Relevant bibliographies by topics / German German poetry German poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'German German poetry German poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'German German poetry German poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "German German poetry German poetry"

1

Crăciun-Fischer, Ioana. "„Schwankend zwischen zwei Kulturen“. Einige Bemerkungen zur deutschlandbezogenen Gelegenheitsdichtung Ion Barbus." Germanistische Beiträge 46, no. 1 (November 1, 2020): 92–107. http://dx.doi.org/10.2478/gb-2020-0004.

Full text
Abstract:
Abstract The Romanian poet and internationally acclaimed mathematician Ion Barbu (i.e. Dan Barbilian), 1895-1961, practiced in his occasional poetry related to his experience as a doctoral student and later as a visiting professor in interbellic Germany a poetic discourse of immediate, sometimes diary-like reflection. The vitality of his occasional poetry mainly addressed to his close friends and seldom intended for publication is fed by the permanent contrast between the German and the Romanian culture and civilization. The paper analyzes the intercultural dialogue which constitutes the background of Ion Barbu’s Germany-related occasional poetry with special emphasis on his poems written in German.
APA, Harvard, Vancouver, ISO, and other styles
2

Durrani, Osman, and Peter Hutchinson. "Landmarks in German Poetry." Modern Language Review 97, no. 2 (April 2002): 504. http://dx.doi.org/10.2307/3736966.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Komilovna, Khaydarova Dildora. "The Literary Relations In Uzbek And German Poetry." American Journal of Social Science and Education Innovations 02, no. 12 (December 30, 2020): 294–97. http://dx.doi.org/10.37547/tajssei/volume02issue12-51.

Full text
Abstract:
Our Uzbek classical poetry has a special role in the world literature as its ideological and artistic maturity and the richness of its genres as well. The names of such poets as Alisher Navoi, Firdavsi, Jami, Hafiz, Nizami, Umar Khayyam and Babur who were recognized as great figures, have been rediscovered and continue to have an impact on world poetry. In this regard, many great epics of Oriental literature have been studied and translated into European languages. In this article, I will discuss the literary relations in Uzbek and German poetry.
APA, Harvard, Vancouver, ISO, and other styles
4

Wittenberg, F., and H. Wittenberg. "The trace of Jewish suffering in Johannes Bobrowski’s poetry." Literator 30, no. 3 (July 16, 2009): 49–76. http://dx.doi.org/10.4102/lit.v30i3.87.

Full text
Abstract:
Johannes Bobrowski (1917-1965) is a significant German modernist poet and novelist whose work directly engages the problematic question of German “Schuld” (guilt) in respect of the Holocaust. Although Bobrowski’s poetry not only deals with the German-Jewish question, but with universal themes of history, memory and trauma, he is largely unknown in the Anglophone world, partly because of his isolation in communist East Germany at the time. This article seeks to trace Bobrowski’s nuanced and complex engagement with German history and his own personal implication in the genocide through a detailed analysis of his most significant “Jewish” poems. A key idea for Bobrowski was the need for memory and direct engagement with the traumatic past, as this offered the only hope for redemption. The article presents a number of original English translations of these symbolist and hermetic poems, and thereby makes Bobrowski’s writing available to a wider range of readers.
APA, Harvard, Vancouver, ISO, and other styles
5

Andreiushkina, Tatiana N. "THE HISTORY OF THE DEVELOPMENT OF THE HEXAMETER IN GERMAN POETRY." Philological Class 26, no. 1 (2021): 22–37. http://dx.doi.org/10.51762/1fk-2021-26-01-02.

