Relevant bibliographies by topics / German literature German poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'German literature German poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "German literature German poetry"

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Komilovna, Khaydarova Dildora. "The Literary Relations In Uzbek And German Poetry." American Journal of Social Science and Education Innovations 02, no. 12 (December 30, 2020): 294–97. http://dx.doi.org/10.37547/tajssei/volume02issue12-51.

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Our Uzbek classical poetry has a special role in the world literature as its ideological and artistic maturity and the richness of its genres as well. The names of such poets as Alisher Navoi, Firdavsi, Jami, Hafiz, Nizami, Umar Khayyam and Babur who were recognized as great figures, have been rediscovered and continue to have an impact on world poetry. In this regard, many great epics of Oriental literature have been studied and translated into European languages. In this article, I will discuss the literary relations in Uzbek and German poetry.
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Kellner, Beate. "Apologie der deutschen Sprache und Dichtkunst in Johann Fischarts Geschichtklitterung." Daphnis 49, no. 3 (July 14, 2021): 379–415. http://dx.doi.org/10.1163/18796583-12340024.

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Abstract In competing with Rabelais’ French novel Garguanta, the German author Fischart aims to illustrate the richness of the German language and its poetry in his comic novel Geschichtklitterung. Focusing on the second chapter of this text, which has so far been viewed as nothing more than an absurd play on language, this article offers a new interpretation and demonstrates how the German author stylizes himself as a poeta vates in his Pantagruelian prophecy and presents himself as a being purified by wine in his poem “Glucktratrara”. In the end, inspired by Apollo and the Muses, he seems to create an epic poem praising both Germans and the German language.
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Durrani, Osman, and Peter Hutchinson. "Landmarks in German Poetry." Modern Language Review 97, no. 2 (April 2002): 504. http://dx.doi.org/10.2307/3736966.

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Werle, Dirk, and Uwe Maximilian Korn. "Telling the Truth: Fictionality and Epic in Seventeenth-Century German Literature." Journal of Literary Theory 14, no. 2 (September 25, 2020): 241–59. http://dx.doi.org/10.1515/jlt-2020-2006.

