Relevant bibliographies by topics / German Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'German Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "German Art"

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Gramer, Jennifer. "“Monuments of German Baseness”? Confiscated Nazi war art and American occupation in the United States and postwar Germany." International Journal of Cultural Property 28, no. 3 (2021): 425–46. http://dx.doi.org/10.1017/s094073912100031x.

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AbstractUnder the postwar American occupation of Germany, art produced by the Staffel der bildenden Künstler (German Combat Artist Unit) of Nazi Germany was sent to US military sites for storage under the direction of Captain Gordon Gilkey. Gilkey was head of the German War Art Project, the arm of the Historical Division of the US army tasked with confiscating German “propaganda and war art.” This art, considered a dangerous instrument of Nazi revival, was not protected by laws prohibiting art looting. Yet American officers were sympathetic to many of the paintings created by combat artists, a
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Russell, Mark A. "Picturing the Imperator: Passenger Shipping as Art and National Symbol in the German Empire." Central European History 44, no. 2 (2011): 227–56. http://dx.doi.org/10.1017/s0008938911000021.

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The morning of May 23, 1912, witnessed the christening of a new German icon. For many Germans, it was a wonder of the modern age, a powerful symbol of the nation's achievements in industry, engineering, and technology. For others, it was the embodiment of all the evils wrought by political, social, and cultural transformation. Some said it expressed the character of the German people, in a manner similar to Cologne Cathedral and Sanssouci, the palace of Frederick the Great. But there were those who thought it “appeared as a typical manifestation of the new Germany, with its huckstering and obt
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Schulte-Wülwer, Ulrich. "Deutsch-dänische Kunstbeziehungen 1820 bis 1920." Nordelbingen: Beiträge zur Geschichte der Kunst und Kultur, Literatur und Musik in Schleswig-Holstein, no. 89 (December 2023): 115–68. http://dx.doi.org/10.38072/2941-3362/p6.

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In the last decade of the 18th century, the Danish state experienced a period of prosperity, which was characterized by a German-Danish cultural transfer in all intellectual fields. The first clouds were cast by the rise of an artistic self-confidence. Asmus Jacob Carstens from Schleswig and Ernst Meyer from Altona, who felt disadvantaged in the awarding of medals and protested vehemently, were expelled from the art academy in Copenhagen in 1781 and 1821. Nevertheless, the Copenhagen Art Academy had a strong attraction for numerous artists from northern Germany. In this respect, Caspar David F
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Mehring, Frank. "Advancing American Art and Intercultural Confrontations in Germany, 1945–1948." International Journal for History, Culture and Modernity 7, no. 1 (2019): 971–90. http://dx.doi.org/10.18352/hcm.594.

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This article critically addresses the multivalent function of American art exhibitions in the period of de-Nazification and re-democratization. What kind of cultural and political parameters shaped the perception of American Art in Germany during the early post-war years? I investigate intercultural confrontations surrounding the project of advancing American art and the critical response of German audiences by first looking at the exhibition Advancing American Art from 1947. I then analyze the role of the transatlantic cultural mediator Hilla von Rebay to understand developments in the German
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Chrysovitsanou, Vasiliki, and Christina Palaiologou. "German Art of the 19th Century through the Lens of The Greek Literary Magazine Kleiō (Clio): Academic Formalism Versus Modernism." International Journal of Arts, Humanities & Social Science 05, no. 07 (2024): 5–16. http://dx.doi.org/10.56734/ijahss.v5n7a2.

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We examine the work of 19th-century German painters as presented in the Greek-language magazine Kleiō published in Germany in the late 19th century. Through an extensive catalogue of paintings, the article highlights the themes that preoccupied German painters during this period. It places particular emphasis on their approach, aesthetic preferences, the decisive role played by the Academies of Fine Arts, and their attitudes towards the modern movements developing in France during the 19th century. It explores the reasons for which Kleiō magazine promoted academic German painting to its Greek
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Frank, Mitchell. "Writing German Art History." Oxford Art Journal 29, no. 2 (2006): 299–303. http://dx.doi.org/10.1093/oxartj/kcl009.

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Koepnick, Lutz. "German Art Cinema Now." German Studies Review 36, no. 3 (2013): 651–60. http://dx.doi.org/10.1353/gsr.2013.0152.