Full text
Abstract:
The article traces the history of the development of the hexameter on German soil: from the use of the Leonin hexameter in the Middle Ages and the Reformation, the mixed Latin-German hexameter in the period of humanism (in the form of carmina eroica) and the German hexameter in the 18th–19th centuries (mainly in the form of elegy, epigram and idyll) to derivatives and ironic forms of the XX century (memorandum, instructive poem, etc.). Klopstock played a significant role in the spread of the hexameter in German poetry, bringing a fresh stream to German poetry by rejecting the prevailing in the 17th century predominantly alternating Alexandrian verse. Voss also inspired his contemporaries to create distiches with his translations of Homer’s poems. The flowering of the hexameter falls on the period of classicism: Goethe and Schiller created the best and purest examples of this poetic meter. Goethe and Schiller during the Enlightenment, Hölderlin, Novalis and Kleist in romanticism, Rückert, Platen and Mörike in post-romanticism introduced variety and movement into the hexameter by means of different types of caesura in verse. Austrian poets (Saar, Weinheber, Bachmann) appeal to hexameter as a classic form of German verse, Hauptmann uses it to create a large poetic form. The poets of the pre-war and war period (Colmar, Schröder, Holthusen) seek in him an aesthetic support in an era of timelessness. Poets of the former GDR (Brecht, Bobrowski, Müller), poets of the Federal Republic of Germany (Grünbein, Herbst) use it sporadically and in a transformed form, but at the same time take into account the thematic and genre traditions associated with this antique meter. Most foreign researchers, when determining the hexameter, speak of its dactylic component and only from the middle of the 20th century some of them (Kayser, Mönnighof) note, in addition to the spondees, the possibility of using chorees in the initial syllables of a verse.
APA, Harvard, Vancouver, ISO, and other styles
6

Andreiushkina, Tatiana N. "THE HISTORY OF THE DEVELOPMENT OF THE HEXAMETER IN GERMAN POETRY." Philological Class 26, no. 1 (2021): 22–37. http://dx.doi.org/10.51762/1fk-2021-26-01-02.

Full text
Abstract:
The article traces the history of the development of the hexameter on German soil: from the use of the Leonin hexameter in the Middle Ages and the Reformation, the mixed Latin-German hexameter in the period of humanism (in the form of carmina eroica) and the German hexameter in the 18th–19th centuries (mainly in the form of elegy, epigram and idyll) to derivatives and ironic forms of the XX century (memorandum, instructive poem, etc.). Klopstock played a significant role in the spread of the hexameter in German poetry, bringing a fresh stream to German poetry by rejecting the prevailing in the 17th century predominantly alternating Alexandrian verse. Voss also inspired his contemporaries to create distiches with his translations of Homer’s poems. The flowering of the hexameter falls on the period of classicism: Goethe and Schiller created the best and purest examples of this poetic meter. Goethe and Schiller during the Enlightenment, Hölderlin, Novalis and Kleist in romanticism, Rückert, Platen and Mörike in post-romanticism introduced variety and movement into the hexameter by means of different types of caesura in verse. Austrian poets (Saar, Weinheber, Bachmann) appeal to hexameter as a classic form of German verse, Hauptmann uses it to create a large poetic form. The poets of the pre-war and war period (Colmar, Schröder, Holthusen) seek in him an aesthetic support in an era of timelessness. Poets of the former GDR (Brecht, Bobrowski, Müller), poets of the Federal Republic of Germany (Grünbein, Herbst) use it sporadically and in a transformed form, but at the same time take into account the thematic and genre traditions associated with this antique meter. Most foreign researchers, when determining the hexameter, speak of its dactylic component and only from the middle of the 20th century some of them (Kayser, Mönnighof) note, in addition to the spondees, the possibility of using chorees in the initial syllables of a verse.
APA, Harvard, Vancouver, ISO, and other styles
7

Cory, Mark E., Robert M. Browning, and Thomas Kerth. "German Poetry: A Critical Anthology." Die Unterrichtspraxis / Teaching German 29, no. 1 (1996): 110. http://dx.doi.org/10.2307/3531659.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ekmanis, Rolfs. "Latvian poetry in German translation." Journal of Baltic Studies 16, no. 2 (June 1985): 156–60. http://dx.doi.org/10.1080/01629778500000071.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Glass, Erlis, and Robert M. Browning. "German Poetry from 1750-1900." German Studies Review 8, no. 2 (May 1985): 327. http://dx.doi.org/10.2307/1428655.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kuchumova, Galina V. "MODERN POETIC DISCOURSE: THE LINGUISTIC NATURE OF HERMETICISM." Вестник Пермского университета. Российская и зарубежная филология 13, no. 1 (2021): 99–108. http://dx.doi.org/10.17072/2073-6681-2021-1-99-108.

