Academic literature on the topic 'German Funeral sermons'

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Journal articles on the topic "German Funeral sermons"

1

Bepler, Jill. "WOMEN IN GERMAN FUNERAL SERMONS: MODELS OF VIRTUE OR SLICE OF LIFE?" German Life and Letters 44, no. 5 (1991): 392–403. http://dx.doi.org/10.1111/j.1468-0483.1991.tb01290.x.

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Leibetseder, Mathis. "Across Europe: Educational Travelling of German Noblemen in a Comparative Perspective." Journal of Early Modern History 14, no. 5 (2010): 417–49. http://dx.doi.org/10.1163/157006510x525274.

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AbstractIn recent years, cultural historians interested in the Grand Tour have written divided histories focusing on travelers from one particular nation or region. Drawing from what these researchers report on educational traveling as well as from primary sources, it is now possible to put the Grand Tour into a European perspective. As to travelers from Germany, there is a wide scope of source material at hand, comprising funeral sermons, university rolls, travelogues, travel accounts, and correspondence. As a comparative perspective clearly reveals, educational travelling was vital in shapin
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Lindgärde, Valborg. "Ty skyndar iag mig tijt." Svensk Teologisk Kvartalskrift 101, no. 1 (2025): 21–35. https://doi.org/10.51619/stk.v101i1.27617.

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The Passion of Jesus was once a central theme for versified meditations, even in the Swedish language, and according to preserved book auction catalogues, these were found in many libraries. In the 1720s, two longer passion poems were published, written by Sophia Elisabet Brenner and Jacob Frese. The latter clearly used Haquin Spegel's recently printed passion sermons as a resource, while Brenner wrote with greater proximity to authors like Johann Gerhard. In these poems, the suffering and death of Jesus are depicted with an "I" present in the scene – a witness who actively observes and contem
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4

Tilley, Janette. "LEARNING FROM LAZARUS: THE SEVENTEENTH-CENTURY LUTHERAN ART OF DYING." Early Music History 28 (August 24, 2009): 139–84. http://dx.doi.org/10.1017/s0261127909000345.

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The story of the Rich Man and Lazarus is the foundation upon which German composers of the seventeenth century experimented with longer musical forms. Composers interpolate new poetic material to a higher degree than with any other scriptural story, apart from the Passion. Additions to the story range from simple funeral songs for Lazarus to elaborate contrapuntal drinking songs for the Rich Man and his five brothers. We would expect the meaning imposed on the story in musical settings to be in line with local theology and exegesis. However, a close look at musical settings reveals how much th
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Berezhnaya, Natalia. "Imperial Rhetoric in the Publicism of the Palatinate before the Bohemian Coronation of Elector Frederick V." ISTORIYA 14, no. 7 (129) (2023): 0. http://dx.doi.org/10.18254/s207987840027449-2.

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At the turn of the 16th — 17th centuries, the imperial discourse was changing, the new German princes were determined to protect the “true faith”, and they were not against revising the agreements reached by their predecessors. Confessional and imperial propaganda was on the increase in Germany. Did the publicism of the beginning of the 17th century reflect the religious social and political demarcation between the Catholic and Evangelical estate? In the Palatinate funeral sermons and speeches of professors of the University of Heidelberg, which were distributed among the subjects of the Palat
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Lazareva, Arina. "Martin Opitz (1597–1639), a Poet in the Diplomatic Service During the Thirty Years' War." Novaia i noveishaia istoriia, no. 5 (2021): 34. http://dx.doi.org/10.31857/s013038640015030-1.

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The article is devoted to one of the greatest German poets of the Baroque era, Martin Opitz. Although during his lifetime he became one of the most honoured writers, poetry seldom brought him financial stability and independence, which he achieved thanks to his diplomatic service under various influential rulers of the Holy Roman Empire. M. Opitz never had a high diplomatic rank, usually holding the positions of an agent or a secretary, which, however, did not prevent him from often being in the thick of political events. Opitz's life spanned the years of the Thirty Years' Wa
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Books on the topic "German Funeral sermons"

1

Gerhard, Johann. Sämtliche Leichenpredigten. Frommann-Holzboog, 2001.

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Heilman, Gerhard. Die doppelte Ehrenkrone des Aegidius Ruppersberger: Leichenpredigt und Epitaph auf einen hessischen Pfarrer der Barockzeit. Universitätsbibliothek Marburg, 1989.

