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Dissertations / Theses on the topic 'German Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Short, Christopher. "Friedrich Nietzsche and German expressionist art." Thesis, University of Essex, 1995. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706295.

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2

Zabecki, D. T. "Operational Art and the German 1918 Offensives." Thesis, Department of Defence Management and Security Analysis, 2009. http://hdl.handle.net/1826/3897.

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At the tactical level of war the Germans are widely regarded as having had the most innovative and proficient army of World War I. Likewise, many historians would agree that the Germans suffered from serious, if not fatal, shortcomings at the strategic level of war. It is at the middle level of warfare, the operational level, that the Germans seem to be the most difficult to evaluate. Although the operational was only fully accepted in the 1980s by many Western militaries as a distinct level of warfare, German military thinking well before the start of World War I clearly recognized the Operat

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3

Bryan, Sarah M. "African Imagery and Blacks in German Expressionist Art from the Early Twentieth Century." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1353179467.

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4

Grodzinski, Veronika. "French Impressionism and German Jews : the making of modernist art collectors and art collections in Imperial Germany 1896-1914." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444726/.

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This interdisciplinary thesis is the first dedicated study of German Jewish patronage of French Impressionist and post-Impressionist art in Wilhelmine Germany. It investigates the disproportionately strong impact of German Jewish patronage from three perspectives. It examines the significance of Paul Cassirer's modernist art dealership, the prominence of German Jewish art collectors and their modernist art collections and the presence of German Jewish sponsorship at the Nationalgalerie Berlin, the Pinakothek Munich and the Stadelsche Kunstinstitut in Frankfurt am Main. First it examines Impres

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5

North, John Harry. "Wincklemann's philosophy of art : a prelude to German classicism." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538667.

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6

Krakenberg, Jasmin. "Gothic art and German modernism Max Beckmann and "Transzendente objektivitat" /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4265.

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Thesis (M.A.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (December 13, 2006) Includes bibliographical references.

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7

Bryant, G. H. "Redesigning life and art : the quest for a Gesamtkunstwerk in modern German art and thought." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597040.

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The thesis traces a theme in modern art and intellectual history, the idea of a “total work of art”, from its inception in the “aesthetic revolution” of Early Romanticism and Idealist philosophy around 1800, via its programmatic articulation in the mid-nineteenth century, to some exemplary manifestations in art and architecture in the early twentieth century. Whilst references to a <i>Gesamtkunstwerk</i> abound a critical study dealing with its conceptual foundations, socio-political implications, ideological context, and its ambivalent place in the history of architectural modernism in partic

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8

Meyer, Bradley J. "Operational art and the German command system in World War I /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487588939090302.

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9

Miller, Jennifer Anne. "The Politics of Nazi Art: The Portrayal of Women in Nazi Painting." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5157.

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The study of Nazi art as an historical document provided an effective measure of Nazi political platform and social policy. Because the ideology of the Third Reich is represented within Nazi art itself, it is useful to have a good understanding of the politics and ideology, surrounding the German art world at the time. Women were used in this study as an exemplification of Nazi art. This study uses the subject of women in Nazi painting, to show how the ideology is represented within the art work itself. It was first necessary to understand the fervorent "cleansing" of the German art world init

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10

Brenner, Sabine. ""Das Rheinland aus dem Dornröschenschlaf wecken!" zum Profil der Kulturzeitschrift Die Rheinlande (1900-1922) /." Düsseldorf : Grupello Verlag, 2004. http://books.google.com/books?id=cJLWAAAAMAAJ.

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11

Xiao, Leshan. "Art of the Weimar Republic and the Premonitions of Fascism." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1932.

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Founded in 1918 following the carnage of World War One until the Nazi takeover of 1933, the Weimar Republic is widely renowned as a bastion of freedom and democracy that existed only briefly between the reigns of two authoritarian regimes. The Weimar period witnessed an unprecedented prosperity of art and culture, with tremendous advancements in the fields of literature, the visual arts, and film. However, the remnants of the old Empire persisted within the new Republic, and new fascist factions rose to prominence within German society. Artists that lived through the era, both liberal and cons

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12

Mock, Markus Leo. "Kunst unter Erzbischof Ernst von Magdeburg." Berlin : Lukas, 2007. http://catalog.hathitrust.org/api/volumes/oclc/85842098.html.

