuentes africanas (W. van Wetering)Mary Ann Clark; Where Men Are Wives and Mothers Rule: Santería Ritual Practices and Their Gender Implications (Elizabeth Ann Pérez)Ignacio López-Calvo; “God and Trujillo”: Literary and Cultural Representations of the Dominican Dictator (Lauren Derby)Kirwin R. Shaffer; Anarchism and Countercultural Politics in Early Twentieth-Century Cuba (Jorge L. Giovannetti)Lillian Guerra; The Myth of José Martí: Conflicting Nationalisms in Early Twentieth-Century Cuba (Jorge L. Giovannetti)Israel Reyes; Humor and the Eccentric Text in Puerto Rican Literature (Nicole Roberts)Rodrigo Lazo; Writing to Cuba: Filibustering and Cuban Exiles in the United States (Nicole Roberts)Lowell Fiet; El teatro puertorriqueño reimaginado: Notas críticas sobre la creación dramática y el performance (Ramón H. Rivera-Servera)Curdella Forbes; From Nation to Diaspora: Samuel Selvon, George Lamming and the Cultural Performance of Gender (Sue Thomas)Marie-Agnès Sourieau, Kathleen M. Balutansky (eds.); Ecrire en pays assiégé: Haiti: Writing Under Siege (Marie-Hélène Laforest)In: New West Indian Guide / Nieuwe West-Indische Gids (NWIG), 80 (2006), no. 3 & 4

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 3-4 (January 1, 2006): 253–323. http://dx.doi.org/10.1163/22134360-90002497.

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Ileana Rodríguez; Transatlantic Topographies: Islands, Highlands, Jungles (Stuart McLean)Eliga H. Gould, Peter S. Onuf (eds.); Empire and Nation: The American Revolution in the Atlantic World (Peter A. Coclanis)Michael A. Gomez; Reversing Sail: A History of the African Diaspora (James H. Sweet)Brian L. Moore, Michele A. Johnson; Neither Led Nor Driven: Contesting British Cultural Imperialism in Jamaica, 1865-1920 (Gad Heuman)Erna Brodber; The Second Generation of Freemen in Jamaica, 1907-1944 (Michaeline A. Crichlow)Steeve O. Buckridge; The Language of Dress: Resistance and Accommodation in Jamaica, 1760- 1890 (Jean Besson)Deborah A. Thomas; Modern Blackness: Nationalism, Globalization, and the Politics of Culture in Jamaica (Charles V. Carnegie)Carolyn Cooper; Sound Clash: Jamaican Dancehall Culture at Large (John D. Galuska)Noel Leo Erskine; From Garvey to Marley: Rastafari Theology (Richard Salter)Hilary McD Beckles; Great House Rules: Landless Emancipation and Workers’ Protest in Barbados, 1838‑1938 (O. Nigel Bolland)Woodville K. Marshall (ed.); I Speak for the People: The Memoirs of Wynter Crawford (Douglas Midgett)Nathalie Dessens; Myths of the Plantation Society: Slavery in the American South and the West Indies (Lomarsh Roopnarine)Michelle M. Terrell; The Jewish Community of Early Colonial Nevis: A Historical Archaeological Study (Mark Kostro)Laurie A. Wilkie, Paul Farnsworth; Sampling Many Pots: An Archaeology of Memory and Tradition at a Bahamian Plantation (Grace Turner)David Beriss; Black Skins, French Voices: Caribbean ethnicity and Activism in Urban France (Nadine Lefaucheur)Karen E. Richman; Migration and Vodou (Natacha Giafferi)Jean Moomou; Le monde des marrons du Maroni en Guyane (1772-1860): La naissance d’un peuple: Les Boni (Kenneth Bilby)Jean Chapuis, Hervé Rivière; Wayana eitoponpë: (Une) histoire (orale) des Indiens Wayana (Dominique Tilkin Gallois)Jesús Fuentes Guerra, Armin Schwegler; Lengua y ritos del Palo Monte Mayombe: Dioses cubanos y sus fuentes africanas (W. van Wetering)Mary Ann Clark; Where Men Are Wives and Mothers Rule: Santería Ritual Practices and Their Gender Implications (Elizabeth Ann Pérez)Ignacio López-Calvo; “God and Trujillo”: Literary and Cultural Representations of the Dominican Dictator (Lauren Derby)Kirwin R. Shaffer; Anarchism and Countercultural Politics in Early Twentieth-Century Cuba (Jorge L. Giovannetti)Lillian Guerra; The Myth of José Martí: Conflicting Nationalisms in Early Twentieth-Century Cuba (Jorge L. Giovannetti)Israel Reyes; Humor and the Eccentric Text in Puerto Rican Literature (Nicole Roberts)Rodrigo Lazo; Writing to Cuba: Filibustering and Cuban Exiles in the United States (Nicole Roberts)Lowell Fiet; El teatro puertorriqueño reimaginado: Notas críticas sobre la creación dramática y el performance (Ramón H. Rivera-Servera)Curdella Forbes; From Nation to Diaspora: Samuel Selvon, George Lamming and the Cultural Performance of Gender (Sue Thomas)Marie-Agnès Sourieau, Kathleen M. Balutansky (eds.); Ecrire en pays assiégé: Haiti: Writing Under Siege (Marie-Hélène Laforest)In: New West Indian Guide / Nieuwe West-Indische Gids (NWIG), 80 (2006), no. 3 & 4

