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Journal articles on the topic 'German literature Literature German literature Classicism'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Lee, David, Kim Vivian, Richard H. Lawson, and Frank Tobin. "Survey of German Literature. Vol. II: Classicism to Naturalism." Die Unterrichtspraxis / Teaching German 22, no. 2 (1989): 207. http://dx.doi.org/10.2307/3530207.

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2

van Cleve, John, Kim Vivian, Frank Tobin, and Richard Lawson. "Survey of German Literature: Volume Two: Classicism to Naturalism." German Quarterly 61, no. 4 (1988): 565. http://dx.doi.org/10.2307/406267.

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3

CHAPIN, KEITH. "SCHEIBE’S MISTAKE: SUBLIME SIMPLICITY AND THE CRITERIA OF CLASSICISM." Eighteenth Century Music 5, no. 2 (2008): 165–77. http://dx.doi.org/10.1017/s1478570608001474.

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ABSTRACTIt is as a classicist that Johann Adolph Scheibe has entered the annals of music history, either as a propagator of the principles of French literary classicism, or as a champion of a ‘galant’ style that later critics would view as a foundation for a German musical classicism. But if Scheibe insisted on a quality of striking simplicity, using words clearly indebted to those of Nicolas Boileau, the doyen of seventeenth-century French critics, he was no classicist according to the French model. While all classicists depend to a certain degree on the regulation of their material – for suc

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4

Hohendahl, Peter Uwe. "A Precarious Balance: Adorno and German Classicism." New Literary History 42, no. 1 (2011): 31–52. http://dx.doi.org/10.1353/nlh.2011.0006.

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Dvorak, Paul F., Kim Vivian, Frank Tobin, and Richard H. Lawson. "Survey of German Literature Volume I: Old High German to Storm and Stress. Volume II: Classicism to Naturalism." Modern Language Journal 72, no. 3 (1988): 361. http://dx.doi.org/10.2307/327544.

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6

Conacher, Jean E. "Transformation and Education in GDR Youth Literature: A Script Theory Approach." International Research in Children's Literature 9, no. 1 (2016): 65–82. http://dx.doi.org/10.3366/ircl.2016.0183.

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Youth literature within the German Democratic Republic (GDR) officially enjoyed equal status with adult literature, with authors often writing for both audiences. Such parity of esteem pre-supposed that youth literature would also adopt the cultural–political frameworks designed to nurture the establishment of socialism on German soil. In their quest to forge a legitimate national literature capable of transforming the population, politicians and writers drew repeatedly upon the cultural heritage of Weimar classicism and the Bildungsroman, Humboldtian educational traditions and Soviet-inspired

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Menhennet, Alan, and P. M. Mitchell. "Johann Christoph Gottsched (1700-1766): Harbinger of German Classicism." Modern Language Review 92, no. 1 (1997): 239. http://dx.doi.org/10.2307/3734776.

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Gelus, Marjorie, and Benjamin Bennett. "Modern Drama and German Classicism: Renaissance from Lessing to Brecht." Theatre Journal 40, no. 1 (1988): 133. http://dx.doi.org/10.2307/3207809.

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9

Hartvig, Gabriella. "Ossian Translations and Hungarian Versification, 1773–93." Translation and Literature 22, no. 3 (2013): 383–400. http://dx.doi.org/10.3366/tal.2013.0129.

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Ossianic translations in the Hungary of the1790s were the occasion of heated debates between different schools of translation. Michael Denis, Ossian's first German-language translator, was known in Hungary primarily as a bardic poet, bibliographer, and also as a Jesuit monk. He had personal connections with, and was a great inspiration for, Hungarian ‘Latinate poets’ who knew Denis’ German and Latin hexameter renderings. This essay suggests that it was through Denis’ Jesuit connections that Ossianic poetry first reached the Hungarian reading public and was interpreted in the context of Latinat

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McGowan, Moray. "Modern German Classics: Second Hand." German Life and Letters 58, no. 2 (2005): 155–63. http://dx.doi.org/10.1111/j.0016-8777.2005.00311.x.

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Haubold, Johannes. "AN EAST GERMAN CASSANDRA." Classical Review 53, no. 1 (2003): 235–36. http://dx.doi.org/10.1093/cr/53.1.235.

