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1

WARD, W. R. "‘Peace, Peace and Rumours of War’." Journal of Ecclesiastical History 51, no. 4 (October 2000): 767–70. http://dx.doi.org/10.1017/s0022046900005170.

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Nationaler Protestantismus und Ökumenische Bewegung. Kirchliches Handeln im Kalten Krieg (1945–1990). By Gerhard Besier, Armin Boyens and Gerhard Lindemann (postscript by Horst-Klaus Hofmann). (Zeitgeschichtliche Forschungen, 3.) Pp. vi+1074. Berlin: Duncker & Humblot, 1999. DM 86. 3 428 10032 8; 1438 2326This is indeed a formidable offering – three and a half books by three and a half authors, all for the price of one and a half – and it must be admitted to those whose stamina or German quail at the prospect that some of the viewpoints and a little of the material by two and a half of the contributors has been made available in English in Gerhard Besier (ed.), The Churches, southern Africa and the political context (London 1999) at £9.99. The soft option is, however, no substitute for the real thing, which, like that other blockbuster, the late Eberhard Bethge's Bonhoeffer, is a contribution both to scholarship and to a struggle inside the German Churches. This, readers in the Anglo-Saxon world need to assess as best they can. It is not often that attempts are made by both the World Council of Churches and their principal paymasters in the German Churches to stop the publication of a work of scholarship, to be foiled (in best nineteenth-century style) by the liberalism of the German Ministry of the Interior; but that has happened here. And the rest of the world has the more reason to be grateful to the ministry for the authors have exploited the archives of the Stasi and the KGB, access to the latter of which has now been closed under pressure from the Russian Orthodox Church, which appears to have more to hide than anyone.The link between all this and Besier's inquiries in America is provided by the sad fate of the Protestant Churches of the Ost-Block during the Cold War.
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2

Partridge, Damani. "Daniel Joseph Walther,Creating Germans Abroad: Cultural Policies and National Identity in Namibia.Athens: Ohio University Press, 2002." Comparative Studies in Society and History 47, no. 2 (April 2005): 433–34. http://dx.doi.org/10.1017/s0010417505210198.

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Creating Germans Abroadis clearly inspired by the work of Benedict Anderson (1983) and written in the spirit of the work of Ann Stoler (1995; 2002). In this work, Walther suggests the idealization of the possibility of a German homeland outside of the European territory in colonial Southwest Africa. The emphasis on agriculture, climate, and landscape countered the increasing push towards industrialization in the Fatherland. Here, there was not just a nostalgic longing for an imagined German past that is pastoral as opposed to industrial (a longing used and manipulated by Nazi ideologues), but an actual place where the idealizedHeimat(homeland) could be realized in practice. The problem, however, became the presence of so many non-Germans, in this case not only “Black” Africans, but also “White” Afrikaners. In this sense, an appropriate title for the book might also be “Creating Germany Abroad.”
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KASSEM, HADI SHAKEEB. "The Sixties in Berlin and in Hollywood: City with a Wall in Its Center—The Attempt to Erase the German Past." Advances in Politics and Economics 4, no. 3 (September 2, 2021): p49. http://dx.doi.org/10.22158/ape.v4n3p49.

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Berlin was the location in which most of the intelligence operations in Europe have taken place in the first twenty years of the conquest and the Cold War. In November 27, 1958, Khrushchev issued a formal letter to the Allies, demanding that the western Allies evacuate Berlin and enable the establishment of an independent political unit, a free city. He threatened that if the West would not comply with this, the soviets would hand over to the East Germany’s government the control over the roads to Berlin. In the coming months Moscow conducted a war of nerves as the last date of the end of the ultimatum, May 27, 1959, came close. Finally the Soviets retreated as a result of the determination of the West. This event reconfirmed the claims of the West that “the US, Britain and France have legal rights to stay in Berlin.” According to Halle: “These rights derive from the fact that Germany surrendered as a result of our common struggle against Nazi Germany.” (Note 2) The Russians have done many attempts to change Berlin’s status. In 1961 Berlin Wall was constructed, almost without response on the part of the West, and by so doing, the Soviets perpetuated the status quo that had been since 1948. In July 25, 1961 Kennedy addressed the Americans on television, saying that “West Berlin is not as it had ever been, the location of the biggest test of the courage and the will power of the West.” (Note 3) On June 26, 1963, Kennedy went out to Berlin, which was divided by the wall, torn between east and west, in order to announce his message. In his speech outside the city council of West Berlin, Kennedy won the hearts of the Berliners as well as those of the world when he said: “Ich bin ein Berliner”, I’m a Berliner. The sixties were years of heating of the conflict with the Soviet Block. In 1961 the Berlin Wall was constructed. Then Kennedy came into power, there was the movement for human rights and the political tension between whites and blacks in America. The conflict increase as the Korean War started, and afterwards when America intervened in Vietnam. There was also the crisis in the Bay of Pigs in Cuba, which almost pushed the whole world into a nuclear war and catastrophe. During the 28 years of the Berlin Wall, 13.8.61-9.11.89, this was notorious as an example of a political border that marked the seclusion and freezing more than freedom of movement, communication and change. At the same time there was the most obvious sign of the division of Germany after WWII and the division of Europe to East and West by the Iron Curtain. The wall was the background of stories by writers from east and west. The writers of espionage thrillers were fascinated by the global conflict between east and west and the Cold War with Berlin as the setting of the divided city. Berlin presented a permanent conflict that was perceived as endless, or as Mews defined it: “Berlin is perfect, a romantic past, tragic present, secluded in the heart of East Germany.” (Note 4) The city presented the writers with a situation that demanded a reassessment of the genres and the ideological and aesthetic perceptions of this type of writing. This was the reason that the genre of espionage books blossomed in the sixties, mainly those with the wall. The wall was not just a symbol of a political failure, as East Germany could not stop the flow of people escaping from it. The city was ugly, dirty, and full of wires and lit by a yellow light, like a concentration camp. A West German policeman says: “If the Allies were not here, there would not have been a wall. He expressed the acknowledgment that the Western powers had also an interest in the wall as a tool for preventing the unification of Germany. But his colleague answers: If they were not here, the wall would not have been, but the same applies for Berlin. (Note 5) Berlin was the world capital of the Cold War. The wall threatened and created risks and was known as one of the big justifications for the mentality of the Cold War. The construction of the wall in August 1961 strengthened Berlin’s status as the frontline of the Cold War and as a political microcosmos, which reflected topographical as well as the ideological global struggle between east and west. It made Berlin a focus of interest, and this focus in turn caused an incentive for the espionage literature with the rise of neorealism with the anti-hero, as it also ended the era of romanticism. (Note 6) The works of le Carré and Deighton are the best examples of this change in literature. Both of them use the wall as the arena of events and a symbol in their works. Only at the end of the fifties, upon the final withdrawal of McCarthyism and the relative weakening of the Cold War, there started have to appear films with new images about the position and nature of the Germans and the representations of Nazism in the new history. The films of the Cold War presented the communists as enemies or saboteurs. Together with this view about the Soviets, developed the rehabilitation of the German image. Each part of the German society was rehabilitated and become a victim instead of an assistant of the Nazis. The critic Dwight MacDonald was impressed by the way in which the German population” has changed from a fearful assistant of one totalitarian regime to the hero opponent of another totalitarian regime”. (Note 7) This approach has to be examined, and how it influenced the development of the German representation, since many films I have investigated demonstrate a different approach of the German representation.
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4

Mieder, Wolfgang. "“Black is beautiful” Hans-Jürgen Massaquoi’s proverbial autobiography destined to witness (1999)." Proverbium 39, no. 1 (July 10, 2022): 173–223. http://dx.doi.org/10.29162/pv.39.1.62.

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Hans-Jürgen Massaquoi’s (1926-2013) autobiography Destined to Witness. Growing up Black in Nazi Germany (1999) appeared simultaneously in German translation as Neger, Neger, Schornsteinfeger. Meine Kindheit in Deutschland (1999, 2006 as a film). The bestseller recounts Massaquoi’s birth in 1926 at Hamburg as a biracial child of a German mother and a black father from Liberia who returns to Africa leaving his wife and Afro-German son to fend for themselves in a working-class neighborhood. Their struggle to survive Nazi Germany is described in numerous small chapters that are informed by the journalistic as well as literary style that Massaquoi became accustomed to once he became established in the United States as managing editor of the African American magazine Ebony. The book is replete with proverbs and proverbial expressions that add metaphorical expressiveness to this emotional and informative account of survival among prejudice, stereotypes, and racism. Many of the proverbs, often quoted by Massaquoi’s mother, are cited in German with English translations or only in English. Thus the book is a telling example of how proverbs function in a family and beyond as social strategies to carve out a marginalized existence between 1926 and the early 1950s in Germany, Liberia, and the United States. Numerous contextualized references are cited, and there is also a large index of 509 (645 counting 136 duplicates) proverbial texts
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5

Klikauer, Thomas, Norman Simms, Marcus Colla, Nicolas Wittstock, Matthew Specter, Kate R. Stanton, John Bendix, and Bernd Schaefer. "Book Reviews." German Politics and Society 40, no. 1 (March 1, 2022): 104–31. http://dx.doi.org/10.3167/gps.2022.400106.

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Heinrich Detering, Was heißt hier “wir”? Zur Rhetorik der parlamentarischen Rechten (Dietzingen: Reclam Press, 2019).Clare Copley, Nazi Buildings: Cold War Traces and Governmentality in Post-Unification Berlin (London: Bloomsbury Academic, 2020).Tobias Schulze-Cleven and Sidney A. Rothstein, eds., Imbalance: Germany’s Political Economy after the Social Democratic Century (Abingdon: Routledge, 2021).Benedikt Schoenborn, Reconciliation Road: Willy Brandt, Ostpolitik and the Quest for European Peace (New York: Berghahn Books, 2020).Tiffany N. Florvil, Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (Champaign: University of Illinois Press, 2020).Ingo Cornils, Beyond Tomorrow: German Science Fiction and Utopian Thought in the 20th and 21st Centuries (Rochester, NY: Camden House, 2020).Christian F. Ostermann, Between Containment and Rollback: The United States and the Cold War in Germany (Stanford, CA: Stanford University Press, 2021).
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Fedotova, Olga Dmitrievna, and Vladimir Vladimirovich Latun. "Formation of self-control skills in foreign study books for teaching reading: features of didactic positions in the 21st century." Moscow University Pedagogical Education Bulletin, no. 1 (March 30, 2019): 32–44. http://dx.doi.org/10.51314/2073-2635-2019-1-32-44.