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 59, no. 1-2 (January 1, 1985): 73–134. http://dx.doi.org/10.1163/13822373-90002078.

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-Stanley L. Engerman, B.W. Higman, Slave populations of the British Caribbean, 1807-1834. Baltimore: The Johns Hopkins University Press, Johns Hopkins Studies in Atlantic History and Culture, 1984. xxxiii + 781 pp.-Susan Lowes, Gad J. Heuman, Between black and white: race, politics, and the free coloureds in Jamaica, 1792-1865. Westport CT: Greenwood Press, Contributions in Comparative Colonial Studies No. 5, 1981. 20 + 321 pp.-Anthony Payne, Lester D. Langley, The banana wars: an inner history of American empire, 1900-1934. Lexington KY: University Press of Kentucky, 1983. VIII + 255 pp.-Roger N. Buckley, David Geggus, Slavery, war and revolution: the British occupation of Saint Domingue, 1793-1798. New York: The Clarendon Press, Oxford University Press, 1982. xli + 492 pp.-Gabriel Debien, George Breathett, The Catholic Church in Haiti (1704-1785): selected letters, memoirs and documents. Chapel Hill NC: Documentary Publications, 1983. xii + 202 pp.-Alex Stepick, Michel S. Laguerre, American Odyssey: Haitians in New York City. Ithaca and London: Cornell University Press, 1984. 198 pp-Andres Serbin, H. Michael Erisman, The Caribbean challenge: U.S. policy in a volatile region. Boulder CO: Westview Press, 1984. xiii + 208 pp.-Andres Serbin, Ransford W. Palmer, Problems of development in beautiful countries: perspectives on the Caribbean. Lanham MD: The North-South Publishing Company, 1984. xvii + 91 pp.-Carl Stone, Anthony Payne, The politics of the Caribbean community 1961-79: regional integration among new states. Oxford: Manchester University Press, 1980. xi + 299 pp.-Evelyne Huber Stephens, Michael Manley, Jamaica: struggle in the periphery. London: Third World Media, in association with Writers and Readers Publishing Cooperative Society, 1982. xi + 259 pp.-Rhoda Reddock, Epica Task Force, Grenada: the peaceful revolution. Washington D.C., 1982. 132 pp.-Rhoda Reddock, W. Richard Jacobs ,Grenada: the route to revolution. Havana: Casa de Las Americas, 1979. 157 pp., Ian Jacobs (eds)-Jacqueline Anne Braveboy-Wagner, Andres Serbin, Geopolitica de las relaciones de Venezuela con el Caribe. Caracas: Fundación Fondo Editorial Acta Cientifica Venezolana, 1983.-Idsa E. Alegria-Ortega, Jorge Heine, Time for decision: the United States and Puerto Rico. Lanham MD: North-South Publishing Co., 1983. xi + 303 pp.-Richard Hart, Edward A. Alpers ,Walter Rodney, revolutionary and scholar: a tribute. Los Angeles: Center for Afro-American Studies and African Studies Center, University of California, 1982. xi + 187 pp., Pierre-Michel Fontaine (eds)-Paul Sutton, Patrick Solomon, Solomon: an autobiography. Trinidad: Inprint Caribbean, 1981. x + 253 pp.-Paul Sutton, Selwyn R. Cudjoe, Movement of the people: essays on independence. Ithaca NY: Calaloux Publications, 1983. xii + 217 pp.-David Barry Gaspar, Richard Price, To slay the Hydra: Dutch colonial perspectives on the Saramaka wars. Ann Arbor MI: Karoma Publishers, 1983. 249 pp.-Gary Brana-Shute, R. van Lier, Bonuman: een studie van zeven religieuze specialisten in Suriname. Leiden: Institute of Cultural and Social Studies, ICA Publication no. 60, 1983. iii + 132 pp.-W. van Wetering, Charles J. Wooding, Evolving culture: a cross-cultural study of Suriname, West Africa and the Caribbean. Washington: University Press of America 1981. 343 pp.-Humphrey E. Lamur, Sergio Diaz-Briquets, The health revolution in Cuba. Austin: University of Texas Press, 1983. xvii + 227 pp.-Forrest D. Colburn, Ramesh F. Ramsaran, The monetary and financial system of the Bahamas: growth, structure and operation. Mona, Jamaica: Institute of Social and Economic Research, University of the West Indies, 1984. xiii + 409 pp.-Wim Statius Muller, A.M.G. Rutten, Leven en werken van de dichter-musicus J.S. Corsen. Assen, The Netherlands: Van Gorcum, 1983. xiv + 340 pp.-Louis Allaire, Ricardo E. Alegria, Ball courts and ceremonial plazas in the West Indies. New Haven: Department of Anthropology of Yale University, Yale University Publications in Anthropology No. 79, 1983. lx + 185 pp.-Kenneth Ramchand, Sandra Paquet, The Novels of George Lamming. London: Heinemann, 1982. 132 pp.