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Veisbergs, Andrejs. "TRANSLATION POLICIES IN LATVIA DURING THE GERMAN OCCUPATION." Vertimo studijos 7, no. 7 (2017): 31. http://dx.doi.org/10.15388/vertstud.2014.7.10529.

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The period of German occupation in Latvia came after twenty years of Latvian independence and a year of Soviet occupation. The shifts in the translation policies at these critical junctions were incredibly fast. The independence period was marked by a developed translation industry, a variety of the source languages, a variety of kinds of literature, with a broad scope in the quality of the translations. When the Soviets came, they quickly nationalized the publishers, ideologised the system and reshaped the pattern of what was translated. Russian was made the main source language, and other la

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13

Ilina, Kira. "Behind the Facade of Uvarov’s Classicism: Career Strategies of Classical Philologists at Russian Universities." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 2 (June 2020): 80–92. http://dx.doi.org/10.15688/jvolsu4.2020.2.6.

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Introduction. The article is focused on reconstruction of the practices of forming a disciplinary group of classical philologists in the Russian Empire universities in the 1830s – 1850s. Methods. For this purpose, the archival materials of the Ministry of Education, as well as Saint Petersburg, Moscow, Kazan and Kiev Universities are considered. The research methodology is based on a combination of both traditional general historical methods and methods of classical source studies, and approaches developed in the framework of the history of science, the sociology of knowledge and the history o

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Huebner, Steven. "Classical Wagnerism." Journal of Musicology 34, no. 1 (2017): 115–47. http://dx.doi.org/10.1525/jm.2017.34.01.115.

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The works of Richard Wagner have been celebrated for their impact on progressive elements in European culture, as a bridge from romanticism to modernism. In France the influence of Wagner on symbolist writers and artists, and musicians sympathetic to them, has emerged as particularly significant. But there was also a conservative response to Wagner that has received much less attention in the scholarly literature. This filiation is exemplified in the figure of Albéric Magnard and his opera Bérénice (1911), which he claimed was influenced by a “classical” Wagner. This article considers the clas

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Umachandran, Mathura. "The world in Auerbach’s mouth: Weltliteratur after philhellenism." Classical Receptions Journal 11, no. 4 (2019): 427–52. http://dx.doi.org/10.1093/crj/clz014.

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Abstract We live in an age of globalized and globalizing phenomena: the contemporary agenda of academic inquiry takes in ‘networks’, ‘connectivity’, and other modes of articulating complex structures of human activity. In Comparative Literature and beyond, the idea of world literature has borne the weight of idealist intercultural understanding, the hopes of translation studies, and the anxieties around the failure of communication. Erich Auerbach offers a touchstone in the conceptual genealogy of world literature (Weltliteratur). This article illuminates how Auerbach’s Weltliteratur is predic

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Salmon, Hakeem. "The German Orientalist School Vis-à-vis the History of Arabic Literature: Carle Brockelmann as a Locus Classicus." International Journal of Linguistics, Literature and Translation 4, no. 5 (2021): 236–41. http://dx.doi.org/10.32996/ijllt.2021.4.5.26.

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It is an incontestable fact and incontrovertible truism that Orientalism- a term deployed to signify a socio-political trend signifying intellectual enquiry and the academic study of Eastern cultures by the Western intelligentsia – is one of the sources of information about Islam and Muslims. This is a culmination of gargantuan endeavours lent Arab autochthonous patrimony; whether the fragments scribbled in pure Arabic; or those documented in other Asian or African languages; or other Islamic languages such as Persia, Urdu and Turkish; in terms of preservation, study, editing, publication, or

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R, Manikannan. "Folktales of Tamil Nadu and the Grimm brothers’ folktales - A comparison." International Research Journal of Tamil 2, no. 4 (2020): 43–54. http://dx.doi.org/10.34256/irjt2046.

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Efforts to assess tamil culture on a global scale have been made through classical literature. More new information and results will be revealed when we evaluate the original oral works on the global platform than the classical classics that have the elements of verbal literature. Although tamil comparative studies have been carried out in a wide range of different types and versatile languages, the fields of comparative research in ancient languages like Tamil are emerging. The stories in the Tamil nadu folk lore published by Dr. Ramanathan and the folklore of The German and Ireland published

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Manuwald, Gesine. "Nero and Octavia in Baroque Opera: Their Fate in Monteverdi's Poppea and Keiser's Octavia." Ramus 34, no. 2 (2005): 152–66. http://dx.doi.org/10.1017/s0048671x00000990.

