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Journal articles on the topic 'Georgian Icons'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

მოსია, ბელა. "ვეშაპთან მებრძოლი წმინდა გიორგის კულტი და მსოფლიო გამოცდილება". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 305–10. https://doi.org/10.62119/cils.17.2024.8756.

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Despite the fact that the topic of the cult of St. George fighting the dragon was discussed many times and by many scientists, we discuss the cult of St. George in the system of popular religion, church frescoes and icons, Georgian hagiography, hymnography and folklore. We will analyze its multifaceted form and meaning. The novelty of our research is the face of the dragon of Gveleti rock and the legend about its punishment by St. George. Particular importance is the petrification spell of the snake, which has survived to this day in Samegrelo, West Georgia.

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2

Voell, Stéphane. "Oath of Memory: The Taking of Oaths on Icons in Svan Villages of Southern Georgia." IRAN and the CAUCASUS 17, no. 2 (2013): 153–69. http://dx.doi.org/10.1163/1573384x-20130203.

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In the late 1980s, Georgian Svans were first resettled from the highlands of Svaneti to a rather plain region in the south. The resettlement took place because of natural disasters in the 1980s and continued thereafter because of economic problems. In their new environment the Orthodox Svans regularly perform oaths on icons and swear to stand together and to respect their “traditions”. Oaths on icons are an important constituent of the Svan traditional law. In so called “Free Svaneti”, the oath of unity was until the 19th century an important vow of solidarity. The local segmentary society man

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3

Chichinadze, Nino. "Precious metal revetments on Georgian medieval painted icons: some observations on a devotional practice." Caucasus Journal of Social Sciences 1, no. 1 (2023): 259–79. http://dx.doi.org/10.62343/cjss.2008.13.

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The embellishment of sacred images with precious metal was a widespreadreligious practice throughout the Byzantine world over manycenturies. The cladding of Christian images in precious metal has longbeen an act of piety on the part of the faithful, representing theirgratitude to their heavenly protectors for performed assistance.Georgian medieval icons encased in revetments of precious metal thatcarry their donors’ supplicatory inscriptions, throw additional light onthe ways in which such icons were used and venerated.

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Demetrashvili, Tamar. "IRANIAN "INSIGNIAS" OF THE CHILADZE SATAVADO ACCORDING TO THE 17TH-CENTURY ENGRAVED ICONS OF TKVIRI." Near East and Georgia 14 (December 15, 2022): 408–22. http://dx.doi.org/10.32859/neg/14/408-422.

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In the 1560s, the Chiladzes' Satavado participated in the battles between the central government and local principalities in Western Georgia. It is assumed that the origin of the Satavado dates back to the 15th century. They were vassals of Dadiani. The promotion and the decline of the Satavado were related to socio-political events and were constantly the subject of dispute between Dadiani, Gurieli, and the kings of Imereti. The land of the Chiladzes was called Sajavakho, which was located between Guria and Samegrelo. Their domain was a convenient place for the kings of Imereti to fight and g

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Mamisimedishvili, Khvtiso. "Guram Kerashvili. Khevi and the Mokheve. Tbilisi, 2013, 335 pp." Kadmos 15 (2015): 415–23. https://doi.org/10.32859/kadmos/7/415-423.

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Guram Kerashvili’s critically acclaimed monograph “Khevi and the Mokheve” exhaustively describes the Georgian province of Khevi: its geographical peculiarities, climate, territory and borders, roads and paths, place names, the historical past, folk traditions, archeological evidence, residential fortresses and Christian churches, and other sacred structures and fortifications. The author cites folklore material while providing an impressive account of the traditional lifestyle of Khevi from almost all perspectives, including the worship of cross icons, clan history and relationships, hospitali

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Nakhutsrishvili, Luka. "Peasant Oaths, Furious Icons and the Quest for Agency: Tracing Subaltern Politics in Tsarist Georgia on the Eve of the 1905 Revolution. Part II: Agents and Items of (Counter)Insurgent Political Theology on the Imperial Borderland." Praktyka Teoretyczna 39, no. 1 (2021): 43–72. http://dx.doi.org/10.14746/prt2021.1.3.