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24

Edwards, Nadi. "George Lamming's Literary Nationalism: Language betweenThe Tempestand the Tonelle." Small Axe: A Caribbean Journal of Criticism 11 (March 2002): 59–76. http://dx.doi.org/10.2979/sax.2002.-.11.59.

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A., Smiruthi. "George Lamming’s “The Occasion for Speaking” – A Postcolonial discourse." International Journal of English Literature and Social Sciences 6, no. 2 (2021): 303–4. http://dx.doi.org/10.22161/ijels.62.43.

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26

MAES-JELINEK, HENA. "Europe and post-colonial creativity: a metaphysical cross-culturalism." European Review 13, no. 1 (January 20, 2005): 91–102. http://dx.doi.org/10.1017/s1062798705000098.

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In Shakespeare's The Tempest, the meeting between Prospero and Caliban is an allegory of a Renaissance colonial encounter. Although Prospero emphasizes his gift of language to Caliban, he deems him incapable of ‘nurture’ (cultural progress). After the Second World War, the Barbadian novelist Georges Lamming saw in that gift the possibility of a ‘new departure’, which in the following decades was to modify not only Caliban's prospects but most emphatically the European, and specifically, the British cultural scene. I intend to illustrate this transformation through the contribution of postcolonial writers to the metamorphosis of the ‘Great Tradition’ of the English novel. The changes are formal, linguistic but also evince a metaphysical cross-culturalism best exemplified, among others, in the fiction of the Guyanese-born, British novelist Wilson Harris.

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27

Campbell, Chris. "Ariel over the airwaves: George Lamming’s rituals of revenant history." Journal of Postcolonial Writing 48, no. 5 (December 2012): 485–96. http://dx.doi.org/10.1080/17449855.2012.720798.

