Relevant bibliographies by topics / German drama Sturm und Drang movement

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Academic literature on the topic 'German drama Sturm und Drang movement'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "German drama Sturm und Drang movement"

1

Erne, Lukas. "Eighteenth-Century Swiss Peasant Meets Bard: Ulrich Bräker's A Few Words About William Shakespeare's Plays (1780)." Theatre Research International 25, no. 3 (2000): 255–65. http://dx.doi.org/10.1017/s0307883300019714.

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Britain began making Shakespeare her national poet early in the eighteenth century, and Germany followed suit a few decades later, progressively turning ‘unser Shakespeare’ into one of three national poets, with Goethe and Schiller. As early as 1773, Johann Gottfried Herder included his essay on ‘Shakespear’ in a collection entitled Von Deutscher Art und Kunst. The drama of the ‘Sturm und Drang’, which Herder's collection programmatically inaugurated, appropriated what Goethe (Götz von Berlichingen), Schiller (The Robbers) and their contemporaries (mis)understood to be Shakespeare's dramatic t
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2

Christensen, Bent. "Fra Hamann til Fasc. 209.10. Om Grundtvigs forhold til Johann Georg Hamann og dennes samtidige." Grundtvig-Studier 63, no. 1 (2012): 14–32. http://dx.doi.org/10.7146/grs.v63i1.16589.

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Fra Hamann til Fasc. 209.10. Om Grundtvigs forhold til Johann Georg Hamann og dennes samtidige[From Hamann to Fascicle 209.10. On Grundtvig's relation to Johann Georg Hamann and his contemporaries]By Bent ChristensenThe German critic and Enlightenment philosopher Johann Georg Hamann (1730-88) can be seen as a German forerunner of Grundtvig who according to a few places in his Verdenskrøniken (World Chronicle), 1817, has known about his writings and perhaps felt a spiritual kinship to him. By all accounts, the only other mention of him at all by Grundtvig occurs in a brief and somewhat enigmati
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3

Fiećko, Jerzy. "Od Valerie do Fausta i Wolnego strzelca: kilka uwag o intertekstualnej strategii I części Dziadów." Przestrzenie Teorii, no. 30 (April 16, 2019). http://dx.doi.org/10.14746/pt.2018.30.1.

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The author analyses intertextual relations in the first and final section of part of “Forefathers’ Eve” (Dziady), and treats them as an element of Mickiewicz’s strategy of anchoring his own work in the system of dialogue with renowned Western cultural works of the time. This dialogue takes the form of a polemic against the sentimental French models akin to de Krüdener’s “Valerie” and the Sturm und Drang movement, which was open to issues of characterisation and early German romanticism. In the first part of the book, which focuses on an analysis of the Maiden’s monologue, the author discerns a
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Books on the topic "German drama Sturm und Drang movement"

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Duncan, Bruce. Lovers, parricides, and highwaymen: Aspects of Sturm und Drang drama. Camden House, 1999.

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2

Melancholie in der Dramatik des Sturm und Drang. Athenäum, 1985.

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Ein ungeheures Theater: The drama of the Sturm und Drang. P. Lang, 1987.

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Mattenklott, Gert. Melancholie in der Dramatik des Sturm und Drang. Athenäum, 1985.

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Das Motiv der feindlichen Brüder im Drama des Sturm und Drang. P. Lang, 1992.

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Zeissig, Gottfried. Die Ueberwindung der Rede im Drama. Aisthesis, 1990.

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El-Dandoush, Nagla. Leidenschaft und Vernunft im Drama des Sturm und Drang: Dramatische als soziale Rollen. Königshausen & Neumann, 2004.

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8

Ingo, Irsigler, ed. Sturm und Drang. Vandenhoeck & Ruprecht, 2010.

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9

Karthaus, Ulrich. Sturm und Drang: Epoche-Werke-Wirkung. Beck, 2000.

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Karthaus, Ulrich. Sturm und Drang: Epoche-Werke-Wirkung. Beck, 2007.

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Book chapters on the topic "German drama Sturm und Drang movement"

1

Horyna, Břetislav. "Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga." In Filosofie jako životní cesta. Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-8.

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The Study Prometheus, for example loosely follows up the central theme of Hans Blumenberg’s theory of myth and mythology, the character of Prometheus and Promethean conceptions in scientific as well as imaginative literature (poetry and drama). The aim is not an elaborate reflection of all the variations on Promethean themes that were summarized in Blumenberg’s epochal book Work on Myth (1979). The author rather selects some themes from the works on the myth about Prometheus in Classical Greek literature (Hesiod, Aeschylus) and, at the turn of modernism, in German movement Sturm und Drang (Goethe). Most attention is paid to a fictional figure known as actio per distans (action at distance, with keeping a distance) and its variations from the distance between people and gods through the distance between people to the distance of an ageing poet from spirit of the age (Zeitgeist), to which he no longer belongs.
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Höfler, Günther A. "Aposiopesen und Ellipsen." In Bewegungsszenarien der Moderne. Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-4.

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The article examines the rhetorical devices of aposiopesis (broken-off speech) and ellipsis (omission of words) in dramatic texts of the »Sturm und Drang« movement as well as in examples of 21st-century drama. The main focus is on what is spoken in the mode of ›silent language‹. The analysis of 18th-century dramatic texts (Lenz and Goethe) draws on the anthropological and poetological writings of the time, which show that the presence of the unspeakable in dramatic language is primarily a matter of the »excitation of the soul« (Herder). In contemporary drama, on the other hand, no generalisable function for the abruption of speech or the effect of standing still can be determined; the lack of movement in these dramatic texts serves to highlight alienated human relationships (Thomas Arzt) and displays existential dissolutions of meaning (Ewald Palmetshofer).
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3

Hamnett, Brian. "The German Sturm und Drang, historical drama, and early romantic fiction." In The Historical Novel in Nineteenth-Century EuropeRepresentations of Reality in History and Fiction. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:oso/9780199695041.003.0004.

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"Colonising the German Body: Self and Other in Sturm und Drang Drama." In Body Dialectics in the Age of Goethe. Brill | Rodopi, 2003. http://dx.doi.org/10.1163/9789004334359_013.

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