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Goldmann, K. "The treasure of the Berlin State museums and its allied capture: remarks and questions." International Journal of Cultural Property 7, no. 2 (1998): 308–41. http://dx.doi.org/10.1017/s0940739198770377.

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Following the disclosure of archives in the former Soviet Union detailing art works taken from Germany at the end of World War II, it is now possible to reconstruct more accurately a history of those objects removed from Germany but never returned. Inconsistencies in the documentary evidence concerning both the location of objects sent West from Berlin and other repositories (particularly in the last few months of the war) and the number of objects returned to Germany indicate that the United States may have been involved in an unofficial policy of claiming as war booty art treasures form the
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Vasileva, Svetlana. "COUNTER-REFORMATION IN GERMANY." Studia Humanitatis 16, no. 3 (2020): 28–37. http://dx.doi.org/10.15393/j12.art.2020.3621.

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The article studies the Counter-Reformation process in Germany and the neighboring European ter-ritories in a wider context as a complex of geopolitical, social and religious problems growing in Europe in the 15th and the 16th centuries. The study aims at finding connections between the Reformation processes launched by Martin Luther and the subsequent course of German history during the Counter-Reformation. The article focuses on the situation in Germany against a wider background of the developments in the Holy Roman Empire of the German Nation. This paper con-tinues the author’s previous ar
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Kharitonova, Natalya Stepanovna. "Silver Age. Interference of the Russian and German Cultures." Journal of Flm Arts and Film Studies 6, no. 4 (2014): 86–95. http://dx.doi.org/10.17816/vgik6486-95.

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The author explores the specific interaction of Russian and German art, their differences, forces of attraction and direct contact. Only conscious and meaningful differences could have reveal the strength and true value of each culture and, most importantly, become a pretext for new and creative quest for ones own way in art. Two-sided interest of Russian and German cultures implies a two-way process mutually contributed and enriched on both parts. The fact that Russian and German art at the turn of the 19th-20th centuries was developing under different conditions does not mean that the exchan
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Dissertations / Theses on the topic "German Art"

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Short, Christopher. "Friedrich Nietzsche and German expressionist art." Thesis, University of Essex, 1995. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706295.

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Zabecki, D. T. "Operational Art and the German 1918 Offensives." Thesis, Department of Defence Management and Security Analysis, 2009. http://hdl.handle.net/1826/3897.

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At the tactical level of war the Germans are widely regarded as having had the most innovative and proficient army of World War I. Likewise, many historians would agree that the Germans suffered from serious, if not fatal, shortcomings at the strategic level of war. It is at the middle level of warfare, the operational level, that the Germans seem to be the most difficult to evaluate. Although the operational was only fully accepted in the 1980s by many Western militaries as a distinct level of warfare, German military thinking well before the start of World War I clearly recognized the Operat
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Bryan, Sarah M. "African Imagery and Blacks in German Expressionist Art from the Early Twentieth Century." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1353179467.

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Grodzinski, Veronika. "French Impressionism and German Jews : the making of modernist art collectors and art collections in Imperial Germany 1896-1914." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444726/.

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This interdisciplinary thesis is the first dedicated study of German Jewish patronage of French Impressionist and post-Impressionist art in Wilhelmine Germany. It investigates the disproportionately strong impact of German Jewish patronage from three perspectives. It examines the significance of Paul Cassirer's modernist art dealership, the prominence of German Jewish art collectors and their modernist art collections and the presence of German Jewish sponsorship at the Nationalgalerie Berlin, the Pinakothek Munich and the Stadelsche Kunstinstitut in Frankfurt am Main. First it examines Impres
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North, John Harry. "Wincklemann's philosophy of art : a prelude to German classicism." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538667.

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Krakenberg, Jasmin. "Gothic art and German modernism Max Beckmann and "Transzendente objektivitat" /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4265.

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Thesis (M.A.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (December 13, 2006) Includes bibliographical references.
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Bryant, G. H. "Redesigning life and art : the quest for a Gesamtkunstwerk in modern German art and thought." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597040.

