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Relevant bibliographies by topics / George Reynolds

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Academic literature on the topic 'George Reynolds'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "George Reynolds"

1

Gruner, Sol M., Pierre A. Piroué, and Robert H. Socolow. "George T. Reynolds." Physics Today 58, no. 10 (October 2005): 102–3. http://dx.doi.org/10.1063/1.2138439.

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Catania, A. Charles. "GEORGE S. REYNOLDS, 1936-1987." Journal of the Experimental Analysis of Behavior 49, no. 1 (January 1988): 3–4. http://dx.doi.org/10.1901/jeab.1988.49-3.

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Gaskill, Jack D. "Editorial: In Memory Of George Reynolds (1937-1987)." Optical Engineering 26, no. 4 (April 1, 1987): 264366. http://dx.doi.org/10.1117/12.7974067.

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Doherty, Ruth. "‘Blest’ or ‘t’othered’: Alternative Graveyards in Bleak House, Reynolds, and Walker." Victoriographies 8, no. 3 (November 2018): 267–89. http://dx.doi.org/10.3366/vic.2018.0318.

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This article proposes an alternative reading of Charles Dickens's Bleak House (1852–3), by attempting to recreate the reading experience of the first audience of this now well-studied novel. A comparison is made between key scenes in Bleak House and similar scenes in the first volume of George William Macarthur Reynolds's The Mysteries of London (1844), to demonstrate the differing literary styles of these two popular writers. The article draws on contemporary non-fiction, including George Alfred Walker's Gatherings from Grave Yards (1839) and several news articles, as well as more recent scholarship on Dickens to place the representations of graveyards in the novels of Reynolds and Dickens within the larger discussion of the necessity of sanitary reform in London at the time. The article argues that a proper consideration of this context enriches our understanding of the thematic structure of Bleak House.

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Haywood, Ian. "George W.M. Reynolds and the radicalization of Victorian serial fiction." Media History 4, no. 2 (December 1998): 121–39. http://dx.doi.org/10.1080/13688809809357940.

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JONES, M. B., T. B. NICKELS, and IVAN MARUSIC. "On the asymptotic similarity of the zero-pressure-gradient turbulent boundary layer." Journal of Fluid Mechanics 616 (December 10, 2008): 195–203. http://dx.doi.org/10.1017/s0022112008004205.

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We investigate similarity solutions for the outer part of a zero-pressure-gradient turbulent boundary layer in the limit of infinite Reynolds number. Previous work by George (Phil. Trans. R. Soc. vol. 365, 2007 p. 789) has suggested that the only appropriate velocity scale for the outer region is U1, the free-stream velocity. This is based on the fact that scaling with U1 leads to a mathematically valid similarity solution of the momentum equation for the outer region in the asymptotic limit of infinite Reynolds number. Here we show that the classical scaling using the friction velocity also leads to a valid similarity solution for the outer flow in this limit. Therefore on this basis it is not possible to dismiss the friction velocity as a possible scaling as has been suggested by George (2007) and others. We show that both the free-stream velocity and the friction velocity are potentially valid scalings according to this theoretical criterion.

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Fay, Jessica. "Sketching and the Acquisition of Taste: Wordsworth, Reynolds, and Sir George Beaumont." Review of English Studies 69, no. 291 (December 28, 2017): 706–24. http://dx.doi.org/10.1093/res/hgx138.

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Hultmark, Marcus. "A theory for the streamwise turbulent fluctuations in high Reynolds number pipe flow." Journal of Fluid Mechanics 707 (July 24, 2012): 575–84. http://dx.doi.org/10.1017/jfm.2012.307.

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AbstractA new theory for the streamwise turbulent fluctuations in fully developed pipe flow is proposed. The theory extends the similarities between the mean flow and the streamwise turbulence fluctuations, as observed in experimental high Reynolds number data, to also include the theoretical derivation. Connecting the derivation of the fluctuations to that of the mean velocity at finite Reynolds number as introduced by Wosnik, Castillo & George (J. Fluid Mech., vol. 421, 2000, pp. 115–145) can explain the logarithmic behaviour as well as the coefficient of the logarithm. The slope of the logarithm, for the fluctuations, depends on the increase of the fluctuations with Reynolds number, which is shown to agree very well with the experimental data. A mesolayer, similar to that introduced by Wosnik et al., exists for the fluctuations for $300\gt {y}^{+ } \gt 800$, which coincides with the mesolayer for the mean velocities. In the mesolayer, the flow is still affected by viscosity, which shows up as a decrease in the fluctuations.