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Edwards, N. "George Lamming's Literary Nationalism: Language between The Tempest and the Tonelle." Small Axe: A Caribbean Journal of Criticism 6, no. 1 (January 1, 2002): 59–76. http://dx.doi.org/10.1215/-6-1-59.

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29

Afshan, Uzma. "Fractured Consciousness and Colonial Subjugation in George Lamming’s In The Castle of My Skin." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 10. http://dx.doi.org/10.24113/ijellh.v7i11.10142.

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Within a defining framework of colonialism, the West Indian writers explicate the cultural obliteration of the Caribbeans by the Western imperialism which results in their psychological fragmentation as they straddle two opposing worldviews. George Lamming’s work delineates the diverse effects of European colonialism on the native Caribbeans whose consciousness is shaped by the history of forced labour and migration. In the Castle of My Skin (1970) explores the colonial subjugation of Barbados, the economic exploitation of people by the landlord, the cultural indoctrination of the natives by the colonizer, the deformed relationships between people and the resultant mental handicap of the perplexed natives. The present paper shall analyse how European colonialism forces the individuals and community to disassociate from people and values that imparted significance to their existence. It foregrounds the exile of the protagonist, G., from Barbados in order to severe his ties with the social backwardness and crippling poverty of his native place and realise his ambition of personal advancement. More significantly, the paper is an exploration of the colonial experience of the entire community, its inherited values and imposed norms, the interdependence of the personal and the public lives and the most stifling issue of mental colonisation.

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30

McDonald, Avis G. ""Within the Orbit of Power": Reading Allegory in George Lamming's Natives of My Person." Journal of Commonwealth Literature 22, no. 1 (March 1987): 73–86. http://dx.doi.org/10.1177/002198948702200107.

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31

Birat, Kathie. "Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners." Commonwealth Essays and Studies 32, no. 1 (September 1, 2009): 9–22. http://dx.doi.org/10.4000/ces.8570.

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Kyung-Ran Lee. "America “Free Enterprise” Narratives and the Production of History: George Lamming’s The Pleasures of Exile and Michelle Cliff’s Free Enterprise." English & American Cultural Studies 12, no. 2 (August 2012): 181–208. http://dx.doi.org/10.15839/eacs.12.2.201208.181.

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Jeffrey, Karima K. "George Lamming’s "The Boy and the Sea" : A Littoral Artist’s Experimentation with Language and a Postcolonial Examination of the Self." Anthurium A Caribbean Studies Journal 12, no. 2 (December 18, 2015): 5. http://dx.doi.org/10.33596/anth.293.

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Evelyn, Kim. "Dialogic Diaspora Formation and Colonial Critique: A Close Reading of the Train Scene in George Lamming’s The Emigrants." Anthurium A Caribbean Studies Journal 14, no. 2 (January 7, 2018): 2. http://dx.doi.org/10.33596/anth.337.

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Solinger, Frederick J. "Silencing the Linguistic Other: The Underclass as Noise Pollution in George Lamming's The Emigrants and Anthony Burgess's A Clockwork Orange." Journal of Narrative Theory 51, no. 1 (2021): 54–83. http://dx.doi.org/10.1353/jnt.2021.0002.

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Damián, Jessica I. "Minting the Face of Empire: Coinage and the Shadow King in George Lamming's In The Castle of My Skin." Anthurium A Caribbean Studies Journal 2, no. 1 (January 1, 2004): 2. http://dx.doi.org/10.33596/anth.7.

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Sherazi, Melanie Masterton. "“From a Distant Witness” in Rome and London: Black Atlantic Temporalities in William Demby’s Beetlecreek and George Lamming’s In the Castle of My Skin." ariel: A Review of International English Literature 50, no. 1 (2019): 3–30. http://dx.doi.org/10.1353/ari.2019.0001.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 78, no. 3-4 (January 1, 2004): 305–71. http://dx.doi.org/10.1163/13822373-90002515.

