Relevant bibliographies by topics / Gérard Genette

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gérard Genette'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Gérard Genette"

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Compagnon, Antoine, Philippe Roger, and Sabrina Valy. "Gérard Genette." Critique 778, no. 3 (2012): 243. http://dx.doi.org/10.3917/criti.778.0243.

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Didipu, Herman. "TEORI NARATOLOGI GÉRARD GENETTE (TINJAUAN KONSEPTUAL)." TELAGA BAHASA 7, no. 2 (2020): 163–72. http://dx.doi.org/10.36843/tb.v7i2.58.

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Artikel ini bertujuan menguraikan pokok pemikiran konseptual teori naratologi Gérard Genette. Pokok pemikiran teori naratologi Gérard Genette dituangkan dalam bukunya yang berjudul Narrative Discourse: An Essay in Method. Genette mengusulkan untuk menggunakan tiga istilah yang berbeda. Pertama, kata story ‘cerita’ yang menjadi signified ‘petanda’ atau konten narasi. Istilah story ini sepadan dengan kata histoire (Prancis) dan geschichte (Jerman). Kedua, kata narrative ‘naratif atau penceritaan’ sebagai signifier atau penanda, pernyataan, wacana atau sebagai teks naratif itu sendiri. Istilah na
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Hanania, Cécile. "Codicille by Gérard Genette." French Review 84, no. 2 (2010): 395–96. http://dx.doi.org/10.1353/tfr.2010.0097.

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Motte, Warren. "Apostille by Gérard Genette." French Review 86, no. 4 (2013): 786–87. http://dx.doi.org/10.1353/tfr.2013.0302.

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Motte, Warren. "Épilogue par Gérard Genette." French Review 89, no. 3 (2016): 220–21. http://dx.doi.org/10.1353/tfr.2016.0363.

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Combe, Dominique. "Situation de Gérard Genette." Nouvelle revue d’esthétique 26, no. 2 (2020): 21. http://dx.doi.org/10.3917/nre.026.0021.

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Verrier, Jean. "Gérard Genette (1930-2018)." Le français aujourd'hui 201, no. 2 (2018): 195. http://dx.doi.org/10.3917/lfa.201.0195.

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Thiher, Allen. "Seuils by Gérard Genette." L'Esprit Créateur 27, no. 3 (1987): 100. http://dx.doi.org/10.1353/esp.1987.0007.

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Coelho, Ana Amelia Barros. "Bardradrac: ABC de Gérard Genette." Revista Criação & Crítica 2, no. 2 (2009): 83. http://dx.doi.org/10.11606/issn.1984-1124.v2i2p83-87.

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Pardo Jiménez, Pedro. "Gérard Genette de Bardadrac a Postscript." Anales de Filología Francesa 27, no. 1 (2019): 243–56. http://dx.doi.org/10.6018/analesff.365121.

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Conocido hasta entonces por sus estudios de poética y de estética, Gérard Genette publica en 2006 Bardadrac, una especie de diccionario informal en el que se recogen recuerdos de infancia y juventud, anécdotas de la vida profesional y personal, experiencias de viajes, reflexiones sobre la sociedad contemporánea, ideas sobre el arte y la literatura, opiniones sobre los temas más diversos, inventarios de usos lingüísticos peculiares, etc. Este libro inicia una serie auto(bio)gráfica que a lo largo del siguiente decenio se completa con cuatro volúmenes más –Codicille (2009), Apostille (2012), Épi
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Dissertations / Theses on the topic "Gérard Genette"

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Racine, Sylvain. "En quoi la narration dans le romanL’Élégance du hérisson permet de bien rendre lamétaphore du « bocal à poissons »? : Une analyse narratologique." Thesis, Högskolan Dalarna, Franska, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:du-19523.

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Sur la base des travaux de Gérard Genette, en particulier Figures III, uneanalyse narratologique du roman L’Élégance du hérisson (2006) de l’auteur MurielBarbery a été effectuée afin de comprendre les liens qu’il y a entre les spécificités dumode narratif et leurs effets sur l’espace du récit, soit « le bocal à poissons », unemétaphore importante du roman. Ultimement nous répondons à la question suivante :En quoi la narration dans le roman L’Élégance du hérisson permet-elle de bien rendrela métaphore du « bocal à poissons »?<br>Based on Gérard Genette’s work, particularly Figures III, anarrato
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Johansson, Carl. "Berättelsens framhävda existens : En läsning av Patrick Rothfuss två romaner The Name of the Wind och Slow Regard of Silent Things." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49903.

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Sundman, Emil. ""Hora, men också kvinna" : En analys av hur mordoffret tecknas i Leif G.W. Perssons Profitörerna." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-35236.

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Olsson, Felicia. "The Flourishing Epiphany of “The Garden Party” : A Narratological Investigation of the Concept Epiphany in Katherine Mansfield’s Short Story “The Garden Party”." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49208.

