Academic literature on the topic 'German Modernism'

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Journal articles on the topic "German Modernism"

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Lyall, Scott. "Minor Modernisms: The Scottish Renaissance and the Translation of German-language Modernism." Modernist Cultures 14, no. 2 (2019): 213–35. http://dx.doi.org/10.3366/mod.2019.0251.

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Germany has been epitomised in the twentieth century as Britain's main rival and adversary. Yet Scottish modernists were influenced by Germany and German-language modernism to think more internationally about their nation and work, a cultural encounter that took place largely in and through translation. Willa and Edwin Muir, who in the early 1920s stayed at educational modernist A. S. Neill's experimental school in Germany, translated German-language modernists such as Kafka and Broch. Hugh MacDiarmid utilised translations of Nietzsche to inform his call for a renascent Scotland. Lewis Grassic
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Hayman, Emily. "English Modernism in German: Herberth and Marlys Herlitschka, Translators of Virginia Woolf." Translation and Literature 21, no. 3 (2012): 383–401. http://dx.doi.org/10.3366/tal.2012.0089.

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The Austrian-born translators Herberth and Marlys Herlitschka exercised considerable influence over the reception of British modernist literature in German-speaking nations. From the 1920s to the 1960s they undertook translations of challenging modernist works, including the poetry of Yeats and the novels of Lawrence and Woolf. This article surveys their lives and work, with a focus on their post-war rendering of Woolf's final novel, Between the Acts. Here the Herlitschkas' translational choices reveal a desire for reconciliation and effect a softening of the political jaggedness of Woolf's Bl
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Silverberg, Laura. "Between Dissonance and Dissidence: Socialist Modernism in the German Democratic Republic." Journal of Musicology 26, no. 1 (2009): 44–84. http://dx.doi.org/10.1525/jm.2009.26.1.44.

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Abstract Both communist party officials and western observers have typically interpreted the composition of modernist music in the Eastern Bloc as an act of dissidence. Yet in the German Democratic Republic (GDR), the most consequential arguments in favor of modernism came from socialists and party members. Their advocacy of modernism challenged official socialist realist doctrine, but they shared with party bureaucrats the conviction that music ought to contribute to the development of socialist society. Such efforts to reform musical life from a Marxist-Leninist standpoint were typical of th
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Fulcher, Jane F. "French Identity in Flux: The Triumph of Honegger's Antigone." Journal of Interdisciplinary History 36, no. 4 (2006): 649–74. http://dx.doi.org/10.1162/jinh.2006.36.4.649.

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Why did the Paris Opera stage Arthur Honegger's Antigone in 1943, sixteen years after rejecting it for being too modernist? Recent theories of modernism reveal how the later production was able to penetrate the cultural “spaces” inadvertently created during Vichy's collaboration with Germany. The opera appealed not only to the German-and French-authorized press but also to the public, which viewed it as a work of existential examination, free from political and cultural propaganda.
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Al-Dabbagh, Abdulla. "The anti-romantic reaction in modern(ist) literary criticism." Acta Neophilologica 47, no. 1-2 (2014): 55–67. http://dx.doi.org/10.4312/an.47.1-2.55-67.

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While the antagonism of modernism to realism has often been commented upon, its equally vehement rejection of romanticism has not been as widely discussed. Yet, if modernism compromised at times with realism or, at least, with a "naturalistic" version of realism, its total antipathy to the fundamentals of romanticism has been absolute. This was a modernist trend that covered both literature and criticism and a modernist characteristic that extended from German philosophers, French poets to British and American professors of literature. Names as diverse as Paul Valery, Charles Maurras and F.R.
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Warnaby, John. "A New Left-Wing Radicalism in Contemporary German Music?" Tempo, no. 193 (July 1995): 18–26. http://dx.doi.org/10.1017/s0040298200004277.

