Relevant bibliographies by topics / German crime fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'German crime fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "German crime fiction"

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Svoboda, Manuela, and Petra Zagar-Sostaric. "How much Artistic Freedom is permitted when it comes to Language? - Analysis of a Crime Novel." European Journal of Social Science Education and Research 5, no. 2 (2018): 50–60. http://dx.doi.org/10.2478/ejser-2018-0033.

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Abstract In this article a closer look will be taken at the issue of inaccurately using a foreign language, i.e. German in this particular case, in a crime novel or thriller. Of course, in fiction the author has complete artistic freedom to invent and present things as he/she intends and it doesn`t necessarily have to be realistic or legitimate. But what happens when it comes to an existing language being quoted in fiction? For this purpose David Thomas’ thriller “Blood Relative - How well do you know the one you love?” is analysed regarding parts in which German quotes are used. As the plot i
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Jones, Christopher. "Tatort Germany: The Curious Case of German-Language Crime Fiction." Journal of Contemporary European Studies 23, no. 2 (2015): 307–8. http://dx.doi.org/10.1080/14782804.2015.1035893.

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Henderson, Heike. "Mapping the Future? Contemporary German-Language Techno Thrillers." Crime Fiction Studies 1, no. 1 (2020): 96–113. http://dx.doi.org/10.3366/cfs.2020.0009.

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Contemporary German-language techno thrillers by Tom Hillenbrand and Marc Elsberg invite readers to imagine a future marked by constant surveillance and predictive technology. New models of data mining and risk assessment are being used to inform decisions and trigger actions, but due to their complete reliance on digital data, they are open to being hacked and gamed. Lack of privacy, an elimination of boundaries between actual reality and the virtual world, and a blurring of the distinction between fact and fiction impacts both crime and detection; it has ramifications on the way we will solv
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Rothemund, Kathrin. "Facing complex crime: Investigating contemporary German crime fiction on television." Northern Lights: Film & Media Studies Yearbook 9, no. 1 (2011): 127–42. http://dx.doi.org/10.1386/nl.9.127_1.

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Major, Laura. "Fictional Crimes/Historical Crimes: Genre and Character in Philip Kerr’s Berlin Noir Trilogy." Genealogy 3, no. 4 (2019): 60. http://dx.doi.org/10.3390/genealogy3040060.

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This paper will explore Philip Kerr’s Berlin Noir trilogy, composed of March Violets (1989), The Pale Criminal (1990), and A German Requiem (1991), discussing the overlap and blurring of generic boundaries in these novels and the ability of this form to reckon with the Holocaust. These detective stories are not directly about the Holocaust, and although the crimes investigated by the mordant Bernie Gunther are fictional, they are interweaved with the greater crimes committed daily by the Nazi Party. The novels are brutally realistic, violent, bleak, and harsh, in a narrative style highly appro
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Huck, Christian. "Travelling Detectives." Transfers 2, no. 3 (2012): 120–43. http://dx.doi.org/10.3167/trans.2012.020308.

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This article is concerned with travelling detectives in two different but related senses. On the one hand, it considers the relevance of trains and other vehicles of mobility for detective fiction, both as a topic of fiction and a place of consumption. On the other hand, it registers that detective fiction has to “travel“ in a more abstract sense before the reading traveler can enjoy it. German publishers appropriated the genre, originally a nineteenth-century American and British invention, at the beginning of the twentieth century. Based on contemporary observations by German cultural critic
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Gadpaille, Michelle. "Elementary Ratiocination: Anticipating Sherlock Holmes in a Slovene Setting." ELOPE: English Language Overseas Perspectives and Enquiries 11, no. 1 (2014): 67–82. http://dx.doi.org/10.4312/elope.11.1.67-82.

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The paper reevaluates an obscure, German-language crime novel from the nineteenth century and its better-known English translation: Carl Adolf Streckfuss’s Das einsame Haus: nach den Tagebüchern des Herrn Professor Döllnitz: Roman (1888), translated as The Lonely House (1907). Although written in German by an author from Berlin, the novel is set on the territory of Slovenia. The paper situates the novel geographically and historically, while considering its place in the developing genres of crime and later detective fiction. Moreover, the novel’s depiction of intraethnic tension in the Sloveni
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McChesney, Anita. "Crime Fiction in German: Der Krimi ed. by Katharina Hall." Journal of Austrian Studies 52, no. 1-2 (2019): 184–86. http://dx.doi.org/10.1353/oas.2019.0031.

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McChesney, Anita. "Contemporary German Crime Fiction: A Companion ed. by Thomas Kniesche." Journal of Austrian Studies 53, no. 3 (2020): 131–33. http://dx.doi.org/10.1353/oas.2020.0058.

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Berberich, Christine. "Detecting the Past: Detective Novels, the Nazi Past, and Holocaust Impiety." Genealogy 3, no. 4 (2019): 70. http://dx.doi.org/10.3390/genealogy3040070.

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Crime writing is not often associated with Holocaust representations, yet an emergent trend, especially in German literature, combines a general, popular interest in crime and detective fiction with historical writing about the Holocaust, or critically engages with the events of the Shoah. Particularly worthy of critical investigation are Bernhard Schlink’s series of detective novels focusing on private investigator Gerhard Selb, a man with a Nazi background now investigating other people’s Nazi pasts, and Ferdinand von Schirach’s The Collini Case (2011) which engages with the often inadequate
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Dissertations / Theses on the topic "German crime fiction"

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Stewart, Faye. "Queer investigations genre, geography, and sexuality in German-language lesbian crime fiction /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3290757.

