Relevant bibliographies by topics / Georges Bataille

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Georges Bataille'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 June 2025

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Journal articles on the topic "Georges Bataille"

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Fifield, Peter. "“Accursed Progenitor!” and Georges Bataille." Samuel Beckett Today / Aujourd'hui 22, no. 1 (2010): 107–21. http://dx.doi.org/10.1163/18757405-022001008.

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This article compares elements of Georges Bataille's (1928) with Beckett's (1957) and (1958), arguing for a possible influence. Focussing on the figure of Hamm, the paper traces the congruence with two published descriptions of Bataille's father. This includes comparison of manuscript precursors to and a description of Beckett's encounters with Bataille and his work.
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Myklebust, Ragnar Braastad. "Georges Bataille." Agora 23, no. 03 (2005): 5–23. http://dx.doi.org/10.18261/issn1500-1571-2005-03-02.

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Nancy, Jean-Luc. "L'excrit." Alea : Estudos Neolatinos 15, no. 2 (2013): 312–20. http://dx.doi.org/10.1590/s1517-106x2013000200004.

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Texte publié originellement dans Po&sie, n° 47, 1988, et inclus dans le recueil Une pensée finie (1990). Il se situe dans le contexte des travaux sur la communauté et Georges Bataile. Au printemps de 1983, sortait La communauté désœuvrée, dans la revue Alea (n° 4), par la suite (1986), repris dans le volume de même titre avec deux autres essais. Il s'agit ici comme là d'écrire "en communauté avec Georges Bataille". "Écrire", s'écrit dans ce cas, à partir d'une extériorité, marquée par le préfixe ex-, donc ex-crire; écrit, comme "excrit", où se joint l'homophonie de ex-cri (cri, de crier). Écrire, pour Georges Bataille, ou ex-crire, renvoie à une équivoque essentielle: on écrit toujours le cri (et pas "sur" le cri), la vie, "la chose même", l'être, c'est à dire, ce que par définition ne s'écrit pas, ce qui se passe et exclu une quelconque possibilité d'écrire. Ex-crit, veux dire, écrit dehors, dans une extériorité qui, pourtant, ne renvoie pas à un réfèrent, par exemple, la vie de Georges Bataille, mais à quelque chose qui s'inscrit (ou excrit) toujours et seulement dans l'ex-criture.
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Collier, Peter, and Francis Marmande. "Georges Bataille politique." Modern Language Review 83, no. 2 (1988): 463. http://dx.doi.org/10.2307/3731741.

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Brennan, Eugene. "The Politics of Religious Fervour: New Considerations on Georges Bataille and Religion." Theory, Culture & Society 35, no. 4-5 (2017): 217–31. http://dx.doi.org/10.1177/0263276417719325.

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The recent publication of a new translation of On Nietzsche invites renewed consideration of one of Georges Bataille’s most intriguing and complex texts. This work was originally situated within La Somme athéologique, Bataille’s unfinished project for a set of texts exploring the paradoxes of religious atheism. These texts are often consumed with a religious fervour and seem far from the explicitly political considerations of Bataille’s anti-fascist texts in the 1930s, or from the more measured analytical tone of The Accursed Share. However, as some critics have suggested, these texts have a political significance of their own. This review essay will thus consider the tensions between Bataillean perspectives which put more weight on either the ‘political’ or the ‘religious’ as modes of analysis. It begins with an analysis of On Nietzsche before moving to a broader thematic discussion of religion in several recently published texts related to Bataille. The central question posed in the latter half of the article is the following: how can Bataille’s thought be deployed to theorize the religiosity of contemporary capitalism?
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De Leeuw, Ursula. "'A kiss is the beginning of cannibalism'." Exchanges: The Interdisciplinary Research Journal 7, no. 2 (2020): 215–28. http://dx.doi.org/10.31273/eirj.v7i2.463.