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The article is devoted to the study of didactic approaches used for creation of self-test blocks in text-books.The system of self-control skills formation is considered on the example of text-books for learning to read. The leading approaches of the text-books authors to the organization of self-control are considered on the basis of content and structure analysis of the ABC-books published in Kyrgyzstan, Kazakhstan, Russia, the Netherlands, Germany, France, Turkey and Greece in Cyrillic, Latin and Greek alphabets.The article characterizesthese publications' didactic features from the standpoint of implementing the possibility of self-verification correctness of the tasks and exercises performed. German, Turkish and Greek study books are highlighted and analyzed in detail, and offer an original self-test system in illustrative and textual form.The types of tasks aimed to develop the schoolchildren'sthinking are distinguished on the basis of cluster analysis. The article draws attention to the similarities and differences in the implementation of the idea of the self-control skills formation on the example of the ABC-books publicationsfrom different countries.
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7

Ayanbode, Mr Felix. "BLACK SHAME/WHITE DISGRACE: “RHINELAND BASTARDS” AND THE NAZI CONSTRUCTION OF BLACK IDENTITY IN HANS MASSAQUOI’S DESTINED TO WITNESS." Journal of English Language and Literature 09, no. 02 (2022): 50–57. http://dx.doi.org/10.54513/joell.2022.9208.

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Much has been written on the Holocaust, but the subject of “Rhineland bastards” as Hitler’s black victims of the Holocaust has not received much scholarly attention. They were marginalized and no one paid attention to their stories as victims of the Holocaust until the first study on the “Rhineland Bastards” was published in 1979 by Reiner Pommerin. In the wake of this initial scholarly interest in them, some of the “Rhineland bastards” started sharing their lived experiences through interviews, books, and autobiographies such as Hans Massaquoi’s Destined to Witness (1999). This paper investigates Massaquoi’s attempt to fit into German society. It also traces the process by which the Nazi construction of “Rhineland bastards” was extended to the entire black community in the Third Reich, eventually consolidating racism against blacks in Germany in the aftermath of the Nazi regime.
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8

Herrmann, Manja. "Travelling Heroes—A Transcultural Re-evaluation of Kurt R. Grossmann’s Unbesungene Helden (1957), an Early Compilation of Rescue Stories." German History 39, no. 4 (October 29, 2021): 585–601. http://dx.doi.org/10.1093/gerhis/ghab069.

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Abstract This article concentrates on the first German-language compilation of ‘rescue stories’, narratives of Jews who survived the Holocaust with the help of non-Jews. While Kurt R. Grossmann’s 1957 book Die unbesungene Helden: Menschen in Deutschlands dunklen Tagen (The Unsung Heroes: Humans in Germany’s Dark Days) has received some scholarly attention, its original sources have not yet been examined. Previous research on the remembrance of the ‘rescue of Jews’ in Germany has tended to read Grossmann’s anthology within a single national—that is, German—context. This article provides a short introduction to Grossmann’s biography and the development history of The Unsung Heroes. It then traces the editorial history of four chapters in the anthology dealing with German cases: ‘Mieze’, ‘The Block Warden and the Eastern-Jewish Tailor’, ‘The Yellow Badge—A Symbol of Protest’ and ‘The Case of Schindler’. The article proposes that in light of its collection of material, its various sources and its production context of formerly German Jews in the United States, the text serves as a superb example of ‘transcultural’ remembrance or ‘travelling memory’.
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9

Michailov, M., E. Neu, U. Welscher, A. Gerdzhikov, J. Foltinova, V. Foltin, M. Holler, and G. Weber. "On social psychopathology: Example with German justice." European Psychiatry 64, S1 (April 2021): S771. http://dx.doi.org/10.1192/j.eurpsy.2021.2042.

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IntroductionINTRODUCTION-OBJECTIVES. Similar to philosophy (regina-scientiarum) is psychiatry fundamental-discipline for all-medical&social sciences. Immanuel KANT: Primus inter pares of ARISTOTELES&PLATON considered over 200years ago physiological and pragmatic anthropology-[1]. Social physiology is given-[3-4]. Consideration of social-psychopathology in German-justice-[2].Objectives REFERENCES. [1]-Kant,I: BdXI,371-393, BdXII,399,625-638:Suhrkamp-TB-Wiss. [2]-Neu,E/Michailov, M.Ch/Welscher,U/et-al.: 2a.-FISP-2018-Beijing/Philos (1348-50,1373-4,1420); 2013-Athens Abstr.Book(AB):464-5/503-4/766; 2008-Seoul-ProcVol.4: 101-108/195-214/229-237; 2003-Istanbul:273-281; IVR-2019-Luzern (Law), Progr-Book p.116. 2b.-EPA-2020-Madrid, Eur.Psychiatry 63S, EPP0834/5+EPV0581/1470; EPA-2019-Warsaw, 56S,S689; EPA-2018-Nice, 48/S1, S623&567&662. 2c.-WPA-2021-Bangkok (in-press). 2019-Lisbon, E-Poster WCP19-2137/-1822/-1839. 2018-Mexico-City, Abs.-Book WCP18-0584/-0625/-0643/-0654. 2011-Buenos-Aires, AB:PO1.200. [3]-Glasachev,O: Sechenov Physiol.J 80/no5, 1994,p.139-143 (Russian), ref. in English. [4]-Seeley,T.D: Social-Physiology Honey-Bee, Book-1996.Methods[5]-Daily-journal-“tz”-München, esp. every Tuesday 2016-2019: reports on Res.-Houses,e.g. 14.02.2019, 15.02.17, 06.12.16/p.10, 18.10.16/p.10, 17.11.2020/p.6. Süddt.Zeitung-München no172/p.30,2017. Mü.-Merkur:16.11.2020/p.32; 19.11.2020/p.29. FAZ:20.10.2019/p.53; 16.11.2020/p.21. BUROW,P: Justiz am Abgrund&Ein Richter klagt an. GNISA,J, Präs.-Dt.Richterverein: „Ende der Gerechtigkeit“, Herder-2017. SCHLEIF,T/Amtsrichter: Buch „Urteil: ungerecht“, zeit-online 24.10.2019. Hans-Jochen&Liselotte VOGEL:„Mehr Gerechtigkeit“, 2019 „Wohn-Irrsinn“(Enteignungen). ZANTKE,S (Richter-Amtsgericht-Zwickau): TV-Programm„Auf einen Blick“ Nr.47,2018,S.24. [6]-Luetge,Ch et-al.(ed): Experimental-Ethics, Palgrave-Macmillan 2014. [7]-Pegoraro,R/Vatican: «Arzt&Christ» 38:3-55,1992.ResultsRESULTS Prominent German experts for justice: Patrick BUROW, Jens GNISA/President Law-Association/Germany, Torsten SCHLEIF/Amtsrichter, Hans-Jochen VOGEL/Ex-Minister, Stephan ZANTKE/Richter reflect in their books fundamental-criticism of German justice [5]. Inst.-Ecol.-Med./IUM investigated psychopathology of juridical-offices&law-court in Munich (Amtsgericht). Analysis suggests presence of symptoms for pseudologia-phantastica, psychopathy, cyclophrenia (esp.mania),etc. conc. observations on many persons (n>30).ConclusionsCONCLUSION. Juridical situation in Germany demonstrates contradiction to human-rights (EU-CHARTA, art.1-8/25-26/33-35), ignoring moral-philosophy, related to human obligations/I.Kant-[1], experimental ethics/Ch.Luetge et-al.-[6], medical personnel/R.Pegoraro-[7]. Only paradigm change in law-policy incl. enlarged implication of moral philosophy-theology, psychiatry-psychology, social philosophy in juridical eduction & practices could counteract disastrous juridical situation in Germany and on global level, supporting UNO-AGENDA21 for better education-health-ecology-economy (see 2.).DisclosureNo significant relationships.
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Więckiewicz, Agnieszka. "Afro-German Histories at the Time of the Second World War. The Transnational Memooirs by Ruth Kluger and Hans-Jurgen Massaquoi." Tekstualia 4, no. 51 (December 19, 2017): 127–37. http://dx.doi.org/10.5604/01.3001.0013.3560.

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The point of departure in the present article is a discussion of the concept of multidirectional memory, the category proposed by Michael Rothberg in his book ANGIELSKI TYTUŁ. The article then analyzes the memoirs by Jewish-Austrian Ruth Klüger and Afro-German Hans-Jürgen Massaquoia, as examples of transnational narratives. It thus highlights the problem of the war experience of black Germans, concomitantly tracing the process of identity formation resulting from an ethnic person’s dialogue with the representatives of other marginalized and oppressed groups within the Nazi system
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11

Leslie, Esther. "Satanic Mills: On Robert Kurz." Historical Materialism 22, no. 3-4 (December 2, 2014): 408–23. http://dx.doi.org/10.1163/1569206x-12341374.

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A critical overview of the contribution of German Marxist Robert Kurz (1943–2012), focussing in particular on The Black Book of Capitalism: A Farewell to the Market Economy (first ed. 1999) and War for World Order: The End of Sovereignty and the Transformations of Imperialism in the Age of Globalisation (2003). This review explores the genesis and the main tenets of Kurz’s theory – especially his concept of value, the automatic subject, crisis and anti-Semitism – and tracks how they are mobilised in his writings over time. It also touches on the legacy of these ideas in political groups such as the Anti-Germans.
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Sweida-Metwally, Samir. "Why Britain should not follow Germany's approach to recognising its racist legacy." Open Review 6 (November 26, 2020): 73–79. http://dx.doi.org/10.47967/nnir8436.

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Two recent articles published in the Guardian by Professor Susan Neiman and the 2018 European Book Prize winner, Géraldine Schwarz, in the context of the Black Lives Matter Movement suggest that Britain should follow Germany’s example in dealing with its racist legacy. This opinion piece argues that it should not. While it is irrefutable that Germany has taken some important steps to face up to its Nazi past, to suggest that this means Germany has ‘confronted its racist legacy’ in a general sense is deeply misguided. I argue that this erroneous conclusion is due to a misunderstanding by both authors about what racism is, and how it operates. The UK, like any other ex-colonial power, should take a more principled and systematic approach to dealing with its racist legacy, and following the German example would undermine this.
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Zocco, Gianna. "“I live a hope despite my knowing better”: James Baldwin in Conversation with Fritz J. Raddatz (1978)." James Baldwin Review 4, no. 1 (September 11, 2018): 144–53. http://dx.doi.org/10.7227/jbr.4.11.