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-Bill Maurer, Mimi Sheller, Consuming the Caribbean: From Arawaks to Zombies. New York: Routledge, 2003. ix + 252 pp.-Norman E. Whitten, Jr., Richard Price ,The root of roots: Or, how Afro-American anthropology got its start. Chicago: Prickly Paradigm Press/University of Chicago Press, 2003. 91 pp., Sally Price (eds)-Holly Snyder, Paolo Bernardini ,The Jews and the expansion of Europe to the West, 1450-1800. New York: Berghahn Books, 2001. xv + 567 pp., Norman Fiering (eds)-Bridget Brereton, Seymour Drescher, The mighty experiment: Free labor versus slavery in British emancipation. New York: Oxford University Press, 2002. 307 pp.-Jean Besson, Kathleen E.A. Monteith ,Jamaica in slavery and freedom: History, heritage and culture. Kingston; University of the West Indies Press, 2002. xx + 391 pp., Glen Richards (eds)-Michaeline A. Crichlow, Jean Besson, Martha Brae's two histories: European expansion and Caribbean culture-building in Jamaica. Chapel Hill: University of North Carolina Press, 2002. xxxi + 393 pp.-Christopher Schmidt-Nowara, Joseph C. Dorsey, Slave traffic in the age of abolition: Puerto Rico, West Africa, and the Non-Hispanic Caribbean, 1815-1859. Gainesville: University Press of Florida, 2003. xvii + 311 pp.-Arnold R. Highfield, Erik Gobel, A guide to sources for the history of the Danish West Indies (U.S. Virgin Islands), 1671-1917. Denmark: University Press of Southern Denmark, 2002. 350 pp.-Sue Peabody, David Patrick Geggus, Haitian revolutionary studies. Bloomington: Indiana University Press, 2002. xii + 334 pp.-Gerdès Fleurant, Elizabeth McAlister, Rara! Vodou, power, and performance in Haiti and its Diaspora. Berkeley: University of California Press, 2002. xviii + 259 pp. and CD demo.-Michiel Baud, Ernesto Sagás ,The Dominican people: A documentary history. Princeton NJ: Marcus Wiener, 2003. xiii + 278 pp., Orlando Inoa (eds)-Samuel Martínez, Richard Lee Turits, Foundations of despotism: Peasants, the Trujillo regime, and modernity in Dominican history. Stanford CA: Stanford University Press, 2003. x + 384 pp.-Eric Paul Roorda, Bernardo Vega, Almoina, Galíndez y otros crímenes de Trujillo en el extranjero. Santo Domingo: Fundación Cultural Dominicana, 2001. 147 pp.''Diario de una misión en Washington. Santo Domingo: Fundación Cultural Dominicana, 2002. 526 pp.-Gerben Nooteboom, Aspha Bijnaar, Kasmoni: Een spaartraditie in Suriname en Nederland. Amsterdam: Uitgeverij Bert Bakker, 2002. 378 pp.-Dirk H.A. Kolff, Chan E.S. Choenni ,Hindostanen: Van Brits-Indische emigranten via Suriname tot burgers van Nederland. The Hague: Communicatiebureau Sampreshan, 2003. 224 pp., Kanta Sh. Adhin (eds)-Dirk H.A. Kolff, Sandew Hira, Het dagboek van Munshi Rahman Khan. The Hague: Amrit/Paramaribo: NSHI, 2003. x + 370 pp.-William H. Fisher, Neil L. Whitehead, Dark Shamans: Kanaimà and the poetics of violent death. Durham NC: Duke University Press, 2002. 309 pp.-David Scott, A.J. Simoes da Silva, The luxury of nationalist despair: George Lamming's fiction as decolonizing project. Amsterdam: Rodopi, 2000. 217 pp.-Lyn Innes, Maria Cristina Fumagalli, The flight of the vernacular. Amsterdam: Rodopi, 2001. xvi + 303 pp.-Maria Cristina Fumagalli, Tobias Döring, Caribbean-English passages: Intertextuality in a postcolonial tradition. London: Routledge, 2002. xii + 236 pp.-A. James Arnold, Celia Britton, Race and the unconscious: Freudianism in French Caribbean thought. Oxford: Legenda, 2002. 115 pp.-Nicole Roberts, Dorothy E. Mosby, Place, language, and identity in Afro-Costa Rican literature. Columbia: University of Missouri Press, 2003. xiii + 248 pp.-Stephen Steumpfle, Philip W. Scher, Carnival and the formation of a Caribbean transnation. Gainesville: University Press of Florida, 2003. xvi + 215 pp.-Peter Manuel, Frances R. Aparicho ,Musical migrations: transnationalism and cultural hybridity in Latin/o America, Volume 1. With Maria Elena Cepeda. New York: Palgrave Macmillan, 2003. 216 pp., Candida F. Jaquez (eds)-Jorge Pérez Rolón, Maya Roy, Cuban Music. London: Latin America Bureau/Princeton NJ: Markus Wiener Publishers, 2002. ix + 246 pp.-Bettina M. Migge, Gary C. Fouse, The story of Papiamentu: A study in slavery and language. Lanham MD: University Press of America, 2002. x + 261 pp.-John M. McWhorter, Bettina Migge, Creole formation as language contact: the case of the Suriname creoles. Amsterdam: John Benjamins, 2003. xii + 151 pp.