Full text
Abstract:
The paper provides review of the monograph by Ekaterina Evgrashkina The Semiotic Nature of Semantic Uncertainty in Modern Poetic Discourse (based on German and Russian poetry), published in the Russian language as part of the series NEUERE LYRIK. Interkulturelle und interdisziplinäre Studien. Herausgegeben von Henrieke Stahl, Dmitrij Bak, Hermann Korte, Hiroko Masumoto und Stephanie Sandler. BAND 5. Berlin: Peter Lang, Internationaler Verlag der Wissenschaften, 2019. 173 s. ISBN 978- 3-631-78193-7. The monograph deals with the main trends of German and Russian poetry of the last decades. The focus is on the phenomenon of hermetic poetry. Modern authors consciously choose writing strategies such as literary improvisation, language play, and various intermedial inclusions. The first chapter ‘The problem of poetic meaning’ provides a theoretical framework for the field of research. It introduces the definitions of discourse, the concepts ‘language games’ (developed by L. Wittgenstein), ‘text / discourse’, ‘text / work’, dialogical dimensions of poetic text. The second chapter ‘Semiotics of modern poetry’ covers the concept ‘mobile semiosis’ (J. Baudrillard) and some others. In hermetic poetic discourse, generation of meaning is based on mobile semiosis, in which the relationship of stability between the signifier and the signified is called into question. In The Role of the Reader, Umberto Eco describes two models of the reader, different strategies for interpreting text. Susan Sontag denies the possibility of final interpretation of a text, she suggests eroticism of art instead of hermeneutics. The third chapter ‘Linguistic installations’ considers various manifestations of poetic Hermeticism in modern poetry, the experience of concrete and visual poetry in German: Timm Ulrichs (1940), Klaus Peter Dencker (1941), Barbara Köhler (1959), Werner Herbst (1943–2008), Anatol Knotek (1977), Herta Müller (1953). The final chapter ‘The self-reflexive discourse’ deals with the trend of modern poetry towards free verse and construction of new complex poetic forms. The process of occasional word formation is shown in the lyrical texts by German poets Thomas Kling (1957–2005), Lutz Seiler (1963), Konstantin Ames (1979), Lioba Happel (1957), Thomas Böhme (1955), and by Russian authors Polina Andrukovich (1969), Alexander Ulanov (1963), Dmitry Vorobyov (1979). In poetic discourse, the constitution of the poetic subject correlates with the introduction of new elements of culture into the poetic text. Such innovations do not lead to a mechanical increment of the elementary meaning, but to a structural transformation of the whole picture. The reviewed monograph is significant in that it provides theoretical understanding of individual poetic practices and the analysis of specific empirical material – the latest German and Russian poetry.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "German German poetry German poetry"

1

Dawson, Stephanie R. "Locus ornatus : ornamental structures in the idyll from Gessner to Eichendorff /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/9939.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Sullivan, Joseph Martin. "Counsel in Middle High German Arthurian romance /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ćurčin, Milan. "Srpska narodna pesma u nemačkoj književnosti." Beograd : Narodna biblioteka Srbije, 1987. http://catalog.hathitrust.org/api/volumes/oclc/18487273.html.

Full text
Abstract:
Originally presented as the author's Thesis (doctoral --Universität Wien) under the title: Das serbische Volkslied in der deutschen Literatur.
Includes bibliographical references (p. [169]-189) and index.
APA, Harvard, Vancouver, ISO, and other styles
4

Heiser, Ines. "Autorität Freidank Studien zur Rezeption eines Spruchdichters im späten Mittelalter und der frühen Neuzeit /." Tübingen : Niemeyer, 2006. http://catalog.hathitrust.org/api/volumes/oclc/76873908.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Einboden, Jeffrey Matthew. "Ralph Waldo Emerson, Persian poetry and the German critical tradition." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615029.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bierma, Tineke. "Concrete poetry : the influence of design and marketing on aesthetics." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3438.