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This is the first English-language publication of an interview with James Baldwin conducted by the German writer, editor, and journalist Fritz J. Raddatz in 1978 at Baldwin’s house in St. Paul-de-Vence. In the same year, it was published in German in the weekly newspaper Die Zeit, as well as in a book of Raddatz’s conversations with international writers, and—in Italian translation—in the newspaper La Repubblica. The interview covers various topics characteristic of Baldwin’s interests at the time—among them his thoughts about Jimmy Carter’s presidency, his reasons for planning to return to the United States, his disillusionment after the series of murders of black civil rights activists in the 1960s and 1970s, and the role of love and sexuality in his literary writings. A special emphasis lies on the discussion of possible parallels between Nazi Germany and U.S. racism, with Baldwin most prominently likening the whole city of New York to a concentration camp. Due to copyright reasons, this reprint is based on an English translation of the edited version published in German. A one-hour tape recording of the original English conversation between Raddatz and Baldwin is accessible at the German literary archive in Marbach.
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Meister, Anna-Maria. "Ernst Neufert's ‘Lebensgestaltungslehre’: formatting life beyond the built." BJHS Themes 5 (2020): 167–85. http://dx.doi.org/10.1017/bjt.2020.13.

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AbstractIn 1936, the Bauhaus-trained architect Ernst Neufert published the first edition of his seminal book Bau-Entwurfslehre. One of the most successful architecture books to date, the encyclopedic volume offered dimensioned floor plans for architectural tasks ranging from bunkers to dog kennels to Zeppelins. Two years later, Neufert started working as ‘norm expert’ for Reichsminister Albert Speer, with whom he published another manual in 1943, Bauordnungslehre. Meant to provide a total system of measures for architecture at large, the volume subjected building blocks, bricks and human bodies to Neufert's all-encompassing octametric system. This article contrasts these two books against Neufert's unpublished treatise – ‘Lebensgestaltungslehre’. Never a bound volume, the latter was sketched out in diary entries between 1936 and 1942 on folded DIN A4 sheets (themselves normed) and organized in a card index. Reading them across their medial states, this article investigates the material, methodological and ideological character of Neufert's Lehren. This is not the story of a handbook; rather, this is a story of constructing Lehre one sheet at a time. Neufert's attempt to format German society in the 1930s and 1940s through inherently architectural means such as floor plans, norms and a system of measures ultimately shaped the designing subject – starting with himself.
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Rabinbach, Anson. "George L. Mosse 1919–1999: An Appreciation." Central European History 32, no. 3 (September 1999): 331–36. http://dx.doi.org/10.1017/s0008938900021166.

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I first met George Mosse in late August 1967. That summer I carried my worn copy of his book on the roots of Nazi ideology, The Crisis of German Ideology: Intellectual Origins of the Third Reich (1964), with Hubert Lanzinger's bizarre painting of Hider as a German knight on the cover, to Salzburg where I studied German before going on to graduate school at the University of Wisconsin. Though I admired the book, it did not prepare me for meeting the man. In 1967 I drove out to the Midwest from New York in my VW bug. To my surprise, as soon as I arrived in Madison, someone pointed him out, sitting on the Terrace of the Wisconsin Memorial Union in his short sleeve shirt, smoking his pipe, and arguing intensely with a group of students who were planning to sit in to block the Dow Chemical Company campus recruiter in the Fall (Dow was chosen because the company was manufacturing napalm).
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Jeep, John M. "Painting the Page in the Age of Print: Central European Manuscript Illumination of the Fifteenth Century, ed. Jeffrey F. Hamburger, Robert Suckale, and Gude Suckale-Redlefsen, trans. David Sánchez Text · Image · Context: Studies in Medieval Manuscript Illumination, 4 Studies and Texts 208. Toronto: Pontifical Institute of Mediaeval Studies, 2018, pp. XXXIII, 329." Mediaevistik 31, no. 1 (January 1, 2018): 450–52. http://dx.doi.org/10.3726/med012018_450.

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Under the somewhat different, certainly intentionally punning title, Unter Druck: Mitteleuropäische Buchmalerei im Zeitalter Gutenbergs / Under Pressure / Printing […] in the Age of Gutenberg, this volume first appeared in German (Lucerne: Quaternio, 2015) to accompany a series of twelve different exhibitions of largely fifteenth-century book illumination across Central Europe. The exhibitions in Germany, Austria, and Switzerland were held, in part overlapping, from September 2015 – March 2017. They were bookended by exhibits in Vienna and Munich (for the latter, see Bilderwelten. Buchmalerei zwischen Mittelalter und Neuzeit. Katalogband zu den Ausstellungen in der Bayerischen Staatsbibliothek vom 13. April 2016 bis 24. Februar 2017, ed. Jeffrey F. Hamburger et al. Buchmalerei des 15. Jahrhunderts in Mitteleuropa, 3 (Lucerne: Quaternio, 2016). For each of ten somewhat smaller exhibitions a catalogue of uniform size and format was produced; they are, according to the publisher, already out of print. The three editors of the more comprehensive collection, Painting the Page, penned contributions that complement Eberhard König’s study, “Colour for the Black Art,” which traces <?page nr="451"?>the development of ornamentation to the Gutenberg and following printed Bibles. Early printed Bibles, in Latin or in the vernacular, tended only to provide space for initial and marginal, as opposed to full page illumination. These admittedly limited artistic accomplishments often allow for more precise localization of incunabula than other available resources. At the same time, differences and even misunderstandings – such as failure to follow instructions to the illuminator – on occasion lead to fruitful cultural analysis. Finally, printed copies that were never adorned were sometimes in the past thought to be superior, untouched, as it were, by the artistry of the ‘old’ manuscript world. König argues that the study of early printed books, and especially the illuminations they contain, should be celebrated not only as ancillary scholarship, but also as a discipline in its own right.
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Bloch, Ernst. "To the original history of the Third Reich." Koinon 3, no. 1 (2022): 94–118. http://dx.doi.org/10.15826/koinon.2022.03.1.008.

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The article by E. Bloch raises the question of how the intellectual heritage of the distant past is appropriated by modern political movements. The author draws attention to the actualization of ancient folk dreams at the beginning of the twentieth century. He focuses on the reception of medieval religious teachings by the mass consciousness of Germans during the period of the birth of Nazism in Germany in the 1920s — 1930s. The way in which the concepts of medieval consciousness „leader“ and „Third Reich“ were introduced into the consciousness of contemporaries, Bloch qualifies as „deception“, distortion of their original meaning, transformation of meanings into opposite ones. The philosopher shows that the term „Third Reich“ has a long, truly revolutionary history, since in the original the Third Reich denoted the socio-revolutionary ideal dream of Christian heresy: the dream of the Third Gospel and the world corresponding to it. Bloch examines the influence of chiliasm on many historical revolutionary movements. Modern socialism, according to Bloch, is an attempt to realize the dreams of the medieval masses without mystical coloring. Then, the article traces in detail the evolution of the concept of „liberator of the oppressed“, „leader“ from the most ancient times; it also analyzes book texts and oral legends. The author emphasizes the constant motif of the „resurrected“ or „awakened“ Kaiser-liberator and his place in the mass consciousness. The conclusion is made about how the use of this image helped the Nazis in establishing their popularity. The article pays special attention to the life and ideas of Abbot Joachim Florsky (XII century) as an iconic figure of the socio-chiliastic turn. Bloch is interested in Florsky in connection with another important motif of the Middle Ages, which was actualized by Nazism: „this world’s Gospel“. Bloch analyzes the predecessors of Florsky’s teaching — Eriugen and the Saint Victorians. He proves that in Florsky’s interpretation, the mystical movement of the soul along the steps was projected onto the entire process of the movement of humanity, its history. He „put the earth under strict Christian requirements“, which should be implemented in the last, third stage. Further, Bloch traces the development of the idea of the trinity of stages of the historical movement from the Old Testament eschatological motives, Augustine, through the German Enlightenment and Romanticism up to the present (Fyodor Dostoevsky, Henrik Ibsen and others). Bloch concludes that „the neglect of the old ways and forms does not go unpunished“. The main result of the study can be understood as an indication that the old forms of mass dreams can be used by modern political forces with completely different goals and effects.
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Haxen, Ulf G. "Rom – den hebraiske bogs vugge." Fund og Forskning i Det Kongelige Biblioteks Samlinger 56 (March 3, 2017): 79. http://dx.doi.org/10.7146/fof.v56i0.118929.

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Ulf G. Haxen: Rome – Cradle of the Hebrew Book The Royal Library in Copenhagen has, throughout the twentieth century, received two substantial collections of Hebraica and Judaica. In 1933 the library acquired the private library of chief rabbi and professor David Simonsen, which amounted to an impressive 40,000 manuscripts, books and correspondence of scholarly importance. Dr. Lazarus Goldschmidt escaped Nazi Germany in 1938 and managed to bring his 2,500 volumes of Hebraica and Judaica, including 43 immaculate and well preserved incunables, safely to London. His entire collection of rare Hebrew books was purchased by the Royal Library for a moderate sum in 1949 because Goldschmidt was “honoured to have his books incorporated in Bibliotheca Simonseniana.”Both scholars were recognised authorities in their own right, Simonsen as philologist in Semitics and specialist in Jewish booklore, and Goldschmidt as a renowned bibliophile and connoisseur of 15th century Hebraic incunables. His 46 rare incunables were eventually listed in Victor Madsen’s catalogue of incunables (1935–1963).The art of printing was born c.1455 in Mainz (Germany) with Johan Gutenberg’s printed edition of the bible. Among scholars it was generally believed that migrating Christian and Jewish apprentices carried the revolutionising “black art” of printing from Mainz to Spain and Italy. Coincidentally enough, the first two dated Hebrew works appeared in print thirty years after Gutenberg in the exact same year in southern and northern Italy respectively: these being the Rashi commentary on the Jewish bible issued 17th February 1475 in Reggia di Calabria and printed by Abraham Garton ben Isaac, and the Arba’ah turim in Piove di Sacco near Venezia published by Meshullam Cusi on 3rd July 1475.These two books were for a long time considered to be the first books printed with Hebrew types. The famous Christian scholar of Hebraica, Giambernardo de Rossi, who was the fortunate owner of the allegedly “first” cradle book from Reggia, subsequently published the first census of Hebrew incunables in Annales hebraica-typographica saeculi XV (1795). The scene was thus set for the future scholarly research of the undated incunables labelled “Roma, ante 1480” (Rome, before 1480) by de Rossi. The present essay discusses five of these incunables, all of which are described in Victor Madsen’s catalogue as printed in “Roma, ante 1480”; an approximated date which needs correcting. David Simonsen refers in passing to “the three printers of Rome” viz. Obadiah, Menasseh and Benjamin, as supposedly having been active in a printing press in Rome. The incunable with Salomon ben Abraham ibn Aderet (Raschba) Teschubot sche’elot. (“Answers to Questions”) dated “before 1980” is a case in point (#4332 in Victor Madsen’s catalogue), furnished with an earlier approximate publishing date c.1469–1472 no. 55 in the Offenberg census (1990) and eventually with REX online catalogue Inc. Haun in 2015.The best known printing press in Rome was created by the two German printers Conrad Sweynheym & Arnold Pannartz who established their first workshop at Santa Scolastica at Subiaco in the Sabine Mountains outside Rome in 1464, where they published several unique Latin works and introduced a Greek typeface. In 1467 they moved the press to the city of Rome in order to get closer to the reading and profitable public. In 1467 they moved the press to Rome in order to get closer to their reading public – and their profits. Here they were privileged to be housed in Palazzo Massimo by the proprietors Pietro and Francesco Massimo. What is more, they began working under the patronage of the respected humanist Giovanni Andrea Bussi, who was editor in charge.It is safe to conjecture that the Hebrew press was born in this milieu, as indeed suggested by Edwin Hall: “… a casual remark of Bussi in the preface to the Latin Bible hints at a possible connection between Sweynheym and Pannartz and what are thought to be the earliest printed books in Hebrew. These books, which contain no indication of date or place of printing, are the work of obscure printers named Obadiah, Manasseh, and Benjamin de Roma and constitute the most primitive surviving examples of printing in Italy.”I thank Dr. Ann Brener, Specialist in the Hebraic Section at the Library of Congress for supplying additional bibliographic references.
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SNYDER, TIMOTHY. "The Causes of the Holocaust." Contemporary European History 21, no. 2 (March 29, 2012): 149–68. http://dx.doi.org/10.1017/s0960777312000094.