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‘Communism is dead’, crowed a recent Prime Minister, little realizing that the shaky condition of capitalism would precipitate her downfall in short order. ‘Socialist art is a phenomenon of the past’, pronounced many post-modernist critics, who equated creative expressions of radical politics with a modernist aesthetic they had already consigned to their re-interpretation of history. Yet as the developed economies totter from one crisis to the next, interspersed with stock market upheavals or corruption scandals, and the ‘new world order’ fails to materialize, a new left-wing idealism is begin
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Cooper, David E. "Reactionary Modernism." Royal Institute of Philosophy Supplement 44 (March 1999): 291–304. http://dx.doi.org/10.1017/s1358246100006779.

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‘Reactionary modernism’ is a term happily coined by the historian and sociologist Jeffrey Herf to refer to a current of German thought during the interwar years. It indicates the attempt to ‘reconcil[e] the antimodernist, romantic and irrationalist ideas present in German nationalism’ with that ‘most obvious manifestation of means–ends rationality … modern technology’. Herf's paradigm examples of this current of thought are two best-selling writers of the period: Oswald Spengler, author of the massive domesday scenario The Decline of the West in 1917 and, fifteen years later, of Man and Techni
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Milin, Melita. "The stages of modernism in Serbian music." Muzikologija, no. 6 (2006): 93–116. http://dx.doi.org/10.2298/muz0606093m.

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In order to consider this topic, it was first necessary to discuss certain problems of terminology and periodisation relating to musical modernism in general. It is already familiar the extent to which the terms "new music", "modernist", "contemporary" and "avant-garde" music have been used interchangeably, as synonyms. For this reason, it was first important to outline the period of musical modernism as almost generally accepted, which is regarded as an epoch comprising three different periods: (I) period of early modernism (1890?1918), announced by a break with later romanticism and a turn t
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Weeks, Gregory, and Peter Paret. "German Encounters with Modernism, 1840-1945." German Studies Review 25, no. 3 (2002): 596. http://dx.doi.org/10.2307/1432617.

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Diethe, Carol. "THE DANCE THEME IN GERMAN MODERNISM." German Life and Letters 44, no. 4 (1991): 330–52. http://dx.doi.org/10.1111/j.1468-0483.1991.tb00340.x.

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Dissertations / Theses on the topic "German Modernism"

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Krakenberg, Jasmin. "Gothic art and German modernism Max Beckmann and "Transzendente objektivitat" /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4265.

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Thesis (M.A.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (December 13, 2006) Includes bibliographical references.
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Kolb, Alexandra Isabel. "Performing femininity : cross-currents of dance and literature in German modernism." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615623.

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Rowe, Dorothy. "Representing Berlin : sexuality and the city in German modernism 1896-1930." Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361014.

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Whitner, Claire Chandler. "The visual culture of surface Berlin modernism and the pictorial public /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1481673671&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Goodyear, John. "Musikstädte as real and imaginary soundscapes : urban musical images as literary motifs in twentieth-century German modernism." Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/2505.

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This study examines German literary images of musical life as part of the wider sound identity of the modern German city at the turn of the twentieth century. Focussing on a forty-year period from 1890 to 1930, synonymous with the emergence of the modern German metropolis as an aesthetic object, the project assesses, compares and contrasts how musical life in the Musikstädte was perceived and portrayed by writers in an increasingly noisy urban environment. How does urban musical life influence and condition city writings? What are the differences and similarities between the writings on variou
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Magerski, Christine 1969. "The constitution of the literary field in Germany after 1871 : Berlin modernism, literary criticism and the beginnings of the sociology of literature." Monash University, German Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8724.

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Dekker, Nicholas John. "The Modern Catalyst: German Influences on the British Stage, 1890-1918." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180431503.

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Cohn, Maurice E. "Finding Music’s Words: Moses und Aron and Viennese Jewish Modernism." Oberlin College Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1521740116488967.

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Boney, Kristy Rickards. "Mapping topographies in the anglo and German narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1164813302.