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AbstractResearch on the history of fiction of the early modern period has up to now taken primarily the novel into consideration and paralleled the rise of the novel as the leading genre of narrative literature with the development of the modern consciousness of fictionality. In the present essay, we argue that contemporary reflections on fictionality in epic poetry, specifically, the carmen heroicum, must be taken into account to better understand the history of fiction from the seventeenth century onwards. The carmen heroicum, in the seventeenth century, is the leading narrative genre of contemporary poetics and as such often commented on in contexts involving questions of fictionality and the relationship between literature and truth, both in poetic treatises and in the poems themselves. To reconstruct a historical understanding of fictionality, the genre of the epic poem must therefore be taken into account.The carmen heroicum was the central narrative genre in antiquity, in the sixteenth century in Italy and France, and still in the seventeenth century in Germany and England. Martin Opitz, in his ground-breaking poetic treatise, the Buch von der Deutschen Poeterey (1624), counts the carmen heroicum among the most important poetic genres; but for poetry written in German, he cites just one example of the genre, a text he wrote himself. The genre of the novel is not mentioned at all among the poetic genres in Opitz’ treatise. Many other German poetic treatises of the seventeenth century mention the importance of the carmen heroicum, but they, too, provide only few examples of the genre, even though there were many Latin and German-language epic poems in the long seventeenth century. For Opitz, a carmen heroicum has to be distinguished from a work of history insofar as its author is allowed to add fictional embellishments to the ›true core‹ of the poem. Nevertheless, the epic poet is, according to Opitz, still bound to the truthfulness of his narrative.Shortly before the publication of Opitz’ book, Diederich von dem Werder translated Torquato Tasso’s epic poem Gerusalemme liberata (1580); his translation uses alexandrine verse, which had recently become widely successful in Germany, especially for epic poems. Von dem Werder exactly reproduces Tasso’s rhyming scheme and stanza form. He also supplies the text with several peritexts. In a preface, he assures the reader that, despite the description of unusual martial events and supernatural beings, his text can be considered poetry. In a historiographical introduction, he then describes the course of the First Crusade; however, he does not elaborate about the plot of the verse epic. In a preceding epyllion – also written in alexandrine verse – von dem Werder then poetically demonstrates how the poetry of a Christian poet differs from ancient models. All these efforts can be seen as parts of the attempt to legitimate the translation of fictional narrative in German poetry and poetics. Opitz and von dem Werder independently describe problems of contemporary literature in the 1620s using the example of the carmen heroicum. Both authors translate novels into German, too; but there are no poetological considerations in the prefaces of the novels that can be compared to those in the carmina heroica.Poetics following the model established by Opitz develop genre systems in which the carmen heroicum is given an important place, too; for example, in Balthasar Kindermann’s Der Deutsche Poet (1664), Sigmund von Birken’s Teutsche Rede- bind- und Dicht-Kunst (1679), and Daniel Georg Morhof’s Unterricht von der Teutschen Sprache und Poesie (1682). Of particular interest for the history of fictionality is Albrecht Christian Rotth’s Vollständige Deutsche Poesie (1688). When elaborating on the carmen heroicum, Rotth gives the word ›fiction‹ a positive terminological value and he treats questions of fictionality extensively. Rotth combines two contradictory statements, namely that a carmen heroicum is a poem and therefore invented and that a carmen heroicum contains important truths and is therefore true. He further develops the idea of the ›truthful core‹ around which poetic inventions are laid. With an extended exegesis of Homer’s Odyssey, he then illustrates what it means precisely to separate the ›core‹ and the poetic embellishments in a poem. All these efforts can be seen as parts of the attempt to legitimize a poem that tells the truth in a fictional mode.The paper argues that a history of fictionality must be a history that carefully reconstructs the various and specifically changing constellations of problems concerning how the phenomenon of fictionality may be interpreted in certain historical contexts. Relevant problems to which reflections on fictionality in seventeenth-century poetics of the epic poem and in paratexts to epic poems react are, on the one hand, the question of how the genre traditionally occupying the highest rank in genre taxonomy, the epic, can be adequately transformed in the German language, and, on the other hand, the question of how a poetic text can contain truths even if it is invented.
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Meier, Albert. "Wir sind Halbierte. Die Entdeckung der DDR in der westdeutschen Literatur vor 1989." Studia Germanica Posnaniensia, no. 37 (April 15, 2017): 201–11. http://dx.doi.org/10.14746/sgp.2016.37.16.

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West German literature has turned its back to the existence of the second German state until the 1980s. Only a few years before the fall of the Berlin wall, three writers started to make the GDR a subject of narration or poetry: Botho Strauß, Peter Schneider and Martin Walser. In different ways, yet unanimously, they complain about the division of Germany dealing with its impact on everyday life and private feelings.
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Daija, Pauls. "Vācbaltiešu un latviešu attiecību attēlojums Rūdolfa Blaumaņa daiļradē." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 5, 2020): 13–25. http://dx.doi.org/10.37384/aplkp.2020.25.013.