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13

Eccleston, Laura Phyllis. "The Art of Money in the Weimar Republic: German Notgeld 1921 – 1923." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308537043.

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14

Buchenau, Stefanie. "The art of invention and the invention of art : logic, rhetoric and aesthetics in the early german Enlightenment." Lyon, Ecole normale supérieure, 2004. http://www.theses.fr/2004ENSF0013.

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Ce travail cherche à réévaluer la signification de l'esthétique de la "Frühaufklarung" dans l'histoire de l'esthétique moderne. Contre le discours classique de la littérature secondaire qui le plus souvent réduit cette esthétique à une préfiguration imparfaite de l'esthétique kantienne et postkantienne, il montre que les "Frühaufklärer" ne fondent pas seulement une tradition esthétique moderne, mais qu'ils défendent un projet cohérent et original; il convient en effet de situer leur esthétique dans le contexte du débat moderne sur "l'ars inveniendi" initié par Francis Bacon et développé par se

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15

Salmon, Rachel. "Anselm Kiefer and W. G. Sebald: Intersecting Approaches to German History." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/522928.

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Art History<br>M.A.<br>The German artist Anselm Kiefer and German author W. G. Sebald are prominent and innovative figures in their individual fields whose works deal with many of the same themes, such as destruction, memory, and mourning. Their historical retellings are mediated by their own experiences of growing up in postwar Germany and hover between reality and fiction. Kiefer and Sebald are not the only German artist and author to address themes related to World War II and the Holocaust; however, their works share similar approaches to those themes that are not universally utilized by th

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Wilks, Guntram. "Das Motiv der Rückenfigur und dessen Bedeutungswandlungen in der deutschen und skandinavischen Malerei zwischen 1800 und der Mitte der 1940er Jahre." Marburg Tectum-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2622110&prov=M&dokv̲ar=1&doke̲xt=htm.

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ROTH, CLARA CAVENDISH WANDERLEY. "GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>As obras dos dois artistas alemães Anselm Kiefer e Georg Baselitz e sua importância na retomada da arte germânica e européia no cenário da arte mundial são objetos de estudo deste trabalho. Ao reviverem suas próprias histórias de vida em sua prática artística, esses artistas transformam as reminiscências do passado em motivo (Leitmotiv) para a criação. Assimilando e explorando suas experiências vitais para transformá-las em matéria constituinte de suas poéticas, efetuam o resg

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18

Booth, Constance Hale. "DEVOTIONAL ART, MEDITATION, AND SENSORY EXPERIENCE: HOW GERMAN NUNS GAINED SPIRITUAL AUTHORITY BETWEEN 1300 AND 1500." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/537927.

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Art History<br>M.A.<br>In the late Middle Ages, nuns in southern Germany and the Rhineland were strictly enclosed behind their convent’s walls, and they had been stripped of their clerical powers as a result of papal reforms. However, life in such cloistered environments allowed nuns’ affective piety to evolve and flourish in new ways, for example, via the use of devotional images. This paper examines the devotional imagery created and used by nuns in these regions, and how such imagery aided them in developing spiritual authority, as a way of overcoming not only their loss of clerical authori

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19

Ward, Margaret Siobhan. "A Mother's Grief: Kathe Kollwitz Descends into the Marginalized." Thesis, Boston College, 2004. http://hdl.handle.net/2345/450.

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Thesis advisor: Susan A. Michalczyk<br>Käthe Kollwitz (1867-1945) was a progressive artist who used art as a cathartic means to live through the death of her son in WWI and grandson in WWII. Trapped in the sexist generation of early 20th century Germany, Käthe defied the society in which she lived to create art that served as an empathetic mouthpiece for society's marginalized. She created thousands of lithographs and hundreds of sculptures depicting war, death, and poverty. Käthe found beauty in the struggle of the working class and constantly used her physician husband's patients as subjects

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Schlothan, Betty L. "Intriguing Relationships| An Exploration of Early Modern German Prints of Relic Displays and Reliquaries." Thesis, University of California, Riverside, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1543222.