Full text
Abstract:
This thesis explores the past and present of concrete poetry with the purpose of finding out whether concrete poetry is still being produced in its original form, or whether it has changed. Concrete poets were not the first ones to create picture poems and similar texts. In chapter I an overview of earlier picture poetry is given. It and other precursors of concrete poetry are discussed and their possible contributions evaluated. Chapters II and III deal with the definition of concrete poetry of the mid-fifties and sixties ( pure, classic c.p.). They focus primarily on German, Austrian and Swiss poets. Manifestos are examined and individual poems are discussed in detail. The many different kinds of concrete poetry that developed after 1970 are mentioned without any further discussion.
APA, Harvard, Vancouver, ISO, and other styles
7

Weber, Barbara. "Œuvre-- Zusammensetzungen bei den Minnesängern des 13. Jahrhunderts." Göppingen : Kümmerle, 1995. http://books.google.com/books?id=GMFbAAAAMAAJ.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lawrie, Steven W. "Erich Fried, a writer without a country." Thesis, University of Aberdeen, 1993. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU067210.

Full text
Abstract:
Erich Fried, ultimately a prominent German poet, had been forced to flee from his native country after the annexation of Austria in 1938, and remained in London throughout his life. In wartime London he published in German exile journals. By 1945 two volumes of his poetry had appeared. This success augured well for the future. Yet the post-war period did not bring the publications he had hoped for. Fried remained in London. He nevertheless attempted to secure publications in Germany, but his endeavours were made more difficult by his prolonged exile. In London Fried maintained contact with other German exile writers and made no attempt at assimilation. He remained orientated towards German-speaking Europe. His work of this period was out of step with developments in Germany and this explains the poor response to his first publications there. Employment with the BBC led to his very successful translation of Dylan Thomas' Under Milk Wood. This earned him a reputation as a translator and led to two poetry volumes and a novel. Fried was subsequently invited to join the influential Gruppe 47. The publication in 1966 of und Vietnam und secured Fried's reputation as a political poet and marked the return in his work to political themes which he had abandoned in 1945. Subsequently Fried was extremely productive and published may volumes of poetry and prose and a variety of translations from English, including his much admired Shakespeare translations. Fried overcame the disadvantageous situation of his prolonged exile. In the later period he spent much time in German-speaking Europe, returning to Britain to recuperate and write. Fried had been made homeless in 1938 and never regained his Heimat, although it would appear that he welcomed the absence of the confines of a narrowly defined nationality and home.
APA, Harvard, Vancouver, ISO, and other styles
9

Ashraf, Ammara. "Romantic poetologies : collaboration and interdisciplinarity in early Anglo-German Romanticism." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8366.

Full text
Abstract:
This thesis reads seminal texts such as Wordsworth’s prose, Lyrical Ballads, The Prelude, and The Excursion alongside Coleridge’s poetic theory and practice and Novalis, Tieck and Friedrich Schlegel’s philosophical novels and fragments, as ‘poetologies’. My initial research aim is to test how successfully Wordsworth can be read as part of this Anglo-German comparative framework, from which criticism has tended to exclude him. This is done through demonstrating the centrality of irony and drama to the philosophical character of Wordsworth’s poetry. Drawing on the theory of the Frühromantiker, I demonstrate that Wordsworth’s revisionary habit and his use of ballads and epitaphs shape a poetics constantly ‘in the process of becoming’ (F. Schlegel), the vehicle of the poet’s aspirations to dramatize a potentially infinite self-consciousness. Secondly, my thesis investigates the ways of reading these seminal texts which give us a clearer idea of how Romantic writers internally situate their own work through their use of contrasting genres. This investigation expands to examine how the collaborative, interdisciplinary ventures proposed by Romantic writers elaborate the concept of ‘poetology’ as a practicable theory. This leads to my final research aim: to make apparent that these methodologies result in the Mischgedicht, the ‘mixed poem’ which Schlegel theorizes as the ultimate incarnation of modern, ‘Romantic’ literature. The thesis concludes by drawing theories, methodologies and texts together and making sense of that ultimate continuity sought by the Romantic project. I do this by turning to the poetologizing of immortality (which supersedes death as a Romantic preoccupation) and arguing that to poetologize immortality – to poeticize and philosophize it simultaneously – is the test-case for producing the infinite from the finite. I suggest the necessity felt by Romantic writers to achieve this transformation in order to legitimate the permeable philosophical poetry and poetic philosophy – ‘poetologies’ – which made it possible.
APA, Harvard, Vancouver, ISO, and other styles
10