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This essay examines the protagonist of Katherine Mansfield’s “The Garden Party” (1922), Laura, and her experiences of events that are made insignificant by the rest of the narrative. Gérard Genette’s narratological theory and the concept of epiphany is put forward in the theroertical framework in order to preform this investigation. Morris Beja’s and Liesl Olson’s studies of the epiphany in modernist literature assists the investigation. Thus, with the support of Genette’s narratological theory and the concept of epiphany, this essay examines epiphanic moments in “The Garden Party”. It will al
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Wells, Catherine. "Les métamorphoses narratologiques dans Chronique des sept misères et Solibo magnifique, une étude postclassique de Gérard Genette et de Patrick Chamoiseau." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ63470.pdf.

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Eriksson, Evelina. ""If you're a normal kid, reading this because you think it's fiction, great. Read on." : En komparativ narratologisk analys av berättare och narrat i Rick Riordans The Lightning Thief och The Lost Hero." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-179612.

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Syftet med denna uppsats är att undersöka berättarna och narraterna i Rick Riordans The Lightning Thief (2005) och The Lost Hero (2010), samt att se vilka implikationer de har på berättandet i sig självt. Uppsatsen fokuserar på en komparativ undersökning av romanerna i fråga, och gör allt detta från en narratologisk utgångspunkt. Det narratologiska perspektivet kommer framför allt ifrån Gérard Genettes Narrative discourse och hans termer extra-, intra-, hetero- och homodiegetiskt berättande. Studien av narraten gör detsamma men med Gerald Prince artikel ”Introduction to the Study of the Narrat
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Kallin, Marianne. "La función de los narradores en Cinco sombras de Eulalia Galvarriato." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-31469.

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Eklöf, Fredrik. "Med tiden på sin sida : Narratologi, retorik, och moral i Julian Barnes The sense of an Ending." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-225293.

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Jag vill i den här uppsatsen lyfta fram olika berättartekniska aspekter i romanen, och visa hur dessa samverkar med varandra samt ger extra dimensioner till idéinnehållet. För att uppnå det vill jag använda mig av flera ingångar – såväl narratologiska som retoriska – för att på det viset framhäva flera olika effekter.
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Näckdal, Anton. "Den berättande texten : En narratologisk studie av Toni Morrisons Beloved." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37499.

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This essay is a close-reading study of Toni Morrison's novel Beloved. The purpose of this essay is to investigate and describe Gérard Genette's narratological theories and their function in the novel when looking at how the story is told. The questions that are being answered are how flashbacks actually affect the chronological order of events and who the narrator is that’s telling the story. The methods that are being used in the report are a close-reading of Beloved and making a selection of previous research. The selected research will show an overview of some examples of areas and theories
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Zakari, Amal. "La critique française et le roman arabe : étude comparative entre la théorie de Genette et la pratique de Mahfouz." Metz, 1996. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/1996/Zakari.Amal.LMZ9601.pdf.

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La "difficulté" n'est pas une notion spécifique à la didactique des langues, pourtant elle est omniprésente dans les discours tenus sur l'enseignement apprentissage. L'objectif de cette présente recherche est de cerner cette notion, de découvrir ce a quoi elle s'applique dans l'acte d'enseignement apprentissage et d'appréhender la place et les valeurs qui lui sont attribuées à l'intérieur du champ du f. L. E. De 1980 a 1990. La revue le francais dans le monde, symbole de la constitution de ce champ, a été systématiquement dépouillée, pour les numéros 150 a 237, de manière à relever les réalisa
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Books on the topic "Gérard Genette"

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Pierre-Henry, Frangne, Mouëllic Gilles, Pouivet Roger 1958-, Quiviger Sylvain, and FILCREA (Firm), eds. La pensée esthétique de Gérard Genette. Presses universitaire de Rennes, 2011.

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Levett, Nicholas. Bardadrac: By Gérard Genette. Liverpool University Press, 2023.

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Levett, Nicholas. Bardadrac: By Gérard Genette. Liverpool University Press, 2023.

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Gérard Genette: Une poétique ouverte. Bertrand-Lacoste, 1998.

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L'arte in opera: Itinerari di Gérard Genette. CLUEB, 2006.

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(Karashchuk), Ievgeniia Bogomolova. Fokalisierungskonzept von Gérard Genette im Kontext der Erzähltheorie. GRIN Verlag GmbH, 2011.

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Huth, Petra. Simon's Cat. eine Anwendung der Erzähltheorie Nach Gérard Genette. GRIN Verlag GmbH, 2014.

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Ackermann, Susanne. Die Ordnung der Zeit bei Gérard Genette und Eberhard Lämmert.: Ein Vergleich. GRIN Verlag GmbH, 2008.

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Lichtenthal, Anna. Die zeitliche Struktur von Max Frischs 'Homo Faber': Nach der Erzähltheorie von Gérard Genette. GRIN Verlag GmbH, 2009.