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The article explores the relationship between Baltic Germans and Latvians in the works of Rūdolfs Blaumanis by turning attention towards the interpretation of this topic within the context of the social history of literature. An insight into previous evaluations by literary historians has been provided. In the first part of the article, two works with central Baltic German characters – novella “Andriksons” (1899) and play “Ugunī” (In the Fire, 1906, written in 1904) – have been analyzed. In these works, German landowners have been depicted demonstrating the social and national conflicts of the age in their relationship with subordinated Latvians. The characters of landowners are ambiguous and indecisive, and they are distanced from everyday reality and living in the past. Their communication with Latvians is characterized by complications and obstacles. Hence, these characters can be viewed as a wider generalization about the crisis of the Baltic German community by the turn of the 20th century. In the second part of the article, episodic characters of Baltic Germans in prose fiction have been explored along with the overview of satirical poetry by Blaumanis in which the relationship between Baltic Germans and Latvians mostly in the period after the revolution of 1905 has been addressed. It has been concluded in the article that in the representations of the relationship between Baltic Germans and Latvians, Blaumanis depicts the instability of the transition period and avoids disclosing his own views. This corresponds to his concept of the depiction of social problems in literary works. Satirical poetry, which is less neutral but also less literary successful, remains an exception. Baltic German characters in works of Blaumanis are mostly episodic, and besides neutral background characters and politically charged characters in satirical poetry, the most interesting both literary and historically are the characters in which the contradictions of the period have been represented.
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Guthrie, John. "Eighteenth-Century German Translations of Pope’s Poetry." Publications of the English Goethe Society 82, no. 2 (June 2013): 67–84. http://dx.doi.org/10.1179/0959368313z.00000000017.

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Salimzanova, Dilyara A., and Gulnara T. Gilfanova. "The Problem of Historical Choice in East German Literature: Johannes Bobrowski in Context of the Postwar Literature of the 1950s-1970s." Journal of History Culture and Art Research 6, no. 5 (November 28, 2017): 342. http://dx.doi.org/10.7596/taksad.v6i5.1253.

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<p>The article tells about works of the famous German writer Johannes Bobrowski (1917-1965) born 100 years ago; the world literary community celebrates his 100 anniversary as in 2017. The poetic speech of Bobrowski, difficult for perception, reflected the main perspective of his poetry: history of the people and communication of the person with the nature. Art development of history, author’s cycle of stories and two novels of the original narrative technique in the conditions of totalitarian regime and continuous censorship, in many respects predetermined development of a genre of the historical novel in literature of the East German space of the "middle" of the last century. The creativity J. Bobrowski opens the new truth about the German life and history, thereby expanding a framework of art judgment of the past country. </p>
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BRIDGWATER, PATRICK. "BAUDELAIRE'S COUSINS GERMAN: THE IMPACT OF BAUDELAIRE ON GERMAN POETS AND POETRY." Forum for Modern Language Studies XXXI, no. 4 (1995): 326–44. http://dx.doi.org/10.1093/fmls/xxxi.4.326.

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Skrine, Peter, Marian R. Sperberg-McQueen, and Paul Fleming. "The German Poetry of Paul Fleming." Modern Language Review 87, no. 1 (January 1992): 252. http://dx.doi.org/10.2307/3732406.

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Dissertations / Theses on the topic "German literature German poetry"

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Mastag, Horst Dieter. "The transformations of Job in modern German literature." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30647.

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In modern times German authors have made ample use of the Job-theme. The study examines the transformations that the story of Job has undergone in German narrative and dramatic works from Leopold von Sacher-Masoch's Der neue Hiob (1878) to Fritz Zorn's Mars (1977). The most striking feature of these works lies in their diverse characterization of the Job-figure. As a mythical figure he remains synonymous with the sufferer, but he may be characterized as patient or impatient, humble or arrogant, innocent or guilty, rich or poor, courageous or cowardly; he may be a Jew or a Christian, a Nazi or an anti-Nazi, a believer or an agnostic. The authors have retained most of the characters included in the Old Testament story. The Job-figure usually has a wife (who doubts and despises God), a number of children (who die in an impending disaster), and several friends (who accuse him of wrong-doing). Concerning the plot, most writers have excluded any prologue in heaven. The suffering of the Job-figure (usually brought on by the loss of loved ones, by physical pain and by mental agony) is always central to the story. More often than not, however, the modern Job-figure exhibits a form of impatience and impiety once misfortune has struck. A theophany (literal confrontation with God) does not occur, but a divine agent may be provided in the form of a dream or a vision, or indirectly by nature. An epilogue (the restoration of Job's health, possessions and children) is usually omitted, but some authors imply a renewal of Job, so as to suggest a purpose for and a hope after his arduous trials.
Arts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
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Koch, Elke. "Trauer und Identität : Inszenierungen von Emotionen in der deutschen Literatur des Mittelalters /." Berlin [u.a.] : de Gruyter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2704284&prov=M&dokv̲ar=1&doke̲xt=htm.