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9

Reynolds, Michael A. "The USSR and Cold War Legacy: Implications for the Current International Agenda." Journal of International Analytics 12, no. 1 (May 25, 2021): 12–20. http://dx.doi.org/10.46272/2587-8476-2021-12-1-12-20.

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Interview with Michael A. Reynolds, Director of the Program in Russian, East European and Eurasian Studies and Associate Professor in the Department of Near Eastern Studies of Princeton University, USAMichael A. Reynolds is an American historian and political analyst. His teaching and research range over the geography of the Middle East and Eurasia and covers the themes of empire, international relations, nationalism, geopolitics, ethnic conﬂ ict, and religion and culture. He is the author of Shattering Empires: The Clash and Collapse of the Ottoman and Russian Empires, 1908-1918 (Cambridge University Press, 2011), co-winner of the 2011 American Historical Association’s George Louis Beer Prize, a Financial Times book of the summer, and a Choice outstanding academic title. He is the editor of Constellations of the Caucasus: Empires, Peoples, and Faiths (Markus Weiner, 2016). Reynolds also writes on contemporary issues related to Turkey, Russia, the Caucasus region and U.S. foreign policy. His writings have appeared in The Wall Street Journal, The Los Angeles Times, Newsweek, The National Interest, and War on the Rocks, among other venues. He holds a PhD in Near Eastern Studies from Princeton and an MA in Political Science from Columbia.

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10

Reynolds, David S. "Deformance, Performativity, Posthumanism." Nineteenth-Century Literature 70, no. 1 (June 1, 2015): 36–64. http://dx.doi.org/10.1525/ncl.2015.70.1.36.

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David S. Reynolds, “Deformance, Performativity, Posthumanism: The Subversive Style and Radical Politics of George Lippard’s The Quaker City” (pp. 36–64) The most interesting American example of the genre known as city-mysteries fiction, George Lippard’s The Quaker City (1844–45), while rich in characters, stymies the novelistic stability conventionally provided by the struggles of heroes against villains in the mystery genre. Lippard’s style thus gets foregrounded as the locus of morality and politics, displaying an acerbic, presurrealistic edge. The current essay surveys linguistic and generic deformations (alinear narrative, irony and parody, bizarre tropes, performativity, and periperformativity) and biological and material deformations (posthuman images, including animals, objects, sonic effects, and vibrant matter) in The Quaker City to suggest how Lippard stylistically reinforces his goal of satirizing literary and social conventions and of exposing what he regards as hypocrisy and corruption on the part of America’s ruling class.

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Books on the topic "George Reynolds"

1

Prisoner for conscience' sake: The life of George Reynolds. Salt Lake City, Utah: Deseret Book Co., 1992.

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2

Thunder rolling on the high plains: Charley Reynolds and George Custer's journey to the Little Big Horn, an original story. Santa Fe: Sunstone Press, 2011.

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Sypher, J. R. History of the Pennsylvania Reserve Corps: A complete record of the organization : and of the different companies, regiments and brigades :containing descriptions of expeditions ... Lancaster, Pa: E. Barr, 1988.

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Brayton, John Anderson. The family of George Williams, died 1672 of Isle of Wight County, Virginia: Including the families of Reynolds, Hunt, and Parker with corrections and additions to Adventurers of purse and person, 4th ed. Baltimore, Md: Clearfield Co., 2009.

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Brayton, John Anderson. The family of George Williams, died 1672 of Isle of Wight County, Virginia: Including the families of Reynolds, Hunt, and Parker with corrections and additions to Adventurers of purse and person, 4th ed. Baltimore, Md: Clearfield Co., 2009.

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Brayton, John Anderson. The family of George Williams, died 1672 of Isle of Wight County, Virginia: Including the families of Reynolds, Hunt, and Parker with corrections and additions to Adventurers of purse and person, 4th ed. Baltimore, Md: Clearfield Co., 2009.