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Not long ago I was discussing before a theatre audience in Philadelphia a performance of ‘Our Class’, Tadeusz Słobodziański's remarkable theatrical reinterpretation of Jan Gross's pioneering book Neighbors. It helped so very much that the discussion took place after rather than before the performance! It is a great honour to find my book at the centre of this discussion by colleagues, but it would be great vanity on my part to expect that every reader of this exchange will have first read my book. And yet without some general sense of the argument and substance of Bloodlands, I can hardly explain why the four responses are so different each from the other, what underlying concerns unite them, and how they might be answered. The book is a study of all German and Soviet mass killing policies in the lands between the Black and Baltic Seas from south to north and from Smolensk to Poznan from east to west. It begins from the observation that fourteen million non-combatants were deliberately killed in this zone between 1933 and 1945, when both Stalin and Hitler were in power. The figure is very high in its own right, and represents the vast majority of Soviet and German killing. The territory can be defined in terms of the number of murdered, or as the place where the Holocaust was perpetrated, or as the zone touched by both German and Soviet power: all three definitions generate the same map of the bloodlands.
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Werner, Joerg Richard, and Jochen Zimmermann. "Disclosure of individualized executive compensation figures: An empirical analysis of compliance with the German corporate governance code." Corporate Ownership and Control 4, no. 1 (2006): 106–12. http://dx.doi.org/10.22495/cocv4i1p8.

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From 2002 to 2005, the German Corporate Governance Code advised that stock listed companies should (voluntarily) disclose individualized executive compensation figures. In a sample of big publicly traded German companies, we examine which determinants drive firms to comply with that “soft law” requirement. Using a probit model, we consider 15 explanatory variables. We find that block-holdings, average executive remuneration, book-to-market ratio and the percentage of union representatives in the supervisory board significantly decrease the likelihood of disclosures on individualized executive compensation numbers. Firm size, the absolute number of supervisory board members and the presence of takeover activity turn out as having a significant positive influence on the disclosure behavior. Additionally, we find that it was less likely in 2002 that individualized remuneration figures were published, indicating that Code recommendations are considered as more binding than Code suggestions.
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Okamoto, Monica Setuyo. "O Realismo-Naturalismo de Stendhal e Shimazaki Tôson. Uma análise psicológica das personagens centrais: Julien e Ushimatsu." Estudos Japoneses, no. 33 (November 25, 2013): 45–61. http://dx.doi.org/10.11606/issn.2447-7125.v0i33p45-61.

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This article focuses, comparatively, the central characters of books Hakai (The Broken Commandment, 1906) Japanese writer Shimazaki Tōson and Le Rouge et le Noir (The Red and the Black, 1830) of the French realist Stendhal. Although the Japanese Realism-Naturalism received greater influence of Guy de Maupassant and German authors, noted many similarities between the works of Stendhal and Tōson which will be exposed in this article. We emphasize, however, that the comparative study here will be restricted to the analysis of social role and psychological profile of the two characters, Ushimatsu and Julien, within their respective historical contexts, without the intention, therefore, to address other aspects of the two works.
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Maat, Sekhmet Ra Em Kht. "Looking Back at the Evolution of James Cone’s Theological Anthropology: A Brief Commentary." Religions 10, no. 11 (October 28, 2019): 596. http://dx.doi.org/10.3390/rel10110596.

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Reverend Dr. James Hal Cone has unquestionably been a key architect in defining Black liberation theology. Trained in the Western theological tradition at Garrett Theological Seminary, Cone became an expert on the theology of Twentieth-century Swiss-German theologian Karl Barth. Cone’s study of Barth led to his 1965 doctoral dissertation, “The Doctrine of Man in the Theology of Karl Barth,” where he critically examined Barth’s Epistle to the Romans and Church Dogmatics. His contemporaries and more recent African American theologians and religious scholars have questioned the extent to which Karl Barth’s ideas shaped Cone’s Black theology. The purpose of this brief commentary is to review the major ideas in “The Doctrine of Man” and Black Theology and Black Power, his first book, to explore which theological concepts Cone borrows from Barth, if any, and how Cone utilizes them within his articulation of a Black theological anthropology and Black liberation theology.
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Kupchyk, Oleh. "TARAS SHEVCHENKO KYIV STATE UNIVERSITY’S INTERNATIONAL COOPERATION WITH SCIENTIFIC AND EDUCATION INSTITUTIONS OF THE COUNTRIES OF SOCIALIST BLOC IN 1964–1975." European Historical Studies, no. 20 (2021): 87–104. http://dx.doi.org/10.17721/2524-048x.2021.20.6.

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The article reveals the international cooperation of the Taras Shevchenko Kyiv State University with scientific and educational institutions of the countries of the Socialist bloc in 1964–1975. The visits of the leadership of the universities of Czechoslovakia, Poland, Romania, Hungary, East Germany to Kyiv University to get acquainted with the organization of scientific, educational and pedagogical work, as well as the visits of rectors, vice-rectors, deans of the faculties of Kyiv University with a similar purpose to the universities of the Socialist bloc are mentioned. It is noted about the establishment of faculties and departments of Kyiv University international cooperation by concluding agreements with faculties and departments of universities of the countries of the Socialist bloc.The participation of scientific and scientific-pedagogical workers of the university in conferences, seminars, congresses, symposiums of Yugoslavia, Bulgaria, Czechoslovakia, East Germany, Hungary, Poland, Czechoslovakia, Romania is revealed. Topics of lectures and scientific reports at Kyiv University of German, Czechoslovak, Polish, Hungarian teachers and scholars are covered. It is informed about joint research projects of scientists of the Kyiv University with colleagues from the universities of Prague, Bratislava, Brno, Krakow, Leipzig, Debrecen. It is said that scientists and teachers of Kyiv University published articles in journals of the countries of the Socialist bloc. Instead, scholars and teachers from these countries published in the journal of Kyiv University. The topic of foreign internship is revealed. It is noted that Soviet students underwent internships in East Germany, Poland, and Hungary. It is informed that Czechoslovakian, Polish, Bulgarian and other students studied at the graduate school of Kyiv University, where they prepared and successfully defended their dissertations. The international book exchange was mentioned. It’s told about the cooperation of youth organizations, in particular about «building detachments» of Soviet students to Leipzig and Krakow. International sports competitions are mentioned. It is noted about the dynamic growth in Kyiv University during 1971–1975’s the number of students from the countries of the Socialist bloc.
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Hibner, Marcin. "Book review: Piotr Rygus, Aleksandra Goniewicz "Black memory - mining sites of memory", Institute of Polish Thought Wojciech Korfantego, Katowice 2020, p. 166." Zeszyty Naukowe Państwowej Wyższej Szkoły Zawodowej im. Witelona w Legnicy 1, no. 38 (March 31, 2021): 85–87. http://dx.doi.org/10.5604/01.3001.0014.8399.

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The article contains a review of a book published by the Institute of Polish Thought. Wojciecha Korfanty, touching upon the subject of mining memorials. In the three mining regions, the landscape is complemented by monuments, statues, monuments and plaques that serve to remind us of mining catastrophes, events and people whose often German-sounding names have been erased by history from memorial and even grave plaques. The book deals with legal and social aspects of the issue related to mining work memorials. The publication is the result of an educational and research project and constitutes a guidebook to these special places of memory.
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Gillman, Susan. "Oceans of Longues Durées." PMLA/Publications of the Modern Language Association of America 127, no. 2 (March 2012): 328–34. http://dx.doi.org/10.1632/pmla.2012.127.2.328.

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Anyone in literary studies who has looked recently at titles of books, conferences, research clusters, and even syllabi across the field cannot have missed two key words, borrowed from historical studies, that are doing substantial periodizing duty for literary and cultural criticism: one a chronological unit, the longue durée, and the other nominally a geographic unit, the Atlantic world. While it may not be obvious, each of these terms has spatial as well as temporal dimensions that reflect their shared origins with Ferdinand Braudel. Braudel first developed an application of the concept of the longue durée (pioneered by Marc Bloch) during the 1940s when, as a German prisoner of war, he wrote the initial draft of his book The Mediterranean and the Mediterranean World in the Age of Philip II; later, in 1958, he published his famous conceptual piece on the longue durée in Annales. Braudel posits that time moves at different speeds, defined as geographic, social, and individual, each corresponding to a different durée (literally, a duration of time). The longue durée (usually translated as “long perspective” or “long term”) is the slowest-moving, operating on the scale of centuries, in which historical changes are humanly imperceptible. Braudel's Mediterranean constructs a geography commensurate with his theory of time, the methodological and conceptual frameworks of his book-its geohistorical plan, its comparative approach, its macrohistorical, multidimensional perspective, shifting from the longue durée to the courte durée of political events, embodied in its tripartite division into structures, conjunctures, and events, each section proposing a different mode of periodization and time scale. Braudel's Mediterranean thus consists spatially of multiple seas unfolding temporally over the longue durée and as such simultaneously provides literary studies with a flexible tool for revisionist periodization and Atlantic studies, both historical and literary, with the powerful model of a region as a unit of geographic and chronological analysis.
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Hultsch, Anne. "Rote Märchen in Schwarz-Weiß." Zeitschrift für Slawistik 63, no. 2 (June 1, 2018): 283–300. http://dx.doi.org/10.1515/slaw-2018-0020.