Yuille, Nicolas John Cameron. "Visionary poetry in the German dictatorships : Peter Huchel and Johannes Bobrowski." Thesis, University of Manchester, 2001. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488173.

Full text
Abstract:
This thesis contains a comparative analysis of the poetry of Peter Huchel and Johannes Bobrowski. Following Hans Dieter Schafer's reassessment of writing in National Socialist Germany, Das gespaltene Bewusstsein: Uber deutsche Kultur und Lebenswirklichkeit 1933-45 (1984), Huchel and Bobrowski are considered here with minimal reference to cultural politics in the two dictatorships in which they wrote. Axel Goodbody's survey of nature symbolism, Natursprache: Ein dichtungstheoretisches Konzept der Romantik und seine Wiederaufnahme in der modernen Naturlyrik (1984), provides both a theoretical basis for considering Huchel and Bobrowski's nature poetry, and also sets their writing in a lyrical tradition. Goodbody's work is considered in particular in chapter one. The tradition of German lyric poetry, particularly that of the eighteenth, nineteenth, and twentieth centuries, is central to the analysis of Huchel and Bobrowski's poetry throughout this thesis. Chapter two investigates the place of religion in their poetry and its broader appeal to the poets considered here. The mood of the poetry is the subject of chapter three, linking the scepticism in much of Huchel and Bobrowski's writing with that of twentieth-century writers and thinkers, and with poets from the lyric tradition who share a post-revolutionary situation. Poetic mythology is considered in chapter four, with examples being taken from Huchel, Bobrowski, and Eduard Morike, and these are discussed alongside the theoretical ideas of Schiller and Holderlin. The final chapter takes issues of subjectivity and communication as the basis for an examination of Huchel and Bobrowski's place in Modernism and for a comparison of their Personengedichte. Much of the analysis in this thesis depends on a reading of a variety of poetic texts by Huchel and Bobrowski, early Modernist German poets, Biedermeier writers, and eighteenth-century poets, while drawing on the substantial body of scholarship on Huchel and Bobrowski already available. The Peter Huchel Collection at the John Rylands University Library of Manchester and the Huchel and Bobrowski archives at the Deutsches Literaturarchiv, Marbach am Neckar, were also consulted. The thesis concludes by proposing a 'visionary' construction of Huchel and Bobrowski's writing, focusing on the non-rationalist levels at which the two poets attempt to communicate, through their concepts of language, through mythologies, through the religious and the mystical, and through the moods invoked in their writing. Their poetic vision tries to provide a holistic view of the individual and of human society, but this view is fundamentally undermined by the reality with which the poets are faced. The visionary construction offers a complementary approach to Huchel and Bobrowski's poetry alongside the political and biographical approaches presented elsewhere. It also indicates specific points of similarity and divergence between two oeuvres which have often been the subject of critical comparison, setting them in the context of a lyric tradition of great importance to each.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "German German poetry German poetry"

1

German song and its poetry, 1740-1900. London: Croom Helm, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Maley, Saundra. Solitary apprenticeship: James Wright and German poetry. Lewiston, N.Y: Mellen University Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Appleby, Carol. German romantic poetry: Goethe, Novalis, Heine, Hölderlin. 2nd ed. Maidstone: Crescent Moon, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