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Pouillaude, Frédéric. Identity: Two Regimes. Translated by Anna Pakes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.003.0010.

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This chapter examines in detail the identity of the choreographic work, which has the peculiarity of being unwritten yet repeatable. In order to do so, the chapter constructs a theoretical framework and a minimal idea of what is more or less commonly understood by the term “work.” It borrows these concepts from Nelson Goodman (1976) and Gérard Genette (1997). From Goodman, the chapter retains the distinction between autographic and allographic works. This distinction enables two broad regimes of existence and identity to be delineated for art objects: that of the singular, material object (the
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Book chapters on the topic "Gérard Genette"

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Newton, K. M. "Gérard Genette: ‘Structuralism and Literary Criticism’." In Twentieth-Century Literary Theory. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25934-2_19.

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"Gérard Genette, ‘Order in Narrative’." In The Narrative Reader. Routledge, 2002. http://dx.doi.org/10.4324/9780203459065-4.

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"III. La typologie de Gérard Genette." In Écriture et réécriture hagiographiques. Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.hag-eb.4.00075.

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"Dans un texte de Gérard Genette." In Pastiches et parodies. Éditions Rue d’Ulm, 2016. http://dx.doi.org/10.4000/books.editionsulm.7690.

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de Castro, Paulo F. "Transtextuality according to Gérard Genette – and beyond." In Intertextuality in Music. Routledge, 2021. http://dx.doi.org/10.4324/9781003092834-12.

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Smyth, Patrick. "Ebooks and the Digital Paratext." In Advances in Human and Social Aspects of Technology. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6002-1.ch015.

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Since its publication in 1987, Gérard Genette's Paratexts has provided a productive means for engaging with those peripheral texts that frame, present, and bound a central work. However, advances in digital media and, in particular, the increasing prevalence of the ebook have altered or replaced many of the conventions outlined by Genette in Paratexts. This chapter explores these new paratextual conventions, employing case studies drawn from the “front lines” of the ebook revolution in concert with more recent scholarship in the field of paratextual studies. By examining the recent development
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Fusillo, Massimo. "Dal testo all’opera : le chiusure impossibili di Gérard Genette." In La critique littéraire du XXe siècle en France et en Italie. Presses universitaires de Caen, 2007. http://dx.doi.org/10.4000/books.puc.21031.

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Gingrich, Brian. "Introduction." In The Pace of Fiction. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198858287.003.0001.

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We talk about pace. But how do we define it? This introduction suggests that one define it loosely, as something like large, forward, rhythmic, shifting, dynamic, temporal narrative movement, and then analyze it by tracking units of pacing as they move forward in literary history. As for finding the right narrative units, one may look to E. M. Forster, Viktor Shklovsky, Günther Müller, and others, but one does best to look to Gérard Genette and then trace his units backwards to the writers and critics who first developed them. Between Genette and his literary precursors, one discovers a signif
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Wilson, Ross. "Prefaces." In Critical Forms. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198881117.003.0002.

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Abstract This chapter examines the preface as critical form. Beginning with discussion of key interventions in the theory of the preface by Jorge Luis Borges, Gérard Genette, Leo Bersani, and Peggy Kamuf, it establishes the preface as a form of ‘lateral criticism’, considering the situation of the preface on the threshold of reading. That threshold is shown to be decisively different for author and reader. The chapter considers examples from Jean-Jacques Rousseau, Samuel Johnson, William Wordsworth, Charlotte Brontë, and Henry James, concluding with a discussion of the problem of the multiply
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Dervişcemaloğlu, Bahar, and Recep Yilmaz. "The Concept of Metalepsis and Classifications of Metaleptic Uses in TV Commercials." In Advances in Marketing, Customer Relationship Management, and E-Services. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-9790-2.ch007.

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Metalepsis is a term originated in ancient legal discourse and integrated into narrative theory by Gérard Genette to describe crossovers between narrative levels. Since Genette's definition, various typologies of metalepsis have been devised by narratologists and literary scholars. As a narrative tool which challenges the hierarchical organization and violates the boundaries between levels, metalepsis has different effects and functions depending on the contexts in which it occurs. The aim of the study is to determine the typology of the metaleptic uses in TV commercials. Metalepsis is conscio
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Conference papers on the topic "Gérard Genette"

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Marcaletti, Livio. "»Strafspiel« und satirische Stilmittel in musikdramatischen Gattungen des frühen 18. Jahrhunderts." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.63.

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The tendency of today’s historiography to portray early 18th-century Italian opera as a dichotomy between opera seria and opera buffa takes too little account of the existence of genera mixta. However, contemporary composers and authors sometimes referred to a tripartiton. In his treatise Der vollkommene Capellmeister (1739), Johann Mattheson distinguishes between tragedy, comedy and satire. His description of the melodies from a satirical opera is limited to the statement that they are “ridiculous, poseuristic and prickly”. This definition can be applied to the analysis of dramatic vocal work
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