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This two-part transdisciplinary article elaborates on the autobiographical account of the Georgian Social-Democrat Grigol Uratadze regarding the oath pledged by protesting peasants from Guria in 1902. The oath inaugurated their mobilization in Tsarist Georgia in 1902, culminating in full peasant self-rule in the “Gurian Republic” by 1905. The study aims at a historical-anthropological assessment of the asymmetries in the alliance formed by peasants and the revolutionary intelligentsia in the wake of the oath as well as the tensions that crystallized around the oath between the peasants and Tsa

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7

მრევლიშვილი, ნანა. "„წმიდანი იგი წიგნნი მოწამეთანი“ თუ „წმიდანი იგი ნაწილნი მოწამეთანი“ „შუშანიკის წამების“ ერთი იკითხვისის დაზუსტებისათვის". Literary Researches 44 (27 листопада 2024): 32–48. https://doi.org/10.62119/lr.44.2024.8227.

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At the beginning of „Tortures of Shushanik“ the word „martyrium“ is mentioned which meant a Christian church or a construction erected on the graves of saints in old Georgian. When Varsken changed his religion, Shushanik told him: „Your father erected martyrium and built churches…“ Abuladze, 2020, 15). Besides that, martyrium also meant reliquaries, such as boxes, crosses, icons, necklaces, and sometimes even books, which contained special nests for keeping martyrs pieces. Is it possible that in the text the author meant reliquaries? The author writes about Shushanik when she was forced t

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8

Макарова, Анна Львовна. "Стиль росписей церкви св. Григория (Хачута) в контексте искусства Византии и Закавказья конца XII – первой трети XIII века". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 182–91. https://doi.org/10.18688/aa2414-2-13.

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The article analyzes the style of paintings of the Church of St. Gregory of Khachut in Ani based on surviving fragments from the State Hermitage Museum (St. Petersburg). The church was discovered during the first archaeological campaign of N. Y. Marr in 1892. As a result of the excavations seventy-two stones with paintings were discovered, three of them were deposited in the Hermitage, the fate of the rest is unknown to date. The study determines the originality of the artistic methods of the painting of the Church of St. Gregory, which, on the one hand, distinguish it against the background o

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9

Chichinadze, Nino. "Fresco-Icons on Façades of Churches in Upper Svaneti (Georgia)." Kadmos 6 (2014): 50–94. http://dx.doi.org/10.32859/kadmos/6/50-94.

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The present article focuses on exterior mural decoration imitating icons, which are placed on the south facades of the Church of the Archangels in Iprari and St. George church in Ipkhi (Upper Svaneti), dating from the 13th century. The iconography of these fresco-icons constituting the Deesis is interpreted as a visual reference to the chancel barrier. The facade murals discussed in the article play a role in the complex relations between individual parts of the Christian church. The templon imagery, intended for those for whom the sanctuary is not accessible, is a liminal marker. I argue that

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10

CHICHINADZE, Nina. "Icons as Symbols of Power in Medieval Georgia." Le Muséon 122, no. 3 (2009): 405–22. http://dx.doi.org/10.2143/mus.122.3.2045876.

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11

Cannon, Mae Elise, and Kevin Vollrath. "Spiritual Synchronicity: Icon Veneration in Evangelical and Orthodox Religious Practices in the 21st Century." Religions 12, no. 7 (2021): 463. http://dx.doi.org/10.3390/rel12070463.

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Much scholarship in the dialogue between evangelical and Orthodox believers focuses on doctrinal compatibility. This article contributes to that literature by giving an example of a spiritual practice (icon veneration) that creates additional space for ecumenical dialogue and unity. Some US-evangelicals in the 21st century have incorporated the use of icons into their personal faith practices. Icon veneration is ripe with ecumenical potential for evangelical–Orthodox relations because of its prominence in Orthodox communions while at the same time appealing to a growing number of evangelicals.