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In this article, I will put Julia Ducournau’s 2016 coming-of-age horror film Raw in dialogue with Georges Bataille’s general economic theory of transgression. The Bataillean saying ‘a kiss is the beginning of cannibalism’ is taken literally by Raw’s protagonist Justine, as she explores her sexuality while simultaneously acquiring a taste for human flesh. I will begin by mapping the interplay between the transgressions of Raw and Bataille’s general economy, moving forward to Raw’s treatment of transgression as it both converges and diverges with Bataille’s notion of sacrifice. While the film ultimately displays the pitfalls of transgression, I will conclude by evaluating how the role of eroticism in Raw illustrates the enduring importance of transgression for Bataille; as an immediate, sacred moment of inner experience in which the self luxuriates in its own death.
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Lechte, John. "Bataille: Image and Victim." Theory, Culture & Society 38, no. 4 (2021): 3–22. http://dx.doi.org/10.1177/0263276420986618.

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This article aims to reveal aspects of the relation between the image and the victim in Georges Bataille’s writing, certainly as this applies to writings on art, but more particularly as it applies to Bataille’s relation to the victim of torture in the photographs of Chinese lingchi punishment, which entails physical dismemberment. It will be shown that Bataille does not have a ‘media specific’ approach to the image but reflects Sartre’s notion of the image. Critiques of Bataille’s relation to the lingchi photos will be addressed (notably that of Hollywood), so as to clarify what is at stake in the relation between image and victim.
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Pequeno, Fernanda. "Tunga e Georges Bataille." POIÉSIS 17, no. 27 (2018): 105. http://dx.doi.org/10.22409/poiesis.1727.105-120.

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O texto propõe uma aproximação entre a linguagem plástica de Tunga e o pensamento filosófico de Georges Bataille, articulando questões formais, matéricas e conceituais, presentes no pensamento do filósofo francês e nas obras do artista, relacionando tais problemas com o erotismo e o informe, que ambos abordaram.
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Pasi, Carlo, and Marie Giaramidaro. "L'intervention de Georges Bataille." Lignes 1, no. 1 (2000): 60. http://dx.doi.org/10.3917/lignes1.001.0060.

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Mitchell, Andrew. "Guilty, by Georges Bataille." Comparative and Continental Philosophy 4, no. 1 (2012): 162–63. http://dx.doi.org/10.1558/ccp.v4i1.162.

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Dissertations / Theses on the topic "Georges Bataille"

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Marmande, Francis. "Georges Bataille politique /." Lyon : Presses universitaires de Lyon, 1985. http://catalogue.bnf.fr/ark:/12148/cb348646783.

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Aksoy, Mete Ulas. "Georges Bataille&#039." Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12610900/index.pdf.

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The critical tradition in International Relations Theory has placed great emphasis on the metaphysical nature of sovereignty, the concept assumed to be pivotal to the modern states system. The present study offers an explanation for the metaphysics that characterizes the prevailing notion of sovereignty via insights provided by Bataille. The study focuses on the ontological implications to which Bataille&rsquo<br>s formulation of sovereignty gives rise. Underlying this endeavor is to probe into the ways in which these implications enrich our understanding of sovereignty. One of the most important achievements of Bataille&rsquo<br>s approach to sovereignty is that it does not treat sovereignty as merely an administrative and legal issue. This achievement is highly critical in the sense that it enables us to realize the metaphysical dimension of sovereignty. This metaphysics has an important potential to render the problematic points in sovereignty visible. Through the analysis of these points, this study elaborates on the historical development of political authority and state sovereignty. Taking the anthropological data provided by Bataille into account the study claims that with the emergence of modernity, there came into existence a new metaphysical representation of sovereignty.
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ANDRADE, MARIA GRACIEMA ACHE DE. "GEORGES BATAILLE`S ARCHANGELICAL POETRY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15795@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A poesia arcangélica de Georges Bataille versa sobre o único livro do autor integralmente composto por poemas, L’Archangélique (O Arcangélico), publicado pelo autor em Paris, em 1944. O presente estudo consiste numa tradução da obra para o português, de uma leitura dos poemas, do levantamento da teoria do autor sobre a poesia, e de uma problematização da experiência da tradução dentro dos termos do que seja a experiência poética tal como entendido por Bataille.<br>Georges Bataille`s archangelical poetry is a study dedicated to Bataille´s only book entirely made up of poems, L Archangélique (The Archangelic), published in Paris in 1944. The study consists of the book`s translation, from French to Portuguese, followed by a reading of the poems, a review of Bataille s theory of poetry and also some issues on the translation experience that is thought to be proposed in terms of Bataille`s poetic experience.
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Baumann, Roland. "Georges Bataille et le cinéma." Paris 10, 2002. http://www.theses.fr/2002PA100150.

