Relevant bibliographies by topics / German literature – Turkish authors – History and criticism

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Academic literature on the topic 'German literature – Turkish authors – History and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "German literature – Turkish authors – History and criticism"

1

Seyhan, Azade. "From Istanbul to Berlin: Stations on the Road to a Transcultural/Translational Literature." German Politics and Society 23, no. 1 (2005): 152–70. http://dx.doi.org/10.3167/104503005780889228.

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In this article, I read selected texts of two of the most prominent Turkish born authors of Berlin, Aras Ören and Emine Sevgi Özdamar, as poetic projects of confronting and grasping the vicissitudes of modernity's troubled path both in their homeland and in their experience of German history and culture. My reasons for the emphasis on the work of these writers derives from their various positions between two languages and literary traditions and their ability to negotiate various nuances of "German" and "Turk" and the lived experience of these contested categories. "A poet is a member of that
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2

Mihailova, Antoaneta, and Kalina Minkova. "RECEPTION OF THE FOREIGNNESS – MIGRANT LITERATURE AS CULTURAL TRANSFER." Ezikov Svyat volume 18 issue 2, ezs.swu.v18i2 (June 30, 2020): 97–104. http://dx.doi.org/10.37708/ezs.swu.bg.v18i2.13.

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The article reviews the distinction between emigrant, immigrant and migrant literature from the perspective of the contemporary Bulgarian literary criticism. The body of emigrant literature is regarded as comprising the works of nineteenthcentury Bulgarian authors (Rakovski, Karavelov, Vazov) who wrote in Bulgarian and intended their works for the Bulgarian readership. The works from the first half of the twentieth century, written in Bulgarian by Bulgarian authors living mostly in Germany and France, are perceived as part of the Bulgarian literature from this period on the grounds of their en
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3

Novoseltseva, A. V. "A novel study: history and modernity." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 64, no. 2 (2019): 200–208. http://dx.doi.org/10.29235/2524-2369-2019-64-2-200-208.

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There is the necessity in the contemporary science of literature for development of the intra-genre novel typology to systematize the knowledge of certain novel texts and determine the aesthetic possibilities of the modern novel. Traditionally the genre novel typology is considered in social-historical way and based on its content characteristics. Representatives of formalistic approach suppose the genre as a system of methods; they emphasize the artistic uniqueness of new novel form, which determines the specificity of the plot development and theme disclosure in a novel. G. N. Pospelov assoc
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4

Lowe, J. C. B. "Aspects of Plautus' Originality in the Asinaria." Classical Quarterly 42, no. 1 (1992): 152–75. http://dx.doi.org/10.1017/s000983880004266x.

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That the palliatae of Plautus and Terence, besides purporting to depict Greek life, were in general adaptations of Greek plays has always been known. Statements in the prologues of the Latin plays and by other ancient authors left no room for doubt about this, while allowing the possibility of some exceptions. The question of the relationship of the Latin plays to their Greek models was first seriously addressed in the nineteenth century, mainly by German scholars, under the stimulus of Romantic criticism which attached paramount importance to originality in art. Since then the question has be
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5

Laak, Marin. "Kirjanduslikud digikeskkonnad keeleressursside baasina: mõjukriitika juhtumiuuring päringusüsteemis KORP / Digital literary heritage projects as a source of language resources: a case of Estonian criticism in KORP." Methis. Studia humaniora Estonica 21, no. 26 (2020). http://dx.doi.org/10.7592/methis.v21i26.16916.

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Eesti Kirjandusmuuseum on olnud teerajajaid digihumanitaaria valdkonnas juba 1990. aastatest, alates arvutikultuuri laiemast levikust. Väärtuslike andmekogude haldamisel on olnud missiooniks nende kättesaadavaks tegemine avalikkusele. Kultuuripärand avati laiemale kasutajale kahes suunas: sisupõhised otsitavad andmebaasid ning suhtepõhised andmekeskkonnad. Siinse artikli eesmärgiks on näidata arvutusliku kirjandusteaduse tänapäevaseid võimalusi ja nendega seotud kirjanduslike keeleressursside loomist koostöös korpuslingvistidega. Artiklis analüüsin kultuuripärandi sisukeskkondade ja andmekogus
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Brabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1547.

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IntroductionThe wandering narrator is a familiar figure in contemporary literature. This narrator is often searching for something abstract or ill-defined connected to the past and the traces it leaves behind. The works of the German writer W.G. Sebald inspired a number of theories on the various ways a writer might intersect place, memory, and representation through seemingly aimless wandering. This article expands on the scholarship around Sebald’s themes to identify two modes of investigative wandering: (1) wandering “in place”, through a city where a past trauma has occurred, and (2) wande
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Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1028.

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Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end
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Dissertations / Theses on the topic "German literature – Turkish authors – History and criticism"

1

Stone, Katherine Mary. "Gender and German memory cultures : representations of National Socialism in post-1945 women's writing." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708863.

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Bagley, Petra M. "Somebody's daughter : the portrayal of daughter-parent relationships by contemporary women writers from German-speaking countries." Thesis, University of Stirling, 1993. http://hdl.handle.net/1893/2134.