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The imperial history playOctavia, transmitted among the corpus of Senecan drama, has suffered from uncertainty about its date, author, literary genre and intended audience as regards its appreciation in modern criticism. Although the majority of scholars will agree nowadays that the play was not written by Seneca himself, there is still a certain degree of disagreement about its literary genre and date. Anyway, such scholarly quibbles seem not to have affected poets and composers in the early modern era: they recognised the high dramatic potential of the story of Nero and his love relationship

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Adamik, Verena. "Making worlds from literature: W.E.B. Du Bois’s The Quest of the Silver Fleece and Dark Princess." Thesis Eleven 162, no. 1 (2021): 105–20. http://dx.doi.org/10.1177/0725513621993308.

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While W.E.B. Du Bois’s first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon – so-called ‘classics’ from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space f

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20

Popper, K. R. "How the Moon might throw some of her Light upon the Two Ways of Parmenides." Classical Quarterly 42, no. 1 (1992): 12–19. http://dx.doi.org/10.1017/s0009838800042531.

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I first met Parmenides – together with Xenophanes, Heraclitus, and the other great Presocratics – in a German translation by Wilhelm Nestle, famous as the editor of the later editions of Zeller's magnum opus. I was 15 or 16 years old, and I was overwhelmed by the meeting. The verses that I liked best were Parmenides' story of Selene's love for radiant Helios (DKB 14–15). But I did not like it that the translation made the moon male and the sun female (these being their genders in German), and it occurred to me to give the couplet in German a title like ‘Moongoddess and Sungod’, or perhaps ‘Sel

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21

Urválková, Zuzana. "Die Dialoge des Lukian von Samosata im literarischen Kontext des tschechischen Klassizismus." Zeitschrift für Slawistik 65, no. 1 (2020): 21–59. http://dx.doi.org/10.1515/slaw-2020-0002.

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SummaryThe study is focused on the reception of the then-popular Dialogues of the Dead / Conversations by Syrian philosopher and rhetorician Lucian of Samosata (120 AD-180 AD) in Czech literature on the turn of the 18th and 19th centuries, with occasional insight into the intermediary French and German reception. Thanks to their linguistic refinement, Lucian’s dialogues quickly became a popular reading for the learning of Greek at the time, and in the 18th century, they contributed significantly to the development of journalism. This tendency was also present in the revivalist journal Hlasatel

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22

Andersen, Claus Esmann. "Teorier om det tragiske: med særligt henblik på det moderne tragiske og med udblik til Blichers »Hosekræmmeren«." K&K - Kultur og Klasse 37, no. 108 (2009): 128–59. http://dx.doi.org/10.7146/kok.v37i108.22001.

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Theories of the Tragic – with Special Reference to the Modern Tragic and with a View to »The Hosier and His Daughter« (»Hosekræmmeren«) by St. St. Blicher:The term ‘tragic’ is often used in descriptions and analyses of modern (here: post-classical) literature. Yet, only rarely is this use sound and critically based. The purpose of the present article is to introduce the reader to the theory of the tragic – with a particular focus on possible definitions of the modern tragic.In the article, three phases of theoretical history are identified: 1) a genre-based, normative-poetological phase (class

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23

Newbold, R. F. "Sensitivity to Shame in Greek and Roman Epic, with Particular Reference to Claudian and Nonnus." Ramus 14, no. 1 (1985): 30–45. http://dx.doi.org/10.1017/s0048671x0000504x.

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English shame and German scham derive from the Gothic schama, ‘to hide, cover, conceal’. German Hemd (shirt) and English and French chemise are other derivatives. In some languages the word for ‘shame’ and the word for ‘wound’ are the same. A wound exposes and can thereby advertise vulnerabilty and a cause for shame. Hiding or covering may seek to guard against wounding, humiliating exposure. Shame is self-evidently an important human emotion. Insofar as animals are innocent of shame, experience of it is a mark of humanity. Much human behaviour is influenced by fear of shame and embarrassment.

