Relevant bibliographies by topics / Georgian Inscriptions

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Academic literature on the topic 'Georgian Inscriptions'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Georgian Inscriptions"

1

Shapira, Dan. "Gleanings on Jews of Greater Iran under the Sasanians: (According to the Oldest Armenian and Georgian Texts)." Iran and the Caucasus 12, no. 2 (2008): 191–216. http://dx.doi.org/10.1163/157338408x406010.

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AbstractThis paper is an unbiased investigation of two Jewish tomb inscriptions from Mc'xeta, Georgia, claimed to support the legends about the mission of St. Nino, into the broader context of the oldest Armenian and Georgian texts that mention Jews, with the emphasis on Armenian-Georgian ecclesiastical relations. The conclusion of the author is that it is impossible to use the two mentioned inscriptions as an evidence for a Georgian Jewish community in Mc'xeta in the 4th or 5th centuries.
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Baindurashvili, Khatuna. "Political, Social and Religious Aspects of Georgian-Persian Diplomacy." Grani 23, no. 8 (October 20, 2020): 102–11. http://dx.doi.org/10.15421/172079.

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Article was prepared within the scopes of grant funded by Shota Rustaveli National Scientific Fund of Georgia (FR 17-554 Documentary Sources (Deeds, Epigraphic Inscriptions, Colophons) in the First half of 17th c. (1600-1662) about the Kings of Kartli and Kakheti (research and publication of sources). For thorough study of Iran-Georgian relationships in 16th – 17th centuries research of Georgian-Persian historical documents is of particular interest. These historical documents provide valuable data about social, administrative and state institutes in Georgia.Georgian-Persian historical documents describe dynamically the political, social and religious processes that have taken place in Eastern Georgia due to intervention of Safavid Iran in 16th-17th centuries. Studying of the separate segments of diplomatic monuments – interrelations between Georgian and Persian texts provide precise illustration of Georgian reality and specific nature of political, social and religious relations between Iran and Georgia.Research of Georgian-Persian bilingual deeds clearly shows attempts of Iran to intervene into Georgian landholding system and its substitution with Iranian-Moslem one; Invocation of Georgian kings and the legends on their Persian seals clearly demonstrate the political and religious influence to which they were subjected as a result of Safavid censorship. Based on all these, we can imagine specific nature of operation of Georgian secretariat-chancellery, see the movement of the documents from their composition to their entry into legal force and the term of their effectiveness.Studying of the seals on Persian and Georgian texts of diplomatic monuments allowed identification of important chancellery officials participating in issuance of Georgian-Persian documents, as well as in their consideration and approval.Georgian texts of bilingual documents, with their contents and structure, were entirely based on Georgian traditions of paperwork while the Persian texts complied with Iranian requirements. Iranian diplomatic formulas were adapted to Georgian reality.Georgian-Persian historical deeds provide unbiased description of severe reality resulting from religious and political power of Iran in Eastern Georgia; and Georgians had to fight for maintaining their state, national and religious identity.
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Chkhviamiani, Jimsher. "Gravestones with Georgian Inscriptions from the High Medieval Period at Dmanisi, Georgia." Kadmos 7 (2015): 35–106. http://dx.doi.org/10.32859/kadmos/7/35-106.

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This paper discusses gravestones with Georgian inscriptions discovered during the archaeological excavations at the cemetery of the medieval city of Dmanisi. Although the tombstones with epitaphs were discovered in the 1970-1980s, this paper is the first typological, paleographical, and art historical study of the material.
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ДАРЧИЕВ, А. В., and С. В. ДАРЧИЕВА. "BELLS FROM DZVGISY-DZUAR SANCTUARY BY EUGENIA PCHELINA’S MANUSCRIPTSDARCHIEV, A. V., DARCHIEVA, S.V. BELLS FROM DZVGISY-DZUAR SANCTUARY IN EUGENIA PCHELINA’S MANUSCRIPTS." Известия СОИГСИ, no. 41(80) (September 27, 2021): 138–56. http://dx.doi.org/10.46698/vnc.2021.80.41.012.