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La philosophie d'aujourd'hui, perdue parmi tant d'autres discours, est en dissolution. Face à l'impossibilité de penser la totalité du monde technique, elle sombre dans le non-savoir. En voie de disparition, il ne lui reste plus qu'à démontrer les conditions de sa propre impossibilité. Malgré cette vision pessimiste de l'avenir de la philosophie, nous n'avons pas tenté dans notre travail de réduire une oeuvre aussi multiple et disparate que celle de Bataille - qui serait par-là dépourvue de toute signification philosophique - à un ensemble de faits biographiques. Le cinéma a joué un rôle décisif dans la vie et la pensée de Bataille. Il a profondément marqué son oeuvre. Nous voulons avant tout démontrer ce rôle, en particulier dans L'Expérience intérieure et les autres écrits de la Somme dite athéologique, ainsi que dans les principales Oeuvres littéraires posthumes<br>Nowadays, philosophy which has become lost among other discourses, is in the midst of dissolution. Confronted with the impossibility of analyzing the totality of the technical world, it is swallowed up by unawareness. While in the process of vanishing, it can only show the conditions of its own impossibility. Despite this pessimistic vision of the future of philosophy, we haven't resorted in our study, to scale down such a multiple and dissimilar work, as that of Bataille - which would be an act short of any philosophic signification - into a collection of biographical facts. Cinema plays a decisive role in the life and thoughts of Bataille. It has profoundly influenced his work. Above ail, we want to show this role, and in particular The Inner Experience and other writings of the Somme (so called Atheologic), as well as in the principal Posthumous Literary Works
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Fechter, John. "Primitivism, transgression, and other myths the philosophical anthropology of Georges Bataille /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/999.

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Kate, Laurens ten. "De lege plaats : revoltes tegen het instrumentele leven in Batailles atheologie : een studie over ervaring, gemeenschap en sacraliteit in "De innerlijke ervaring /." Kampen : Kok agora, 1994. http://catalogue.bnf.fr/ark:/12148/cb39991636x.

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Proefschrift--Utrecht--Katholieke theologische universiteit, 1994.<br>Mention parallèle de titre ou de responsabilité : Le @lieu vide : révoltes contre la vie instrumentale dans l'athéologie de Bataille : l'expérience, la communauté et le sacré dans "L'expérience intérieure." Bibliogr. p. [609]-627. Résumé en français.
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Taylor, John. "Hierarchy : Georges Bataille and religious studies." Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683273.

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Strozzi, Gina Valbão. "Erotismo e religião em Georges Bataille." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/2039.