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Bierma, Tineke. "Concrete poetry : the influence of design and marketing on aesthetics." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3438.

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This thesis explores the past and present of concrete poetry with the purpose of finding out whether concrete poetry is still being produced in its original form, or whether it has changed. Concrete poets were not the first ones to create picture poems and similar texts. In chapter I an overview of earlier picture poetry is given. It and other precursors of concrete poetry are discussed and their possible contributions evaluated. Chapters II and III deal with the definition of concrete poetry of the mid-fifties and sixties ( pure, classic c.p.). They focus primarily on German, Austrian and Swiss poets. Manifestos are examined and individual poems are discussed in detail. The many different kinds of concrete poetry that developed after 1970 are mentioned without any further discussion.
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Weiss, Katherine. "Memories: The Private Poetry of Dieter Leisegang." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/2256.

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Thomas, Nicola. "Landscape, space and place in English- and German-language poetry, 1960-1975." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/41884/.

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This thesis examines representations of space, place and landscape in English and German-language poetry of the period 1960-1975, a key transitional phase between modernity and postmodernity. It proposes that the impact certain transnational spatial revolutions had on contemporary poetry can only be fully grasped with recourse to comparative methodologies which look across national borders. This is demonstrated by a series of paired case studies which examine the work of J. H. Prynne and Paul Celan, Sarah Kirsch and Derek Mahon, and Ernst Jandl and Edwin Morgan. Prynne and Celan’s 'Sprachskepsis' is the starting point for a post-structuralist analysis of meta-textual space in their work, including how poetry’s complex tectonics addresses multifaceted crises of representation. Mahon and Kirsch’s work is read in the context of spatial division, and it is argued that both use representations of landscape, space and place to express political engagement, and to negotiate fraught ideas of home, community and world. Jandl and Morgan’s representations of space and place, which often depend on experimental lyric subjectivity, are examined: it is argued that poetic subject(s) which speak from multiple perspectives (or none) serve as a means of reconfiguring poetry’s relationship to space at a time when social, literary and political boundaries were being redefined. The thesis thus highlights hitherto underexplored connections between a range of poets working across the two language areas, making clear that space and place is a vital critical category for understanding poetry of this period, including both experimental and non-experimental work. It reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place-oriented poetry scholarship, to the benefit of both.
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Finlay, Francis James. "On the rationality of poetry : Heinrich Boell's aesthetic thinking." Thesis, University of Newcastle Upon Tyne, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333970.

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Bässler, Andreas. "Sprichwortbild und Sprichwortschwank : zum illustrativen und narrativen Potential von Metaphern in der deutschsprachigen Literatur um 1500 /." Berlin ; New York : W. de Gruyter, 2003. http://catalogue.bnf.fr/ark:/12148/cb390796644.

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Texte remanié de: Diss.--Neuphilologische Fakultät--Heidelberg--Ruprecht-Karls-Universität, 2002. Titre de soutenance : Sprichwortbild und Sprichwortschwank : die metaphorische Inversion als strukturbildendes Verfahren in der deutschsprachigen Literatur um 1500.
Bibliogr. p. [368]-399. Index.
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Englmann, Bettina. "Poetik des Exils : die Modernität der deutschsprachigen Exilliteratur /." Tübingen : M. Niemeyer, 2001. http://catalogue.bnf.fr/ark:/12148/cb37742388x.

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Yao, Shao-Ji. "Der Exempelgebrauch in der Sangspruchdichtung vom späten 12. Jahrhundert bis zum Anfang des 14. Jahrhunderts." Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2834131&prov=M&dokv̲ar=1&doke̲xt=htm.