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Myers, Sara. "The Metamorphosis of a Poet: Recent Work on Ovid." Journal of Roman Studies 89 (November 1999): 190–204. http://dx.doi.org/10.2307/300740.

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It is by now obvious that Ovidian studies have ‘arrived’, apologies are no longer issued, nor are defences launched at the beginning of books. The nineties alone have seen so far the appearance of over fifty new books on Ovid in English, French, Italian, and German, and not just on the Metamorphoses, but on the Fasti, the Amores and Ars Amatoria, and the exile poetry, including the little known Ibis. Most importantly, there is a flourishing growth industry in commentaries on all of Ovid's works, with a greatly anticipated forthcoming commentary from Italy on the Metamorphoses authored by an in

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Trybuś, Krzysztof. "Norwid w badaniach Rolfa Fiegutha." Studia Norwidiana 39 Specjalny (2021): 169–88. http://dx.doi.org/10.18290/sn2139s.6.

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This article aims discusses Rolf Fieguth’s studies of works by Norwid, focusing primarily on the German Slavist’s interpretations of the cycle Vade-mecum and the long poem Quidam. The first work reconstructed here, along with its assumptions and conclusions, is Fieguth’s 1985 study on “poetry in a critical phase”and the second is the 2005 essay on the comparative contexts of Norwid’s famous cycle (the latter was published in Polish in 2011). A lot of room is devoted in this section to Fieguth’s analysis of distortions introduced by Norwid at various levels of the poem’s organization. These rem

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Berrens, Dominik. "Names and Things: Latin and German Mining Terminology in Georgius Agricola’s Bermannus." Antike und Abendland 65-66, no. 1 (2020): 232–43. http://dx.doi.org/10.1515/anab-2019-0011.

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Wardle, D. "An allusion to the Kaisereid in Tacitus Annals 1.42?" Classical Quarterly 47, no. 2 (1997): 609–13. http://dx.doi.org/10.1093/cq/47.2.609.

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Tacitus gives lavish treatment to the mutiny of the German legions in the aftermath of Augustus' death in a.d. 14 and provides an excellent centrepiece in a speech (given in oratio recta) by Germanicus to the troops of the Lower German army at Ara Ubiorum (Cologne). After the harsh treatment of a delegation from Rome, Germanicus responded to requests that he send Agrippina and Caligula to safety. As the family was leaving the camp the troops surrounded Germanicus, who moved them to repentance by his speech. Previous writers have already discussed particular debts to Livy and to Virgil, but non

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Clegg, Cyndia Susan. "Pacific Ancient and Modern Language Association." PMLA/Publications of the Modern Language Association of America 110, no. 4 (1995): 882. http://dx.doi.org/10.1632/s0030812900173201.

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The association's most significant news is its change in name from PAPC to PAMLA to strengthen its identification with the Modem Language Association and to maintain the historic presence of classical languages. The association's ninety-third annual meeting will be held 3-5 November 1995 at the University of California, Santa Barbara, hosted by the College of Letters and Science with its Division of the Humanities, and cosponsored by the Interdisciplinary Humanities Center, the Department of Classics, the Comparative Literature Program, the Department of English, the Department of Germanic, Se

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Harloe, Katherine. "Eighteenth-Century German Classicism - (V.) Rosenberger (ed.) Die Ideale der Alten. Antikerezeption um 1800. (Friedenstein-Forschungen 3.) Pp. 199, ills. Stuttgart: Franz Steiner Verlag, 2008. Cased, €44. ISBN: 978-3-515-09000-1." Classical Review 60, no. 2 (2010): 595–97. http://dx.doi.org/10.1017/s0009840x10001265.

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Seidman, Jessica. "REMEMBERING THE TEUTOBURG FOREST:MONVMENTAINANNALS1.61." Ramus 43, no. 1 (2014): 94–114. http://dx.doi.org/10.1017/rmu.2014.5.

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A first-time reader of Tacitus'Annalsis as unprepared for this shocking description of the Teutoburg Forest as the Roman soldiers who viewed the site themselves. Here, about three quarters of the way through the first book, sandwiched between an unremarkable summary of Roman/German relations and Germanicus' pursuit of Arminius, Tacitus has composed one of the most vivid, horrifying, poetic descriptions in the entire work. The visual details are stunning: a field covered with ‘whitening bones’, ‘bits of weapons’, ‘the limbs of horses’, and heads of men ‘fastened to the trunks of trees’. This is

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Booth, N. B. "Propertius 4.1.8." Classical Quarterly 37, no. 2 (1987): 528–29. http://dx.doi.org/10.1017/s0009838800030822.