German poetry in song: An index of Lieder. Berkeley, Calif: Fallen Leaf Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Beyond enchantment: German idealism and English romantic poetry. Philadelphia: University of Pennsylvania Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Alessi, Fabrizio De. Heidegger lettore dei poeti. Torino: Rosenberg & Sellier, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

--diese Stunde gehört den Autoren: Leipziger Poetik-Vorlesungen im Herbst 89. Leipzig: Leipziger Universitätsverlag, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Eberhardt, Fritz. Rules for bookbinders: In English & German. [Plains, Pa.]: Boss Dog Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Eberhardt, Fritz. Rules for bookbinders: In English & German. [Plains, Pa.]: Boss Dog Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Stefan, Knödler, ed. Deutsche Renaissancelyrik. München: Edition Tenschert bei Hanser, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "German German poetry German poetry"

1

Bahadır Reisoğlu, Mert. "From Poetry to Prose: Özdamar and the İkinci Yeni Poetry Movement." In Turkish-German Studies, 97–114. Göttingen: V&R unipress, 2016. http://dx.doi.org/10.14220/9783737005517.97.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hausmann, Frank-Rutger. "French—German and German—French Poetry Anthologies 1943–45." In Translation Under Fascism, 201–14. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230292444_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Banerjee, A. "A Review of Contemporary German Poetry." In D. H. Lawrence’s Poetry: Demon Liberated, 37–39. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11067-4_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Trop, Gabriel. "Arts of Unconditioning: On Romantic Science and Poetry." In Palgrave Handbooks in German Idealism, 421–48. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53567-4_19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lombez, Christine. "Translating German poetry into French under the Occupation." In Translation in Anthologies and Collections (19th and 20th Centuries), 205–16. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/btl.107.17lom.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Fiedler, H. G. "A Review of The Oxford Book of German Poetry." In D. H. Lawrence’s Poetry: Demon Liberated, 40–42. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11067-4_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Goodbody, Axel. "Heideggerian Ecopoetics and the Nature Poetry Tradition." In Nature, Technology and Cultural Change in Twentieth-Century German Literature, 129–67. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230589629_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ribeiro, Fernando. "Innovating tradition: The poetry of Sophia de Mello Breyner Andresen and German expressionist poetry." In Tradition and Innovation, 453–60. London: CRC Press, 2021. http://dx.doi.org/10.1201/9780429297786-64.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Stempel, Wolf-Dieter. "Syntax and Obscurity in Poetry: On Mallarme's/4 Ia nue accablante." In New Perspectives in German Literary Criticism: A Collection of Essays, 134–49. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400866984-007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Striedter, Jurij. "The "New Myth" of Revolution—A Study of Mayakovsky's Early Poetry." In New Perspectives in German Literary Criticism: A Collection of Essays, 357–86. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400866984-016.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "German German poetry German poetry"

1

Krasovizkaya, Yulia V. "Secularization Of Consciousness And German Expressionist Poetry." In Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.03.48.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hussein, Hussein, Burkhard Meyer-Sickendiek, and Timo Baumann. "Automatic Detection of Enjambment in German Readout Poetry." In 9th International Conference on Speech Prosody 2018. ISCA: ISCA, 2018. http://dx.doi.org/10.21437/speechprosody.2018-67.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Steklyannikova, Svetlana. "Russian Poetry In German Anthologies From Second Half Of The 20Th Century." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.450.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Haider, Thomas, and Steffen Eger. "Semantic Change and Emerging Tropes In a Large Corpus of New High German Poetry." In Proceedings of the 1st International Workshop on Computational Approaches to Historical Language Change. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/w19-4727.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Андреев, Дмитрий Андреевич, and Андрей Евгеньевич Крашенинников. "THE CREATIVE PATH OF TILL LINDEMANN." In Сборник избранных статей по материалам научных конференций ГНИИ «Нацразвитие» (Санкт-Петербург, Май 2021). Crossref, 2021. http://dx.doi.org/10.37539/may316.2021.87.93.005.