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SummaryIn 1950 Pavel Kohout published under the title O černém a bílém [‘About the black and the white’] a book of fairy tales, which appeared in 1953 in East Germany under the title Dreizehn rote Rosen [‘Thirteen red roses’]. If one can still recognize elements of (literary) fairy tales in the original agitative text, these are largely obliterated in the translation. The fairy tales lose the elements that marked them as fairy tales. In East Germany, the early Soviet fairy tale criticism, which had lost its sharpness at the Soviet Writers’ Congress in 1934, is taken over, while in Czechoslovakia it is still represented only by orthodox criticism.
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Veroli, Patrizia. "Serge Lifar as a Dance Historian and the Myth of Russian Dance in Zarubezhnaia Rossiia (Russia Abroad) 1930–1940." Dance Research 32, no. 2 (November 2014): 105–43. http://dx.doi.org/10.3366/drs.2014.0104.

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Serge Lifar built his career during the 1930s, a decade crucial to understanding his ‘années noires’ – or ‘black years’, as the French historian Henry Rousso called the period of the German occupation of Paris (1940–1944). Lifar's powerful and respected position at the Paris Opéra, the social connections he had built and maintained and the psychological impact of exile: all these elements help clarify Lifar's accommodating attitude towards the German occupants of his adopted city. 1 During the 1930s Lifar came to be accepted in French intellectual society as the ‘heir’ of Serge Diaghilev. Through his publications he made a powerful contribution to the process by which Diaghilev's Ballets Russes assumed its paramount position in the development of modern ballet, a process set in motion by the impresario himself. 2 Lifar played this role chiefly in France. In the English-speaking world, where relatively few of his books appeared in translation, other writers served to canonise the Diaghilev endeavour, albeit for somewhat different ends. 3 A list of Lifar's publications in Russian and other languages (French above all) displays the growing influence of his actions and authority, the power of his connections (inherited primarily from Diaghilev), and his relentless will to overcome the problems of emigration as he secured not only success as a dancer and choreographer but also a public reputation as an intellectual. 4 The recent discovery of new evidence has led to the identification of the respected Pushkin authority Modeste Hofmann 5 as the writer whose unacknowledged work enabled Lifar to establish himself as an historian. This evidence, provided by Hofmann's grandsons André and Vladimir Hofmann, raises serious questions about the authority of Lifar's books. An interplay of subjective relationships is woven into the texture of these narratives in which survival and ambition, a paternal attitude and filial respect, exist in constant tension. Neither the making of these books nor the myth of Russian dance which they espouse can be understood without placing their authors in the milieu they shared in Paris as Russian émigrés.
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Stein, Daniel. "“Sei a mensch”: Mezz Mezzrow’s Jewish Hipster Autobiography Really The Blues and the Ironies of the Color Line." Anglia 137, no. 1 (March 14, 2019): 2–32. http://dx.doi.org/10.1515/ang-2019-0002.

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Abstract Jewish jazz clarinetist Mezz Mezzrow’s autobiography Really the Blues (1946), co-written with Bernard Wolfe, has received some critical attention to date, most of which concerns the book’s depiction of white-to-black passing, its display and discussion of jive, and its construction of the white Jewish hipster as a countercultural figure in postwar America. Building on existing studies, this essay revisits these themes in order to foreground two largely unacknowledged aspects: a) the book’s encapsulation of Whitmanesque “American multitudes”, i. e., its attempt to reflect the internal diversity and multiplicity of U. S. culture, which complicates the autobiography’s frequent compression of the black-white-Jewish triad into a more convenient black-white binary; b) and its significance as one of the earliest extended postwar American Jewish reflections on World War II and the atrocities of Nazi Germany. All of these elements – the passing narrative, the promotion of the hipster ethic, the linguistics of jive, the encapsulation of multiplicity, and the immediate postwar context – must be considered together in order to unravel the autobiography’s investigation of, and simultaneous complicity in, the racial paradoxes that continue to haunt color-conscious America.
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Witkowski, Rafał. "The Catalogue of the Library of Duke Alexander Louis Radziwiłł in Nesvizh (1651)." Bibliotheca Lituana 2 (October 25, 2012): 329–427. http://dx.doi.org/10.15388/bibllita.2012.2.15592.

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The studies on book culture and the functioning of various libraries have been present in academic circle for many decades. For obvious reasons the interest in books among the illustrious members of Radziwiłł magnate family as well as their scope of activity as the patrons of culture have been analyzed by historians. In the context, the history of the famous Radziwiłł library in Nesvizh can be considered as a separate research topic. This magnificent collection was confiscated after the first partition of Polish-Lithuanian Commonwealth (1772) by order of Empress Catherine the Great. Some 15.000 volumes were transported to Saint Petersburg and offered to the Russian Academy of Sciences and Fine Arts (later Russian Academy of Sciences).Nicolas Radziwiłł the Black (1515–1565) is considered to be the founder of the Nesvizh library; however, its full development can be dated back to the time of Nicholas Christopher Radziwiłł “the Orphan” (1549–1616), who rebuilt the ducal palace and organized a library in one of the specially adopted rooms. The Nesvizh collection has been enriched by numerous donations, including that of cardinal and bishop of Vilnius George Radziwiłł (1556–1600), Sigismund Charles Radziwiłł (1591–1642), and many other members ofthe family.The presented catalogue was compiled under the request of Duke Alexander Louis Radziwiłł. This magnate, born in 1594 as a son of Nicolas Christopher Radziwiłł and Elisabeth Eufemia née Wiśniowiecka, received a most privileged education. In 1610 he began his studies in Germany then traveled throughout Germany, France and Italy. He returned to the Polish-Lithuanian Commonwealth by the end of 1620, but in 1624 he left for Italy again, this time in the company of Prince Vladislas Vasa. In summer 1625 he again returned to the Polish-Lithuanian Commonwealth, but soon was totally immersed in political life. Thanks to family connections he advanced his career very fast, becoming in the court marshal of Lithuania in 1635, and grand marshal of Lithuania only two years later. In December 1652 he went to Italy again and died in Bologna March 30, 1654. The manuscript catalogue of the library of Alexander Louis Radziwiłł is currently preserved in the Kórnicka Library of the Polish Academy of Sciences (Ms BK 1320). It contains of two parts. The first of them (f. 1–25r), compiled according to subjects, was written down in April 1651, then second one (f. 26r–46v), compiled alphabetically – in May and June this year. The catalogues are not identical. The first part, divided into classes, is more comprehensive than the second one (alphabetical). The catalogue was composed by John Hanowicz, mayor of Nesvezh. The manuscript has been marked with the ex-libris of the Radziwiłł library (Ex Bibliotheca Radivilliana Ducali Nesvisiensi) and pressmark (Loc. X, No 17). Hanowicz did not state usually the information about the place and year of publication, which makes the precise identification of the books very difficult. Therefore, one can only predict the exact number of the books (and volumes) preserved in the Nesvezh library at that time. It also happened that Hanowicz stated a title of this same book in both versions: once in the original Latin version and then in (abbreviated) Polish form. Among items included the catalogue one can also find manuscripts, maps, drawings and landed estate documents. Most the books were bound with white or red leather, less frequently with green, cherish, orange or red colored leather, and seldom with morocco leather or paper. The bibliographical descriptions provided in the footnotes should be considered only as suggestions, for only direct analysis of a given book (in visu) allows one to identify and link a book with the Radziwiłł Library. Some of the most precious books were kept in the castle treasury. The Nesvizh collections included also musical pieces, e.g. the libretto (?) of the first opera – Il ratto di Helena – performed on September 4th, 1636, in the theater of the lower ducal castle in Vilnius. The music of the famous opera was composed by an anonymous author, but the libretto was produced by Virgilio Puccitelli.The significance of the magnate families (e.g. that of the Radziwiłłs or the Sapiehas) as promoters and patrons of fine arts and literature was enormous and hard to over-estimate in the history of Grand Duchy of Lithuania. A further and detailed study on the content of the Nesvizh library of Duke Alexander Louis Radziwiłł in 1651 gives one the opportunity to present in full and broad contexts a truly European library collection of Baroque culture in the Grand Duchy of Lithuania.
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Filippov, Andrei K. "CHESS NOTATION IN A POLYCODE TEXT (BASED ON THE GERMAN LANGUAGE)." German Philology at the St Petersburg State University 12 (2022): 160–73. http://dx.doi.org/10.21638/spbu33.2022.108.

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Chess literature is a type of specialized literature with its own metalanguage and tradition of presenting material. The study focuses on the structure of works by Z.Tarrasch and A.Nimzowitsch, which can be viewed as multimodal polycode texts, combining natural language with chess notation, a symbolic system used to record the moves of a chess game. In addition to notation, symbols for evaluating moves play an important role in the texts in question, as well as verbal commentaries explaining what is happening on the board and diagrams visualizing the position on the board at a certain moment in the game. If a fragment of a chess game is presented, the diagram serves as an indication of the initial arrangement of pieces. Thus, the subsequent symbolic notation of moves becomes meaningful only in connection with the diagram. In other cases, the diagrams focus the reader’s attention on the key points of a game. In the digital world, new means for presenting chess games and comments are used. In the e-versions of the books in question, the reader can play the moves of a game on a digital board. At the same time, the structure of the source text undergoes changes: it is divided into blocks, the elements of the notation are presented as hyperlinks, font changes are used, and structural elements are added. In some cases, the specifics of the text requires its additional adaptation to the electronic format.
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Sabatos, Charles. "Crossing the “Exaggerated Boundaries” of Black Sea Culture: Turkish Themes in the Work of Odessa Natives Ilf and Petrov." New Perspectives on Turkey 24 (2001): 83–104. http://dx.doi.org/10.1017/s0896634600003502.