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<p> A group of early modern German prints related to relic displays, reliquaries, and collecting, though explored by Heinrich Otte in the mid-1800s, has been ignored in recent art historical literature. Though references to the various prints appear in texts on social, cultural, and religious history, a more in-depth consideration of the works is warranted. This thesis, as a preliminary step, categorizes the prints into two sub-groups, narrative and index. It further utilizes the intriguing relationships embodied in the prints to trace societal and cultural changes, including the rise of even

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21

Meyertholen, Andrea Noel. "Blurring the lines| The invention of abstract in German literature since 1800." Thesis, Indiana University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3620621.

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<p> In December 1911, the public exhibition of Kandinsky's Komposition V shattered the world of Western illusionism as audiences knew and understood it - or so the traditional tale goes. Yet the relative abruptness with which abstraction supposedly shocks the art world not only presents a misleading impression; it in effect creates a great riddle. If the Western art world spent centuries organized under a unifying goal of perfecting imitation, why would it now so suddenly turn its back on its institutional underpinnings by challenging, negating, or exploding the principles it had worked so har

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22

Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

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Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressioni

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23

Rogan, Clare I. "Desiring women : constructing the lesbian and female homoeroticism in German art and visual culture, 1900-1933 /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174666.

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24

Doukas, Emmanuel. "Modern art, criticism and the politics of national identity in Germany, 1890-1914." Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361036.

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25

Bauman, Emily. "Die Kunst in der Photographie: Nostalgia and Modernity in the German Art Photography Journal, 1897–1908." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1459438626.

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26

Remond, Jaya Marie-Paule. "The Kunstbüchlein: Printed Artists' Manuals and the Transmission of Craft in Renaissance Germany." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11676.

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The dissertation studies sixteenth-century German artists' manuals (Kunstbüchlein), a new kind of book that addresses certain types of artistic practices. The Kunstbüchlein testify to and shape transformations of knowledge in early modern Europe. Disseminating practical knowledge in printed form, they endowed craft know-how with a form of authority until then reserved for the liberal arts. They aimed also to reconcile theoretical and practical knowledge, what Albrecht Dürer (the crucial forerunner to the authors of the Kunstbüchlein) termed respectively Kunst and Brauch. Authors Sebald Beham,

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27

Boorman, H. "Herwarth Walden and Der Strum 1910-1930 : German cutural idealism and the commercialization of art." Thesis, University of East Anglia, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380948.

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28

ANDRADE, PEDRO DUARTE DE. "TIME OF QUIETNESS: THE LOVE BETWEEN ART AND PHILOSOPHY IN THE ORIGIN OF GERMAN ROMANTICISM." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15112@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Esta tese estuda a tensão que caracteriza o pensamento dos primeiros autores do romantismo alemão, situados entre a consciência crítica (kantiana), que proibia nosso acesso à verdade absoluta, e o desejo de síntese (hegeliano) que pretendia alcançá-la. Nesse contexto, a arte apareceu como forma de dizer o absoluto justamente pela oposição à clareza objetiva pretendida pelo sujeito do conhecimento. Fora do quadro tradicional do classicismo, e trazendo consigo o traço moderno da reflexão, a arte seria genial: sua criação não depend

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McKeon, Joseph Michael. "Constructuing the Category Entartete Kunst: The Degenerate Art Exhibition of 1937 and Postmodern Historiography." Ohio University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1142622901.

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Petcavage, Stephanie. "Fascist Art and the Nazi Regime: The Use of Art to Enflame War." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1463130930.

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31

Hahn, Stephanie. "Fulda "Zur Zierde der Stadt" : Bauten und Bauaufgaben der Residenzstadt im 18. Jahrhundert /." Petersberg : Imhof, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2642827&prov=M&dok_var=1&dok_ext=htm.