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Bretz, Katherine Hazel-Louise. "Reviving the Nibelungenlied: A Study and Exploration of the Relationship between Medieval Literature and Music." Kent State University Honors College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1399300392.

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Books on the topic "German literature German poetry"

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German song and its poetry, 1740-1900. London: Croom Helm, 1987.

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Waterhouse, Peter. Language death night outside: Poem, novel. Providence: Burning Deck, 2009.

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Rosmarie, Waldrop, ed. Language death night outside: Poem, novel. Providence: Burning Deck, 2009.

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Waterhouse, Peter. Language death night outside: Poem, novel. Providence: Burning Deck, 2009.

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Einhorn, Jürgen W. Franziskus im Gedicht: Texte und Interpretationen deutschsprachiger Lyrik 1900-2000. Kevelaer: Butzon & Bercker, 2004.

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Wahl, Dorothee. Lyris: Deutschsprachige Dichterinnen und Dichter in Israel. Frankfurt am Main: Beerenverlag, 2004.

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Friedrich von Schwaben. Konstanz: Edition Isele, 2005.

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Lichtveränderung: Gedichte. München: Hanser Berlin, 2015.

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An Deutschland gedacht: Lyrik zur Lage des Landes. Weilerswist: Liebe, 2009.

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Echoes of Germanic poetry in the work of Gustave Roud. New York: P. Lang, 1993.

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Book chapters on the topic "German literature German poetry"

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Goodbody, Axel. "Heideggerian Ecopoetics and the Nature Poetry Tradition." In Nature, Technology and Cultural Change in Twentieth-Century German Literature, 129–67. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230589629_4.

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Wagner, Silvan. "Chapter 5. Narrator and narrative space in Middle High German epic poetry (Parzival, Ehescheidungsgespräch, Prosalancelot)." In Linguistic Approaches to Literature, 115–38. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/lal.21.06wag.

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Wandhoff, Haiko. "The Shield as a Poetic Screen: Early Blazon and the Visualization of Medieval German Literature." In Visual Culture and the German Middle Ages, 53–71. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-05655-9_4.

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Horyna, Břetislav. "Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga." In Filosofie jako životní cesta, 130–45. Brno: Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-8.

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The Study Prometheus, for example loosely follows up the central theme of Hans Blumenberg’s theory of myth and mythology, the character of Prometheus and Promethean conceptions in scientific as well as imaginative literature (poetry and drama). The aim is not an elaborate reflection of all the variations on Promethean themes that were summarized in Blumenberg’s epochal book Work on Myth (1979). The author rather selects some themes from the works on the myth about Prometheus in Classical Greek literature (Hesiod, Aeschylus) and, at the turn of modernism, in German movement Sturm und Drang (Goethe). Most attention is paid to a fictional figure known as actio per distans (action at distance, with keeping a distance) and its variations from the distance between people and gods through the distance between people to the distance of an ageing poet from spirit of the age (Zeitgeist), to which he no longer belongs.
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Tietz, Manfred. "El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII." In Studi e saggi, 77–114. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.7.

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The presence of the theatre of the Spanish Siglo de Oro in the theatre and literary culture of Germany (or the German-speaking countries) in the 17th and 18th centuries is a multifaceted one, and was influenced by many factors. We have to take in account that in the second half of the 17th century and in a large part of the 18th century Spain had been a terra incognita for the Germanic world. This long lack of basic knowledge led to a decontextualization of the Golden Age theatre and sometimes to an unconditional enthusiasm that was not based on historical realities. The protagonists of the ‘construction’ of a ‘Spanish national theatre’ included Lessing, Herder, Goethe, the Schlegel brothers and the philosopher Schelling, the most prominent German intellectuals of the time. Within this ‘construction’ Lope de Vega, Rojas Zorrilla and, above all, Calderón de la Barca are the three icons that will guide both the theory and the practice of drama during the ‘two most Spanish decades’ of German literary history (1790-1810), even reaching - in the secularized world of the classics and the first generation of German Romantics - the ‘deification’ of Calderón as perfect poet and author of modern tragedies (without paying much attention to his comedias in a stricter sense and without taking account of his autos sacramentales).
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Hilliard, Kevin. "German Literature." In A Handbook to English Romanticism, 113–15. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_29.

