Relevant bibliographies by topics / German Audience

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'German Audience'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "German Audience"

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Stollfuß, Sven. "German Public Television, Social Media and Audience Engagement." Public Service Broadcasting in the Digital Age 8, no. 16 (2019): 98. http://dx.doi.org/10.18146/2213-0969.2019.jethc178.

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This article discusses how social media affect German public service broadcasting (PSB) in terms of PSB’s efforts to reach younger audiences in the digital age. Since social media play a significant role for younger media users, German PSB is attempting to integrate social media into television (commonly referred to as social TV). Social TV has the ability to develop into fairly integrated multiplatform application systems that are driven by the logic of social media. One example is the content network funk, launched by ARD and ZDF in 2016. The content network’s shows demonstrate a changed tel
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Krause, Till. "‘Amerrrika ist wunderrrbarrr’: promotion of Germany through Radio Goethe’s cultural export of German popular music to North America." Popular Music 27, no. 2 (2008): 225–42. http://dx.doi.org/10.1017/s0261143008004042.

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AbstractMuch has been written about the cultural, social and political impact of German popular music within the country, but the role of German popular music outside of Germany has not been sufficiently examined. The research presented here is designed to investigate an example of Germany’s export of contemporary popular music as state-sponsored promotion of its national (pop) culture. San Francisco’s weekly radio programme Radio Goethe – The German Voice, which distributes popular music from German-speaking countries to English-speaking audiences, is explored. The main purposes of this progr
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Horz, Christine. "The public: consumers or citizens? Participatory initiatives and the reform of public service media regulation in Germany." Comunicação e Sociedade 30 (December 29, 2016): 349–66. http://dx.doi.org/10.17231/comsoc.30(2016).2502.

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The German federal interstate treaties, as the regulatory framework for public service media (PSM), have recently been under reform. The starting point of the amendments is the so-called ZDF decision of the German Federal Constitutional Court from the 25th of March, 2014. The Federal Constitutional Court was confronted with the question of whether the composition of the broadcasting council in the second biggest public service broadcasting station in Germany, the ZDF (Zweites Deutsches Fernsehen, Second German Television), is compliant with the constitution. This resulted in reforms of numerou
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Rasmussen, Ann Marie. "Woman as Audience and Audience as Woman in Medieval German Courtly Poetry." Exemplaria 6, no. 2 (1994): 367–83. http://dx.doi.org/10.1179/exm.1994.6.2.367.

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Clinefelter, Joan L. "Can You Spare 5 Minutes? Cold War Women’s Radio on RIAS Berlin." Resonance 1, no. 3 (2020): 279–97. http://dx.doi.org/10.1525/res.2020.1.3.279.

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Throughout the 1950s, the American propaganda radio station RIAS Berlin transformed women’s radio into an anti-communist medium designed to enlist German housewives into the Cold War. Based in West Berlin, RIAS—Radio in the American Sector—broadcast a full array of shows deep inside East Germany as part of the U.S. psychological war against communism. One of its key target audiences was German homemakers. Drawing upon scripts held in the German Radio Archives in Potsdam, Germany, this article analyzes the program Can You Spare 5 Minutes? (Haben Sie 5 Minuten Zeit?). It explores how RIAS inscri
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Von Harpe, M. "East German media in transition after reunification." Literator 18, no. 3 (1997): 183–98. http://dx.doi.org/10.4102/lit.v18i3.573.

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This article analyses the issue of how the “post-socialist" civil society of the former GDR can be reconstructed to reduce dependence of the media on the state and on future private ownership, thereby maximising freedom of communication. The media had a powerful impact on the transitional phase following reunification. Before 1989 West German television and radio stations were "windows to the West". After reunification East Germans preferred to have their own newspapers, to watch their own television programmes or to listen to their own radio programmes. There has been some criticism about the
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Sposato, Jeffrey S. "Saint Elsewhere: German and English Reactions to Mendelssohn's Paulus." 19th-Century Music 32, no. 1 (2008): 26–51. http://dx.doi.org/10.1525/ncm.2008.32.1.026.

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Abstract This article examines German and English reactions to Felix Mendelssohn's 1836 oratorio, Paulus. German Protestant audiences recognized Paulus's devotional, or spiritual, quality, which derived from its incorporation of well-known Lutheran chorales. In using chorales and reflective arias and choruses, Mendelssohn followed the model established by Johann Sebastian Bach in his St. Matthew Passion, a work that Mendelssohn had reintroduced to German audiences in 1829. When Paulus was premiered for English audiences in a translation called St. Paul, it was enthusiastically received. But th
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Naumann, Stephen. "Narratives Transcending Borders: Sabrina Janesch’s "Katzenberge" as a German Response to Polish Migration Literature." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, no. 2 (2020): 157–71. http://dx.doi.org/10.36770/bp.475.

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The establishment of the Oder-Neisse border between Poland and Germany, as well as the westward shift of Poland’s eastern border resulted in migration for tens of millions in regions that had already been devastated by nearly a decade of forced evacuation, flight, war and genocide. In Poland, postwar authors such as Gdańsk’s own Stefan Chwin and Paweł Huelle have begun to establish a fascinating narrative connecting now-Polish spaces with what are at least in part non-Polish pasts. In Germany, meanwhile, coming to terms with a past that includes the Vertreibung, or forced migration, of million
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Jordan, James. "Audience Disruption in the Theatre of the Weimar Republic." New Theatre Quarterly 1, no. 3 (1985): 283–91. http://dx.doi.org/10.1017/s0266464x00001664.

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Disruption of plays by their audiences has not been an uncommon occurrence in theatre history, but the received wisdom has it that rioting more or less went out of fashion once the house lights could be lowered for the performance. But the combination in the theatre of the Weimar Republic of the politically radical and artistically experimental drama of inter-war Germany with the high political tensions of the times proved an explosive one. The frequent audience disturbances of the period were, however, less the spontaneous expression of genuine indignation than a carefully planned and orchest
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Meier, Henk Erik, and Marcel Leinwather. "Women as ‘Armchair Audience’? Evidence from German National Team Football." Sociology of Sport Journal 29, no. 3 (2012): 365–84. http://dx.doi.org/10.1123/ssj.29.3.365.

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Research conducted here aims to contribute to the ongoing debate about gender differences in sport spectatorship. While media coverage of sports represents a “gendered experience”, recent research has questioned the explanatory value of anatomical sex for understanding differences in sport consumption. Analyses of TV ratings for German national team football presented here are set out to test the idea that women are more likely to constitute an “armchair” or “fair weather” audience. Even though watching national team football is clearly a male domain and the men’s team is much more popular, fe
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Dissertations / Theses on the topic "German Audience"

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Lehmann, Sophie. "Performing emotions : A case study on audience reception of the German docusoap Bauer sucht Frau." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77301.

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The purpose of this study is to approach the understanding of viewing of reality television with the intention to explore emotional responses in the reception since emotions are crucial part in the emotionalized television genre of reality television. The German adaption of the format The Farmer Wants a Wife was chosen for this case study to examine tendencies of portraying contestants in unpleasant situations. Humiliation, embarrassment or discrediting the contestants creates a balancing act between fun and ridicule. The protagonists are located between the status of (temporary) cult figures
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Wood, Michael Alistair Peter. "Making the audience work : textual politics and performance strategies for a 'democratic' theatre in the works of Heiner Müller." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/11702.

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In 1985, the East German playwright Heiner Müller (1929-95) spoke of the importance of a ‘democratic’ theatre: for Müller, the theatre was to be a space in which audience members are free to produce their own interpretations of the material presented on stage. In turn, the audience is encouraged to question the composition of its material reality but is not presented with a solution. Müller explicitly related this practice to his own production of his three texts Der Lohndrücker (1956-57), Der Horatier (1968), and Wolokolamsker Chaussee IV: Kentauren (1986) together at the Deutsches Theater in
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Zahlmann, Rahel. "Foreign Journalism in the Era of Globalization : An Ethnographic Study of Foreign Correspondents of the German Broadcasting Network ARD in Europe." Thesis, Södertörns högskola, Journalistik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-36025.

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The aim of this master thesis is to figure out the role of foreign correspondents within Europe during today’s developments of globalization and digitalization, in the view of professional foreign journalists. The continent becomes closer in terms of politics, currencies and cultures, and a growing infrastructure simplifies travelling and communication. Therefore, the role and function of foreign journalists are more and more questioned. The main focus of this thesis is thereby the case of the foreign correspondence offices of the German public broadcasting network ARD. An auto-ethnographic st
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Lingnau, Alina. "Public Service Television and Young Audiences in Germany and Sweden : An Explorative Study About Young Audiences’ Opinion about and Use of Television and Public Service Broadcasting." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77674.

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In the Swedish and German media landscapes public service broadcasters are well-established. Young people however prefer private channels which leads to a legitimization problem for the public service broadcasters because they do not reach the whole population. When airing popular programmes on the other hand, they are criticized for not being distinguishable from commercial competitors. This problem is intensifying by current technological developments and the need to redefine public service broadcasting. This study investigates the young audiences’ use of and opinion about public service bro
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Beebe, Katheryne. "Felix Fabri and his audiences : the pilgrimage writings of a Dominican preacher in late-medieval Germany." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439715.

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Kiss, Robert James. "The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4124/.

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The Doppelganger is a celebrated motif of German silent cinema that has been seen by art and literary historians as a filmic descendant of German Romanticism, and by psychoanalysts as a concretisation of human beings' fears regarding their own potentially fragmentary nature and mortality. This research builds on such interpretations by suggesting that - in the case of German cinema before World War One, at least - the Doppelganger can be read as a signifier of modernity as it was experienced by members of various social groupings. Returning to primary sources, some 203 films are identified tha
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Simon, Stephen Andrew. "Austro-American Reflections: Making the Writings of Ann Tizia Leitich Accessible to English-Speaking Audiences." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3543.

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Ann Tizia Leitich wrote about America to a Viennese audience as a foreign correspondent with the unique and personal perspective of an immigrant to the United States. Leitich differentiates herself from other Europeans who reported on America in her day by telling of the life of the average working American. In so doing, Leitich uses her work as a foreign correspondent to create a new identity for Austria between the World Wars. Leitich uses America in the 1920's and 1930's as a cultural mirror in which the new Republic of Austria can see itself. Leitich's perspective of America is not only us
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Alba, Ernest Isaiah. "Unbuckling the German belt : the history of opera audiences in San Antonio." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2693.

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Opera is unique among forms of Western classical music and performing arts in that it has always been a popular and accessible form of “cultured” entertainment. As a city with one of the longest and richest histories of opera performance in Texas, San Antonio provides a significant opportunity to survey the relationship between this popular art form and discourses of identity, power, and difference across ethnic, class, and gender divisions. This paper has two aims. First, it investigates the history of opera reception in San Antonio in order to examine changes in the traditional values of its
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Tai-Ching, Liu, and 劉台菁. "A Semiotic Analysis of Automobile Advertisements in German Magazines – Discussing Elements Targeting Specific Audiences." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/89509893736672250094.

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碩士<br>中國文化大學<br>德國語文學研究所<br>96<br>Advertising is an instrument of marketing. It is used to stimulate consumption or to achieve other goals set in the marketing plans. How effective advertising is used to achieve these goals depends on several factors that should be considered and decided in the marketing planning process. For example: who are the target audiences of the products, how to maximize the visual and verbal means of communication to persuade consumers to buy the products. The subject of this thesis is car advertising in German print media. The source materials are gathered from three
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Richter, Klaus Max Erich. "Mit dem Hörer ins Gespräch kommen : Situationsbezug der Predigt in der Epoche Johann Michael Sailers im Vergleich zur Gegenwart." Thesis, 2014. http://hdl.handle.net/10500/14607.

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Die kirchliche Verkündigung steht heute vor mannigfachen Herausforderungen. Das dynamische Beziehungsgeflecht von Prediger und Hörer, Text und Situation lässt sich nur schwer im Gleichgewicht halten. Prüft man die homiletischen Publikationen der Gegenwart und der jüngeren Vergangenheit, so wird deutlich, dass die Predigt sehr gründlich im Kontext der Hörersituation reflektiert wird. In diesem Zusammenhang ist auf einen möglichen Konflikt aufmerksam zu machen: die auf die Hörersituation bedachte Predigt kann versucht sein, den Anspruch des biblischen Textes zu vernachlässigen. Meine Dissertati
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Books on the topic "German Audience"

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James-Chakrabor. German Architecture for a Mass Audience. Taylor & Francis Group Plc, 2004.

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James-Chakrabor. German Architecture for a Mass Audience. Taylor & Francis Inc, 2004.

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German architecture for a mass audience. Routledge, 2000.

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Meyer-Dinkgräfe, Daniel. Boulevard Comedy Theatre in Germany. Cambridge Scholars, 2005.

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Bennett, Cherie. Anne Frank & me: A new play for multigenerational audiences. Dramatic Pub., 1997.

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Popularizing the nation: Audience, representation, and the production of identity in Die Gartenlaube, 1853-1900. University of Nebraska Press, 1998.

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Kiss, Robert James. The Doppelgänger in Wilhelmine cinema (1895-1914): Modernity, audiences and identity in turn-of-the-century Germany. typescript, 2000.

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Baer, Hester. Dismantling the dream factory: Gender, German cinema, and the postwar quest for a new film language. Berghahn Books, 2009.

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Dismantling the dream factory: Gender, German cinema, and the postwar quest for a new film language. Berghahn Books, 2009.

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Turkish German cinema in the new millennium: Sites, sounds, and screens. Berghahn Books, 2012.

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Book chapters on the topic "German Audience"

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Mahrt, Merja. "Audience Values and Media Use." In Values of German Media Users. VS Verlag für Sozialwissenschaften, 2010. http://dx.doi.org/10.1007/978-3-531-92256-0_4.

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Kaba, Sibel, and Deniz Özpalman. "Transnational Qualities of German Cinema: An Austro/European Audience Analysis." In Transnational German Cinema. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72917-2_3.

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Atkinson, Sarah. "Tuvalu Live!: Live Re-Scoring, Transnational Digital Participation and Audience Engagement in a Film Festival Context." In Transnational German Cinema. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72917-2_5.

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Nathans, Eli. "Audience Responses." In Peter von Zahn's Cold War Broadcasts to West Germany. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50615-9_11.

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Vollberg, Susanne. "Pioneering the Peoplemeter: German Public Service." In Television Audiences Across the World. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137345103_6.

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Nathans, Eli. "Public Audiences and Official Networks." In Peter von Zahn's Cold War Broadcasts to West Germany. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50615-9_5.

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Lacey, Kate. "The Invention of a Listening Public: Radio and its Audiences." In Mass Media, Culture and Society in Twentieth-Century Germany. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230800939_4.

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Ivory, Yvonne. "Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_8.

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Abstract This chapter examines the Dublin production and critical reception of Christa Winsloe’s Children in Uniform, which ran to full houses at the Gate for three weeks in April 1934. The play, which deals with the love between a Prussian schoolgirl and her female teacher, had premiered in Leipzig (1930), run successfully in Berlin (1931), and been adapted for the screen as Mädchen in Uniform (1931) before it was translated into English for a successful London run in 1932-1933. Edwards and mac Liammóir probably saw the original German play in Berlin in 1931. Using the prompt copy, lighting plots, photographs and reviews, the chapter shows how Edwards used expressionistic lighting and sonic leitmotifs to underscore the authoritarian regime within which the relationship between the women develops. In following the Berlin staging, Edwards produced a more subversive version of the play than that seen by London audiences or cinema goers.
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Birgfeld, Johannes. "Theater for an Urban Audience:." In Edinburgh German Yearbook 12. Boydell & Brewer, 2018. http://dx.doi.org/10.2307/j.ctv6jmv20.12.

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"The new Berlin." In German Architecture for a Mass Audience. Routledge, 2002. http://dx.doi.org/10.4324/9780203449448-10.

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Conference papers on the topic "German Audience"

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Berner, Elias. "Alle Menschen werden Brüder?! Ein historisches Dokument aus dem Nationalsozialismus in den sozialen Medien." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.110.

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This article deals with the recent emergence on social media of a particular kind of audiovisual sources from the time of National Socialism, namely extracts from a performance of the 9th Symphony that took place in 1942 at the ‘Berlin Philharmonie’ on Hitler‘s birthday. The concert was conducted by Wilhelm Furtwängler. In the footage, Joseph Goebbels can be seen in the applauding audience, before he congratulates the conductor with a handshake at the end of the concert. The material was filmed for propaganda purposes and used in a German News Reel in April 1942. Excerpts from the concert have
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Francis, Krista, Michele Jacobsen, and Sharon Friesen. "The Use of Graphics to Communicate Findings of Longitudinal Data in Design-Based Research." In InSITE 2015: Informing Science + IT Education Conferences: USA. Informing Science Institute, 2015. http://dx.doi.org/10.28945/2240.

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Visuals and graphics have been used for communicating complex ideas since 1786 when William Playfair first invented the line graph and bar chart. Graphs and charts are useful for interpretation and making sense of data. For instance, John Snow’s scatter plot helped pinpoint the source of a cholera outbreak in London in 1854 and also changed understandings of how germs were spread. While popular in the field of information graphics, rarely are graphs beyond the bar chart found in educational research articles. When present, the graphs do not necessarily enhance the findings of the data. Nor do
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Kim, Ji Young. "Clara Schumann and Jenny Lind in 1850." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.85.

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Clara Schumann’s 1850 tour of northern Germany with her husband officially ended with a successful concert in Altona where Jenny Lind made a surprise appearance. Immediately thereafter, one more concert featuring the pianist, singer, and Robert’s music was added at the last minute to take place in Hamburg. This too was a success. But a detail that made it especially memorable was Lind’s position behind the piano lid so that, as Clara recounted in her diary, many audience members could hardly catch a glimpse of her. This paper explores the rationales and implications of this singular and fleeti
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Insaf, Habiba Hakimuddin. "SCHOOLS, MUSEUMS, AND YOUNG AUDIENCES: UNDERSTANDING THE EDUCATIONAL ROLE OF MUSEUMS IN THE 21ST CENTURY USING CASE STUDIES FROM GERMANY AND INDIA." In 11th International Conference on Education and New Learning Technologies. IATED, 2019. http://dx.doi.org/10.21125/edulearn.2019.1556.

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Romli, Nada Arina. "Implementasi Transformasi Branding Kota Cimahi Sebagai Kota Kreatif." In SEMINAR NASIONAL DAN CALL FOR PAPER 2020 FAKULTAS EKONOMI DAN BISNIS UNIVERSITAS MUHAMMADIYAH JEMBER. UM Jember Press, 2021. http://dx.doi.org/10.32528/psneb.v0i0.5177.

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Penelitian yang berjudul Implementasi Transformasi Branding Kota Cimahi sebagai Creative city bertujuan mengetahui implementasi kampanye yang dilakukan Pemkot Cimahi kampanye perubahan merek Creative and Cyber (C4) menjadi Creative city dengan program pengembangan ekonomi lokal (PEL). Penelitian ini mengkaji proses pembangunan makna yang melibatkan interaksi sosial Pemkot Cimahi dan target audiens dalam perubahan merek Kota Cimahi sebagai Creative city. Penelitian ini menggunakan metode penelitian kualitatif, dengan paradigma konstruktivis, dan jenis studi kasus. Penelitian ini menggunakan teo
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Reports on the topic "German Audience"

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Azurmendi, A. Reconnecting with young audiences: transmedia storytelling to transform public service television in Spain, France, Germany and the United Kingdom. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1289en.

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