Relevant bibliographies by topics / German Expressionism (Art) Deutschland / Dissertations / Theses
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Dissertations / Theses on the topic 'German Expressionism (Art) Deutschland'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Coffey, Roland M. "Expressionism and Ethnography: Max Pechstein in Nidden and Palau." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4004.

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This thesis offers a new way to conceptualize Hermann Max Pechstein’s “primitivism” as a kind of ethnographic “primitivism.” By creating a constellation that connects Pechstein’s Nidden and Palau-based projects, Paul Gauguin’s “primitivist” aesthetic, and the research produced by German ethnographers, I argue that the “documentary” nature of Pechstein’s work paradoxically merges the “scientific” aspects of ethnography with his, and more generally, other Expressionists’ interest in the “primitive.” In addition, the following work demonstrates that the purportedly “scientific” representations an
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2

Bryan, Sarah M. "African Imagery and Blacks in German Expressionist Art from the Early Twentieth Century." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1353179467.

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3

Tomita, Midori. "Woodcuts 1946-1953 by Kosaka Gajin (1877-1953) the discovery of children's art in Japan an German expressionism /." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=1054232744.

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4

TOMITA, MIDORI. "Woodcuts 1946-1953 BY Kōsaka Gajin (1877-1953): The Discovery of Children's Art in Japan and German Expressionism." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054232744.

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5

Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

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Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressioni
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6

McKeon, Joseph Michael. "Constructuing the Category Entartete Kunst: The Degenerate Art Exhibition of 1937 and Postmodern Historiography." Ohio University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1142622901.

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7

Terjesen, Lori Ann Martin. "Collecting the Brücke: Their Prints in Three American Museums, A Case Study." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1291164225.

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8

Fegert, Elke. "Alexander Kanoldt und das Stillleben der Neuen Sachlichkeit /." Hamburg : Kovač, 2008. http://d-nb.info/989695808/04.

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9

Goetzmann, Sophie. "« Et les grands cris de l’Est » : Robert Delaunay à Berlin, 1912-1914." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040191.

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Robert Delaunay (1885-1941) est l’un des artistes français les plus présents à Berlin à l’aube de la Première guerre mondiale. Avec l’aide de Herwarth Walden (1878-1941), directeur de la revue et galerie Der Sturm, l’artiste acquiert rapidement une solide réputation dans la capitale allemande, où il expose une quarantaine de toiles au cours de la seule année 1913, tandis qu’il diffuse abondamment ses propres textes théoriques et ceux de ses amis Guillaume Apollinaire (1880-1918) et Blaise Cendrars (1887-1961). Le peintre français suscite bientôt l’engouement de certains artistes berlinois, nom
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10

Lopes, Vivian Caroline Fernandes. "Traços do expressionismo alemão em Mário de Andrade." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-09012014-122454/.

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O trabalho investiga a presença do expressionismo alemão em Mário de Andrade, a partir da análise de alguns momentos de sua atividade intelectual e artística sobretudo, sua crítica de arte, passagens de seus manifestos literários e os livros Losango cáqui e Amar, verbo intransitivo. A escolha desses momentos se deu após uma leitura abrangente da obra, em que foram identificadas três categorias igualmente essenciais ao expressionismo: o primitivismo, a deformação e a preocupação social, que, portanto, nos serviram de guia para o discurso crítico.<br>The dissertation investigates the presence o
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11

Setje-Eilers, Margaret Eleanor. "Faces : maps, masks, mirrors, masquerades in German Expressionist visual art, literature, and film /." 2003. http://wwwlib.umi.com/dissertations/fullcit/3083084.

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12

Heron, Laura Lee Dale. "German expressionism and the child art movement in the career of Wynona Mulcaster." Thesis, 1995. http://spectrum.library.concordia.ca/6189/1/MM01368.pdf.

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13

Murphy, Sarah Kathryn. "Faust on Film: A Hegelian Modern Art." 2015. http://scholarworks.gsu.edu/philosophy_hontheses/14.

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The purpose of this paper is to investigate the relationship between German Expressionist film and Hegel’s system of aesthetics. Through an analysis of the aesthetic qualities of Hanns Ewers’ The Student of Prague (1913) and F.W. Murnau’s Faust, I believe we have evidence to believe that the subjectivity that German Expressionist film sought to capture is aligned with the ‘interiority’ that Hegel believes Romantic art expresses. Further, I will consider whether these two films indicate that film as an artistic medium falls within Hegel’s characterization of Modern art. I believe that because b
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14

Miller, Janice. "In brighter colors: Fauvist influences and gender politics in the art of Gabriele Münter." Thesis, 2016. https://doi.org/10.7912/C2JD3P.

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Indiana University-Purdue University Indianapolis<br>Gabriele Münter (1877-1962) was a primary member of the twentieth-century German Expressionist group Der Blaue Reiter (The Blue Rider). This thesis examine the stylistic intersection between avant-garde French Fauvism and German Expressionism in Gabriele Münter's substantial oeuvre. Her body of work demonstrates an unmistakable affiliation with modern French aesthetic inclinations, a distinctive characteristic that confirms Münter's intrinsic comprehension of innovation artistic principles in creative communities across Europe. To context
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15

Hamer, Lauren Grace. "Im Geist der Gegenwart : the speculative method of the art historian Fritz Burger." Thesis, 2009. http://hdl.handle.net/2152/ETD-UT-2009-08-276.

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Between the outbreak of World War I and the mid-1930s, the best-selling and most widely read book on the topic of modern art in Germany was written by the art historian Fritz Burger (1877–1916). Burger is now all but forgotten in the art historiography of the period and absent in the English literature. This thesis provides the first English interpretation of Burger's major works and seeks to locate his art historical method in relation to then-contemporary intellectual streams. Trained in the late 19th century, Burger largely rejected the cultural-historical studies and theories of stylistic
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16

Ficková, Barbora. "Kánon českého moderního umění." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-350667.

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The thesis deals with the formation of the canon of Czech modern art during the 20th century based on the analysis of art groups Osma, Skupina výtvarných umělců and Tvrdošíjní and their time. Every artist becomes an object of interest of art historian right after he creates an artwork. The art historians are trying to classify him and put him into the story of art history. The concrete interpretation of the artist and his artwork depends on different circumstances and always reflects the period, when it has been created. It is affected by social and political situation, preferred art historian
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