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12

Nakashidze, Malkhaz. "2019 global review of constitutional law: Georgia." International Journal of Constitutional Law 18, no. 2 (2020): 596–604. http://dx.doi.org/10.1093/icon/moaa035.

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13

Saenkova, Elena. "A Newfound Icon “Sophia the Wisdom of God with Miracle-Working Icons of the Mother of God” of the Late 17th — Early 18th Century: Aspects of the Iconographic Programme." ISTORIYA 12, no. 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015810-0.

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The article discusses the unique theological programme of an icon painted in the town of Vologda at the turn of the 17th to the 18th century. The icon combines the image of Sophia the Wisdom of God with the miraculous icons of the Mother of God: “The Lamenting Virgin”, “Our Lady of Georgia”, “The Virgin Eleousa” and “Our Lady of the Kievan Caves”. The image of Sophia the Wisdom of God has a number of significant differences from the classical iconography that became widespread in the Russian art of the 16th and 17th centuries: there is no image of Jesus Christ and the figure of the fiery-faced

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14

D. Ioseliani, G. Balarjishvili, N. Kalabegashvili, N. Nonikashvili, L. Samkharadze, and I. Javakhishvili. "Adsorptive removal of zinc icons from aqueous solutions in the presence of Georgia minerals." World Journal of Advanced Research and Reviews 22, no. 3 (2024): 438–44. http://dx.doi.org/10.30574/wjarr.2024.22.3.1701.

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The article represents the new chemically active natural minerals of Georgia – travertine and limestone. In this work, for the first time there have been studied adsorptive properties of the mentioned minerals in the process of aqueous solution purification from zinc ions. Materials under study are represented by unprocessed forms of travertine and limestone. Factors having an impact on sorption capacity of these minerals are analyzed based on the experiments. The dependence of degree of adsorption and adsorptive capacity on adsorbent dosage, time contact, adsorbate concentration and solution

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15

Sukina, Liudmila B. "GEORGIAN ICON OF OUR LADY. TRAVELING SHRINE IN RUSSIA OF THE 17TH CENTURY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 5 (2020): 57–70. http://dx.doi.org/10.28995/2686-7249-2020-5-57-70.

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16

Eseeva, O. V. "Veneration of the miraculous icon of Our Lady of Georgia during the plague of 1654 in Moscow." Russian Journal of Church History 3, no. 1 (2022): 81–98. http://dx.doi.org/10.15829/2686-973x-2022-82.

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The article discusses the miracles of healing from the plague in Moscow in the middle of the XVII century, attributed to the Mother of God of Georgia. The circumstances of bringing icon to Moscow are analyzed, the sources talking about the most famous miracle that occurred from the shrine in the city are compared. The author assesses the significance of the miracles that occurred in Moscow stricken by the plague in the distribution of lists from the icon, including those famous as miraculous. The fate of the icon after returning from Moscow, its stay in the churches of Arkhangelsk and Kholmogo

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17

Eseeva, O. V. "Veneration of the miraculous icon of Our Lady of Georgia during the plague of 1654 in Moscow." Russian Journal of Church History 3, no. 1 (2022): 81–98. http://dx.doi.org/10.15829/2686-973x-2022-82.

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The article discusses the miracles of healing from the plague in Moscow in the middle of the XVII century, attributed to the Mother of God of Georgia. The circumstances of bringing icon to Moscow are analyzed, the sources talking about the most famous miracle that occurred from the shrine in the city are compared. The author assesses the significance of the miracles that occurred in Moscow stricken by the plague in the distribution of lists from the icon, including those famous as miraculous. The fate of the icon after returning from Moscow, its stay in the churches of Arkhangelsk and Kholmogo

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18

Tabeshadze, Nino. "The Development of “Enemy Icon” in Speeches of Policy-Makers: Russian Speeches Concerning the War of August 2008." European Journal of Humanities and Social Sciences 2, no. 1 (2022): 1–8. http://dx.doi.org/10.24018/ejsocial.2022.2.1.197.

