Relevant bibliographies by topics / Gerbner's model

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Academic literature on the topic 'Gerbner's model'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Gerbner's model"

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Khagendra, Acharya. "THINKING THROUGH MEDIA THEORIES: UNDERSTANDING AND FURTHERING TRAUMA STUDIES." Continental J. Arts and Humanities 4, no. 2 (2012): 8–17. https://doi.org/10.5281/zenodo.846018.

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Trauma studies, a field of cultural enquiry that boomed in a brief span of around a decade at the turn of 21<sup>st</sup> century, according to Marder, “has something of a privileged and paradoxical relationship to interdisciplinary studies” (2006, p. 1). One of the areas with which trauma maintains such frontier, which however has yet not drawn serious attention, is communication studies. To examine the nature of interdisciplinary connection, the paper: 1) revisits selected trauma theories setting them against major postulations in media and explores the nature of communication circuit assume
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2

BAK, Gökhan. "GEORGE GERBNER'IN GENEL İLETİŞİM MODELİ, KÜLTÜREL GÖSTERGELER VE EKME KURAMI." JOURNAL OF SOCIAL, HUMANITIES AND ADMINISTRATIVE SCIENCES 6, no. 25 (2020): 484–92. http://dx.doi.org/10.31589/joshas.288.

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Alitavoli, Rayeheh, and Ehsan Kaveh. "The U.S. Media’s Effect on Public’s Crime Expectations: A Cycle of Cultivation and Agenda-Setting Theory." Societies 8, no. 3 (2018): 58. http://dx.doi.org/10.3390/soc8030058.

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This article discusses the effect of media on the American people’s rising fear of crime despite a gradual fall in crime statistics in the U.S. The article employs Gerbners cultivation theory, the agenda-setting theory and the social construction of reality to present the accumulative agenda effect model that explains how the U.S. public’s perception of crime can surpass actual crime statistics through constant media exposure of crime news.
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Acharya, Khagendra. "Thinking through Media Theories: Understanding and Furthering Trauma Studies." Continental J. Arts and Humanities 4, no. 2 (2012): 8–17. https://doi.org/10.5281/zenodo.3722651.

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Trauma studies, a field of cultural enquiry that boomed in a brief span of around a decade at the turn of 21st century,&nbsp; according&nbsp; to&nbsp; Marder,&nbsp; &ldquo;has&nbsp; something&nbsp; of&nbsp; a&nbsp; privileged&nbsp; and&nbsp; paradoxical&nbsp; relationship&nbsp; to interdisciplinary&nbsp; studies&rdquo;&nbsp; (2006,&nbsp; p.&nbsp; 1). One&nbsp; of&nbsp; the&nbsp; areas with which&nbsp; the&nbsp; field maintains&nbsp; such&nbsp; frontier, which,&nbsp; as&nbsp; yet,&nbsp; has&nbsp; not&nbsp; drawn&nbsp; serious&nbsp; attention,&nbsp; is&nbsp; communication&nbsp; studies.&nbsp; To
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5

Han, Yongqing, Chang Peng Kee, and Nurul Lina Binti Mohd Nor. "Exploring an Effect Model of the Audience’s Viewing Chinese Intangible Cultural Heritage Documentaries." International Theory and Practice in Humanities and Social Sciences 2, no. 1 (2025): 12–28. https://doi.org/10.70693/itphss.v2i1.161.

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Since the General Conference of the United Nations Educational, Scientific and Cultural Organization promulgated the Convention for the Safeguarding of the Intangible Cultural Heritage, Media agencies in many countries, including China, produced a large number of intangible cultural heritage documentaries. It needed in-depth research on the influence of the audience’s psychological factors from viewing Chinese Intangible Cultural Heritage Documentaries (CICHD) on their Chinese Excellent Traditional Cultural Identity (CETCI). Therefore, this study integrated the Revamped Version of Modified Ger
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6

Дебердиева, Ирина Игоревна. "The model of Network Communication in the UGC (user-generated content) Genre." Philology & Human, no. 3 (September 18, 2024): 83–101. https://doi.org/10.14258/filichel(2024)3-06.

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T The article deals with the communication model in the UGC (User-generated content) space, a discourse created by Internet users — reviews and comments. The mentioned above model of network communication is based on the classical communication models of Lasswell, Shannon and Weaver, Gerbner, and allows one to visualize structural components and basic mechanisms of communication, taking into account specifics of a particular speech genre. The author considers communicative barriers and phenomena of communicative asymmetry which appears in communication in general and network in particular; mea
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Romer, Daniel, and Patrick Jamieson. "Violence in Popular U.S. Prime Time TV Dramas and the Cultivation of Fear: A Time Series Analysis." Media and Communication 2, no. 2 (2014): 31–41. http://dx.doi.org/10.17645/mac.v2i2.8.