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The thesis traces a theme in modern art and intellectual history, the idea of a “total work of art”, from its inception in the “aesthetic revolution” of Early Romanticism and Idealist philosophy around 1800, via its programmatic articulation in the mid-nineteenth century, to some exemplary manifestations in art and architecture in the early twentieth century. Whilst references to a <i>Gesamtkunstwerk</i> abound a critical study dealing with its conceptual foundations, socio-political implications, ideological context, and its ambivalent place in the history of architectural modernism in partic
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Meyer, Bradley J. "Operational art and the German command system in World War I /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487588939090302.

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Miller, Jennifer Anne. "The Politics of Nazi Art: The Portrayal of Women in Nazi Painting." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5157.

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The study of Nazi art as an historical document provided an effective measure of Nazi political platform and social policy. Because the ideology of the Third Reich is represented within Nazi art itself, it is useful to have a good understanding of the politics and ideology, surrounding the German art world at the time. Women were used in this study as an exemplification of Nazi art. This study uses the subject of women in Nazi painting, to show how the ideology is represented within the art work itself. It was first necessary to understand the fervorent "cleansing" of the German art world init
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Brenner, Sabine. ""Das Rheinland aus dem Dornröschenschlaf wecken!" zum Profil der Kulturzeitschrift Die Rheinlande (1900-1922) /." Düsseldorf : Grupello Verlag, 2004. http://books.google.com/books?id=cJLWAAAAMAAJ.

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Books on the topic "German Art"

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Sotheby's (Firm). German & Austrian art. Sotheby's, 2002.

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Sotheby's (Firm). German & Austrian art. Sotheby's, 2001.

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Sotheby's (Firm). German & Austrian art. Sotheby's, 2004.

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Museum, Taipei Fine Arts, ed. German art 1945-1985. the museum, 1985.

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Gerard, Hadders, and Kunstmuseum Wolfsburg, eds. German open: Gegenwartskunst in Deutschland = Contemporary art in Germany. Kunstmuseum, 2000.

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Gerd, Weiss, and Eichwalder Karl, eds. Bremen, Niedersachsen. 2nd ed. Deutscher Kunstverlag, 1992.

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1950-, Barron Stephanie, Dube Wolf Dieter, and Palazzo Grassi, eds. German expressionism: Art and society. Rizzoli, 1997.

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1950-, Barron Stephanie, Dube Wolf Dieter, and Palazzo Grassi, eds. German Expressionism: Art and society. Thames and Hudson, 1997.

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Gert, Schiff, ed. German essays on art history. Continuum, 1988.

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Gerard, Hadders, and Kunstmuseum Wolfsburg, eds. German open : Gegenwartskunst in Deutschland = Contemporary art in Germany / [Katalog Konzeption, Gerard Hadders ...[et al.]]. Kunstmuseum, 2000.

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Book chapters on the topic "German Art"

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Rach, Ruth, and Brian Hill. "The Art of Conversation." In Breakthrough German 2. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26501-5_5.

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Ezekiel, Anna. "Art." In The Palgrave Handbook of German Idealism and Poststructuralism. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-27345-2_12.

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Stavans, Ilan. "Letter to a German Friend." In Art and Anger. Palgrave Macmillan US, 1996. http://dx.doi.org/10.1007/978-1-137-06033-4_1.

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Wasensteiner, Lucy. "The Reception of Twentieth Century German Art in Britain and Germany." In The Twentieth Century German Art Exhibition. Routledge, 2018. http://dx.doi.org/10.4324/9781351004145-9.

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Rhoden, Imke. "State of the Art." In Space and Time in German Innovative Activity. Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-28600-2_2.

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Speight, Allen. "Hegel on Art and Aesthetics." In The Palgrave Handbook of German Idealism. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1007/978-1-137-33475-6_34.

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Shapira, Elana. "CHAPTER V. “The Rathenau Charisma”: Modern Design and Art in the Service of the Rathenaus." In German Jewry, edited by Nils Roemer. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618110497-007.

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Janzarik, Werner. "Present-Day German-Speaking Psychiatry." In Psychiatry The State of the Art. Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-1853-9_27.

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Reilly, Sean. "Franz Brendel’s ‘Symphonic Poem Dilemma’: Tailoring the Vocal-Instrumental Relationship to Fit the ‘New-German School’." In Word Art + Gesture Art = Tone Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20109-7_25.