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Words can be sharper than bullets. That is why the speeches of politicians are especially important. Language of hatred can be used as a strategic weapon for downgrading the enemy and for building up the desired narrative template followed by whole society. The article focuses on the development of enemy icon with the help of the hated language. Research is based on the content analysis of the speeches made by Russian policy-makers after the war of August 2008 concerning Georgia. The article analyzes the content of high rank Russian policy-makers in order to draw general conclusions of the lan

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19

Chkhaidze, Viktor. "New Findings ofPectoral Crosses on the Territory of Historical Alania (II)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (December 2023): 183–90. http://dx.doi.org/10.15688/jvolsu4.2023.6.14.

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Introduction. One of the material evidences of the Christianization of the territory of historical Alania (the east of the Krasnodar Territory – the northern regions of Chechnya) in the period from the 10th to the beginning of the 13th centuries is the data of staurography: the finds of crosses-encolpia, pectoral crosses, crosses-quadrifolia. The study of this category of finds allows us to consider the features and chronology of the process of Christianization of the population of the largest state in the North Caucasus in the Middle Ages, to study more closely the historical and social portr

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20

Smith, Melody, Anqi Dai, Guido Ghilardi, et al. "The Intestinal Microbiota Correlates with Response and Toxicity after CAR T Cell Therapy in Patients with B-Cell Malignancies." Blood 138, Supplement 1 (2021): 253. http://dx.doi.org/10.1182/blood-2021-153945.

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Abstract Introduction: Cellular immunotherapy with CD19-targeted chimeric antigen receptor (CAR) T cells has provided new therapeutic options for patients with high-risk hematologic malignancies. Following this therapy, patients may experience disease relapse or CAR-mediated toxicity due to cytokine release syndrome (CRS) or immune effector cell-associated neurotoxicity syndrome (ICANS). Recent studies have confirmed that the intestinal microbiome can modulate the anti-tumor immune response to chemotherapy, immune checkpoint blockade, graft-versus-host disease after allogeneic hematopoietic ce

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21

Filipová, Alžběta. "For Beauty, Nation and God The Creation of the Georgian National Treasure." 27 | 2018 Discovering the Art of Medieval Caucasus (1801-1945), no. 1 (December 13, 2018). http://dx.doi.org/10.30687/va/2385-2720/2018/04/002.

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The following paper traces the origins and increased interest in the cultural heritage of Georgia on behalf of the local intelligentsia in the 19th century. After describing the circumstances that may have led the new generation of Georgian scholars to a systematic exploration of ancient remains in the Caucasus and medieval ecclesiastical monuments and treasuries, the paper will focus on the main archaeologists of Christian antiquity in Georgia, Dimitri Bakradze and Ekvtime Taqaishvili. Finally, the study outlines the creation of what has been called the Georgian National Treasure. The treasur

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Filipová, Alžběta. "For Beauty, Nation and God." 28 | 2018 | Discovering the Art of Medieval Caucasus (1801-1945), no. 27 (December 13, 2018). http://dx.doi.org/10.30687/va/2385-2720/2018/27/002.

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The following paper traces the origins and increased interest in the cultural heritage of Georgia on behalf of the local intelligentsia in the 19th century. After describing the circumstances that may have led the new generation of Georgian scholars to a systematic exploration of ancient remains in the Caucasus and medieval ecclesiastical monuments and treasuries, the paper will focus on the main archaeologists of Christian antiquity in Georgia, Dimitri Bakradze and Ekvtime Taqaishvili. Finally, the study outlines the creation of what has been called the Georgian National Treasure. The treasur

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23

Nino, Tabeshadze. "Formation of Post-Traumatic Narratives (Case: Georgian and Russian Narratives after the August 2008)." June 20, 2018. https://doi.org/10.5281/zenodo.1293293.

