Relevant bibliographies by topics / German Jewish literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'German Jewish literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "German Jewish literature"

1

Lorenz, Dagmar C. G., and Pol O'Dochartaigh. "Jews in German Literature Since 1945: German-Jewish Literature?" German Studies Review 25, no. 2 (May 2002): 435. http://dx.doi.org/10.2307/1433071.

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Roemer, Nils. "Jews in German Literature since 1945: German-Jewish Literature?" Journal of Jewish Studies 55, no. 2 (October 1, 2004): 388–89. http://dx.doi.org/10.18647/2576/jjs-2004.

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Taberner, Stuart, and Pol O'Dochartaigh. "Jews in German Literature since 1945: German-Jewish Literature?" Modern Language Review 98, no. 3 (July 2003): 796. http://dx.doi.org/10.2307/3738386.

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Steer, Martina. "Nation, Religion, Gender: The Triple Challenge of Middle-Class German-Jewish Women in World War I." Central European History 48, no. 2 (June 2015): 176–98. http://dx.doi.org/10.1017/s0008938915000333.

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AbstractGerman-Jewish women are elusive figures in the current literature on World War I. Looking at the complexity of their wartime experience and its consequences for the Weimar years, this article deals with Jewish middle-class women's tripartite motivation as Germans, Jews, and females to make sacrifices for the war. To that end, it traces their efforts to help Germany to victory, to gain suffrage, and to become integrated into German society. At the same time, the article shows how these women not only transformed the war into an opportunity for greater female self-determination but also responded to wartime and postwar antisemitism. The experience of the war and the need for reorientation after 1918 motivated them to become more involved in the affairs of the German-Jewish community itself and to contribute significantly to shaping public Jewish life in Weimar Germany—but without giving up their German identity.
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Hieke, Anton. "Aus Nordcarolina: The Jewish American South in German Jewish Periodicals of the Nineteenth Century." European Journal of Jewish Studies 5, no. 2 (2011): 241–72. http://dx.doi.org/10.1163/187247111x607195.

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Abstract For many German Jewish papers of the nineteenth century, the United States of America was held up as an ideal. This holds true especially for the Allgemeine Zeitung des Judentums, then Germany’s most influential Jewish publication. In America, Jews had already achieved what their co-religionists in Germany strove for until complete legal emancipation with the formation of the German Empire in 1871: the transition from ‘Jews in Germany’ via ‘German Jews’ to ‘Germans of the Jewish faith.’ Thus, the experiences of Jews from Germany in America represented the post-emancipation hopes for those who had remained behind.2 When examined for the representation of Jewry living in the American Southern states,3 it becomes apparent that German Jewish papers in their coverage of America largely refrained from a regionalization. Most articles and accounts concerning Jewish life in the South do not show any significant distinctiveness in the perception of the region and its Jews. The incidents presented or the comments sent to the papers might in fact have occurred in respectively dealt with any region of the United States at the time, barring anything that remotely dealt with slavery or secession prior to 1865. When the Jewish South was explicitly dealt with in the papers, however, it either functioned as an ‘über-America’ of the negative stereotypes in respect to low Jewish piety, or took the place of an alternative America of injustice and slavery—the ‘anti-America.’ Jewish Southerners who actively supported the region during the Civil War, or who had internalized the South’s moral values as supporters of the Confederacy and/or slavery were condemned in the strongest words for endangering the existence of ‘America the Ideal.’ As the concept of the United States and its Jewish life is represented in a largely unrealistic manner that almost exclusively focused on the positive aspects of Jewish life in America, the concept of the Jewish South was equally far from being accurate.
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Nolden, Thomas. "CONTEMPORARY GERMAN JEWISH LITERATURE*." German Life and Letters 47, no. 1 (January 1994): 77–93. http://dx.doi.org/10.1111/j.1468-0483.1994.tb01523.x.

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Tuckerová, Veronika. "The Archeology of Minor Literature." Journal of World Literature 2, no. 4 (2017): 433–53. http://dx.doi.org/10.1163/24056480-00204007.

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This article takes a “genealogical” approach to the concept of minor literature. It argues that the concept of minor literature originated with the idea of “triple ghetto” that emerged in the Prague Czech-German-Jewish environment and was applied to explain the work of Kafka and his fellow Prague writers. Minor literature is the most famous application of the “triple ghetto” concept. A close reconsideration of Kafka’s German/Czech/Jewish Prague reveals interesting relations among several “small,” “minor” and “ultraminor” literatures, relationships that Deleuze and Guattari overlooked. The relationships between various literary entities in Prague extend beyond the binary positioning of “minor” and “major” inherent in the concept of minor literature. In addition to Kafka’s relationship to German literature, we need to consider Kafka’s relationship to the “small” Czech literature, the marginal “ultraminor” German and German Jewish and Czech Jewish literatures of his times, and perhaps most interestingly, to writers who were equally at home in German and Czech.
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Garloff, Katja. "On Similarity in Contemporary German Jewish Literature." New German Critique 50, no. 3 (November 1, 2023): 81–92. http://dx.doi.org/10.1215/0094033x-10708321.

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This essay calls for a theoretical discussion of the aesthetics and politics of comparison in contemporary German Jewish literature and beyond. It describes the tendency of recent German Jewish writers and thinkers to compare and connect the experiences of Jews to those of other minoritized groups. The essay briefly discusses several theoretical paradigms that spell out the political stakes of such comparisons, including touching tales (Leslie Adelson) and multidirectional memory (Michael Rothberg). It then draws attention to another modality of comparison that is particularly promising because of its purposive abstractness and its relevance for literary texts: similarity. Finally, the essay offers two examples of the productive use of similarity in recent German Jewish literature: Katja Petrowskaja’s Vielleicht Esther (which connects different instances of historical trauma) and Sasha Marianna Salzmann’s Außer sich (which weaves the experience of a Syrian refugee in Istanbul into a web of similar migratory movements).
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Grözinger, Karl Erich. "Jewish Literature in German Clothing…?" Slovo a smysl 19, no. 39 (June 30, 2022): 13–25. http://dx.doi.org/10.14712/23366680.2022.1.1.

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Gelber, Mark H. "German Literature, Jewish Critics (review)." Jewish Quarterly Review 95, no. 4 (2005): 763–67. http://dx.doi.org/10.1353/jqr.2005.0075.

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Dissertations / Theses on the topic "German Jewish literature"

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Zimmerman, Aine K. "Estranged Bedfellows: German-Jewish Love Stories in Contemporary German Literature and Film." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1218765995.

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Thesis (Ph. D. )--University of Cincinnati, 2008.
Advisors: Dr. Katharina Gerstenberger (Committee Chair), Dr. Todd Herzog (Committee Member), Dr. Sara Friedrichsmeyer (Committee Member) Title from electronic thesis title page (viewed Oct. 4, 2008). Includes abstract. Keywords: German-Jewish relations; German-Jewish love stories; intercultural relationships; Holocaust studies; Holocaust legacy; normalization; contemporary German literature; contemporary German film; negative symbiosis Includes bibliographical references.
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Beegle, Melissa. "Rafael Seligmann and the German-Jewish Negative Symbiosis in Post-Shoah Germany: Breaking the Silence." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1181192526.

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Lawson, Robert. "Role reversal and passing in postwar German and Austrian Jewish literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2002. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ65678.pdf.

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Ross, Jonathan Maurice. "'Anti-Fascist' literature and writers of Jewish origin in the early German Democratic Republic." Thesis, King's College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397396.

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Roca, Lizarazu Maria. "Finding the Holocaust in metaphor : renegotiations of trauma in contemporary German- and Austrian-Jewish literature." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/95167/.

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This thesis investigates representations of the Holocaust and the Second World War across a range of German- and Austrian-Jewish writers who belong to the second or third generation born after the Holocaust. These writers relate to the events from the position of the “nonwitness” (Weissman 2004), and in the face of major shifts in Holocaust memory since the millennium: the disappearance of the survivor and eyewitness generation entails a transition from first-hand memories of the war period to an increasingly ritualised cultural memory of the events. This transformation intersects with larger changes in Holocaust memory in the last 15 years, such as the re- and hypermediation of Holocaust memory and the emergence of a globalised Erinnerungskultur. The Holocaust has therefore emerged as a highly discursivised “floating signifier” (Huyssen 2003), which travels transgenerationally, transmedially and transnationally. Engaging with these shifts, I argue that Marianne Hirsch’s concept of “postmemory” (Hirsch 1997) and recent trauma theory remain embedded in a biologising framework of analysis that views cultural transmission in terms of contagious inheritance. Drawing on cultural and literary theories and transnational memory studies, I develop a new approach that focuses on the Holocaust as a form of “travelling trauma” (Tomsky 2011), tracing its remediation and recycling across geographical, cultural, medial, and representational boundaries. My readings of texts by Benjamin Stein, Maxim Biller, Vladimir Vertlib, and Eva Menasse explore how these authors (re-)negotiate the various travels of Holocaust memory in the age of remediation. By initiating a dialogue between the realms of theory and contemporary fiction, this thesis engages with a broad body of recent German- and Austrian-Jewish Holocaust fiction, while at the same time critically investigating key paradigms in the field of memory and trauma studies.
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Jones, Susanne Lenné. "What’s in a Frame?: Photography, Memory, and History in Contemporary German Literature." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1132239561.

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SCHADE, SILKE KATHARINE. "REWRITING HOME AND MIGRATION: SPATIALITY IN THE NARRATIVES OF BARBARA HONIGMANN AND EMINE SEVGI &OumlZDAMAR." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1186579247.

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Jackson, Wesley Todd Jr. "Where Do We Go from Here? Tortured Expressions of Solidarity in the German-Jewish Travelogues of the Weimar Republic." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439309572.

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Schroeder, Elfrieda Neufeld. "Fragmented identity, a comparative study of German Jewish and Canadian Mennonite literature after World War II." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60565.pdf.

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Pedersen, Ena. "Henry William Katz : the life and work of a German-Jewish writer and journalist in exile, 1933-1945." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285425.

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Books on the topic "German Jewish literature"

1

Pól, Ó Dochartaigh, ed. Jews in German literature since 1945: German-Jewish literature? Amsterdam: Rodopi, 2000.

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Castan, S. E. Holocaust: Jewish or German? [Porto Alegre, Brazil]: Revisão Editora, 1988.

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name, No. German literature, Jewish critics: The Brandeis symposium. Rochester, NY: Camden House, 2003.

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D, Dowden Stephen, and Werner Meike, eds. German literature, Jewish critics: The Brandeis symposium. Rochester, N.Y: Camden House, 2002.

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Falk, Annie Elizabeth. The Imagination of the Jewish Table in German and German-Jewish Literature, 1530-1914. [New York, N.Y.?]: [publisher not identified], 2012.

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Cernyak-Spatz, Susan E. German Holocaust literature. New York: P. Lang, 1989.

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Bos, Pascale R. German-Jewish Literature in the Wake of the Holocaust. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979339.

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Hess, Jonathan M. Middlebrow literature and the making of German-Jewish identity. Stanford, Calif: Stanford University Press, 2010.

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Seemann, Daphne Maria. Generation, gender and identity in German-Jewish literature after 1989. Wützburg: Königshausen & Neumann, 2020.

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Miron, Dan. Ashkenaz: Modern Hebrew literature and the pre-modern German Jewish experience. New York: Leo Baeck Institute, 1989.

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Book chapters on the topic "German Jewish literature"

1

Glasenapp, Gabriele von. "Chapter 12. German in Hebrew letters." In Children’s Literature, Culture, and Cognition, 273–94. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.15.12gla.

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Jewish children’s literature constitutes a special case of transnational encounter. Focusing on the German-language area, this chapter discusses the transnational character of Jewish children’s literature on two levels. The first is the linguistic level. In contrast to non-Jewish children’s literature, Jewish children’s literature in Germany has appeared since the end of the eighteenth century in three forms (Hebrew, German, and German written in the Hebrew letters). The second level concerns the multilingualism of the literature and the distribution and modalities of its reception – both inside and outside German-language areas. The chapter deals, among others, with texts by Joachim Heinrich Campe, Moses Mendelssohn, David Samosc, and Aaron Wolfssohn. It will be shown that it was primarily the transnational character of children’s literature through which a cultural transfer between Jewish and non-Jewish children’s literature began in the last third of the eighteenth century. However, it will also be shown that this was a highly one-sided cultural transfer, initiated and driven almost exclusively by the Jewish side.
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Bos, Pascale R. "The Jewish Return to Germany." In German-Jewish Literature in the Wake of the Holocaust, 21–46. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979339_2.

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Fenves, Peter. "Experiments in Cultural Connectivity: Early Twentieth-Century German-Jewish Thought Meets the Daodejing." In Tensions in World Literature, 239–51. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0635-8_11.

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Goldschmidt, Hermann Levin. "Jewish Literature." In The Legacy of German Jewry, 161–68. Fordham University Press, 2007. http://dx.doi.org/10.5422/fso/9780823228263.003.0020.

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"19. Jewish Literature." In The Legacy of German Jewry, 161–68. Fordham University Press, 2022. http://dx.doi.org/10.1515/9780823293032-021.

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"German-Jewish Literature: An Interruption." In Disseminating Jewish Literatures, 69–80. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110619003-009.

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Gelber, Mark H. "German-Jewish Literature and Culture and the Field of German-Jewish Studies." In Jewish Contribution to Civilization, 165–84. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113522.003.0010.

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This chapter delineates the parameters of developments and relationships to the 'Jewish contribution discourse'. It notes the marginality of Jewish culture in present-day Germany that has enabled the emergence of the quintessential post-modern field of cultural studies in Germany and the basis for diverse criticism. It also mentions Moritz Goldstein, who boldly claimed in his 'Deutsch-jüdischer Parnass' that the Jews in Germany had become the custodians and arbiters of the spiritual treasures of German society. The chapter explores the understanding of European culture as largely Jewish, which militates against the idea of a possible Jewish contribution to that culture since the term 'contribution' appears to make little sense if the Jewish element is the dominant one. It explains the concept of a contribution that rests on the notion of a dominant host culture to which guests might contribute.
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"Illustrations." In German Literature, Jewish Critics, x—xii. Boydell and Brewer, 2002. http://dx.doi.org/10.1515/9781782045557-001.

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"Discussion." In German Literature, Jewish Critics, 225–34. Boydell and Brewer, 2002. http://dx.doi.org/10.1515/9781782045557-023.

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"Discussion." In German Literature, Jewish Critics, 177–86. Boydell and Brewer, 2002. http://dx.doi.org/10.1515/9781782045557-019.

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Conference papers on the topic "German Jewish literature"

1

Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.
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