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Books on the topic 'German fiction Free thought'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Singer, Sandra L. Free soul, free woman?: A study of selected fictional works by Hedwig Dohm, Isolde Kurz, and Helene Böhlau. P. Lang, 1995.

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2

Luis, Borges Jorge. Labyrinths: Selected Stories & Other Writings. New Directions, 2007.

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Luis, Borges Jorge. Labyrinthi. Kastaniotis, 1986.

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4

Luis, Borges Jorge. Labyrinths: Selected stories & other writings. New Directions Pub. Corp., 1970.

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5

Robertson, Ritchie. German Literature and Thought From 1810 to 1890. Edited by Helmut Walser Smith. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199237395.013.0012.

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The present article discusses German literature and thought during the nineteenth century. Approaching nineteenth-century German culture, one needs to free oneself from several misconceptions that have proved surprisingly durable. One is that Germans were devoted to cloudy, theoretical idealism that stayed remote from concrete reality. It is commonly asserted that German authors favored the Novelle, rather than the novel; that they practiced a special literary mode called ‘poetic realism’; and that in contrast to the realism of Balzac or Dickens, German novelists specialized in an unworldly, i

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6

Evans, Richard J., writer of afterward, ed. They thought they were free: The Germans, 1933-45. University Of Chicago Press, 2017.

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7

Page, Michael, and Milton Mayer. They Thought They Were Free: The Germans, 1933-45. Tantor Audio, 2017.

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8

Cornils, Ingo. Beyond Tomorrow - German Science Fiction and Utopian Thought in the 20th and 21st Centuries. Boydell & Brewer, Limited, 2020.

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9

Reference, ICON. Adventures of Tom Sawyer (Webster's German Thesaurus Edition). ICON Reference, 2006.

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10

Anna Freud: Gedichte. Prosa. Ubersetzungen (German Edition). Bohlau Verlag, 2014.

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11

Labyrinths: Selected Stories & Other Writings. New Directions, 2007.

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12

Labyrinths: Selected Stories & Other Writings. New Directions, 2007.

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13

Luis, Borges Jorge. Labyrinths. Penguin Books, Limited, 2011.

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14

Luis, Borges Jorge. Labyrinths. Penguin Books Ltd, 2000.

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15

Kraut, Richard. Experientialism and the Experience Machine. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828846.003.0003.

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Nozick’s thought experiment makes many assumptions about the experience machine that require re-examination. It raises questions about whether illusion and self-deception are inherently bad; about what it is to be active rather than passive; about what it is to be free; about the value of physical embodiment and causal interaction with the material world; about the value of fiction and beauty; and about solipsism. Would one’s life be bad, if there are no other minds? Posthumous harms and benefits are also thought to pose a problem for an experientialist conception of well-being. Aristotle wron

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16

Visconsi, Elliott. Pluralism, Religion, and Democratic Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0017.

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This article locates Nadeem Aslam’s 2004 novel Maps for Lost Lovers within a European politico-legal argument about religious free expression under Article 9 of the European Convention on Human Rights, demonstrating the novel’s engagement with the norms and lived experience of democratic pluralism under pressure. Maps for Lost Lovers is an intervention into the public argument about pluralism and assimilation in the United Kingdom, a narrative that illuminates the prescriptive regimes and structuring epiphenomena of law in post-9/11 Britain. Maps is an agenda-setting narrativization of a legal

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17

McNaughton, James. Samuel Beckett and the Politics of Aftermath. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822547.001.0001.

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Samuel Beckett and the Politics of Aftermath explores Beckett’s creative response to the Irish Civil War and the crisis of commitment in 1930s Europe, to the rise of fascism and the atrocities of World War II. Grounded in archival material, the book reads Beckett’s letters and German Diaries to demonstrate Beckett’s personal attunement to propaganda and expectations for war. We see how profoundly Beckett’s fiction and theater engage with specific political strategies, rhetoric, and events. Deep into literary form, syntax, and language, Beckett contends with ominous political and historical dev

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