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Made available in DSpace on 2016-04-25T19:20:48Z (GMT). No. of bitstreams: 1 gina.pdf: 1098229 bytes, checksum: 5645c7798b643448a57df0e3bcad9b1c (MD5) Previous issue date: 2007-10-29<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The objective of the present work is to determine the use and conception, as well as the relation with each other, of the terms Erotism and Religion in the writings of Georges Bataille, emphasising Erotism: Death and Sensuality, The Tears of Eros and Inner Experience, texts which concentrate the main dimensions of his oeuvre. In these, the author exposes the epistemological element of erotic experiences and their religious foundations. Bataille composes an encounter between religion and sexuality, a meeting that defies the action of human continuity and discontinuity, superseding and condemning the being. Thus, life and death meet by means of the discovery of erotism and religion, being erotism the inner life substance of humans, deeply identifying them with religious experiences. The adopted approach for the present work was approximative and problem-focused, intended to dare to discover the essential meaning of the bataillian erotica, reaching an understanding. With no pre-conceived rigour, a journey throughout his works is hereby proposed. We go from the theoretical influences that caused the meeting of the aforementioned concepts to a critical and geographical interpretation of the chosen body of documents, favouring the conceptual structure of Erotism and Religion and their correlated terms: interdiction, transgression, sacrifice, death, life, continuity and discontinuity. Finally, the central focus of this study is on the concepts of Erotism and Religion and their inter-relation within the experience of mystical ecstasy<br>O presente trabalho tem por finalidade determinar o emprego, a concepção e a relação dos termos Erotismo e Religião em Georges Bataille. Serão enfatizados os textos que concentram as principais dimensões de sua obra, a saber: O Erotismo, As Lágrimas de Eros e a Experiência Interior. Nesses, o autor expõe a dimensão epistemológica da experiência erótica e seu fundamento religioso. Bataille elabora um encontro entre a religião e a sexualidade, encontro esse que desafia o ato da continuidade e descontinuidade humana, superando o ser e condenando esse ser. Assim, vida e morte se encontram no desvendar do erotismo e da religião, sendo o erotismo a substância da vida interior do homem, identificando-o em profundidade com a experiência religiosa. A abordagem praticada na pesquisa foi problematizadora e aproximativa, cuja intenção foi descobrir o sentido essencial da erótica batailliana, produzindo-lhe uma compreensão. Sem um rigor pré-feito, foi proposto um caminhar pelas obras. Passou-se pelas influências teóricas que forjaram o encontro dos conceitos a uma leitura crítico-geográfica do corpo documental eleito, privilegiando a estrutura conceptual de Erotismo e Religião e seus correlatos: a interdição, a transgressão, o sacrifício, a morte, a vida, a continuidade e a descontinuidade. Por fim, a investigação teve como ponto central os conceitos de Erotismo e Religião e a inter-relação existente na experiência do êxtase místico
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Lahouar, Fredj. "L'écriture du désir chez Georges Bataille." Rennes 2, 2005. http://www.theses.fr/2005REN20049.

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Le désir est un concept prisé par le discours poétique moderne et permet d'aborder l'œuvre inclassable de Georges Bataille, dans laquelle il est à la fois le thème et la logique profonde du texte. Le désir, inapaisable, excessif, violent et sans objet, s'y exprime par des procédés de répétition, traduisant une exigence contradictoire et soulignant l'ambition hétérologique, chez cet auteur, d'ouvrir les concepts, les disciplines et les genres au-delà d'eux-mêmes. A la fois option méthodique et mode de connaissance, le désir permet d'identifier l'instance d'écriture à la catégorie nitzschéenne du philosophe-artiste et fait de son écriture une écriture du mélange, générant un texte, transgénérique et transdisciplinaire, en marge du code normatif établi où, au scriptible se mêlent des éléments non-scriptibles dont le cri, le silence le vide et le secret. La notion de désir est au cœur de l'exigence poétique de Bataille, et se définit comme la volonté de neutraliser l'annulation relative à la démarche systématique. Aussi Bataille oppose-t-il à cette dernière la réplique non systématique qui ouvre le champ de son écriture paradoxale sur l'horizon du non-savoir et pose l'impossible comme sa fin ultime<br>Desire is appraised by the modern poetic and philosophic discourse and it enables one to approach the unclassifiable works of Georges Bataille, in which it is the theme and the text's thoughtful logic at once. Unappeasable, excessive, violent and object-free desire is displayed through techniques of repetition, articulating the inevitability of contradiction and highlighting the heterological ambition of the author to unwrap concepts, disciplines and genres beyond their sphere. Equally a methodical option and a mode of knowledge, desire allows one to identify the act of writing with the Nietzschean category of the philosopher-artist and makes his literature a miscellanous one, producing a refractory text that transgresses the established normative codes where mingle scriptable with non-scriptable elements, such as the cry, silence, emptiness and secret. The notion of desire is at the heart of Bataille's poetic pre-requisite and is defined as the will to counteract the annulment that the systematic progression implies. Bataille equally juxtaposes the latter with the non-systematic answer that opens out the act of writing into the prospect of oblivion and sets the impossible as its ultimate end
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Berlantini, Germana. "L’altro « partage ». Georges Bataille e l’ecologia." Doctoral thesis, Università degli studi di Trento, 2022. http://hdl.handle.net/11572/347754.