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One of the most significant developments in literary studies over the last twenty years has been the postcolonial discourse that emerged with Edward Said's groundbreaking Orientalism, which has been enormously beneficial in heightening awareness of a set of Western assumptions that had gone virtually unquestioned for centuries.One of Said's role models, whom he mentions in both Orientalism and Culture and Imperialism and discusses at greatest length in his essay “Secular Criticism,” is Erich Auerbach, the Jewish-German scholar who wrote the literary history Mimesis during his exile in Istanbul. Auerbach's own explanation of his situation in exile occurs at the very end of Mimesis: “I may also mention that the book was written during the war and at Istanbul, where the libraries are not equipped for European studies …. On the other hand, it is quite possible that the book owes its existence to just this lack of a rich and specialized library” (Auerbach 1953, p. 557).
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32

reviewers, Various. "Book reviews." Notes and Records of the Royal Society of London 55, no. 3 (September 22, 2001): 491–97. http://dx.doi.org/10.1098/rsnr.2001.0159.

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Six book reviews in the September 2001 issue of Notes and Records . John Archibald Wheeler and Kenneth Ford, Geons, black holes and quantum foam—a life in physics . Jon Parkin, Science, religion and politics in Restoration England: Richard Cumberland's De Legibus Naturae. Robert A. Hinde, Why gods persist: a scientific approach to religion . John Campbell, Rutherford, scientist supreme . Jean Medawar and David A. Pyke, Hitler's gift. Scientists who fled Nazi Germany . Helge Kragh, The quantum generations: a history of physics in the twentieth century .
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Sidorov, Gennady N., Oleg A. Odintsev, Alexander A. Kislyi, and Antonina A. Odintseva. "Study of vertebrate animals of the Barabin and Ishim forest steppe and Kulunda steppe for preparation of the third edition of the Red book of the Omsk region." Вестник Пермского университета. Серия «Биология»=Bulletin of Perm University. Biology, no. 1 (2022): 42–53. http://dx.doi.org/10.17072/1994-9952-2022-1-42-53.

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The article presents the results of monitoring of the conditions of vertebrate populations included in the Red Book of the Omsk Region (2015) in the territories of the Azov German National, Gorkovsky, Kalachinsky, Kormilovsky, Nizhneomsky, Okoneshnikovsky, Omsk, and Cherlaksky municipal districts within the area of ​​24 000 square km. 97 respondents with an average experience of observing animals and working in nature for 27 years were interviewed. 67 key sites were surveyed by scientific methods. Monitoring was carried out to search for all 107 species recorded in the Red Book (2015) in the mentioned area and species left in that area by 2021. 79 species of animals were found. After examining its entire territory, it is proposed to exclude the following species from the Red Book of the Omsk region: siberian loach, siberian sculpin, common crane, black woodpecker and the gray shrike. The status of protection of the savka and bustard should be changed to the first category, the little bittern, white-eyed pochard and the Eurasian hoopoe - to the second category, the red-necked grebe, Siberian salamander and the gray-cheeked grebe, Siberian salamander and the greater spotted eagle - to the fifth category of rarity status.
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Akram, Adnan. "Darn Acemoglu and James A. Robinson. Why Nations Fail: The Origins of Power, Prosperity, and Poverty. New York: Crown Business. 2012. 529 pages. U.S $ 17.00." Pakistan Development Review 51, no. 3 (September 1, 2012): 276–78. http://dx.doi.org/10.30541/v51i3pp.276-278.

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“Why Nations Fail: The Origins of Power, Prosperity and Poverty” is an impressive book by Daron Acemoglu and James A. Robinson. In this book, the authors attempt to solve the longstanding puzzle that why some nations, such as the United Sates, Great Britain, Germany, etc. are rich today, and why the others, such as Zimbabwe, Ghana, Egypt, etc. are poor. The authors show with the help of substantial historical evidence that man-made economic and political institutions matter for the vast differences in the level of economic development among countries. They argue history is the key to understand the difference and evolution of economic and political institutions in different parts of the world. During historical evolution of the institutions, small differences and contingency (e.g., Black Death) matter a lot. According to them, it is not the geography, culture, weather or the choice of wrong policies that make countries rich or poor but it is the institutions that make countries rich or poor.
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Chugunov, Dmitry A. "BLUNDERS AND TRAUMAS. REFLECTIONS ON THE CREATIVITY OF HERTA MÜLLER." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 1 (March 1, 2022): 17–33. http://dx.doi.org/10.18522/2415-8852-2022-1-17-33.

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The article shows the general specifics of the work of Herta Müller, one of the most famous contemporary German writers. Her books The Lowlands (Niederungen, 1982), Traveling on One Leg (Reisende auf einem Bein, 1989), The Fox Was Already a Hunter (Der Fuchs war damals schon der Jäger, 1992) , Heart-Beast (Herztier, 1994), Hunger and Silk (Hunger und Seide, 1995), Trapped (In der Falle, 1996), Today I would rather not meet (Heute wär ich mir lieber nicht begegnet, 1997), Alien look, or Life is a shoal on public display (Der Fremde Blick oder Das Leben ist ein Furz in der Laterne, 1999), Swing of breath (Atemschaukel, 2009), collections of poetic collages and others – all have a common semantic focus associated with the opposition of the individual to the state, and the individual view of history to objective facts. H. Müller’s creativity is considered as a process of painful displacement of the psychological traumas of youth and the time of personal formation from the author’s consciousness. The conscious connection of H. Müller to the modern liberal project in social thought determines her biased assessments of historical events.
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Kotaba, Katarzyna. "Czy wojna jest dla dzieci? O obrazach wojny w literaturze dla najmłodszych." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (December 13, 2017): 184–92. http://dx.doi.org/10.24917/3934.

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Is war suitable for children? Images of war in children’s literature I drew on poetics of space by Gaston Bachelard to describe the reality of war from a child’s perspective. War stories for children were depicted in following books: Zaklęcie na “w” (The w-word spell) by Michał Rusinek, Asiunia by Joanna Papuzińska, Czy wojna jest dla dziewczyn? (Is war suitable for girls?) by Paweł Beręsewicz and Wszystkie moje mamy (All my moms) by Renata Piątkowska. Happy places, where children can cower and find shelter are typical features of Bachelard’s poetics of space. During the war cellars served as bomb shelters and they were also the places where adults and children looked for a hideaway and safety. Another determiner of poetics of space is a small - big opposition which is carried out e.g. by setting a small child against an adult, a strong German. This opposition is connected with good - bad or white - black dialecticc. The phenomenology of roundness is the next determiner of poetics of space and it is exhibited in children songs and games. Even during the war children desired to have ordinary and happy childhood without fear. Warm embrace of parents and storytelling are also very important. The phenomenology of the hidden is a final determiner of poetics of space and it is expressed e.g. as additional packets which people sewed to their clothes to smuggle food and medicine or as special boxes, which served to transporting children from ghetto. Illustrations are very important, because they supplement the text. During the war children must face up to a new reality. Instead of parents’ love, there are harsh rules of war.Key words: war; children; bombing; ghetto; German;
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Czerwiński, Maciej. "Bezradność słów. Ante Kesicia „fikcja” o Zagładzie." Poznańskie Studia Slawistyczne, no. 12 (September 21, 2017): 61–77. http://dx.doi.org/10.14746/pss.2017.12.4.

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In the article one book written by the Croatian author, Ante Kesić, is taken into consideration. The novel Black Snow, published in 1957, narrates about a Slovenian young woman, Breda, who was caught by the Germans in Ljubljana (for her contacts with communist partisans) and sent to the Dachau Concentration Camp. Although not of Jewish origins she encounters the Holocaust of the Jews in the camp and gets pregnant with a Jewish artist. The novel conceptualizes tragedy of war and the Holocaust in a very experimental way, by using a range of modernist, avant-garde or even surrealist literary techniques. The author attempts to invent a new language with a new grammar that would enable to express something that is not expressible.
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Jones, Peter Blundell. "The lure of the Orient: Scharoun and Häring's East-West connections." Architectural Research Quarterly 12, no. 1 (March 2008): 29–42. http://dx.doi.org/10.1017/s1359135508000912.

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Among Hugo Häring's papers in the Häring archive of the Akademie der Künste in Berlin are the minutes of six meetings entitled Discussions about Chinese Architecture held on Fridays and once on a Saturday dating from November 1941 to May 1942. The persons involved are Hugo Häring, Hans Scharoun, Chen Kuan Lee and John Scott. Of Scott, a Germanised American, we know little: it seems his wife Gerda worked at Häring's art school. But Chen Kuan Lee is a key figure in this story. Born in Shanghai in 1919, he had arrived in Berlin in 1935 to study architecture under Hans Poelzig, completing the course in 1939. He then became Scharoun's assistant until 1941, working on the private houses that provided a limited creative opportunity under the Nazis. Lee returned to Scharoun's office in 1949, remaining there until 1953, one of only four assistants during the crucial period of 1951/1952 when Scharoun's new architecture was under development with key projects such as the Darmstadt School and Kassel Theatre. In between, Lee served as an assistant to Ernst Boerschmann (1873–1949), the great German investigator of Chinese culture and author of several books on Chinese architecture. Boerschmann had visited China from 1906 to 1909, when he was sent by the German government to make a comprehensive cultural study, rather as Hermann Muthesius had been sent to England in 1896. To complete Lee's biography, in 1954 he set up as an architect on his own account, building several Chinese restaurants, more than 30 private houses and some apartment blocks in a Scharoun-like manner [1], some spatially very interesting, but this kind of work went out of fashion with the advent of postmodernism in the 1980s and Lee died quite recently in obscurity.
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Sribnyak, Ihor, Natalia Yakovenko, and Viktor Matviyenko. "Methods of struggle of the Russian Black Hundreds against Ukrainians in the prisoner-of-war camps in Austria-Hungary and Germany (1914-1917)." Eminak, no. 3(39) (October 7, 2022): 95–112. http://dx.doi.org/10.33782/eminak2022.3(39).593.

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The article is aimed at analyzing forms and methods of struggle of the Russian Black Hundreds against Ukrainian activists of the tsarist army in the prisoner-of-war camps on the territory of Austria-Hungary and Germany (Freistadt, Rastatt, Wetzlar, Salzwedel), being ukrainized at the end of 1914-1915, which was accompanied by the removal of ethnic Russians from those camps. The research novelty of the article lies in the objective evidence of those factors that initially made it almost impossible to carry out cultural and educational work among captured Ukrainians, as well as the reconstruction of the process of gradual overcoming by the camp residents of their non-acceptance of national liberation slogans and the idea of Ukrainian independence. Conclusions: It is proved that despite various methods of intimidation (physical violence against Ukrainian activists, destruction of books and magazines, boycott of schools, anonymous leaflets of threatening content, writing down registration numbers of prisoners, etc.), the Black Hundreds did not succeed in preventing the activities of cultural and educational circles created in the camps by the Union for the Liberation of Ukraine (ULU). In a short time, the majority of camp residents joined Ukrainian organizations in the camps, which enabled to minimize the influence of anti-Ukrainian forces. So Ukrainians managed to overcome their centuries-old fear of tsarist despotism, which constrained their ideas and actions with the threat of inevitable punishment. Their desire to gain as much knowledge as possible in conditions of captivity, their readiness to acquire new skills and abilities that they might need during civilian life – suppressed all frightening efforts of the Black Hundreds. It became possible to achieve because of the involvement of captured Ukrainian officers into national organizational activities. Thanks to this, thousands of Ukrainians devoted to the cause of national liberation were brought up in the camps, ready for the armed defense of Ukraine against the Bolshevik invasion.
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Mokae, Sabata-mpo. "The public and private life of Sol Plaatje." Historia 63, no. 1 (November 3, 2021): 1–10. http://dx.doi.org/10.17159/2309-8392/2021/v66n1a6.

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There has been an upswing in attention to South African biography in the past few decades, with a welcome trend towards remaking or revising the canon of important figures from the South African past. This has included edited collections of the works of prominent individuals, and notable among these have been early-twentieth century black African politicians and writers. Historical Publications Southern Africa (renamed from its previous moniker, the Van Riebeeck Society) has published four edited collections of the writings of such individuals since 2008, including Isaac Williams Wauchope, Richard Victor Solope Thema, and A.B. Xuma. A Life in Letters, a collection of Solomon T. Plaatje's correspondence, is the fourth such volume in just over a decade. There are 260 letters, written from 1896 to 1932, included in the book. Most are in English, but some are in Setswana, Dutch/Afrikaans, and a few are in German. Although a number of the letters are from the collections of the Cullen Library at the University of the Witwatersrand, the reviewer counted twenty-seven different collections across three continents. The book is thus an excellent resource not only for historians, but also for students and the general public who now have access to a wide range of Plaatje's thoughts, opinions, and emotions that are evident in his letters.
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Laineste, Liisi, and Maria V. Semykolennykh. "The Reflection of Traumatic Memories in Estonian Autobiographical Comics." Galactica Media: Journal of Media Studies 4, no. 2 (June 27, 2022): 121–42. http://dx.doi.org/10.46539/gmd.v4i2.281.

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Humour has been celebrated as a way to cope with trauma – through disaster jokes, wartime humour and death-related humour in general, the joke-tellers alleviate the painful experiences and memories of these. But there is another side to this coin. Humour may trivialise the negative experience, especially because black humour is not only the priority of the victims. It can be shared by both those who lived through the trauma as well as those that caused it, e.g. the oppressors themselves. The way this trivialises the trauma is obvious: we laugh at others’ suffering, hence we don’t take it seriously. Standard theories of humour state that in order for a situation to generate humour, a certain tension or conflict combined with some distance from it is needed. At the same time, humour has been created also under difficult situations and extreme danger, which is the case with war humour. Its format can vary – be it verbal or visual – but the content carries similar features. This article describes the main features of humorous reminiscence of the WWII in Estonian post-war comic books. I will look more closely at two such examples from a collection of Estonian life stories. The first is a comic fictitious life story titled “Refugee: Refugee life in pictures” published in a refugee camp in Germany in 1946, very popular at its time. The other was first published only in 2006, but written in 1948, and is a comic depiction of war-time life as seen by the author Raoul Edari who fled to Germany during WWII. The material will lend grounds to discuss the influence of trauma and its humorous representation.
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MACKLIN, GRAHAM D. "MAJOR HUGH POLLARD, MI6, AND THE SPANISH CIVIL WAR." Historical Journal 49, no. 1 (February 24, 2006): 277–80. http://dx.doi.org/10.1017/s0018246x05005121.

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The recently released Special Operations Executive (SOE) personal file of Major Hugh Bertie Campbell Pollard (HS 9/1200/5) sheds new light on the man who helped fly General Franco from the Canary Islands to Morocco, leading ultimately to the overthrow of the democratically elected republican government and thirty-six years of brutal dictatorship. Contrary to the previous portrayal of Pollard, a genial, rough-and-ready gung-ho ‘adventurer’ who flew the future Caudillo to Morocco on a whim, the files reveal Pollard to have been an experienced British intelligence officer, talented linguist, and firearms expert with considerable firsthand experience of wars and revolutions in Mexico, Morocco, and Ireland, where he had served as a police adviser in Dublin Castle during the ‘stormy days’ of the Black and Tans in the early 1920s. Pollard, who listed his hobbies in Who's Who as ‘hunting and shooting’, was the sporting editor of Country Life and a member of Lord Leconfield's hunt. He was also a renowned and passionate firearms expert having written numerous books on the subject including the section on ‘small arms’ for the official war office textbook. His friend Douglas Jerrold, who himself later served in British intelligence, recalled that Pollard ‘looked and behaved, like a German Crown Prince and had a habit of letting off revolvers in any office he happened to visit’. Once Jerrold plucked up the courage to ask Pollard if he had ever killed anybody.
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ملكاوي, فتح حسن. "عروض مختصرة." الفكر الإسلامي المعاصر (إسلامية المعرفة سابقا) 7, no. 27 (January 1, 2001): 173–68. http://dx.doi.org/10.35632/citj.v7i27.2859.

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. فقه العنف المسلح في الإسلام. محمد مهدي شمس الدين. بيروت: المؤسسة الدولية للدراسات والنشر، 2001، 212 صفحة. الدين والفكر في شراك الاستبداد: جولة في الفكر السياسي للمسلمين. محمد خاتمي. دمشق: دار الفكر، 2001، 406 صفحات. الإدارة في العهود الإسلامية الأولى. د. صالح أحمد العلي. بيروت: شركة المطبوعات للتوزيع والنشر، 2001، 383 صفحة. وحدة العقل العربي الإسلامي. جورج طرابيشي. بيروت: دار الساقي، 2002، 408 صفحات. علم النفس والعولمة: رؤى مستقبلية في التربية والتنمية. د. مصطفى حجازي. بيروت: شركة المطبوعات للتوزيع والنشر، 2001، 265 صفحة. حتى الملائكة تسأل: رحلة إلى الإسلام في أمريكا. د. جفري لانغ، ترجمة منذر العبسي. دمشق: دار الفكر، 2001، 336 صفحة. Familienleben im Islam: Traditionen, Konflikte, Vorurteile. Rita Breuer, Germany: Freiburg, 2001, 155 pages. Unfinest Hour: Britain and the Destruction of Bosnia. Brendan Simms. London: Allen Lane, The Penguin Press, 2001, 462 pp. الثقافة العربية وعصر المعلومات: رؤية لمستقبل الخطاب الثقافي العربي. نبيل علي. الكويت: المجلس الوطني للثقافة والفنون والآداب، 2001، سلسلة عالم المعرفة، 582 صفحة. Islam-Occident, Islam-Europe: choc des civilisations ou coexistence des cultures? Abderrahim Lamchichi. Paris: L’Harmattan, 2000, 284 pp. Predicament of the Individual in the Middle East. Hazim Saghie. London: Saqi Books, 2001, 224 pp. Cultural Resistance: Global and Local Encounters in the Middle East. Samir Khalaf. London: Saqi Books, 2001, 326 pp. Veils and Daggers: Representation of the Arab World. Linda Steet. Philadelphia: Temple University Press, 2000, 156 pp. Makers of Contemporary Islam. John Esposito and John Voll. Oxford and New York: Oxford University Press, 2000, 216 pp. Islamic Peril: Media and Global Violence. Karim H. Karim. Montreal: Black Rose Books, 2000, 196 pp. من انقباض المعنى إلى انبساط الدنيا. داود مهدوي زادكان. طهران: نشر دانش انديشه معاصر، 2000، 336 صفحة. أسس الفكر السياسي في الإسلام. عباس علي عميد زنجاني. طهران: نشر دانش انديشه معاصر، 2001، 400 صفحة. للحصول على كامل المقالة مجانا يرجى النّقر على ملف ال PDF في اعلى يمين الصفحة.
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Dudareva, M. A. "APOPHATIC OF A DISEASE. LIFE AND DEATH ETHOSES IN THE POEM BY S. YESENIN “EVENING DREW TOGETHER ITS BLACK EYEBROWS...”." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23 (2021): 87–91. http://dx.doi.org/10.37313/2413-9645-2021-23-76-87-91.

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Subject of the article: apophatic of a disease. The article examines how the apophatic of culture is implemented through a literary work, namely, the apophatic component of a disease phenomenon is studied. Object of the article: a later poem by S.A. Yesenin “Evening Drew Together its Black Eyebrows...” Many researchers refer to this lyric text, but consider it only in the context of the book “Tavern Moscow”. However, this poem is of particular value in the cultural-philosophical understanding of the phenomenon of disease and death in the Russian version of logocentrism. Research methodology: a holistic ontohermeneutic analysis of a literary text with the use of a semantic research method.Results: the analysis of Yesenin’s later poem, identification of its ontological meaning, ethos of life and death allow raising the issue of a disease phenomenon in poetics, which is apophatic in nature, and this requires additional culturological commentary. Drawing parallels with the Russian fairy tale, turning to its otherworldly paradigm seems productive, since Russian folklore inspired the poet’s artistic life. In the Russian fairy tale, the search for “another kingdom” presupposes the resolution of the issue of temporary death and rebirth in a new capacity. The appeal to philosophical reflections on the axiological status of a disease of the German philosopher Rudolf Steiner, whose ideas were close to the representatives of the Silver Age, is also productive, since the anthroposophist highlights the apophatic side of the disease, endowing it with meaning-generating functions.
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Cherkas, Sergey L., and Vladimir L. Kalashnikov. "Structure of the compact astrophysical objects in the conformally-unimodular metric." Journal of the Belarusian State University. Physics, no. 3 (October 29, 2020): 97–111. http://dx.doi.org/10.33581/2520-2243-2020-3-97-111.