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Работа выполнена в рамках проекта РФФИ № 20-59-07003 Евгения Георгиевна Пчелина (1895-1972) внесла большой вклад в изучение истории, археологии и этнографии осетинского народа. Большая часть рукописного наследия Пчелиной до сих пор не опубликована, поэтому его тщательное изучение и введение в научный оборот представляет собой весьма актуальную научную задачу. Предлагаемая публикация содержит материалы Пчелиной о двух старинных колоколах из осетинского святилища Дзвгисы-дзуар. Данные предметы имеют дарственные надписи грузинских царей, проливающие свет на историю осетино-грузинских отношений последней трети XVII в. Пчелиной принадлежит и заслуга сохранения этих памятников, и первый опыт их научного изучения. Один из колоколов был пожертвован картлийским царем Георгием XI, о втором же долгое время не было точных сведений. Как следует из публикуемых записей, Пчелиной удалось найти второй колокол и установить, что дарственная надпись на нем принадлежит имеретинскому и кахетинскому царю Арчилу II. Пчелина выявляет отличия между колоколами и делает на этом основании вывод о российском происхождении колокола Арчила II, в то время как колокол Георгия XI, несомненно, произведен в Грузии. Пчелина отмечает необходимость анализа металла, из которого отлиты колокола. Хотя надписи на колоколах уже неоднократно переводились, делалось это по копиям разной степени точности, и еще ни разу перевод не осуществлялся специалистом по грузинской палеографии, видевшим колокола и надписи на них воочию. Поэтому дальнейшее исследование надписей может внести некоторые коррективы, уточняющие наши знания об этих памятниках и связанных с ними исторических реалиях. Eugenia Georgievna Pchelina (1895-1972) made a great contribution to the study of history, archeology and ethnography of the Ossetian people. Most of Pchelina's manuscript heritage is yet to be published, so it is a pressing issue to study it thoroughly and introduce into scientific discussion. The proposed publication contains Pchelina's work on two ancient bells from the Ossetian sanctuary of Dzvgisy-Dzuar. These items have donation inscriptions made by Georgian kings, which sheds some light on the history of Ossetian-Georgian relations in the late 1600s. One of the bells was donated by King George XI of Kartli. As for the other one, there had been no exact information about it for a while. As can be seen from the published records, Pchelina managed to find that bell and established that the donation inscription on was made by King Archil II of Imereti and Kakheti. Pchelina identified the differences between the bells and drew a conclusion about the bell inscribed by Archil II having been made in Russia, while the one donated by George XI was definitely made in Georgia. Pchelina noted the need to analyze the metal the bells were made of. Although the inscriptions on the bells have been translated many times, none of the translators, who were using copies of varying degrees of accuracy, was an expert in Georgian paleography or saw the bells and the inscriptions with their own eyes. Therefore, a further comprehensive study of these inscriptions could provide some new insights into what we already know about the bells and their historic environment.
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Alasania, Giuli. "The date of death of Tamar, the Georgian King of the kings." Caucasus Journal of Social Sciences 13, no. 1 (January 19, 2024): 26–45. http://dx.doi.org/10.62343/cjss.2020.190.

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In 1966, Silagadze, B. placed the death of Tamar in 1207 based on the data of Ibn al-Athir. In the same year, S. Kakabadze agreed with this date. A 1974 article by T. Natroshvili and G. Japaridze put the death of Tamar in 1210. The work of J. Odisheli followed this, also in 1974, which considered all earlier published research and sources, including numismatic material, and put the date as 1207. In 1975 Sh. Darchiashvili agreed with 1210 based on brief Armenian inscriptions, which were outlined in his research published in 2010. Research by G. Otkhmezuri (1981) was published in 1981 in which the scholar, using a different interpretation of the Gunia-Qala inscription, renders groundless the information of the first chronicler of Tamar as if Tamar granted the titles of Atabeg and Amirspasalar to Ivane Mkhargrdzeli simultaneously. Due to this fact, some researchers consider the year of the death of Zakaria Mkhargrdzeli (1212) or the next year (1213) as the date of the death of Tamar.
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Tezelashvili, Irakli. "T’amar Bagrationi (1184–1210)." Encyclopedia 2, no. 3 (August 15, 2022): 1483–93. http://dx.doi.org/10.3390/encyclopedia2030100.