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Questa tesi si propone come una rilettura dell'opera filosofica di Georges Bataille alla luce delle grandi emergenze ecologiche del nostro tempo e a partire dal problema della divisione tra natura e cultura. Negli ultimi vent'anni, l'opera di Georges Bataille ha incontrato un rinnovato interesse in alcune branche della filosofia e delle scienze sociali che riflettono sulla categoria dell'Antropocene e sulle forme del tardo capitalismo, a metà strada tra incubo climatico e tecno-premetismo. Il fascino di questo pensiero dipende dalle risonanze che esso riesce a stabilire con alcuni dei nodi politici e teorici più attuali: la critica e il superamento dell'antropocentrismo, la modellizzazione degli scambi tra ambiente ed esseri umani, la convivenza con le catastrofi. Il nostro lavoro evidenzia il dispiegamento di una catena di dualismi (continuo e discontinuo, interno ed esterno, eterogeneo e omogeneo) che intersezionano la divisione tra natura e cultura, creando un inedito spazio di incontro tra un certo ricorso al naturalismo e un pensiero dell’animazione. Le fonti scientifiche, antropologiche e filosofiche di quest’opera sono analizzate in profondità per farne emergere le consonanze con i temi più attuali della filosofia ambientale contemporanea. Interpretando i dualismi bataillani come il dispiegamento di un pensiero della biforcazione ontologica e cosmologica della modernità, ne esploriamo le possibili implicazioni per una riflessione ecologica all'altezza della congiuntura presente.
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Books on the topic "Georges Bataille"

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Hegarty, Paul. Georges Bataille. SAGE Publications, 2000.

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Michael, Richardson. Georges Bataille. Routledge, 1994.

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Buvik, Per. Georges Bataille. Gyldendal, 1998.

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Georges Bataille. Twayne Publishers, 1998.

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1944-, Rella Franco, ed. Georges Bataille, filosofo. Mimesis, 2007.

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Marmande, Francis. Georges Bataille politique. Presses Universitaires de Lyon, 1985.

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Georges Bataille, chemins. Harmattan, 2012.

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Georges Bataille politique. Presses universitaires de Lyon, 1985.

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Georges Bataille: Etica dell'incompiutezza. Mimesis, 2005.

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Denis, Hollier, and Bennington Geoffrey, eds. Georges Bataille après tout. Belin, 1995.

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Book chapters on the topic "Georges Bataille"

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König, Traugott. "Bataille, Georges." In Metzler Philosophen Lexikon. J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_32.

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Niehoff, Reiner. "Bataille, Georges." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1576-1.

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Emerling, Jae. "Georges Bataille." In Theory for Art History. Routledge, 2019. http://dx.doi.org/10.4324/9780203113899-12.

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Niehoff, Reiner. "Bataille, Georges: L'érotisme." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1578-1.

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Rojtman, Betty. "A Pernicious Joy: Georges Bataille." In The Fascination with Death in Contemporary French Thought. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47322-8_3.

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Niehoff, Reiner. "Bataille, Georges: L'histoire de l'œil." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1577-1.

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Neuenhaus-Luciano, Petra. "Individuum und Transgression bei Georges Bataille." In Individualisierung und Transgression. Centaurus Verlag & Media, 1999. http://dx.doi.org/10.1007/978-3-86226-415-5_7.

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Herzhoff, Simon. "3.1 Gemeinschaft in Ekstase (Georges Bataille)." In Edition Moderne Postmoderne. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839463673-015.

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Amir, Lydia. "Georges Bataille—The Laughter of Ecstasy." In The Legacy of Nietzsche's Philosophy of Laughter. Routledge, 2021. http://dx.doi.org/10.4324/9780429506116-3.

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Zwier, Jochem, and Vincent Blok. "Energetic Ethics. Georges Bataille in the Anthropocene." In Ethics of Science and Technology Assessment. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-29443-4_15.

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