Academic literature on the topic 'Georgian Gardens'

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Journal articles on the topic "Georgian Gardens"

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HICKMAN, CLARE. "‘The want of a proper Gardiner’: late Georgian Scottish botanic gardeners as intermediaries of medical and scientific knowledge." British Journal for the History of Science 52, no. 4 (October 4, 2019): 543–67. http://dx.doi.org/10.1017/s0007087419000451.

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AbstractOften overlooked by historians, specialist gardeners with an expert understanding of both native and exotic plant material were central to the teaching and research activities of university botanic gardens. In this article various interrelationships in the late Georgian period will be examined: between the gardener, the garden, the botanic collection, the medical school and ways of knowing. Foregrounding gardeners’ narratives will shed light on the ways in which botanic material was gathered and utilized for teaching and research purposes, particularly for medical students, as well as highlighting the importance of the garden as a repository of botanic material for the classroom. In this way, the blurred lines between art and science, skill and scholarly activity, and shared pedagogic practices between botany and anatomy will be revealed.
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Kelly, Alison. "Coade Stone in Georgian Gardens." Garden History 16, no. 2 (1988): 109. http://dx.doi.org/10.2307/1586965.

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Miller, E. Lynn. "GEORGIAN GARDENS: THE REIGN OF NATURE." Landscape Journal 5, no. 2 (1986): 148–49. http://dx.doi.org/10.3368/lj.5.2.148.

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Margaryan, Ye G. "Abo Tbileli. Arabic Perfumer – St. Protector of Tiflis." Critique and Semiotics 38, no. 2 (2020): 286–301. http://dx.doi.org/10.25205/2307-1737-2020-2-286-301.

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The article provides a semiotic analysis of the modern Georgian Orthodox icon depicting the Georgian Saint, the patron Saint of the city of Abo Tbileli. A Georgian Saint of Arab origin is depicted standing on the Metekh bridge against the background of the city itself. Every detail in the icon has a symbolic meaning and is subject to semiotic analysis. This applies to the Georgian cross in the hands of St. great Martyr, the Golden halo above his head, his robe (turban, chiton and himatiy), the landscape (river, mountains and gardens) and the city itself and its buildings (churches, towers, bridge), the sky above his head. The features of the iconographic style are considered. The main source is the hagiographic work of the medieval Georgian author Ioane Sabanisdze “Martyrdom of Abo”.
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Maisuradze, Roman, Tamar Khardziani, and Tea Eradze. "Retrospective mapping of the XVI century Samtskhe-Javakheti viticulture and fruit farming." Miscellanea Geographica 24, no. 1 (January 31, 2020): 5–15. http://dx.doi.org/10.2478/mgrsd-2019-0027.

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AbstractThe presented work deals with the spread of viticulture and fruit farming in the Middle Ages in the Samtskhe-Javakheti region in Georgia. The current state of the farming sectors mentioned and those pivotal moments in Georgian history that had an influence on agriculture are also considered in the article. The changes that determined the viticulture geography from the second part of the 16th century up to the present day are also discussed. The study is mainly based on the census document created in 1574. The article represents the geographic distribution patterns of vineyards and orchards, as well as wine production capacity and the fruit harvest. Retrospective mapping made it possible to restore the distribution of farms and gardens of the mentioned period and to analyse the importance of viticulture and fruit farming in the 16th century. The maps represented show spatial patterns of vineyards, gardens, and main terroirs.
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Berry, Sue. "Pleasure Gardens in Georgian and Regency Seaside Resorts: Brighton, 1750-1840." Garden History 28, no. 2 (2000): 222. http://dx.doi.org/10.2307/1587271.

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Hunter, Candis M., Dana H. Z. Williamson, Matthew O. Gribble, Halle Bradshaw, Melanie Pearson, Eri Saikawa, P. Barry Ryan, and Michelle Kegler. "Perspectives on Heavy Metal Soil Testing Among Community Gardeners in the United States: A Mixed Methods Approach." International Journal of Environmental Research and Public Health 16, no. 13 (July 3, 2019): 2350. http://dx.doi.org/10.3390/ijerph16132350.