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Inskeep, Keith. "Introduction of the George Eric Lamming Memorial Lecture." Bioscientifica Proceedings, April 5, 2019. http://dx.doi.org/10.1530/biosciprocs.7.014.

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"Caliban's curse: George Lamming and the revisioning of history." Choice Reviews Online 34, no. 10 (June 1, 1997): 34–5585. http://dx.doi.org/10.5860/choice.34-5585.

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Ribic, Peter. "Bildungor development? Rereading George Lamming and W. Arthur Lewis." Journal of Commonwealth Literature, August 22, 2018, 002198941878757. http://dx.doi.org/10.1177/0021989418787579.

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SANTOS DUDALSKI, SIRLEI. "ANSWERING BACK TO PROSPERO: GEORGE LAMMING AND THE INSCRIPTION OF CALIBANS DIFFERENCE." TRADUÇÃO EM REVISTA 2013, no. 14 (September 18, 2013). http://dx.doi.org/10.17771/pucrio.tradrev.22059.

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Cabarcas Ortega, Marcelo José. "George Lamming y “Voces del Caribe”: discusiones en torno a la autonomía de la literatura angloantillana." CUADERNOS DE LITERATURA, no. 25 (January 5, 2017). http://dx.doi.org/10.15648/cl.25.2017.8.

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Nunziata, Daniele. "“Of Belonging or Not”: Counter-Canons of Britishness in the Novels of Hanif Kureishi and Andrea Levy." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 30 (July 21, 2020). http://dx.doi.org/10.2218/forum.30.4476.

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This article analyses two novels, Hanif Kureishi’s The Buddha of Suburbia (1990) and Andrea Levy’s Small Island (2004), to elaborate on how they form postcolonial literary visions of metropolitan Britain, in resistance to colonialist depictions of the setting which have been disseminated across the world. The two works share related themes and motifs in their representations of the experiences of first- and second-generation migrants from Britain’s (former) colonies. Kureishi’s novel, set in the 1970s, relates the teenage life of Karim, the son of an Indian migrant, Haroon, as he navigates his sense of being a “funny kind of Englishman” (3). Levy’s novel, on the other hand, relates the experiences of a Jamaican couple, Hortense and Gilbert, as they arrive in Britain in 1948 within a fictionalised representation of the Empire Windrush. Comparable images within their works, including allusions to George Lamming’s writing from the 1950s and Stuart Hall’s depiction of the West End as it has existed in colonial imaginings, demonstrate how the two novelists participate in – and, therefore, help construct – a counter-canon of writing about post-war and postcolonial Britishness.

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Celeste A. Wheat. "Examining Colonialism and Exile in George Lamming’s In the Castle of My Skin (1953), The Emigrants (1954), and The Pleasures of Exile (1960)." Journal of Colonialism and Colonial History 10, no. 3 (2009). http://dx.doi.org/10.1353/cch.0.0092.

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