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Gerbner and Gross’s cultivation theory predicts that prolonged exposure to TV violence creates fear of crime, symptomatic of a mean world syndrome. We tested the theory’s prediction in a time series model with annual changes in violence portrayal on popular US TV shows from 1972 to 2010 as a predictor of changes in public perceptions of local crime rates and fear of crime. We found that contrary to the prediction that TV violence would affect perceptions of crime rates, TV violence directly predicted fear of crime holding constant national crime rates and perceptions of crime rates. National c
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8

Reza Fahlevi, Muhammad, and Susi Andrini. "Efek Pemberitaan Corona terhadap Tingkat Kecemasan Warga DKI Jakarta Timur." Cerdika: Jurnal Ilmiah Indonesia 4, no. 03 (2024): 222–32. http://dx.doi.org/10.59141/cerdika.v4i03.765.

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Pada penghujung tahun 2019, dunia dikagetkan dengan pemberitaan mewabahnya sebuah virus Corona (Covid-19) dari Wuhan, Cina Virus Corona ini telah diberitakan di berbagai media massa dan banyak menjadi perhatian masyarakat dunia karena telah menelan banyak korban.. Maraknya pemberitaan tentang korban Covid-19 di media, membuat kebanyakan orang memiliki tingkat kecemasan yang tinggi. Tujuan dari penelitian ini adalah untuk mengetahui apakah pemberitaan berkelanjutan tentang Corona di televisi dapat menyebabkan tingkat kecemasan pada warga DKI, Pondok Kelapa, Jakarta Timur. Metodologi penelitian
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9

Koçer, Burak. "ERKEN CUMHURİYET’TE SEMBOLİK İNŞA: KÜLTÜR, KİMLİK VE TÜRK HALK MÜZİĞİ." Yegah Müzikoloji Dergisi 8, no. 2 (2025): 643–66. https://doi.org/10.51576/ymd.1666646.

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ÖZ Erken Cumhuriyet Dönemi’nde kültür ve sembol arasındaki ilişki, ulusal kimlik inşası bağlamında Türk halk müziğinin stratejik önemini gözler önüne serer. Kuramsal düzeyde White, Sapir ve Gerbner gibi isimlerin vurguladığı üzere, kültür büyük ölçüde paylaşılan sembollerin bir bütünüdür ve toplumun ortak hafızasını, değerlerini ve kimliğini sürekli yeniden üretir. Bu çerçevede, Osmanlı’nın son yıllarında Avrupa’dan esinlenen folklor çalışmaları Türkiye’de de aydınlar arasında ilgi toplamış; “halk”ın kültürel mirasının “milli kültürün kök kaynağı” olarak benimsenmesine zemin hazırlamıştır. Çal
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10

Kasar, Aslı. "Gerbner’in Kültürel Göstergeler ve Ekme Kuramı Kapsamında “Minyonlar” Sinema Animasyon Film İncelemesi." ART/icle: Sanat ve Tasarım Dergisi 4, no. 1 (2024): 95–106. http://dx.doi.org/10.56590/stdarticle.1476885.

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Amaç: Gerçekliği kendi çıkar ve görüşleri doğrultusunda yeniden kurgulayan ve kitlelere ileten medya son dönemde çocukların en çok tercih ettiği animasyon sinema filmleri içeriğinde kültürel değerlere dair “kötülük” kavramını vurgulamakta ve bu kavrama dair davranış ve becerileri pekiştirecek unsurlara yer vererek sağlıklı nesillerin yetişmesi adına ciddi tehdit oluşturmaktadır. Bu kapsamda çalışmada “kötülük” kavramını vurgulayan “Minyonlar” sinema filmleri Gerbner’ın Kültürel Göstergeler ve Ekme Kuramı kapsamında incelenerek farkındalık oluşturmak ve literatüre katkı sağlamak amaçlanmaktadır
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Book chapters on the topic "Gerbner's model"

1

Dill, Karen E. "Seeing Through And Seeing Beyond Media Visions Of Race And Gender." In How Fantasy Becomes Reality: Seeing Through Media Influence. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195372083.003.0004.

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Abstract Most of what we know, or think we know, we have never personally experienced. We live in a world erected by stories. Stories socialize us into roles of gender, age, class, vocation, and lifestyle, and offer models of conformity or targets for rebellion. They weave the seamless web of our cultural environment. Our stories used to be hand crafted, home made, community inspired. Now they are mostly mass produced and policy driven, the result of a complex manufacturing and marketing process we know as the mass media. This situation calls for a new diagnosis and a new prescription.1 (Gerbn
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