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A spherically symmetric solution for a gravitational field is considered in the conformally-unimodular metric. The reason for the study of this particular gauge (i. e., conformally-unimodular metric) is its relation to the vacuum energy problem. That aim connects it to other physical phenomena (including black holes), and one could argue that they should be considered in this particular class of metrics. As the vacuum solutions, so the incompressible liquid ones are investigated. In the last case, the nonsingular «eicheon» appears as a non-point compact static object that possessed different masses and structures. Such objects are a final product of the stellar collapse, with the masses exceeding the Tolman – Oppenheimer – Volkoff limit. The term «eicheon» refers to the fundamental G. Weyl’s paper «Gravitation und Elektrizität», published, in particular in the book «Das Relativitätsprinzip. Eine Sammlung von Originalarbeiten zur Relativitätstheorie Einsteins» (Berlin, 2018), where he introduced the concept of gauge invariance (German Eichtheorie) firstly in its relation to the unified field theory. Using this term to describe the compact nonsingular astrophysical objects emphasizes the decisive role of the gauge fixing by the unimodular metric. Besides, the connotation with Eichel (acorn) stresses the twofold internal structure of an object: as a point-like in the unimodular metric and a surface in the Schwarzschild one. The radial geodesic lines are investigated in the conformally-unimodular metric, as well.
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Degand, Darnel. "Comics, emceeing and graffiti: A graphic narrative about the relationship between hip-hop culture and comics culture." Studies in Comics 12, no. 2 (November 1, 2022): 239–48. http://dx.doi.org/10.1386/stic_00064_3.

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Hip-hop culture will officially turn 50 years old on 11 August 2023. This cultural movement began in a recreational room in The Bronx, New York City, and is now enjoyed throughout the world. In recognition of its upcoming half-century celebration, this article reviews the origins of hip-hop culture (e.g. hip-hop pioneers such as DJ Kool Herc, Keef Cowboy and Lovebug Starski) and the relationship its emceeing and graffiti elements have with comics culture. I begin with a brief review that demonstrates how graffiti predates hip-hop culture. This is illustrated through depictions of cave paintings, ancient Roman street art and ancient Mayan graffiti. I also highlight hobo graffiti and the graffiti from the Cholos and Bachutos gangs from twentieth-century Los Angeles, California. The introduction of the ‘Kilroy was here’ tag during the Second World War and the protest graffiti from a German anti-Nazi group are also depicted. I conclude the historical review of graffiti with an introduction to the early appearances of hip-hop-styled graffiti. Next, I present multiple historical influences on hip-hop emceeing. Examples include (but are not limited to) West African griots, enslaved Africans, Muhammad Ali, Millie Jackson, The Last Poets and Gil Scott-Heron. Likewise, older genres, such as funk music, blues music, jazz poetry and Black militant poetry inspired much of rap music. Afterwards, I examine the bidirectional relationship between graffiti and comics art, and emceeing and the textual/storytelling aspects of comics. This includes comics-inspired graffiti, hip-hop monikers (e.g. Big Pun, Snoop Dogg, MF Doom and Jean Grae), hip-hop lyrics (from artists such as Grandmaster Caz, Inspectah Deck, Jay-Z and The Last Emperor) and album covers. Conversely, I offer examples of how graffiti has inspired comics visuals and storytelling as well as how emceeing has inspired the comic-book storytelling and the protagonists featured in fictional and non-fictional comic book narratives.
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Aragão Maciel, Marta Maria. "Reflexões acerca do marxismo “herético” de Ernst Bloch." Trilhas Filosóficas 11, no. 3 (April 17, 2019): 139–55. http://dx.doi.org/10.25244/tf.v11i3.3544.

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Resumo: O presente texto objetiva uma abordagem, no interior do pensamento de Ernst Bloch (1885/1977), acerca da relação entre marxismo e utopia: um vínculo incomum no interior do marxismo, comumente tido numa oposição inconciliável. Daí a apropriação do termo “herético” em referência ao marxismo do autor alemão: a expressão é usada não em sentido pejorativo, mas apenas para situar seu distanciamento do marxismo vulgar, bem como sua intenção de crítica radical dessa tradição. Aqui entendemos que é, em particular, por meio da relação entre marxismo e utopia que o pensamento de Ernst Bloch aparece como um projeto inelutavelmente político com vistas a uma filosofia da práxis concreta na principal obra do autor: O Princípio esperança (Das Prinzip Hoffnung) [1954/1959]. Neste livro encontramos, com efeito, a tentativa de pensar a atualidade do marxismo para o contexto do século XX, a era das catástrofes, conforme definição do historiador Eric Hobsbawm. Palavras-chave: Marxismo. Utopia. Dialética. Crítica social. Cultura. Abstract: This paper presents an approach within the thinking of Ernst Bloch (1885/1977) about the relation between Marxism and Utopia: an unusual link within Marxism, commonly held in an irreconcilable opposition. Hence the appropriation of the term "heretical" in reference to the German author's Marxism: the expression is used not in a pejorative sense, but only to situate its distancing from vulgar Marxism, as well as its intention of a radical critique of this tradition. Here we understand that it is particularly through the relationship between Marxism and Utopia that Ernst Bloch's thought appears as an ineluctably political project with a view to a philosophy of concrete praxis in the principal work of the author: The Principle Hope (Das Prinzip Hoffnung) [1954/1959]. In this book we find, in effect, the attempt to think the actuality of Marxism in the context of the age of catastrophe - as defined by Eric Hobsbawm - that is, the long twentieth century that experienced the extreme barbarism of the concentration camp, of which the thinker in question, Jewish and Communist, managed to escape. Keywords: Marxism. Utopia. Dialectics. Social criticismo. Culture. REFERÊNCIAS ALBORNOZ, Suzana. O enigma da Esperança: Ernst Bloch e as margens da história do espírito. Petrópolis, RJ: Vozes, 1995. ALBORNOZ, Suzana. Ética e utopia: ensaio sobre Ernst Bloch. 2ª edição. Porto Alegre: Movimento; Santa Cruz do Sul: EdUSC, 2006. BICCA, Luiz. Marxismo e liberdade. São Paulo: Loyola, 1987. BLOCH, Ernst. Filosofia del Rinascimento. Trad. it. de Gabriella Bonacchi e Katia Tannenbaum. Bologna: il Mulino, 1981. BLOCH, Ernst. Héritage de ce temps. Trad. Jean Lacoste. Paris: Payot, 1978. BLOCH, Ernst. O Princípio Esperança [1954-1959]. Vol. I. Trad. br. Nélio Schneider. Rio de Janeiro: EdUERJ; Contraponto, 2005. BLOCH, Ernst. O Princípio Esperança [1954-1959]. Vol. II. Trad. br. Werner Fuchs. Rio de Janeiro: EdUERJ; Contraponto, 2006. BLOCH, Ernst. O Princípio Esperança [1954-1959]. Vol. III. Trad. br. Nélio Schneider. Rio de Janeiro: EdUERJ; Contraponto, 2006. BLOCH, Ernst. Du rêve à l’utopie: Entretiens philosophiques. Textos escolhidos e prefaciados por Arno Münster. Paris: Hermann, 2016. BLOCH, Ernst. Thomas Münzer, Teólogo da Revolução [1963]. Trad. br. Vamireh Chacon e Celeste Aída Galeão. Rio de Janeiro: Tempo Brasileiro, 1973. BLOCH, Ernst. L’esprit de l’utopie, [1918-1023]. Trad. fr. de Anne Marie Lang e Catherine Tiron-Audard. Paris: Gallimard, 1977. BLOCH, Ernst. El pensamiento de Hegel. Trad. esp. de Wenceslao Roces. Mexico; Buenos Aires: Fondo de Cultura Economica, 1963. BOURETZ, Pierre. Testemunhas do futuro: filosofia e messianismo. Trad. J. Guinsburg. São Paulo: Perspectiva, 2011, p. 690. FREUD, Sigmund. Los sueños [1900-1901]. Trad. Luis Lopez-Ballesteros et al., Madrid: Biblioteca Nueva, 1981. FREUD, Sigmund. A Interpretação dos sonhos. Vol. I. Trad. Jayme Salomão. Rio de Janeiro: Imago, 2006. HORKHEIMER, Max. Filosofia e teoria crítica. In: Textos escolhidos. Trad. de José Lino Grünnewald. São Paulo: Abril Cultural, 1980, p. 155 (Coleção Os Pensadores.). MÜNSTER, Arno. Ernst Bloch: filosofia da práxis e utopia concreta. São Paulo: UNESP, 1993. MÜNSTER, Arno. Utopia, Messianismo e Apocalipse nas primeiras de Ernst Bloch. Trad. br. de Flávio Beno Siebeneichler. São Paulo: UNESP, 1997. PIRON-AUDARD, Catherine. Anthropologie marxiste et psychanalyse selon Ernst Bloch. In: RAULET, Gérard (org.). Utopie-marxisme selon Ernst Bloch: un système de l'inconstructible. Payot: Paris, 1976. VIEIRA, Antonio Rufino. Princípio esperança e a “herança intacta do marxismo” em Ernst Bloch. In: Anais do 5° Coloquio Internacional Marx-Engels. Campinas: CEMARX/Unicamp. Disponível em: <www.unicamp.br / cemarx_v_coloquio_arquivos_arquivos /comunicacoes/gt1/sessao6/Antonio_Rufi no.pdf>. VIEIRA, Antonio Rufino. Marxismo e libertação: estudos sobre Ernst Bloch e Enrique Dussel. São Leopoldo: Nova Harmonia, 2010. RAULET, Gérard (Organizador). Utopie - marxisme selon Ernst Bloch: un sistème de l’inconstructible. Paris: Payot, 1976. ZECCHI, Stefano. Ernest Bloch: Utopia y Esperanza en el Comunismo [1974]. Trad. esp. de Enric Pérez Nadal, Barcellona: Península, 1978.
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Akeroyd, J. R. "An Illustrated Flora of North Cyprus. D.E. Viney. Koenigstein, Germany: Koeltz Scientific Books. 1994. xxix + 697pp, 339 black and white illustrations. ISBN 3 87429 364 5. Price DM 58.00 (paperback)." Edinburgh Journal of Botany 52, no. 1 (March 1995): 93–94. http://dx.doi.org/10.1017/s0960428600001967.

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Wolffram, Heather. "A Demon-Haunted Land: Witches, Wonder Doctors, and the Ghosts of the Past in Post-WWII Germany By Monica Black. New York: Metropolitan Books, 2020. Pp. 332. Cloth $29.99. ISBN 978-1250225672." Central European History 55, no. 3 (September 2022): 465–66. http://dx.doi.org/10.1017/s0008938922000954.

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Estes, Heide. "Albrecht Classen, The Forest in Medieval German Literature: Ecocritical Readings from a Historical Perspective. (Ecocritical Theory and Practice.) Lanham, MD: Lexington Books, 2015. Pp. x, 243; 5 black-and-white figures. $95. ISBN: 978-0-7391-9518-5." Speculum 91, no. 4 (October 2016): 1087–88. http://dx.doi.org/10.1086/688000.

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