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The manuscript version of this line, apart from a nonsensical variant tutus for bubus, is et Tiberis nostris advena bubus erat. The trouble here has been that scholars have taken advena to mean ‘stranger’, ‘foreigner’, ‘alien’, or German ‘fremd’. Clearly the sentence and Tiber was a stranger to our oxen makes no sense in the context, and for this reason many scholars have either produced strange translations (‘alien Tiber served our oxen’, Butler and Barber) or else have dabbled in dubious emendation (temptus Baehrens, tortus Postgate, Tuscus Havet in place of bubus).

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Solanki, Tanvi. "Aural philology: Herder hears Homer singing." Classical Receptions Journal 12, no. 4 (2020): 401–24. http://dx.doi.org/10.1093/crj/claa007.

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Abstract In 1769, Johann Gottfried Herder describes a private reading experience of a remarkably paradoxical nature. He tells us that he can only read ‘his’ Homer properly when he hears Homer singing Greek, while silently reading and translating by means of his German thoughts and mother tongue. Herder’s performative reading is anchored in what I call aural philology, a method innovative in its emphasis on the aural dimension in reconstructively imagining historical epochs. It is one which demarcates cultural difference through practices of listening and their remediation into reading. The pro

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Hawley, Richard. "Imperial Greek and Latin Literature - A. Dihle (tr. M. Malzahn): Greek and Latin Literature of the Roman Empire. From Augustus to Justinian. Pp. vii+647. London, New York: Routledge, 1994 (first published in German in 1989). Cased, £45.00." Classical Review 45, no. 2 (1995): 274–75. http://dx.doi.org/10.1017/s0009840x00293724.

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Most, Glenn W. "One Hundred Years of Fractiousness: Disciplining Polemics in Nineteenth-Century German Classical Scholarship." Transactions of the American Philological Association (1974-) 127 (1997): 349. http://dx.doi.org/10.2307/284398.

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Komorowski, Jaroslaw. "Shakespeare and the Birth of Polish Romanticism: Vilna 1786–1846." Theatre Research International 21, no. 2 (1996): 141–46. http://dx.doi.org/10.1017/s0307883300014723.

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The first phase of a long and complex process of the Polish reception of William Shakespeare's oeuvre ended in the middle of the nineteenth century with the popularization of new translations and the gradual elimination of French and German classicist adaptations. Vilna, vital centre of Polish culture, science and art, was the birthplace of Polish Romanticism and a hotbed of theatrical innovation. Vilna was also, at the turn of the eighteenth century, the capital of the Grand Duchy of Lithuania, and one of the major cities of the Polish-Lithuanian Commonwealth. The school stage of Vilna Academ

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36

Magnavacca, Adalberto. "The Phases of Venus in Germanicus: A Note on German. fr. 4.73–76." Philologus 162, no. 1 (2018): 183–87. http://dx.doi.org/10.1515/phil-2017-0015.

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Faber, Riemer A. "INTERMEDIALITY AND EKPHRASIS IN LATIN EPIC POETRY." Greece and Rome 65, no. 1 (2018): 1–14. http://dx.doi.org/10.1017/s0017383517000183.

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The concept of intermediality arose in the theoretical discourse about the relations between different systems or products of meaning, such as the relations between music and art, or image and text. The word gained currency in the 1980s in German- and French-language studies of theatre performance, and in scholarship on opera, film, and music, in order to capture the notion of the interconnections between different art forms. For reasons of utility, the concept has been divided into three kinds: intermediality may refer to the combination of media (as in opera, in which music, dance, and song

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Marchenko, Tatiana. "A miracle in a dairy shop: On a typology of an “emigrant” novel." Literary Fact, no. 16 (2020): 337–59. http://dx.doi.org/10.22455/2541-8297-2020-16-337-359.