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T’amar Bagrationi, Queen of Georgia (1184–1210). T’amar Bagrationi was the ninth monarch from the royal house of Bagrationis who ruled over the united Georgian Kingdom. She reigned as a co-monarch alongside her father, Giorgi III, from 1178, assuming full authority in 1184. During her reign, dynastic legitimacy necessitated the appearance of the monumental royal portraits displaying the monarch with immediate predecessors and heirs. T’amar’s gender required introduction of meticulous visual language that would re-gender her with all signs of a male ruler and justify her status and sole right to rule. This notion was embodied in her portraits that were carefully incorporated in the overall programmes of the churches. T’amar’s five monumental depictions survive where she is identified in inscriptions; two other monumental images are presumed to depict her. Of all the depictions, only one can be determined to have been commissioned directly by her. T’amar’s imagery relies on Byzantine elements and adheres to established Georgian models for the local royal portraiture; however, it also adopted sophisticated visual means that was aptly used for manifesting royal power and manipulating authority over the nobility.
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Tofik qızı Abbasova, Aytən. "Ethnotoponyms of turkish origin in the language of the ancient Iver chronicle." SCIENTIFIC WORK 15, no. 3 (March 24, 2021): 79–82. http://dx.doi.org/10.36719/2663-4619/64/79-82.

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The ancient Iberian chronicle was found in the valley of Lake Van. The author of the chronicle isn't known. The first copy of the chronicle was obtained during World War I. When Tsarist Russian troops occupied Eastern Anatolia, Caucasian scholars brought many church chronicles from Turkey to Tbilissi including the Ancient Iberian Chronicle. At that period, research on the chronicle began. It was defined that the language of the chronicle was a completely different language from Georgian. Key words: Van inscriptions, Aragez, Barda, Day, Tibet, Kachi fortress
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Chichinadze, Nino. "Precious metal revetments on Georgian medieval painted icons: some observations on a devotional practice." Caucasus Journal of Social Sciences 1, no. 1 (November 10, 2023): 259–79. http://dx.doi.org/10.62343/cjss.2008.13.

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The embellishment of sacred images with precious metal was a widespreadreligious practice throughout the Byzantine world over manycenturies. The cladding of Christian images in precious metal has longbeen an act of piety on the part of the faithful, representing theirgratitude to their heavenly protectors for performed assistance.Georgian medieval icons encased in revetments of precious metal thatcarry their donors’ supplicatory inscriptions, throw additional light onthe ways in which such icons were used and venerated.
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9

Apakidze, A., and V. Nikolaishvili. "An Aristocratic Tomb of the Roman Period from Mtskheta, Georgia." Antiquaries Journal 74 (March 1994): 16–54. http://dx.doi.org/10.1017/s0003581500024392.

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In 1985, a stone-built tomb of the second or third centuries AD was found in the Samtavro cemetery on the outskirts of Mtskheta, the ancient capital of the Caucasian kingdom of Iberia. Its rich contents included a Mesopotamian cylinder- and an Achaemenid pyramidal stamp-seal, three sardonyx vessels, several pieces of silver plate bearing Greek and Parthian inscriptions, Roman coins and bronze vessels, and distinctive jewellery inlaid with carnelian and turquoise. The Society of Antiquaries is pleased to offer the hospitality of its pages to its Georgian colleagues
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10

Avetisyan, Gagik. "Pilgrimage in Tayk Ashkharh." JOURNAL FOR ARMENIAN STUDIES 5, no. 59 (December 16, 2022): 213–25. http://dx.doi.org/10.24234/journalforarmenianstudies.v5i59.26.