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A friend is one who has the same enemies as you have’ – these words of Abraham Lincoln can easily be applied to the position of Georgian Policy-makers of such post-soviet country as Georgia. Georgian policymakers actively started to search for friends by creating the image of ‘shared enemy’, especially in 2009- 2012. This shared enemy was the Soviet Union. States united in Soviet Union should have higher solidarity towards each other than the others. This became clearly seen during the August War 2008 when Georgian politicians underlined the influence of Soviet Union st

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24

Nakhutsrishvili, Luka. "Peasant Oaths, Furious Icons and the Quest for Agency: Tracing Subaltern Politics in Tsarist Georgia on the Eve of the 1905 Revolution. Part I: The Prose of the Intelligentsia and Its Peasant Symptoms." Praktyka Teoretyczna 39, no. 1 (2021). http://dx.doi.org/10.14746/prt2021.1.2.

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This two-part transdisciplinary article elaborates on the autobiographical account of the Georgian Social-Democrat Grigol Uratadze regarding the oath pledged by protesting peasants from Guria in 1902. The oath inaugurated their mobilization in Tsarist Georgia in 1902, culminating in full peasant self-rule in the “Gurian Republic” by 1905. The study aims at a historical-anthropological assessment of the asymmetries in the alliance formed by peasants and the revolutionary intelligentsia in the wake of the oath as well as the tensions that crystallized around the oath between the peasants and Tsa

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25

Covi, Giovanna. "Cristiana Pagliarusco. Georgia O’Keeffe in Poetry: Offspring of an Icon." 53 | 2019, no. 1 (September 26, 2019). http://dx.doi.org/10.30687/annoc/2499-1562/2019/01/017.

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26

Covi, Giovanna. "Cristiana Pagliarusco. Georgia O’Keeffe in Poetry: Offspring of an Icon." 53 | 2019, no. 1 (September 26, 2019). http://dx.doi.org/10.30687/annoc/2499-1562/2019/06/017.

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27

Gujejiani, Rozeta. "THE “SHALIANI” ICON: HISTORY AND NARRATIONS." InterConf, June 19, 2021, 247–59. http://dx.doi.org/10.51582/interconf.7-8.06.2021.026.

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The paper discusses the correlation of the traditional mode of life and religious beliefs and analyses the social interactions in connection to the sacred sites and holy objects. The case of “Shaliani” displaying the evidence of inportance of traditional value systems. “Shaliani“ is an icon of Kala St Kvirike Monastery, in Svaneti Georgia. The icon is considered to have a power, which is admired till nowadays. The belief is symbolically focused on the “Shaliani” icon and it is the driving force of the social life. This power is constructed through the narratives spread among the local populati

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28

Alexander, Jeffrey C. "Office Obligation as Civil Virtue: The Crisis of American Democracy, November 3, 2020–January 6, 2021, and After." Society, September 5, 2023. http://dx.doi.org/10.1007/s12115-023-00883-4.

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AbstractThis essay develops a new theoretical and empirical understanding of the contemporary crisis of American democracy. Between November 3, 2020, and January 7, 2021, President Donald Trump battled to overturn the results of the American presidential election, launching myriad lawsuits and pressuring hundreds of electoral officials. Confronting this antidemocratic assault was a resilient civil sphere that sustained “office,” an institution that, in a democratic society, inspires faith in the Constitution and loyalty to “we the people.” After investigating how this civil institution empower

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29

Тараян, Земфира. "Значение иконы в армянском христианском искусстве". Journal of Art Studies, 13 лютого 2023, 179–88. http://dx.doi.org/10.54503/2579-2830-2022.2(8)-179.

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В данной статье на основании исторических данных мы пытаемся восстановить подлинную историю иконописи и имя живописца, создавшего первый образ Иисуса Христа, искаженный легендой, приписавшей этому образу «нерукотворность». Изначально ни один историк (Герубна, Евсевий Кесарийский, Мовсес Хоренаци) не упоминает о нерукотворности образа, напротив, все единогласно называют живописца-мастера, писавшего его. Это Анан (Ананий Апахуни), выполнявший дипломатические поручения царя Абгара. То, что он одновременно являлся придворным художником, придает его авторству еще большую правдоподобность. Безусловн

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30

See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.

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