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Community gardens offer numerous benefits, but there are also potential risks from exposure to chemical contaminants in the soil. Through the lens of the Theory of Planned Behavior, this mixed methods study examined community gardeners’ beliefs and intentions to conduct heavy metal soil testing. The qualitative component involved five focus groups of community garden leaders in Atlanta, Georgia. Qualitative analysis of the focus group data revealed that heavy metal soil contamination was not frequently identified as a common gardening hazard and several barriers limited soil testing in community gardens. The focus group results informed the development of a questionnaire that was administered to 500 community gardeners across the United States. Logistic regression analysis revealed that the soil testing intention was associated with attitude (aOR = 2.46, 95% CI: 1.34, 4.53), subjective norms (aOR = 3.39 95% CI: 2.07, 5.57), and perceived behavioral control (aOR = 1.81, 95% CI: 1.10, 2.99). Study findings have implications for interventions involving community garden risk mitigation, particularly gardens that engage children and vulnerable populations.
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Mikatadze-Panstulaia, Tsira, Sandro Kolbaia, and Ana Gogoladze. "Safeguarding Wild Plant Genetic Resources of Georgia within the Millennium Seed Bank Partnership." European Journal of Sustainable Development 8, no. 4 (October 1, 2019): 37. http://dx.doi.org/10.14207/ejsd.2019.v8n4p37.

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Working group of the Department of Plant Conservation of the National Botanical Garden of Georgia (NBGG) have been participating in the global Millennium Seed Bank Partnership, led by the Royal Botanic Gardens, Kew since 2005. During the 2005-2018 period, within the scope of MSB-1 and MSB-2, seeds and herbarium samples of more than 1750 plant species and interspecific taxa, belonging to 107 families and 483 genera (more than 41% of Georgia’s flora) – 348 endemics of Caucasus and 151 endemics of Georgia, have been secured in the National Seed Bank of Georgia (NSB). Seed Bank data are managed in BRAHMS (Department of Plant Sciences of Oxford University). The collection of wild plant species is accompanied by the comprehensive database of geographical, botanical and habitat information. Later phase involves laboratory treatment and germination/viability testing (at least 500 seeds per species) and the long-term deposition and storage (under -20◦C temperature) at the National Seed Bank of Georgia. The duplicates of seed collection and herbarium vouchers are stored at the Millennium Seed Bank of Royal Botanic Gardens, Kew, UK. Germination capacity and viability of collections in NSB is determined before cold storage of seeds, while at the MSB already banked seeds are tested.Keywords: Seed bank; Ex-situ conservation; Plant diversity; Botanical garden; Genetic resources
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Stephens, Matt, Melody Gray, Edward Moydell, Julie Paul, Tree Sturman, Abby Hird, Sonya Lepper, Cate Prestowitz, Casey Sharber, and Aaron Steil. "ENDOWMENT STRATEGIES FOR THE UNIVERSITY OF DELAWARE BOTANIC GARDENS." HortScience 41, no. 3 (June 2006): 495A—495. http://dx.doi.org/10.21273/hortsci.41.3.495a.

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The University of Delaware Botanic Gardens (UDBG) is at a critical juncture in its development. Momentum of shared interest at the University of Delaware and the College of Agriculture and Natural Resources favors the Gardens' advancement as an institution. Having identified endowment planning as a critical and immediate need for UDBG, the goal of this research was to gather pertinent institutional knowledge from select university-based public gardens throughout the United States that had already created an endowment. Key staff were interviewed during the summer of 2005 at Cornell Plantations, JC Raulston Arboretum, Minnesota Landscape Arboretum, and the State Botanic Garden of Georgia. Valuable insights into the procurement and management of endowments within a university-based garden environment were gained through these interviews. Utilizing these results, as well as input from an advisory Task Force, specific recommendations for the University of Delaware Botanic Gardens were made from within the following topic areas: Organizational Structure, Planning, Current Strategies, The Endowment, and The Donor.
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Lindsey, Kiera. "'Remember Aesi':." Public History Review 28 (June 22, 2021): 46–71. http://dx.doi.org/10.5130/phrj.v28i0.7760.

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In this article I draw upon a definition of ‘dialogical memorial’ offered by Brad West to offer an experimental artist's brief that outlines the various ways that a contemporary monument to the colonial artist, Adelaide Eliza Scott Ironside (1831-1867), could ‘talk back’ to the nineteenth-century statues of her contemporaries, and ‘converse’ with more recent acts of history making. In contrast to the familiar figure of the individual hero, which we associate with the statuary of her age, I suggest a group monument that acknowledges the intimate intergenerational female network which shaped Aesi's life and also ‘re-presents’ – a term coined by the historian Greg Dening – several native born and convict women from the Georgian, Regency and Victorian eras who influenced her life. Instead of elevating Aesi upon a plinth, I recommend grounding this group monument on Gadigal country and planting around it many of the Australian Wildflowers she painted in ways that draw attention to the millennia-old Indigenous uses of the same plants. And finally, by situating Aesi’s monument in the Outer Domain (behind the New South Wales Art Gallery in Sydney’s Botanic Gardens and to the east of the Yurong Pennisula, near Woolloomooloo Bay), in an area where she once boldly assumed centre stage before a large male audience in a flamboyant moment of her own theatrical history-making, I argue that this memorial will have the capcity to speak for itself in ways that challenge the underepresentation of colonial women in Sydney's statuary, abd, as West suggests, do much to ‘alter the stage on which Sydney's colonial history 'is narrated and performed’. [i] Greg Dening, Performances, Melbourne University Press, Melbourne, 1992, p37.
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Dissertations / Theses on the topic "Georgian Gardens"

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Boyington, Amy. "Maids, wives and widows : female architectural patronage in eighteenth-century Britain." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/271383.

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This thesis explores the extent to which elite women of the eighteenth century commissioned architectural works and the extent to which the type and scale of their projects was dictated by their marital status. Traditionally, architectural historians have advocated that eighteenth-century architecture was purely the pursuit of men. Women, of course, were not absent during this period, but their involvement with architecture has been largely obscured and largely overlooked. This doctoral research has redressed this oversight through the scrutinising of known sources and the unearthing of new archival material. This thesis begins with an exploration of the legal and financial statuses of elite women, as encapsulated by the eighteenth-century marriage settlement. This encompasses brides’ portions or dowries, wives’ annuities or ‘pin-money’, widows’ dower or jointure, and provisions made for daughters and younger children. Following this, the thesis is divided into three main sections which each look at the ways in which women, depending upon their marital status, could engage in architecture. The first of these sections discusses unmarried women, where the patronage of the following patroness is examined: Anne Robinson; Lady Isabella Finch; Lady Elizabeth Hastings; Sophia Baddeley; George Anne Bellamy and Teresa Cornelys. The second section explores the patronage of married women, namely Jemima Yorke, Marchioness Grey; Amabel Hume-Campbell, Lady Polwarth; Mary Robinson, Baroness Grantham; Sarah Churchill, Duchess of Marlborough; Frances Boscawen; Elizabeth Herbert, Countess of Pembroke and Montgomery; Henrietta Knight, Baroness Luxborough and Lady Sarah Bunbury. The third and final section discusses the architectural patronage of widowed women, including Susanna Montgomery, Countess of Eglinton; Georgianna Spencer, Countess Spencer; Elizabeth Somerset, Duchess of Beaufort; Elizabeth Home, Countess of Home; Elizabeth Montagu; Mary Hervey, Lady Hervey; Henrietta Fermor, Countess of Pomfret; the Hon. Charlotte Digby; the Hon. Charlotte Boyle Walsingham; the Hon. Agneta Yorke and Albinia Brodrick, Viscountess Midleton. Collectively, all three sections advocate that elite women were at the heart of the architectural patronage system and exerted more influence and agency over architecture than has previously been recognised by architectural historians.
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Rice, Rebecca Wyanne. "Georgia's historic gardens a proposal to develop a statewide tour to fund garden restoration and preservation projects /." 2002. http://purl.galileo.usg.edu/uga%5Fetd/rice%5Frebecca%5Fw%5F200205%5Fmhp.

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Velazquez, Santiago Estrella. "Rain gardens in surburbia low-impact development retrofitting in Georgia /." 2008. http://purl.galileo.usg.edu/uga%5Fetd/velazquez%5Festrella%5F200812%5Fmla.

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House, Cassie. "An Evaluation of Captain Planet Foundation's Learning Gardens Pilot Program in Atlanta, Georgia." 2014. http://scholarworks.gsu.edu/iph_theses/330.

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In the last two decades, school gardening programs including interdisciplinary curriculum have been on the rise across the United States and abroad. Many outcomes have been researched related to school gardening programs including children’s academic achievements, socialization through gardening activities, food preference and nutritional outcomes, and environmental impacts. Teachers often carry the greatest weight of responsibility in school gardening programs. While current literature evidences child outcomes by evaluating children, parents, teachers and principles, in this project, teachers specifically were able to identify barriers and concerns before and after teacher training workshops in a pilot program in Atlanta, Georgia and express their levels of experience as indicators of commitment and willingness to implement the program in their classrooms. This research provided an opportunity to assess how well the training addressed perceived barriers to outdoor teaching. Principles of self-­‐efficacy and social cognitive theory were used to guide the development of survey tools in this evaluation. A logic model was created to identify the inputs, activities, short, medium-­‐, and long-­‐term outcomes and overall impact of the Learning Gardens program to be used in program implementation and expansion and to keep goals in sight, providing measurable evaluation steps to monitor progress. Surveys were created to evaluate the efficacy of teacher training and how teachers perceived barriers and self-­‐efficacy during their first year participating in the school gardens program. Surveys were given online and in-­‐person before and after training and after the first year of program participation. Data was collected, analyzed and presented. Curriculum tool kits were prepared for use in the classroom. Results indicated that with training, barriers to teaching outdoors decreased; perceived self-­‐efficacy and thus the drive and motivation to continue forward movement in the Learning Gardens program increased. Once teachers became aware of their goals, and how they would be able to achieve them together, they gained understanding of how the program would be beneficial to their students. These results stress the importance of teacher training and the provision of tools and resources linked directly to standards-­‐based curriculum as critical components in the implementation of successful school garden programming.
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Minar, Rena Virginia. "Case studies of folk art environments: Simon Rodia's "Watts Towers" and Reverend Howard Finster's "Paradise Garden" (California, Georgia)." Thesis, 1994. http://hdl.handle.net/1911/13869.

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The study of folk art, or self-taught art, has been riddled with problems. Scholars have not agreed on terms or definitions, and research has been sporadic. Folk art environments, large decorated sites at homes or businesses, cause further problems because these sites define space. Simon Rodia built The Watts Towers in Los Angeles, and no one knows why he built the site or why he later abruptly abandoned it. The environment he built consists of three tall spires and several other smaller structures, all covered with colorful tile mosaic. Reverend Howard Finster created Paradise Garden just outside Pennville, Georgia as a means to communicate the teachings of God. The environment, a result of religious visions, contains hundreds of sculptures and describes an area of over seven acres. These sites represent two types of folk art environments: systematic and random.
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Jeřábková, Zlatina. "Západoevropské impulsy bulharského diabolismu (Pohled na bulharskou literaturu ve 20. letech XX. století)." Doctoral thesis, 2012. http://www.nusl.cz/ntk/nusl-307975.

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West European Impulses of Bulgarian Diabolism (A Look at the Bulgarian Literature of the 1920s) Abstract Keywords: Bulgarian literature, expressionism, avant-garde, diabolism, horror fiction, marvelous, uncanny, Menippean carnival discourse, romanticism, naturalism, individualism Svetoslav Minkov (1902-1966), Vladimir Poljanov (1899-1988), Georgi Rajčev (1882 - 1947), Čavdar Mutafov (1889-1954) Contrary to its generally innovative potential for Bulgarian literature, the phenomenon called Bulgarian diabolism has been a marginal one from the point of view of literary discourse. The interest of postmodern writers and reviewers has given rise to accentuating some of the partial aspects of the works of Svetoslav Minkov, Vladimir Polyanov, Georgi Raychev and Chavdar Mutafov. However, with the exception of Thomas Martin's monograph Der bulgarische Diabolismus. Eine Studie zur bulgarischen Phantastik zwischen 1920 und 1934, published in 1993, works explicating the nature of the phenomenon in Bulgarian literature have been missing. Due to their novelty and impurity, the syncretic writings of Bulgarian diabolists, blending fading individualistic modernist tendencies together with elements of romantic fiction of horror in the generally expressionist roots of their works, were a phenomenon difficult to rank for their...
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Books on the topic "Georgian Gardens"

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The Edinburgh New Town gardens: 'Blessings as well as beauties'. Edinburgh: Birlinn, 2005.

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Restoring period gardens: From the Middle Ages to Georgian times. Aylesbury, Bucks, UK: Shire Publications, 1988.

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Restoring period gardens: From the Middle Ages to Georgian times. 2nd ed. Princes Risborough: Shire, 1993.

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Patrick, Eyres, and Wentworth Castle Trust, eds. Wentworth Castle and Georgian political gardening: Jacobites, Tories and dissident Whigs : the proceedings of the 2010 Wentworth Castle Conference. Barnsley: The Wentworth Castle Heritage Trust, 2012.

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1955-, Moore Richard, ed. Gardens of Georgia. Atlanta: Peachtree Publishers, 1989.

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Pinkas, Lilly. Guide to the Gardens of Georgia. Sarasota, Florida: Pineapple Press, Inc., 2000.

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Chambers, Douglas. The planters of the English landscape garden: Botany, trees, and the Georgics. New Haven: Published for The Paul Mellon Centre for Studies in British Art by Yale University Press, 1993.

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Herring, Laraine. Into the garden of Gethsemane, Georgia. Phoenix, AZ: Concentrium, 2013.

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Baer, Marc. Theatre and disorder in late Georgian London. Oxford [England]: Clarendon Press, 1992.

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Martin, Laura C. Georgia gardeners: Wisdom shared over the fence. Dallas, Tex: Taylor Pub., 1996.

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Book chapters on the topic "Georgian Gardens"

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Crawford, Rachel. "Forms of Sublimity: The Garden, the Georgic, and the Nation." In A Concise Companion to the Restoration and Eighteenth Century, 226–46. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757529.ch11.

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Wetherington, Mark V. "A Found “Desert” and an Imagined “Garden” : Modernity, Landscapes, and Architecture in Southern Georgia’s Longleaf Pine Forest, 1865–1920." In Across Space and Time, 123–42. New Brunswick, New Jersey : Transaction Publishers, 2016. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315083100-6.

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Cohen, Ashley L. "A Trip to Vauxhall." In The Global Indies, 27–32. Yale University Press, 2021. http://dx.doi.org/10.12987/yale/9780300239973.003.0002.