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Thus, having comprehensively studied the historical process and the current state of the monuments of the Tayk, we came to the following conclusions. The current competent authorities of Turkey, cooperating with their Georgian colleagues with the involvement of relevant specialists, restore several famous Armenian monumental monuments of Tayk in accordance with the Chalcedonian Canon. Under the guise of restoration, by cutting out fragments of inscriptions confirming Armenian authenticity, native Armenian monuments are presented as Georgian heritage. Some monuments have been vandalized and in the absence of proper attention, years later they will not even leave a trace. For a significant part of the Armenians, pilgrimages to Western Armenia are limited only to visiting the central districts, mostly ignoring the Armenian Taуk. Proceeding from the above, we believe that the most important condition for the formation of a patriot citizen continues to be an educated person who knows and appreciates his history and religion, one of the best ways of which is pilgrimage and exploring even the most remote places of the historical homeland from the main routes. Therefore, the problem of pilgrimage, research and constant monitoring of particularly remote, little-known and disputed parts of the lost homeland is now relevant and requires concrete solutions.
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Books on the topic "Georgian Inscriptions"

1

Silogava, V. Betʻaniis carcerebi. Tʻbilisi: Mecʻniereba, 1994.

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Bočoriże, Giorgi. Mogzauroba Samcʻxe-Javaxetʻši. Tʻbilisi: Mecʻniereba, 1992.

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Silogava, V. Carcerebi Garejis Mravalcqarodan, IX-XIII ss.: Paleograpʻiuli da cqarotʻmcʻodneobitʻi gamokvleva. Tʻbilisi: Gamomcʻemloba Intelekʻti, 1999.

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Fähnrich, Heinz. Die ältesten georgischen Inschriften. Boston: Brill, 2013.

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Bočoriże, Giorgi. Rača-Lečʻxumis istoriuli żeglebi da siżveleebi. Tʻbilisi: Mecʻniereba, 1994.

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Axalašvili, Mamuka. X-XV ss. carcerebi Svanetʻis čeduri xelovnebis żeglebze. Tʻbilisi: "Mecʻniereba", 1987.

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Silogava, V. Svanetʻis cerilobitʻi żeglebi: (X-XVIII ss.). Tʻbilisi: Mecʻniereba, 1986.

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Silogava, V. Bolnisis użvelesi kʻartʻuli carcarebi. Tʻbilisi: Mecʻniereba, 1994.

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Mačavaraiani, Elene. Bolnisis Sionis samšeneblo carcera. Tʻbilisi: "Mecʻniereba", 1985.

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Silogava, V. Kumurdo--tażris epigrapʻika. Tʻbilisi: Mecʻniereba, 1994.

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Book chapters on the topic "Georgian Inscriptions"

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Tomelleri, Vittorio. "Jan Baudouin de Courtenay, Hugo Schuchardt, Nikolaj Marr e un’enigmatica iscrizione georgiana." In Eurasiatica. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-279-6/005.

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Around the end of the 19th century, a philologically and linguistically rather insignificant inscription on a cross, written in Old Georgian script, drew the attention of the Polish linguist Jan Baudouin de Courtenay, who, however, was not able to identify neither the language nor the alphabet. After having drafted in his own hand several copies of the inscription, he submitted them to scholars and orientalists all around Europe, without getting a univocal or satisfying answer; he then consulted in Petersburg the Georgian philologist Nikolay Marr, who provided a transcription of the Georgian text in the modern (civil) alphabet and a Russian translation. The present paper describes and discusses how surprised and disappointed were the linguist Hugo Schuchardt and Nikolay Marr himself about Baudouin de Courtenay’s not impeccable publication of the Old Georgian inscription and, above all, the fact that he had introduced the edition with a detailed enumeration of the many failed attempts at deciphering the mysterious alphabet. In the appendix the short statement by Nikolay Marr, written in Russian, is reprinted with an Italian translation by Margarita Blinova.
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"Mary F. Johnson (fl. 1810; d. 1863)." In A Century of Sonnets, edited by Paula R. Feldman Daniel Robinson, 138–40. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0042.

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Abstract Mary F. Johnson’s Original Sonnets, and Other Poems, penned at Wrox hall Farm, Isle of Wight, was published in 1810 by Longmans. In her introduction, she calls her poems “the first attempt of a secluded, unknown and inexperienced female” who wrote these “spontaneous effusion[s] of solitude and leisure” without having thought about publication until a male friend encouraged her. In addition to Miltonic, Spenserian, and irregular sonnets, the volume contains eight odes. A handwritten inscription in one copy says that Johnson later married George Moncrieff, younger brother of Sir Harry Moncrieff, and died in 1863, having lost a daughter, Georgiana, nine months earlier.
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Gagoshidze, George. "Fragment of a ceramic vessel with an ancient Georgian inscription discovered at Dariali Fort." In Dariali: The 'Caspian Gates' in the Caucasus from Antiquity to the Age of the Huns and the Middle Ages, 517–18. Oxbow Books, 2020. http://dx.doi.org/10.2307/jj.1544770.16.

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Wallis, Neill. "Powers of Place in the Predestined Middle Woodland Village." In The Archaeology of Villages in Eastern North America, 36–53. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9781683400462.003.0003.

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The transition of small mobile groups to larger village aggregations poses distinct economic, social, and political challenges. New integrative institutions and practices are necessary, and their stability can be reinforced through inscriptions on the built environment and landscape, particularly as they define the configuration of community spaces in which people interact frequently. In northern Florida and southern Georgia, an effective approach to village proxemics and social grammar emerged in the Woodland Period around ca. AD 200, after which many villages formed with similar U-shaped layouts studded by mounds in similar, or identical, locations. This chapter posits that the origins of this particular village configuration, and ultimately its widespread popularity, were rooted in experiences of non-anthropogenic features on the landscape. The Garden Patch site on the northern peninsular Gulf coast serves as a case study that shows how natural, cosmically aligned features defined the village layout, revealing an element of inevitability that may have legitimated the organization of space and society.
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Turley, Richard E., and Barbara Jones Brown. "Vengeance Is Mine." In Vengeance Is Mine, 225—C27F2. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780195397857.003.0027.

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Abstract The Civil War begins, disrupting efforts to investigate the Mountain Meadows Massacre. U.S. Army troops in Utah withdraw, the various soldiers electing to fight for the North or the South. Governor Alfred Cumming returns to Georgia. Brigham Young goes on a springtime excursion to southern Utah. His tour takes him through the Mountain Meadows. He sees the monument and its inscription, “Vengeance Is Mine and I will repay saith the Lord,” and comments about it at the time and later to John D. Lee. Orion and Samuel Clemens visit Utah and Brigham Young, a trip that undergirds part of Samuel’s 1872 book Roughing It, written under his pen name Mark Twain. Sir Richard Francis Burton visits before the Clemens brothers. A forty-day flood in 1862 transformed the landscape and hurt some of the key participants in the massacre.
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"A Greek–Georgian Inscription, King David the Builder, and the Monastery of St. Catherine on Mount Sinai." In Sources for Byzantine Art History, 1510–15. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108672450.0153.

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Conference papers on the topic "Georgian Inscriptions"

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Kostić, Elena. "THE PAINTER GEORGIOS KALLIERGIS IN THE SERVICE OF KING MILUTIN. THE EXAMPLE OF THE CEMETERY CHURCH OF CHILANDAR MONASTERY." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.713k.

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The aim of the present study is to trace the identity of the artist who painted the cemetery church of Chilandar Monastery through the form of his handwriting. The methodology has been based on a graphological analysis of all the available epigraphic material in the monument and its comparison with the epigraphic material in related monuments from the same historical period and the same geographical area. The research re- vealed a handwriting style that is identical in all respects to one of the handwriting styles to be found in the katholikon of Chilandar Monastery, and also to that in the founder’s inscription in the Church of the Resurrection of Christ the Saviour at Veroia, the only signed work by the painter George Kalliergis.
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