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Seymour-Smith, Martin. "German Literature." In Guide to Modern World Literature, 541–675. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06418-2_15.

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Hilliard, Kevin. "German Literature." In A Handbook to English Romanticism, 113–15. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_29.

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Bahadır Reisoğlu, Mert. "From Poetry to Prose: Özdamar and the İkinci Yeni Poetry Movement." In Turkish-German Studies, 97–114. Göttingen: V&R unipress, 2016. http://dx.doi.org/10.14220/9783737005517.97.

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Taberner, Stuart. "Transnationally German?" In Transnationalism and German-Language Literature in the Twenty-First Century, 7–50. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50484-1_2.

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Conference papers on the topic "German literature German poetry"

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Krasovizkaya, Yulia V. "Secularization Of Consciousness And German Expressionist Poetry." In Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.03.48.

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Heinrichova, Nadezda. "Teaching History Through German Literature." In 8th International Conference on Education and Educational Psychology. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.10.17.

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Hussein, Hussein, Burkhard Meyer-Sickendiek, and Timo Baumann. "Automatic Detection of Enjambment in German Readout Poetry." In 9th International Conference on Speech Prosody 2018. ISCA: ISCA, 2018. http://dx.doi.org/10.21437/speechprosody.2018-67.

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Saksono, Lutfi, Fahmi Wahyuningsih, and Rr Dyah Woroharsi Parnaningroem. "Teaching Material Development Based on German Literature for Lesen Course in German Literature Study Program." In Proceedings of the Social Sciences, Humanities and Education Conference (SoSHEC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/soshec-19.2019.4.

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Balina, Signe, and Susanna Minder. "Literature Review On The German Labor Market." In The 8th International Scientific Conference "Business and Management 2014". Vilnius, Lithuania: Vilnius Gediminas Technical University Publishing House Technika, 2014. http://dx.doi.org/10.3846/bm.2014.070.

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Hienert, Daniel. "User Interests in German Social Science Literature Search." In CHIIR '17: Conference on Human Information Interaction and Retrieval. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3020165.3020168.

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Steklyannikova, Svetlana. "Russian Poetry In German Anthologies From Second Half Of The 20Th Century." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.450.

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Wu, Ling. "Interest Introduction of German Language and Literature in Classroom." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.112.

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Krug, Markus, Frank Puppe, Fotis Jannidis, Luisa Macharowsky, Isabella Reger, and Lukas Weimar. "Rule-based Coreference Resolution in German Historic Novels." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0711.

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Khairani, Anisya Firdha, Pepen Permana, and Irma Permatawati. "Google Translate in Perceptions of German Language Students." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.011.

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Reports on the topic "German literature German poetry"

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de Leede, Seran. Tackling Women’s Support of Far-Right Extremism: Experiences from Germany. RESOLVE Network, February 2021. http://dx.doi.org/10.37805/pn2021.13.remve.

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Abstract:
Persistent gendered assumptions about women and violence predominately depict women as non-violent and peaceful. Due to this gender blindness and simplistic frames used to understand the attraction of women toward far-right extremist groups, women tend to get overlooked as active participants, and their roles ignored or downplayed. This not only hinders the overall understanding of far-right extremist groups but also impedes the development of effective counterprograms that specifically address the experiences and paths of these women. Drawing from the experiences and insights of German initiatives and from additional literature on the topic, this policy note explores the wide-ranging motivations of women joining far-right extremist groups and the different roles they can play in them. By including wider research to why women leave far-right extremist groups, the policy note offers lessons learned and recommendations that may be helpful in optimizing prevention and exit programs aimed at women in far-right extremist groups beyond the German context.
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