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7

Elbert, Hubbard. George M . Reynolds. Kessinger Publishing, LLC, 2005.

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8

Postle, Martin. A taste for history: Reynolds, West, George III, and George IV. 1993.

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9

Reynolds, Art. Collision of Cultures: A Story About Charles Alexander Reynolds a Story About Charles Alexander Reynolds Chief Scout and Guide for General George Armstrong Custer. Authorhouse, 2003.

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Reynolds, Art. Collision of Cultures: A Story About Charles Alexander Reynolds Chief Scout and Guide for General George Armstrong Custer. Authorhouse, 2003.

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Book chapters on the topic "George Reynolds"

1

Fullagar, Kate. "A Pacific Celebrity and the Portrait That Worked." In The Warrior, the Voyager, and the Artist, 188–214. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300243062.003.0009.

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Chapter 7 picks up Mai’s story after his arrival in Britain and marries it with Reynolds’s story through the momentous years of 1774 to 1776. First, we focus on Mai. The First Admiral, Lord Sandwich, arranges for him to meet George III within days, before being taken over by the Pacific enthusiast Joseph Banks. Among the many personalities he meets is Charles Burney, father of a fellow Pacific voyager and one of Reynolds’s greatest mates. It is likely at a Burney-hosted dinner that Reynolds first encounters Mai. Reynolds exhibits his portrait of Mai at the Royal Academy in April 1776. The difficulties Reynolds had encountered when painting Ostenaco are now clearly resolved. The chapter closes amid the escalating tension preceding the American declaration of independence. Reynolds, as ever, weathers the storm through art and affability. Mai determines to head home by any means necessary, having by now gathered as much as he can from the British for his own personal plan of launching political action back home.

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"John Reynolds, ‘To the Memory of the divine Mr. George Herbert’, 1725." In George Herbert, 179–82. Routledge, 2013. http://dx.doi.org/10.4324/9781315004464-44.

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Fullagar, Kate. "A Cherokee Envoy and the Portrait That Failed." In The Warrior, the Voyager, and the Artist, 78–102. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300243062.003.0004.

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The focus of this chapter alternates throughout from Ostenaco and his travels to the centre of London, to Reynolds’s endeavour to paint his portrait, back to Ostenaco, back to Reynolds, and then finally ends with Ostenaco’s voyage home in October 1762. The chapter covers only six months, but this period turned out to be portentous for both Cherokee and British fortunes. The Cherokees looked set to enjoy some assured independence herein and the British teetered on the verge of wiping out all imperial rivalry. Amid the narrative flipping, we follow Ostenaco’s adventures through the seamier regions of London’s lowlife—including taverns, spas, and drunken escapades in pleasure gardens—to his diplomatic meeting with King George III. We witness Reynolds’s meeting with Ostenaco and his attempt to capture the Cherokee’s image on canvas according to his neoclassical philosophy of art. Reynolds afterwards reckoned the work a failure—an intriguingly rare moment of defeat for the painter—but it nonetheless distils much about attitudes to empire in Britain at the time.

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Galbally, Emma, and Conrad Brunström. "‘This dreadful machine’: the spectacle of death and the aesthetics of crowd control." In The Gothic and Death. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784992699.003.0005.

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This chapter considers the context of the French Revolution and the spectacle of accelerated and mechanised decapitation and their joint influence on the Gothic imagination. The focus of the discussion is on stage representation, and the anxieties generated by attempts to represent insurrectionary violence in the 1790s in front of potentially volatile and unpredictable audiences. James Boaden’s dramatisation of Matthew Lewis’ The Monk is adapted (in part) to neutralise the representation of mob rule. Meanwhile, George Reynolds’ Bantry Bay, staged during a unique window of opportunity in 1797, attempts to re-imagine potential insurgents in loyalist terms. Paradoxically, the attempt to control the theatre through licensing had created larger venues than ever before, making audiences potentially more threatening.

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5

Dickens, Charles. "II, 136.30. Replaces Catalogue Mention (Vol. II, P. 403). to George Reynolds, 13 October [?1840]." In The British Academy/The Pilgrim Edition of the Letters of Charles Dickens, Vol. 7: 1853–1855, edited by Kathleen Mary Tillotson, Graham Storey, and Angus Easson, 821. Oxford University Press, 1993. http://dx.doi.org/10.1093/oseo/instance.00115227.

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"The Creative Exchange between Wordsworth and Beaumont." In Collected Letters of Sir George and Lady Beaumont to the Wordsworth Family, 1803-1829, edited by Jessica Fay, 1–56. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859531.003.0001.

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This study offers a biography of the friendship between Wordsworth and Beaumont, exploring Lady Beaumont’s role in generating an inter-familial relationship of heartfelt sympathy. It also offers detailed analysis of key poems and paintings that resulted from their artistic exchange: the first section offers a new reading of ‘Elegiac Stanzas’, placing the poem in the context of a series of letters that channel a discussion of hope and aspiration through Sir Joshua Reynolds’s theory of ‘Ideal Form’; the second focuses on the paintings Beaumont produced to accompany Wordsworth’s poetry, situating them within early nineteenth-century debates about the Sister Arts; the third examines Beaumont’s fascination with a passage from The Excursion, arguing that its composition was inflected by a painting in Beaumont’s collection, Peter Paul Rubens’s Autumn Landscape. The study concludes with an exploration of the principles that underpinned Beaumont’s campaign for a National Gallery.

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Conference papers on the topic "George Reynolds"

1

Cal, Rau´l Bayoa´n, Xia Wang, and Luciano Castillo. "Scaling of Favorable Pressure Gradient Turbulent Boundary Layers With Eventual Relaminarization." In ASME 2005 Fluids Engineering Division Summer Meeting. ASMEDC, 2005. http://dx.doi.org/10.1115/fedsm2005-77486.

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Applying similarity analysis to the RANS equations of motion for a pressure gradient turbulent boundary layer, Castillo and George [1] obtained the scalings for the mean deficit velocity and the Reynolds stresses. Following this analysis, Castillo and George studied favorable pressure gradient (FPG) turbulent boundary layers. They were able to obtain a single curve for FPG flows when scaling the mean deficit velocity profiles. In this study, FPG turbulent boundary layers are analyzed as well as relaminarized boundary layers subjected to an even stronger FPG. It is found that the mean deficit velocity profiles diminish when scaled using the Castillo and George [1] scaling, U∞, and the Zagarola and Smits [2] scaling, U∞δ*/δ. In addition, Reynolds stress data has been analyzed and it is found that the relaminarized boundary layer data decreases drastically in all components of the Reynolds stresses. Furthermore, it will be shown that the shape of the profile for the wall-normal and Reynolds shear stress components change drastically given the relaminarized state. Therefore, the mean velocity deficit profiles as well as Reynolds stresses are found to be necessary in order to understand not only FPG flows, but also relaminarized boundary layers.

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Tomar, Yashvardhan, Dhwanil Shukla, and Narayanan Komerath. "Interactions of Two UAV Rotors at Low Reynolds Number." In ASME 2020 Fluids Engineering Division Summer Meeting collocated with the ASME 2020 Heat Transfer Summer Conference and the ASME 2020 18th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/fedsm2020-20108.

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Abstract Vertical takeoff and landing vehicle platforms with many small rotors are becoming increasingly pertinent for small Unmanned Aerial Vehicles (UAVs) as well as distributed electric propulsion for larger vehicles. These rotors operate at low Reynolds number unlike large rotors for which the existing prediction methods were developed. Operating at very low Reynolds number essentially means that viscous effects are more dominant; and their spatial spread is significant with respect to the rotor dimensions. This impacts the nature of inter-rotor aerodynamic interactions which become more difficult to predict and characterize. In the present research, two nominally identical commercial UAV rotors are studied for a range of separations in hover and forward flight, both experimentally and computationally, in parallel with ongoing vehicle flight tests with 4 and 8 rotors. Bi-rotor tests in tandem in-plane configuration were performed in Georgia Tech’s 2.13m × 2.74m test section wind tunnel. Rotor simulations were done using the RotCFD Navier-Stokes solver. In hover, rotor performance is sensitive to the distance between rotors at low rotation speeds, indicating the presence of greater inter-rotor interactions at low Reynolds number. In forward flight, the performance of the downstream rotor gets negatively affected by the upstream rotor wake.

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