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This chapter details the major cultural fallout of the Seven Years' War. In addition to radically disrupting the nation's socioeconomic status quo and altering the texture of metropolitan sociability, the war inaugurated a new way of seeing the empire: the Indies mentality. The chapter looks at Vauxhall Gardens to illustrate how the Indies mentality manifested in Georgian London. From the time it opened to the public in the mid-seventeenth century, Vauxhall was in the vanguard of what can now be called the entertainment industry. A multimedia entertainment experience that combined artistic consumption with sociability, Vauxhall represented a perfect epitome of late Georgian culture.
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"Covent Garden." In Georgina Weldon, 247–59. Boydell & Brewer, 2021. http://dx.doi.org/10.2307/j.ctv1850j50.25.

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Haskell, Yasmin Annabel. "Gentle Labour: Jesuit Georgic in the Age of Louis XIV." In Loyola's Bees. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197262849.003.0002.

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René Rapin, the father of Jesuit georgic poetry, manoeuvred his intellectual life between the ancients and the moderns with an instinct for conciliation and compromise that made him an effective apostle to the world. He is best remembered for his Horti, a classical-style didactic poem in four books that celebrated the victory of the moderns over the ancients in horticultural art. His poem, which is secular in appearance, is motivated by (mildly concealed) religion and Jesuito-political impulses, and cultural and literary impulses, particularly those of Virgil. This chapter discusses some of the developments in the Italian Renaissance georgic poetry to better understand Rapin's contribution to the early modern Latin georgic. It considers the latter Latin poems on horticulture and sericulture, which bear resemblance to the ancient model yet are considerably shorter than Virgil's. These latter georgic poems predicated on a Nature that is mild and marvellous, and centred on the artistic manipulation of Nature. In the Italian Renaissance, the ‘recreational georgics’ were dominated by pastoral ease, which is ironic, given the prominent thematic of labour in the original georgics. While the georgics were poems that celebrated nature and labour in gardens, by the turn of the eighteenth century, French Jesuits had identified the didactic genre of georgics as a flexible medium for exhibiting their modern Latinity and advertising their honnêteté.
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"Chapter 15. Garden Buildings." In William Kent: Designing Georgian Britain. Bard Graduate Center, 2013. http://dx.doi.org/10.37862/aaeportal.00218.015.

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Baer, Marc. "John Bull in Covent Garden." In Theatre and Disorder in Late Georgian London, 189–221. Oxford University Press, 1992. http://dx.doi.org/10.1093/acprof:oso/9780198112501.003.0010.

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"The Georgian Avant-garde: Futurism and More." In 2020, 172–99. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110702200-007.

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Chastel-Rousseau, Charlotte. "The King in the Garden: Royal Statues and the Naturalization of the Hanoverian Dynasty in Early Georgian Britain, 1714-60." In Sculpture and the Garden, 61–70. Routledge, 2017. http://dx.doi.org/10.4324/9781315088266-3.

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Jeffrey, David K. "Harry Crews: Progenitor." In Rough South, Rural South. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496802330.003.0003.

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This chapter discusses the life and work of Harry Crews. Born on June 7, 1935, in Alma, a rural town in Bacon County, Georgia, Crews described the poverty and despair of his upbringing in A Childhood: The Biography of a Place (1979). In 1968 he published his first novel, The Gospel Singer. When Crews died on March 28, 2013, he had more than twenty-five titles to his credit: novels, chapter collections, screenplays, and novellas. He published his best works between 1974 and 1979. In addition to The Gospel Singer, Crews wrote Naked in Garden Hills, This Thing Don't Lead to Heaven, Karate Is a Thing of the Spirit, Car, The Hawk Is Dying, and The Gypsy's Curse.
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Conference papers on the topic "Georgian Gardens"

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Zinner, N. S., and et al. "Influence of biologics on seed germination of Scutellaria baicalensis Georgi." In Botanical Gardens as Centers for Study and Conservation of Phyto-Diversity. TSU Press, 2020. http://dx.doi.org/10.17223/978-5-94621-956-3-2020-23.

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