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The purpose of this thesis is to examine the complexities of daughterhood as portrayed by nine contemporary women writers: from former West Germany(Gabriele Wohmann, Elisabeth Plessen), from former East Germany (Hedda Zinner, Helga M. Novak), from Switzerland (Margrit Schriber) and from Austria (Brigitte Schwaiger, Jutta Schutting, Waltraud Anna Mitgutsch, Christine Haidegger). Ten prose-works which span a period of approximately ten years, from the mid-1970s to the mid-1980s, are analysed according to theme and character. In the Introduction, we trace the historical development of women's wri
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Schroeder, Elfrieda Neufeld. "Fragmented identity, a comparative study of German Jewish and Canadian Mennonite literature after World War II." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60565.pdf.

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4

Poetini, Christian. "Weiterüberleben, Jean Améry und Imre Kertész." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209520.

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Synopsis :<p><p>La thèse démontre la force du discours de la survivance à travers tant l’essai que le roman, respectivement chez deux auteurs représentatifs et exemplaires. Jean Améry est l’initiateur d’un discours où l’accent est mis sur l’expérience de la privation totale de liberté et sur le suicide comme paroxysme de l’acte libre voulu par le survivant des camps de concentration. Imre Kertész fonde, lui, une écriture synonyme de stratégie de survie. Le suicide y constitue le moyen fictionnel, pour l’être survivant, de regagner sa liberté et son propre « destin ».<p><p><p><p>Résumé :<p><p>L
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Weiler, Sylvia. "Jean Amérys Ethik der Erinnerung: die Materialisierung des Geistes im Körper." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210403.

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In dieser Dissertation wird Jean Amérys Ethik der Erinnerung auf ihre philosophischen, politischen und literarischen Implikationen hin untersucht. Dabei wird sie als ein moegliches philosophisches Fundament fuer den westdeutschen Auschwitz-Diskurs und die westdeutsche Nachkriegsliteratur vorgestellt. Ihre Besonderheiten gewinnen auf der Grundlage eines Vergleichs von Amérys erinnerungspolitischen Positionen mit jenen Theodor W. Adornos Kontur, der allgemein als der philosophische Begruender der deutschen Literatur nach 1945 gilt. Beide Intellektuelle denken ausgehend von ihrer Verfolgungserfah
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Langa, Petra. "'Strange worlds' in German migration literature, and intercultural learning in the context of German studies in South Africa." Thesis, 2009. http://hdl.handle.net/10413/943.

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This study examines the relationships between intercultural theory, German Studies (in South Africa) and post-war migration literature written in Germany. Migration literature as intercultural literature, and German Studies adopting an intercultural philosophy are thus associated by an intercultural aspect that also links both to a global network of intercultural relations. The study places emphasis on relationships rather than areas of research. This means that areas of research are looked at in terms of how they relate to other areas of research and other contexts. The underlying idea is tha
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Belluccini, Federica. "“A MUCH MILDER MEDIUM”: ENGLISH AND GERMAN WOMEN WRITERS IN ITALY 1840-1880." 2011. http://hdl.handle.net/10222/14358.

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Travel writing is by definition an open and hybrid form that encompasses a variety of genres, styles, and modes of presentation. This study focuses on four little-known travel texts about Italy written between 1840 and 1880 by two English and two German women writers and shows how, by exploiting the openness of the form of travel writing, they broadened its scope beyond mere description to provide insight into national ideologies and identities while expanding the boundaries of the female sphere of influence. This study considers the following texts: Mary Shelley’s Rambles in Germany and Italy
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Books on the topic "German literature – Turkish authors – History and criticism"

1

Cheesman, Tom. Novels of Turkish German settlement: Cosmopolite fictions. Camden House, 2007.

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2

Mani, B. Venkat. Cosmopolitical claims: Turkish-German literatures from Nadolny to Pamuk. University of Iowa Press, 2007.

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3

Finding a voice: Identity and the works of German-language Turkish writers in the Federal Republic of Germany to 1990. P. Lang, 1996.

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4

Veteto-Conrad, Marilya. Finding a voice: Identity and the works of German-language Turkish writers in the Federal Republic of Germany to 1990. P. Lang, 1996.

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5

Alman edebiyatında Türk kültür aktarımı: E. Sevgi Özdamar, Hayat bir kervansaray örneği. Ezgi Kitabevi, 2003.

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Veteto-Conrad, Marilya. Doppelte Nationalitätsmoral: Social and self-perceptions and authorial intent of two German-language Turkish women writers. University of Alberta, 1996.

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7

Coşan, Leyla. Frauenliteratur der 70er Jahre in Deutschland und in der Türkei. Lang, 2009.

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Coşan, Leyla. Frauenliteratur der 70er Jahre in Deutschland und in der Türkei. Lang, 2009.

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Coşan, Leyla. Frauenliteratur der 70er Jahre in Deutschland und in der Türkei. Lang, 2009.

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10

Schreiben gegen Vorurteile: Literatur türkischer Migranten in der Bundesrepublik Deutschland. Express Edition, 1985.

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