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Holland, Jocelyn. "Physics as Art." In Beyond Autonomy in Eighteenth-Century British and German Aesthetics. Routledge, 2020. http://dx.doi.org/10.4324/9780429330254-15.

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Conference papers on the topic "German Art"

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Gompf, Steve. "Televisor 1910 German." In ACM SIGGRAPH 2008 art gallery. ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400437.

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Alina, T. "KREATIVES SCHREIBEN ALS DIE ART DES KREATIVEN DENKENS." In GERMAN IN BASHKORTOSTAN: PROBLEMS AND PROSPECTS. Baskir State University, 2021. http://dx.doi.org/10.33184/nyvb-2021-04-06.12.

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Pitsch, Karola, Sebastian Wrede, Jens-Christian Seele, and Luise Süssenbach. "Attitude of german museum visitors towards an interactive art guide robot." In the 6th international conference. ACM Press, 2011. http://dx.doi.org/10.1145/1957656.1957744.

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Didmanidze, Ibraim, and Irma Bagrationi. "INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s07.06.

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The present scientific paper deals with the worldview understanding of features of information and communication functions of art according to the �Theory of Environment� and �Conception of Organotropism� from the history of Europeanworldview philosophical and aesthetic thought, particular: According to the main principle of Social Aesthetics of French philosopher and sociologist Jean-Marie Guyau [in the work �Problems of Contemporary Aesthetics�] the aesthetic ideal of art has a meaning by presentive only social sympathy aesthetics; A German philosopher and aesthetician Alexander Gottlieb Bau
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Lehnert, Sigrun. "Music and Voice in German Newsreels of the 1950s/1960s." In RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/resound19.15.

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Chernyshova, P. V. "History and development of the German language." In Scientific and Technical Creativiy of Youth - 2024. Siberian State University of Telecommunications and Information Systems, 2024. http://dx.doi.org/10.55648/nttm-2024-1-82.

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This article provides an overview of the evolution and development of the German language from the Proto-Germanic period to the present day. The key stages and features of the language's development, its influence on culture and literature, and its role in various fields such as science, art and business are outlined. Grammatical features, the diversity of dialects, and the importance of German as a means of international communication and cultural heritage are covered.
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Esch, Markus, Bernd Ju¨rgens, Antonio Hurtado, Dietrich Knoche, and Wolfgang Tietsch. "State of the Art of Helium Heat Exchanger Development for Future HTR-Projects." In Fourth International Topical Meeting on High Temperature Reactor Technology. ASMEDC, 2008. http://dx.doi.org/10.1115/htr2008-58146.

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In Germany two HTR nuclear power plants had been built and operated, the AVR-15 and the THTR-300. Also various projects for different purposes in a large power range had been developed. The AVR-15, an experimental reactor with a power output of 15 MWel was operated for more than 20 years with excellent results. The THTR-300 was designed as a prototype demonstration plant with 300 MWel and should be the technological basis for the entire future reactor line. The THTR-300 was prematurely shut down and decommissioned because of political reasons. But because of the accompanying comprehensive R&am
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Proisl, Thomas, and Peter Uhrig. "SoMaJo: State-of-the-art tokenization for German web and social media texts." In Proceedings of the 10th Web as Corpus Workshop. Association for Computational Linguistics, 2016. http://dx.doi.org/10.18653/v1/w16-2607.

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Stoltenhoff, T., J. Voyer, and H. Kreye. "Cold Spraying – State of the Art and Applicability." In ITSC2002, edited by C. C. Berndt and E. Lugscheider. Verlag für Schweißen und verwandte Verfahren DVS-Verlag GmbH, 2002. http://dx.doi.org/10.31399/asm.cp.itsc2002p0366.

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Abstract Various metals such as aluminum, copper, zinc, steel, nickel, titanium, and niobium have been deposited on a wide range of substrate materials via cold spraying. This paper provides a detailed overview of the cold spray process and the coatings typically produced. It discusses the powders and gases used, the dynamics of gas-particle flow in spray nozzles, the effect of temperature and pressure, and the concept of critical velocity. It also presents examples of the properties and microstructures recently achieved in cold sprayed aluminum, zinc, NiCr, MCrAlY, and Cu-Al coatings. Paper i
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Belikova, Maria. "The Metropolitan Life in German Artists’ Legacy of the Pre-war and Interwar Period." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.035.