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Bibza, Gábor. Die deutschsprachige Leichenpredigt der fruhen Neuzeit in Ungarn (1571-1711). Lit, 2010.

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Anselm, Steiger Johann, ed. Erklährung der Historien des Leidens vnnd Sterbens vnsers Herrn Christi Jesu: Nach den vier Evangelisten (1611). Frommann-Holzboog, 2002.

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Fulda, Johann Julius Christian. Otterwischer und Stockheimer Stammreihen und Leichenpredigten. Degener, 1987.

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Bill, I. E. The life of the departed: A sermon occasioned by the death of the Rev. Joseph Crandal, of Salsbury, preached in the Baptist chapel, Germain Street, city of St. John. s.n., 1993.

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Lücke, Monika. Katalog der Leichenpredigtensammlung der Stadtkirche Sankt Martini in Stolberg/Harz. Druck-Zuck, 1996.

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Rudolf, Lenz, and Oberlausitzische Bibliothek der Wissenschaften zu Görlitz (Germany), eds. Katalog der Leichenpredigten und sonstiger Trauerschriften in der Oberlausitzischen Bibliothek der Wissenschaften zu Görlitz. Steiner, 2004.

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Evangelische Kirchengemeinde St. Peter und Paul zu Görlitz (Görlitz, Görlitz, Germany). Bibliothek, ed. Katalog der Leichenpredigten und sonstiger Trauerschriften in der Bibliothek der Evangelischen Kirchengemeinde St. Peter und Paul zu Görlitz. J. Thorbecke Verlag, 2001.

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Pirna, Stadtarchiv, Fürstenschule St. Afra (Meissen, Saxony, Germany), Nikolaikirche (Leipzig Germany) Bibliothek, Thomaskirche (Leipzig Germany) Bibliothek, and Kirchengemeinde St. Bartholomäus (Röhrsdorf, Germany). Bibliothek, eds. Katalog der Leichenpredigten und sonstiger Trauerschriften im Stadtarchiv Pirna, aus der ehemaligen Bibliothek der Fürstenschule St. Afra/Meissen sowie Nachträge zu den Beständen von St. Nikolai und St. Thomas/Leipzig und der Kirchenbibliothek Röhrsdorf. Steiner, 2010.

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Book chapters on the topic "German Funeral sermons"

1

Bepler, Jill. "1: Practicing Piety: Representations of Women’s Dying in German Funeral Sermons of the Early Modern Period." In Women and Death 3. Boydell and Brewer, 2010. http://dx.doi.org/10.1515/9781571137104-004.

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"Funeral Sermons and the Reformation: The British Isles and Germany." In A Companion to Death, Burial, and Remembrance in Late Medieval and Early Modern Europe, c. 1300–1700. BRILL, 2020. http://dx.doi.org/10.1163/9789004443433_013.

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Seemann, Eva. "A Model Christian and “Child of God” : A German Court Dwarf and His Funeral Sermon." In Giants and Dwarfs in European Art and Culture, ca. 1350-1750. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789463728850_ch06.

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This essay explores the history of court dwarfs especially in the Holy Roman Empire from a social and religious point of view. It centers around Justus Bertram, a “proportionate” dwarf in the retinue of Prince-Elector Johann Sigismund of Brandenburg (1572–1619), who was considered an “ideal miniature” by his contemporaries. His case is noteworthy because of a lengthy funeral sermon the elector commissioned in print after his death. While such an honor reflects the personal esteem in which the prince held his favorite, the sermon also provides a religious perspective on dwarfs and a theological
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Moore, Cornelia Niekus. "Stepfamilies and blended families in Protestant funeral sermons in early modern Germany." In Stepfamilies in Europe, 1400–1800. Routledge, 2018. http://dx.doi.org/10.4324/9781351209076-8.

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Slenczka, Ruth. "Lucas Cranach the Younger’s Funeral Sermon as a Lutheran Treatise on Art." In Visual Acuity and the Arts of Communication in Early Modern Germany. Routledge, 2017. http://dx.doi.org/10.4324/9781315084251-6.

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Seemann, Eva. "6. A Model Christian and “Child of God” : A German Court Dwarf and His Funeral Sermon." In Giants and Dwarfs in European Art and Culture, ca. 1350-1750. Amsterdam University Press, 2024. http://dx.doi.org/10.1515/9789048554041-009.

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