Full text
Abstract:
В статье рассматривается становление немецкого рокмена Тилля Линдеманна как творческой личности. Он входит в число известных немецких музыкантов, но не всем известно, что Т. Линдеманн еще и поэт. Его произведения написаны в традиционном для Германии стиле экспрессионизма. В своих стихотворениях Т. Линдеманн поднимает темы любви, творчества, жизни и смерти. Чувства у Т. Линдманна обычно преподносятся от лица лирического героя, носят характер исповеди и наполнены трагизмом. The article examines the formation of the German rockman Till Lindemann as a creative person. He is one of the famous German musicians, but not everyone knows that T. Lindemann is also a poet. His works are written in the traditional style of expressionism in Germany. In his poems, T. Lindemann raises the themes of love, creativity, life and death. Feelings in T. Lindmann are usually presented from the perspective of a lyrical hero, have the character of confession and are filled with tragedy.
APA, Harvard, Vancouver, ISO, and other styles
6

Sampaio, Charles Anselmo, Nathália Edwirgens Dos Santos Costa, Rita De Cassia De Amorim Lindolfo, Rodrigo Antônio Torres Matos, and Roberto Rômulo Ferreira Da Silva. "ASPECTOS TERAPÊUTICOS DA DERMATITE ATÓPICA CANINA." In I Congresso On-line Nacional de Clínica Veterinária de Pequenos Animais. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/1897.

Full text
Abstract:
Introdução: A dermatite atópica canina (DAC) é uma doença com predisposição hereditária, caracterizada por uma deficiência na barreira cutânea, que favorece a penetração através da pele, de alérgenos ambientais e microrganismos presentes na superfície da pele. Objetivo: Objetivou-se com este trabalho realizar uma revisão sobre os aspectos terapêuticos da dermatite atópica canina. Material e Métodos: Foi realizado um levantamento bibliográfico utilizando as bases de dados eletrônicas Pubmed e Scielo, utilizando as palavras-chave: cães, atopia, tratamento. Resultados: Em geral, os sintomas iniciais surgem nos cães entre seis meses e três anos de idade e tem o prurido como o principal sinal clínico, causando eritema no abdome, axilas, face, orelhas e patas, otites recorrentes, formação de pústulas no abdome, alopecias, escoriações, odor desagradável, ato de mordiscar e lamber espaços interdigitais e região penianal. Os alérgenos envolvidos incluem ácaros ambientais, bolores, leveduras, pólen, alimentos, poeira, fungos e outros. As raças mais predispostas são: Shih-tzu, Maltês, Bulldog Francês, Yorkshire Terrier, entre outras. O levantamento do histórico do animal e um criterioso exame físico são os passos iniciais durante a abordagem clínica, porém, o diagnóstico de DAC é baseado na exclusão de outros fatores alérgicos, tais como: dermatite alérgica a picada de ectoparasitas (DAPE) e hipersensibilidade alimentar, o que podeF levar alguns meses. O exame parasitológico do raspado cutâneo e a citologia das lesões cutâneas podem contribuir para identificar outras doenças primárias envolvidas, assim como possíveis infecções secundárias. O tratamento da DAC é de abrangência multifatorial, bastante desafiador e varia de acordo com o animal envolvido e também com a intensidade dos sinais clínicos apresentados. O arsenal terapêutico disponível para o controle desta afecção, inclui a imunoterapia (após teste alergênico); suplementação com ácidos graxos; uso de xampus hidratantes; além do emprego de fármacos com ação antipruriginosa. No controle do prurido podem ser empregados corticosteróides (tópico ou sistêmico) e, principalmente, novos fármacos como o oclacitinib, a ciclosporina e ainda Lokivetmab (anticorpo monoclonal). Conclusão: A DAC é uma das afecções mais importantes e desafiadoras na rotina dermatológica de cães, exigindo do clínico um bom conhecimento sobre os aspectos clínicos, diagnósticos e terapêuticos desta afecção.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'German German poetry German poetry' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography