Relevant bibliographies by topics / Gerald Gardner

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Gerald Gardner'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Gerald Gardner"

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Clifton, Chas S. "Gerald Gardner and the Cauldron of Inspiration." Pomegranate 6, no. 2 (November 2004): 267–70. http://dx.doi.org/10.1558/pome.6.2.267.53122.

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Wood, Juliette. "WICCAN ROOTS: GERALD GARDNER AND THE MODERN WICCAN REVIVAL." Pomegranate: The International Journal of Pagan Studies 13, no. 10 (February 24, 2012): 45–48. http://dx.doi.org/10.1558/pome.v13.i10.14595.

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Williams, Emyr. "Modern Wicca: A history from Gerald Gardner to the present by Howard, M. Woodbery." Alternative Spirituality and Religion Review 3, no. 1 (2012): 130. http://dx.doi.org/10.5840/asrr20123124.

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Sharrett, Christopher. ": The Censorship Papers: Movie Censorship Letters from the Hays Office 1934-1968 . Gerald Gardner." Film Quarterly 42, no. 4 (July 1989): 47–48. http://dx.doi.org/10.1525/fq.1989.42.4.04a00230.

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Sharrett, Christopher. "Review: The Censorship Papers: Movie Censorship Letters from the Hays Office 1934-1968 by Gerald Gardner." Film Quarterly 42, no. 4 (1989): 47–48. http://dx.doi.org/10.2307/1212841.

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Mysterud, Iver. "Right on Target with Environment and Behavior Environmental Problems and Human Behavior Gerald T. Gardner Paul C. Stern." BioScience 48, no. 10 (October 1998): 858–61. http://dx.doi.org/10.2307/1313403.

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Brainerd, Elaine F. "Autism: Strategies for Change. Edited by Gerald Groden and M. Grace Baron. New York: Gardner Press, 1988. 244 pp $29.95 hardback." Children & Schools 14, no. 1 (January 1992): 70. http://dx.doi.org/10.1093/cs/14.1.70.

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Hollman, Arthur. "John Gerard, physic gardens and medicinal plants." Journal of Medical Biography 19, no. 2 (May 2011): 47–48. http://dx.doi.org/10.1258/jmb.2011.011001.

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Almeida, Leandro S., Mercedes Ferrando, Aristides I. Ferreira, Maria Dolores Prieto, Mari Carmen Fernández, and Marta Sainz. "Inteligências múltiplas de Gardner: É possível pensar a inteligência sem um factor g?" Psychologica, no. 50 (January 1, 2009): 41–55. http://dx.doi.org/10.14195/1647-8606_50_3.

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Em resposta às críticas de falta de inovação no método dos testes e de pouca atenção às variáveis sócio-culturais na avaliação da inteligência, Gardner (1983, 1999) avança com a teoria das Inteligências Múltiplas (MI) e com tarefas mais ecológicas e próximas do quotidiano dos sujeitos para a sua avaliação. No quadro do Projecto Spectrum, várias tarefas são propostas para a avaliação das MI, considerando-se neste estudo 6 tarefas cobrindo outras tantas inteligências: naturalística, linguístico-verbal, corporal-cinestésica, visuo-espacial, musical e lógico-matemática. Um total de 294 crianças entre os 5 e os 7 anos foram avaliadas com essas tarefas. Os resultados obtidos sugerem que, se ao nível da precisão, os índices de consistência interna podem ser considerados apropriados, já em relação à validade de constructo subsistem as reservas colocadas ao modelo teórico de Gardner. Com efeito, e ao contrário das posições de Gardner é defensável um factor geral, mesmo não explicando mais que 40% da variância dos resultados, e por outro lado não emergem neste estudo factores que pudessem agrupar algumas destas inteligências, como é proposto mais recentemente por Gardner.
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Pereira, Olinto Liparini, Robert Weingart Barreto, and Uwe Braun. "Passalora gochnatiicola sp. nov. on Gochnatia amplexifolia from Serra do Cipó, MG, Brazil." Acta Botanica Brasilica 20, no. 1 (March 2006): 203–6. http://dx.doi.org/10.1590/s0102-33062006000100019.

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The leaf-spotting hyphomycete Passalora gochnatiicola sp. nov., collected on Gochnatia amplexifolia (Gardner) Cabrera (Asteraceae: Mutisieae) in the 'campos rupestres' of Serra do Cipó (Minas Gerais State, Brazil), is described, illustrated, discussed and compared with allied species.
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Dissertations / Theses on the topic "Gerald Gardner"

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Terzetti, Filho Celso Luiz. "Um bruxo e seu tempo: as obras de Gerald Gardner como expressões contraculturais." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/1845.

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Made available in DSpace on 2016-04-25T19:20:19Z (GMT). No. of bitstreams: 1 Celso Luiz Terzetti Filho.pdf: 1284343 bytes, checksum: 87a3503abceaa7b50093c806b47c799c (MD5) Previous issue date: 2012-04-03
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This dissertation examines the history of Wicca, a religious system created by Gerald Gardner in England in the late 40th through three of his works that deal specifically with its conception of witchcraft, " High Magic s Aid" (1949) "Witchcraft Today" (1954) and "The Meaning of Witchcraft" (1959). Within a perspective that takes into account your inspirations for the creation of a system resulting from their original religious movement as a seeker in the occult milieu of his time, we seek to understand Wicca as a religious system through a counter cultural interpretation. Thus this work asks in what sense the works of Gardner is a historical product of their social time. Our hypothesis is that his works are a product of the social history of postwar England to the extent that Gardner, in constructing his conception of witchcraft in his works, appropriated counter-trend to compose a countercultural religious system
Esta dissertação analisa a história da Wicca, um sistema religioso criado por Gerald Gardner na Inglaterra em fins da década de 40, através de três de suas obras que tratam especificamente de sua concepção de bruxaria, Com o auxílio da Alta Magia (1949), A Bruxaria Hoje (1954) e O Significado da Bruxaria (1959). Dentro de uma perspectiva que leva em consideração suas inspirações para a constituição de um sistema religioso original resultante de sua circulação como um seeker dentro do milieu ocultista de sua época, busca-se entender a Wicca como um sistema religioso através de uma interpretação contra cultural. Sendo assim este trabalho questiona em que sentido as obras de Gardner são um produto histórico social de seu tempo. Nossa hipótese é a de que suas obras são um produto histórico social da Inglaterra do pós-guerra na medida em que Gardner, ao construir sua concepção de bruxaria em suas obras, apropriou-se de tendências contraculturais para compor um sistema religioso contracultural
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Crandall, Lisa. "Text A: Teasing Out the Influences on Early Gardnerian Witchcraft as Evidenced in the Personal Writings of Gerald Brosseau Gardner." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/30196.

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This thesis is an intensive, multi-layered analysis of an unpublished, English language, handwritten, mid-20th century manuscript. Originally undated, untitled and unsigned, it has now been positively identified as “Text A”, a Wiccan proto-Book of Shadows compiled by Gerald Brosseau Gardner (1884-1964) in the last half of the 1940’s. Different methodologies were applied to the document: transcription using Leiden conventions, handwriting analysis to identify the author, archival research to uncover photographs of the manuscript in use, historical and bibliographical research to situate the manuscript and its author, and finally, an in-depth and exhaustive source analysis to uncover literary and documentary influences on the text. Subsequently, the manuscript was identified as handwritten by Gerald Gardner, from 1940 to 1949, and contains almost no original material other than a handful of pages for a speech or oral presentation. The rest of the document is comprised of extracts from published sources available to Gardner. These include books on Free Masonry, Templars, British Folklore, Kabbalah, Magic – ancient and ceremonial, and books by Aleister Crowley. The document also includes ritual passages and ceremonies, most of which also appear in Gardner’s published novel, High Magic’s Aid. Two theme-lines, “Magic – ancient and ceremonial” and “the writings of Aleiser Crowley”, comprising almost 40% of the total page count, were chosen for thorough analysis. Based on the information revealed by the various methodologies applied to this document, one can assert that Gardner’s claims to have been initiated into an ancient indigenous tradition, Wicca, and to be making available its long secret rituals are not supported by this document.
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Lagerstedt, Rebecca. "Wicca : beskrivning av en religion." Thesis, Linköping University, Department of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-10714.

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My essay is a description about the religion Wicca; laws, ethics, history, rites, inauguration and how they relate to the gods and the different seasons.It’s also about the wiccan history and how wicca have created their own history by taking old mythic stories and making them their legacy.

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Rodríguez, Cerezales María. "Juan Larrea y Gerardo Diego: Poesía en Traducción." Doctoral thesis, Universitat Pompeu Fabra, 2011. http://hdl.handle.net/10803/48673.

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En esta tesis se estudian los aspectos de la poesía de Juan Larrea (1895-1980) relacionados con la traducción. Se presenta un corpus exhaustivo de las traducciones de Gerardo Diego (1896-1987) de poemas de Juan Larrea constituido a partir de textos publicados y textos conservados en el archivo personal de Diego. Se analizan los mecanismos de la escritura francesa de Larrea intervenidos por la doble presencia del francés y el español y los aspectos de la misma que representan una especial dificultad en traducción, y se ofrece asimismo un análisis de las traducciones de Gerardo Diego y una aproximación a los presupuestos de la teoría creacionista vinculados con la traducción poética. Se dedica un estudio al ultraísmo con el objetivo de contextualizar los comienzos poéticos de Juan Larrea y Gerardo Diego en la poesía de vanguardia y reconocer la naturaleza renovadora de esta en el panorama poético español de los años veinte. Igualmente, se ofrece un estudio sobre la experiencia universitaria de Juan Larrea en Córdoba (Argentina) como parte del análisis de su poesía.
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Robin, Brad. "Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862829/.

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This dissertation explores the analysis and creation of compositions from the standpoint of texture and momentum. It is comprised of four chapters. The first presents a number of concepts as tools for analysis, including textural typography and transformation, perception of time and psychological engagement of an audience, and respiration as a metaphor for musical momentum. The second and third chapters apply these tools to Gerard Grisey's "Periodes" and "Partiels," and Brian Ferneyhough's "Lemma-Icon-Epigram." The fourth explores specific methodologies used in composing my dissertation piece, "Phase," including the application of number systems ranging from formal to local levels.
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Martins, Cláudia Filipa Oliveira. "O pátio e o jardim : caracterizados pelas suas diferenças : plano geral e Hotel, Avenida da Boavista." Master's thesis, 2019. http://hdl.handle.net/10437/10314.

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Orientação: António Sérgio Koch
Esta dissertação aborda as diferentes formas que o jardim e o pátio se podem integrar nos edifícios, e a diferença entre eles – permitindo obter maior compreensão do tipo de espaços exteriores apropriados a cada edifício. É importante estudar e entender essas diferenças para a caracterização de um edifício, que terá diferentes vivências de acordo com o espaço exterior enquadrado. O pátio e o jardim são espaços exteriores que existem desde os povos primitivos e foram evoluindo ao longo dos anos, tomando novas proporções e sensações, e foram-se caracterizando de forma a tornarem-se espaços muito distintos. Os jardins inicialmente eram espaços com função utilitária, destinados ao cultivo de plantas comestíveis, sem função ornamental, evoluindo para espaços desenhados com preocupação estética e relacionados arquitetonicamente com os edifícios e com o homem. O pátio no início da sua existência era um espaço de proteção do exterior, permitindo ao homem que tirasse proveito do exterior, sendo que eram necessários elementos que o delimitassem, para o homem poder imaginar um contacto com o exterior sem perigos. Atualmente os pátios mantêm essa característica, mas tornaram-se versáteis ao longo do tempo, podendo ser integrados em edifícios com diferentes tipologias e estendido a várias funções para além da relação limitada com o exterior. No projeto do Hotel, desenvolvido para a cadeira de Projeto 5.1., o pátio surge como um dos elementos principais, permitindo aos usuários do hotel manterem uma relação com o exterior, enquanto tiram partido dos espaços de lazer. Estes espaços tornam-se transparentes e com a possibilidade de se estenderem pelo pátio.
This thesis addresses the different ways that the garden and courtyard can be integrated into buildings, and the difference between them - allowing a better understanding of the type of outdoor spaces appropriate to each building. It is important to study and understand these differences for the characterization of a building, which will have different experiences according to the framed outer space. The courtyard and the garden are outer spaces that existed since the primitive people and have evolved over the years, taking on new proportions and sensations, and have been characterized in order to become very distinct spaces. The gardens began to be functional spaces, destined to the cultivation of edible plants, without ornamental function, evolving to spaces designed with esthetic concern and architecturally related to the buildings and the man. The courtyard at the beginning of its existence was a space of protection from the outside, allowing man to take advantage of the outside, and it was necessary to delimit it so that man could imagine a contact with the outside without danger. Today courtyards retain this feature, but have become versatile over time and can be integrated into buildings with different typologies and extended to various functions beyond the limited relationship with the exterior. In the Hotel's previous study, developed for the Project 5.1 subject, the courtyard emerges as one of the main elements, allowing hotel users to maintain a relationship with the outside while taking advantage of the leisure spaces. These spaces become transparent and full of natural light, with the possibility of extending through the courtyard.
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Books on the topic "Gerald Gardner"

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Gerald Gardner: Witch. Thame: I-H-O Books, 1999.

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Michael, Howard. Modern Wicca: A history from Gerald Gardner to the present. Woodbury, Minn: Llewellyn Publications, 2010.

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Modern Wicca: A history from Gerald Gardner to the present. Woodbury, Minn: Llewellyn Publications, 2010.

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Tropicalismo: Geléia geral das vanguardas poéticas contemporâneas brasileiras. Recife: PPGL-UFPE, Programa de Pós-Graduação em Letras, 2008.

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Reunião de Jardins Botânicos Brasileiros (13rd 2004 Belo Horizonte, Brazil). Anais da XIII Reunião de Jardins Botânicos Brasileiros: Sustentabilidade nos jardins botânicos, 19 a 23 de julho de 2004, Belo Horizonte, Minas Gerais. [Rio de Janeiro, Brazil]: EMC Edições, 2004.

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GERALD GARDNER AND THE WITCHCRAFT REVIVAL. I-H-O Books, 2006.

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Heselton, Philip. Wiccan Roots: Gerald Gardner and the Modern Witchcraft Revival. Capall Bann Pub, 2001.

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Witchfather A Life Of Gerald Gardner From Witch Cult To Wicca. Thoth Publications, 2012.

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Witchfather: Volume 1--Into the Witch Cult. Thoth Publications, 2012.

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Gerald Gardner And the Cauldron of Inspiration: An Investigation into the Sources of Gardnerian Witchcraft. Holmes Pub Grou Llc, 2003.

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Book chapters on the topic "Gerald Gardner"

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Feraro, Shai. "The 1950s–1960s: Gerald Gardner and Alex Sanders." In Women and Gender Issues in British Paganism, 1945–1990, 21–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46695-4_2.

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Hutton, Ronald. "Gerald Gardner." In The Triumph of the Moon, 204–40. Oxford University Press, 1999. http://dx.doi.org/10.1093/acprof:oso/9780198207443.003.0011.

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"The influence of Aleister Crowley on Gerald Gardner and the early witchcraft movement." In Handbook of Contemporary Paganism, 81–108. BRILL, 2009. http://dx.doi.org/10.1163/ej.9789004163737.i-650.26.

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"The Garden of Pinks." In The Liberty Hyde Bailey Gardener's Companion, edited by John A. Stempien and John Linstrom, 204–10. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501740237.003.0048.

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This essay is simultaneously an intimate autobiographical reflection and a sensory botanical portrait of dianthus, particularly a variety known as "grass pinks" or "cottage pinks." Referring to the work of botanist John Gerard and seedsman/editor James Vick, Bailey reflects on this plant, and his reflection serves as a testament to the garden-sentiment as it weaves together plant and person into a single life tapestry.
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"ASH, Gerald Mortimer (1900–1959)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers, 145. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-66.

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"GERARD, Alexander (1792–1839)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers, 1252–53. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-648.

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"Gerhard Rühm’s radiophonic poetry." In Tuning in to the neo-avant-garde. Manchester University Press, 2021. http://dx.doi.org/10.7765/9781526155726.00015.

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Cooper, John. "Jews in the Judiciary, 1945‒1990." In Pride Versus Prejudice, 369–96. Liverpool University Press, 2003. http://dx.doi.org/10.3828/liverpool/9781874774877.003.0016.

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This chapter examines Jews in the English judiciary from 1945 to 1990. Until the late 1960s, no Jew could become a High Court judge unless he belonged to the Anglo-Jewish elite, which differed little in educational attainments and lifestyle from the rest of the English upper class, even if he was exceptionally able. Starting in 1968, during the last years of Harold Wilson's Labour administration, Lord Chancellor Gerald Gardiner began to appoint Jewish barristers from middle-class backgrounds and of east European family origin to the High Court bench. These men had for the most part been educated in local grammar schools and redbrick universities. This policy was continued both by the Conservative Heath government and by Labour administrations in the 1970s. The chapter then assesses how Jewish these High Court judges were in their personal affiliation.
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"GURNEY, Gerard Hudson (1893–1934)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers, 1382. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-722.

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"Original Lines on a Fossil Tree in a Garden at Highgate." In The Poetical Works of Gerard Manley Hopkins. Oxford University Press, 1990. http://dx.doi.org/10.1093/oseo/instance.00228701.

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