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Reports on the topic "German Art"

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Richardson, Rick S. Fall Gelb and the German Blitzkrieg of 1940: Operational Art. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada370333.

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Reiser, Frank. Operational art in the Defense: The German Abwehrschlachten" in 1918". Defense Technical Information Center, 2012. http://dx.doi.org/10.21236/ada566620.

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Frerichs, Kim O. Application of Operational Art - The German 8th Army at the Battles at Tannenberg 1914. Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ad1002562.

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Zajac, Daniel L. The German Invasion of Yugoslavia: Insights for Crisis Action Planning and Operational Art in a Combined Environment. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada274043.

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Robbins, Glenn F. The Three Critical Steps of Operational Art Every Commander Should Know - An Analysis of the German Defeat at Stalingrad. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada463987.

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Greinert, Jens. Mine Monitoring in the German Baltic Sea 2020; Dumped munition monitoring AL548, 03rd – 16th November 2020, Kiel (Germany) – Kiel (Germany) „MineMoni-II 2020“. GEOMAR Helmholtz Centre for Ocean Research Kiel, 2021. http://dx.doi.org/10.3289/cr_al548.

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ALKOR cruise AL548 took place as part of the EMFF (European Maritime and Fisheries Fund)-funded project BASTA (Boost Applied munition detection through Smart data inTegration and AI workflows; https://www.basta-munition.eu) and as continuation of the munition monitoring started within the BMBF-funded project UDEMM (Environmental Monitoring for the Delaboration of Munition in the Sea; https://udemm.geomar.de/). In October 2018, a first cruise (POS530 MineMoni2018) was conducted, to gather data for a broad baseline study in the German Baltic Sea. Results show a moderate contamination level on re
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Melnyk, Iurii. JUSTIFICATION OF OCCUPATION IN GERMAN (1938) AND RUSSIAN (2014) MEDIA: SUBSTITUTION OF AGGRESSOR AND VICTIM. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11101.

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The article is dedicated to the examination and comparison of the justification of occupation of a neighboring country in the German (1938) and Russian (2014) media. The objective of the study is to reveal the mechanics of the application of the classical manipulative method of substituting of aggressor and victim on the material of German and Russian propaganda in 1938 and in 2014 respectively. According to the results of the study, clear parallels between the two information strategies can be traced at the level of the condemnation of internal aggression against a national minority loyal to
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Thomas, Strobel. A contrastive approach to grammatical doubts in some contemporary Germanic languages (German, Dutch, Swedish). Goethe-Universität Frankfurt a.M., 2023. http://dx.doi.org/10.21248/gups.72278.

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Unquestionably (or: undoubtedly), every competent speaker has already come to doubt with respect to the question of which form is correct or appropriate and should be used (in the standard language) when faced with two or more almost identical competing variants of words, word forms or sentence and phrase structure (e.g. German "Pizzas/Pizzen/Pizze" 'pizzas', Dutch "de drie mooiste/mooiste drie stranden" 'the three most beautiful/most beautiful three beaches', Swedish "större än jag/mig" 'taller than I/me'). Such linguistic uncertainties or "cases of doubt" (cf. i.a. Klein 2003, 2009, 2018; Mü
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Rothgang, Michael, Bernhard Lageman, and Anne-Marie Scholz. WHAT ARE THE IMPACTS OF CLUSTER POLICIES? THE GERMAN EXPERIENCE. Fteval - Platform for Research and Technology Policy Evaluation, 2019. http://dx.doi.org/10.22163/fteval.2019.408.

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Schueller, Jessica. International Career Services in Germany: Current Structures and Strategic Ways to Move Forward. German Academic Exchange Service, 2023. http://dx.doi.org/10.46685/daadstudien.2023.07.

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International Career Services (ICS) is an umbrella term which refers to career services for international students. ICS support international students with integrating successfully into local, regional and national labor markets, and has traditionally been a feature at universities in the Anglosphere. More recently, ICS have increased in Europe due in large part to the rise of English-medium programs, and German universities in particular have enjoyed broad based support for ICS programs. In this research brief, the case of career services for international students in Germany are outlined, a
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