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32

Potter, Matthew Charles. "The critical turn in British art : the influences of German idealism on British art critics, theorists and practitioners in the late nineteenth century." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416017.

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33

Smith, Briana Jennifer. "Creative alternatives: experimental art and cultural politics in Berlin, 1971-1999." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5854.

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Creative Alternatives examines the intersections between cultural politics, experimental art, and the public sphere in late twentieth century Berlin. The work identifies how artists used interactive visual displays to engage with West Berlin publics, develop democratic subjectivities under state socialism in East Berlin, and reject the city’s neoliberal turn after German unification. The work also traces the role of the arts as an economic motor in late twentieth century Berlin, as city leaders responded to the pressures of globalization and interurban competition. This study of divided and un

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34

Brook, Madeleine E. "Popular history and fiction : the myth of August the Strong in German literature, art, and media." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:cb7df46e-ab52-4f27-a084-41d7fab5b54e.

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This thesis concerns the function of fiction in the creation of an historical myth and the uses that that myth is put to in a number of periods and differing régimes. Its case study is the popular myth of August the Strong (1670-1733), Elector of Saxony and King of Poland, as a man of extraordinary sexual prowess and the ruler over a magnificent, but frivolous, court in Dresden. It examines the origins of this myth in the late seventeenth and early eighteenth century, and its development up to the twenty-first century in German history writing, fiction, art, and media. The image August created

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35

Maxon, Wendy S. "The body disassembled : world war I and the depiction of the body in German art, 1914-1933 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3044795.

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36

Frietsch, Elke. ""Kulturproblem Frau" Weiblichkeitsbilder in der Kunst des Nationalsozialismus /." Köln : Böhlau, 2006. http://catalog.hathitrust.org/api/volumes/oclc/71712948.html.

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37

Christensen, Peter Hewitt. "Architecture, Expertise and the German Construction of the Ottoman Railway Network, 1868-1919." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11375.

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The dissertation examines the production of knowledge and architecture through the German-sponsored construction of the Ottoman railway network, comprising four discrete projects: the railways of European Turkey, the Anatolian railways, the Baghdad railway and the Hejaz railway and its Palestinian tributaries. The German construction of the Ottoman railway network is an historic event that proffers the opportunity to critically reconsider the epistemological tenets of expertise in broader political, economic and cultural structures distinct from the normative creative processes that dominate

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38

Griffin, Daniel. "The Role of Poetry and Language in Hegel's Philosophy of Art." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/philosophy_theses/90.

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Hegel's view of poetry clarifies the overall role of language in his system and allows him to makes sense of a difficult linguistic issue: how to distinguish between poetry and prose. For Hegel, this distinction is crucial because it illuminates the different ways poetry and prose allow us to understand ourselves as members of an ethical community. In this paper, I argue, using Hegel, that the distinction between poetry and prose can only properly be understood in terms of their fundamentally different kinds of content instead of in terms of any formal differences between the two. Then, I a

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French, Rebecca S. C. "The devil in disguise : a comparative study of Thomas Mann's "Doktor Faustus" (1947 and Klaus Mann's "Mephisto" (1936, focussing on the role of art as an allegory of the rise and fall of Nazi Germany /." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1634/.

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Bässler, Andreas. "Sprichwortbild und Sprichwortschwank : zum illustrativen und narrativen Potential von Metaphern in der deutschsprachigen Literatur um 1500 /." Berlin ; New York : W. de Gruyter, 2003. http://catalogue.bnf.fr/ark:/12148/cb390796644.

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Texte remanié de: Diss.--Neuphilologische Fakultät--Heidelberg--Ruprecht-Karls-Universität, 2002. Titre de soutenance : Sprichwortbild und Sprichwortschwank : die metaphorische Inversion als strukturbildendes Verfahren in der deutschsprachigen Literatur um 1500.<br>Bibliogr. p. [368]-399. Index.

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Kline, Scott B. "Anselm Kiefer: Remembering, Repeating, and Working through the Past." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1374927331.

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Guinness, Katherine Hunt. "Rosemarie Trockel : the problem of becoming." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/rosemarie-trockel-the-problem-of-becoming(8b3543ee-faa5-423e-9159-429c2d3cc688).html.

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Rosemarie Trockel: The Problem of Becoming is a theoretical investigation of the artwork of contemporary German artist Rosemarie Trockel (b. 1952). Although Trockel is best known for her knit canvas works made throughout the 1980s, she has a remarkably large oeuvre which utilizes almost every artistic medium possible – from video and film work, to public monuments, painting, earthworks, sculpture, drawing, installation art, book-making, photography, and even robotics. Trockel’s artwork is constantly changing stylistically and thematically, which makes her work difficult to write about but is a

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Schneider, Claudia Margarete. "Analysing immigration control policy : a case study regarding the amendment of Art. 16 (2) of the German Constitution." Thesis, London School of Economics and Political Science (University of London), 2006. http://etheses.lse.ac.uk/1952/.

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This thesis formulates a methodologically flexible approach for the study of immigration control policy which emphasises structure and agency and applies this approach to a case study of the amendment of Art. 16 (2) of the German constitution in May 1993. Although authors of immigration studies have increasingly acknowledged structures and actors since the 1990s only a few have analysed explicitly the theoretical and methodological implications of the structure-agency link in the context of immigration policy. It is therefore the aim of this thesis to evaluate existing approaches in the contex

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TOMITA, MIDORI. "Woodcuts 1946-1953 BY Kōsaka Gajin (1877-1953): The Discovery of Children's Art in Japan and German Expressionism." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054232744.

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Tomita, Midori. "Woodcuts 1946-1953 by Kosaka Gajin (1877-1953) the discovery of children's art in Japan an German expressionism /." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=1054232744.

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Thériault, Mark J. "Art as propaganda in Vichy France, 1940-1944." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112592.

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The French government under Philippe Petain, based at Vichy, simultaneously collaborated with the Germans and promoted French patriotism. French artists and designers produced an abundance of posters, paintings, sculptures and other objets d'art, examples of which are included here, to promote the values of the "new order." Although Christian symbols were common, fascist symbols among the mass-produced images support the idea that the Vichy regime was not merely authoritarian, but parafascist.<br>The fine arts were purged of "foreign" influences, yet the German Arno Breker was invited to exhib

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Scheidweiler, Alexander. "Maler, Monstren, Muschelwerk Wandlungen des Grotesken in Literatur und Kunsttheorie des 18. und 19. Jahrhunderts." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/991843312/04.

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Coffey, Roland M. "Expressionism and Ethnography: Max Pechstein in Nidden and Palau." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4004.

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This thesis offers a new way to conceptualize Hermann Max Pechstein’s “primitivism” as a kind of ethnographic “primitivism.” By creating a constellation that connects Pechstein’s Nidden and Palau-based projects, Paul Gauguin’s “primitivist” aesthetic, and the research produced by German ethnographers, I argue that the “documentary” nature of Pechstein’s work paradoxically merges the “scientific” aspects of ethnography with his, and more generally, other Expressionists’ interest in the “primitive.” In addition, the following work demonstrates that the purportedly “scientific” representations an

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Thompson, Jaime L. M. "“A Wild Apparition Liberated From Constraint”: The Baroness Elsa von Freytag-Loringhoven’s New York Dada Street Performances and Costumes of 1913-1923." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148267685.

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Іванова, Н., та І. Коломієць. "Мистецтво як релігія в системі німецького романтизму". Thesis, Сумський державний університет, 2019. https://essuir.sumdu.edu.ua/handle/123456789/77040.

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Abstract:

Мета нашого дослідження – визначити місце та роль мистецтва і художника в філософсько-естетичній системі німецького романтизму. Такий вибір можна пояснити тим, що саме німецьким романтикам – філософам, письменникам – довелося першим формулювати світоглядні та естетичні засади усього руху.

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