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Alja Rachmanowa (real name Galina Dyuryagina-Hoyer) is a Russian writer with a European success in 1930s. Her books were published in German translation made by her husband Arnulf Hoyer, and still remain obscure in Russia. The phenomenon is rather fascinating from the point of view of typology of émigré prose. A novel “Milchfrau in Ottakring” (1933) of the prolific author of three dozen books was extremely popular, not only it remains relevant, but looks very modern as an “emigrant” novel of special type. In a diary form based on a personal experience, the writer sets out a story of success. A

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Rindisbacher, Hans J. "German Literature as World Literature." European Legacy 21, no. 7 (2016): 759–61. http://dx.doi.org/10.1080/10848770.2016.1211415.

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Aspisova, O. S. "ALL THIS GOETHE: CULT AND ANTICULT." Human Being: Image and Essence. Humanitarian Aspects, no. 3 (2020): 144–69. http://dx.doi.org/10.31249/chel/2020.03.09.

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The article examines the almost religious worship of Goethe as an unattainable universal genius and classical author, analyzing both the «Goethe cult» and the «anti-cult» in the German culture before the first half of the 20th century. The Goethe cult, that had started shortly after his death, largely contributed to the development of modern literary studies as a new science in Europe. The anniversary years invariably intensified the cult. Resistance to this cult became especially noticeable after WWI when, for the first time, a real «anti-cult» unfolded. It is documented, for example, in a se

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Lorenz, Dagmar C. G., and Pol O'Dochartaigh. "Jews in German Literature Since 1945: German-Jewish Literature?" German Studies Review 25, no. 2 (2002): 435. http://dx.doi.org/10.2307/1433071.

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Roemer, Nils. "Jews in German Literature since 1945: German-Jewish Literature?" Journal of Jewish Studies 55, no. 2 (2004): 388–89. http://dx.doi.org/10.18647/2576/jjs-2004.

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Taberner, Stuart, and Pol O'Dochartaigh. "Jews in German Literature since 1945: German-Jewish Literature?" Modern Language Review 98, no. 3 (2003): 796. http://dx.doi.org/10.2307/3738386.

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Лучка, Л. "BOOK SHOWS AND THE READING UNIVERSE PROFESSOR VK YAKUNINA." Problems of Political History of Ukraine, no. 15 (February 5, 2020): 34–40. http://dx.doi.org/10.33287/11924.

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The research deals with creating a diverse reader image of an intellectual personality of a historian. V.K. Yakunin started his reading career as a student of Dnipropetrovsk State University in the 1960’s. During his studies he constantly visited the scientific library. It was at this time when he first became acquainted with rare and valuable editions on historical subjects. The reading experience of the historian is about 60 years. While writing his Candidate dissertation (1972) and PhD thesis (1990), he worked with a significant number of sources and literature, and he also used interlibrar

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Martin, Philip L., Rainer Muenz, Wolfgang Seiffert, et al. "German Immigration Literature." International Migration Review 32, no. 2 (1998): 491. http://dx.doi.org/10.2307/2547194.

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Khalil, Iman O., and Jeannette Iocca. "Arab-German Literature." World Literature Today 69, no. 3 (1995): 521. http://dx.doi.org/10.2307/40151390.

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Bottigheimer, Ruth B. "German Children's Literature." Children's Literature 17, no. 1 (1989): 176–81. http://dx.doi.org/10.1353/chl.0.0493.

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Herminghouse, Patricia. "Whose German Literature? GDR-Literature, German Literature and the Question of National Identity." GDR Bulletin 16, no. 2 (1990): 6–11. http://dx.doi.org/10.4148/gdrb.v16i2.960.

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Hanson, R. P. C. "Klaus Wengst: Pax Romana and the Peace of Jesus Christ (Translated from the German by J. Bowden). Pp. x + 245. London: SCM Press, 1987. Paper, £8.50." Classical Review 38, no. 2 (1988): 441. http://dx.doi.org/10.1017/s0009840x00122772.

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Strauss, Philipp. "GERMAN NEOHUMANISM - B. Van Bommel Classical Humanism and the Challenge of Modernity. Debates on Classical Education in 19th-century Germany. (Philologus Supplementary Volume 1.) Pp. xiv + 234. Berlin and Boston: De Gruyter, 2015. Cased, £74.99, €99.95, US$140. ISBN: 978-3-11-036543-6." Classical Review 66, no. 2 (2016): 578–80. http://dx.doi.org/10.1017/s0009840x16000548.

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