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Thesis (Ph.D.)--Indiana University, Dept. of Germanic Studies, 2007.<br>Source: Dissertation Abstracts International, Volume: 68-11, Section: A, page: 4721. Adviser: Claudia Breger. Title from dissertation home page (viewed May 22, 2008).
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Barfoot, Nicola. "Frauenkrimi : generic expectations and the reception of recent French and German crime novels by women = Polar féminin /." Frankfurt am Main [u.a.] : Lang, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015744779&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Taylor, Judith Louise. "The specificity of Simenon : on translating 'Maigret'." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/713.

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Herzog, Harold R. "Criminalistic fantasy : imagining crime in Weimar Germany /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3000415.

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Janzen, Janet. ""The Writer Within Did it!" Metafiction and Ulf Miehe's Ich hab noch einen Toten in Berlin." Thesis, 2007. http://hdl.handle.net/10012/3199.

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As one of the first scholarly studies of Ulf Miehe’s Ich hab noch einen Toten in Berlin, this thesis undertakes a close reading of the novel, thereby providing a basis for further research. According to Linda Hutcheon's typology of metafiction as outlined in her book titled Narcisstic Narrative Miehe's novel displays the characteristics that fall under her category of overt metafiction, as opposed to covert metafiction. Overt metafiction self-consciously thematizes narrative, stating outright that a parallel theme to the narrative is the discussion of the narrative. Following mainly Hutcheon's
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Chen, Kuan-Wen, and 陳冠文. "Domesticating and Foreignizing Strategies in German to Chinese Translation - A Case Study on Crime Fiction Using Ferdinand von Schirach''s „Verbrechen‟." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/9n78vc.

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碩士<br>國立高雄第一科技大學<br>應用德語研究所<br>103<br>This study aims to find out the translation of German-Chinese crime fiction, in which whether the translator tends to make the target text more readable, fluent and transparent, together with the cultural differences from the source text will be shown to the target reader. Furthermore, the translation strategy towards to target reader or source culture seems to be somehow opposing; however, it will combine lots of different strategies and methods in the real translating practices. For this reason, this study is also targeting to find out whether there is o
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(10725444), Viseslava Rasajski Sasic. "DIE DEUTSCHE KRIMINALGESCHICHTE DES 19. JAHRHUNDERTS – UNTERSCHIEDLICHE BLICKWINKEL UND DIE ENTWICKLUNG DES GENRES." Thesis, 2021.

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<p>In this master’s thesis, I write about different representations of crime and criminal literature in the German-speaking world of the 19th century, a genre that was mainly attributed to an entertainment function at the time, but which nevertheless, as I shall show, allows insights into social ills and problematic characters in context. Here, there are interesting developments from late Romanticism or Biedermeier to Realism or even to the roots of Expressionism. Guilt and punishment are regarded as primary moments for this genre. In my master’s thesis, I would like to try to show that not en
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Books on the topic "German crime fiction"

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Kuppler, Lisa, Bettina Zeller, and Rosa Welz. Queer crime: Lesbisch-schwule Krimigeschichten. Querverlag, 2002.

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Eifel-Gold: Kriminalroman. Grafit, 1993.

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Dostoyevsky, Fyodor Mikhaylovich. Crime & punishment. Hamlyn, 1987.

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Dostoyevsky, Fyodor Mikhaylovich. Crime and punishment. Penguin, 2003.

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Dostoyevsky, Fyodor Mikhaylovich. Crime and punishment. Oxford University Press, 1998.

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Dostoyevsky, Fyodor Mikhaylovich. Crime and punishment. Viking, 1991.

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Dostoyevsky, Fyodor Mikhaylovich. Crime and Punishment. Penguin USA, Inc., 2009.

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Dostoyevsky, Fyodor Mikhaylovich. Crime and punishment. Oxford University Press, 1995.

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Dostoyevsky, Fyodor Mikhaylovich. Crime and punishment. Viking Penguin, 1991.

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Dostoyevsky, Fyodor Mikhaylovich. Crime and punishment. Signet Classic, 1999.

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Book chapters on the topic "German crime fiction"

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"7 Crime Fiction as Memory Discourse: Historical Crime Fiction from Germany." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-007.

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"1 Introduction: German and International Crime Fiction." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-001.

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"2 The Beginnings of Swiss Detective Literature: Glauser and Dürrenmatt." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-002.

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"3 Modernity and Melancholia: Austrian Crime Fiction." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-003.

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"4 The Soziokrimi or Neuer Deutscher Kriminalroman." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-004.

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"5 Regionalism and Modernism in Recent German Crime Fiction (1990–2015)." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-005.

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"6 Female Empowerment: Women’s Crime Fiction in German." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-006.

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"8 The Legacy of the ‘Third Reich’: Reworking the Nazi Past in Contemporary German Crime Fiction." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-008.

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"9 Blood, Sweat and Fears: Investigating the Other in Contemporary German Crime Fiction." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-009.

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"10 Crime Fiction and the Literary Field in Germany: An Overview." In Contemporary German Crime Fiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110426601-010.

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