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Paula, Rosângela Asche de. "O expressionismo na biblioteca de Mário da Andrade: da leitura à criação." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-20022008-111139/.

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O objetivo desta tese é trabalhar os indícios da leitura do expressionismo alemão feita por Mário de Andrade, vinculados a um diálogo que implica apropriação, ou seja, a criação poética ou teórico-estética do modernista brasileiro, vinculada ao \"Prefácio interessantíssimo\", a poemas de Paulicéia desvairada, à poesia em Losango cáqui e em Clã do jabuti, bem como à poética traçada em A escrava que não é Isaura. Pesquisa que se inscreve no estudo de biblioteca de escritores, na crítica genética, inclina-se sobre o diálogo intertextual que as notas autógrafas, nas margens de obras, e a leitura n
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Books on the topic "German Modernism"

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Exotic spaces in German modernism. Oxford University Press, 2011.

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German cities and bourgeois modernism, 1890-1924. Oxford University Press, 2009.

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German art 1907-1937: Modernism and modernisation. Peter Lang, 2007.

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The ordinary in the novel of German modernism. Aisthesis, 2011.

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James, Kathleen. Erich Mendelsohn and the architecture of German modernism. Cambridge University Press, 1997.

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Performing femininity: Dance and literature in German modernism. P. Lang, 2008.

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Sieg, Christian. The ordinary in the novel of German modernism. Aisthesis, 2011.

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Stern, J. P. The dear purchase: A theme in German modernism. Cambridge University Press, 1995.

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Finocchiaro, Francesco. Musical Modernism and German Cinema from 1913 to 1933. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58262-7.

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Syring, Eberhard. Hans Scharoun, 1893-1972: Outsider of modernism. Taschen, 2007.

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Book chapters on the topic "German Modernism"

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Niekerk, Carl. "Mahler, Rembrandt, and the Dark Side of German Culture." In Legacies of Modernism. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230603189_3.

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Segel, Harold B. "German Expressionism and Early Soviet Drama." In Russian Theatre in the Age of Modernism. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20749-7_9.

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Zöller, Günter. "Romanticism as Modernism: Richard Wagner’s “Artwork of the Future”." In Palgrave Handbooks in German Idealism. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53567-4_25.

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Barnstone, Deborah Ascher. "Transnational Dimensions of German Anti-Modern Modernism: Ernst May in Breslau." In Transnationalism and the German City. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137390172_6.

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Finocchiaro, Francesco. "Introduction: The Cinematic Paradigm." In Musical Modernism and German Cinema from 1913 to 1933. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58262-7_1.

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Finocchiaro, Francesco. "Between Film Music and Chamber Music." In Musical Modernism and German Cinema from 1913 to 1933. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58262-7_10.

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Finocchiaro, Francesco. "Epilogue: The Dawn of Sound Cinema." In Musical Modernism and German Cinema from 1913 to 1933. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58262-7_11.

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Finocchiaro, Francesco. "Prologue: Cinema and the Arts." In Musical Modernism and German Cinema from 1913 to 1933. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58262-7_2.

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Finocchiaro, Francesco. "Cinema and Expressionist Drama." In Musical Modernism and German Cinema from 1913 to 1933. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58262-7_3.

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Finocchiaro, Francesco. "Paul Hindemith and the Cinematic Universe." In Musical Modernism and German Cinema from 1913 to 1933. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58262-7_4.

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Conference papers on the topic "German Modernism"

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Shakirova, Rezeda. "Inferential Statement in the German Language." In Proceedings of the International Conference Digital Age: Traditions, Modernity and Innovations (ICDATMI 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201212.064.

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Chen, Chih-Hung, and Chih-Yu Chen. "From City-like Settlement to Industrial City: A Case of Urban Transformation in Huwei Township." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5923.

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From City-like Settlement to Industrial City: A Case of Urban Transformation in Huwei Township. Chih-Hung Chen¹, Chih-Yu Chen¹ ¹ Department of Urban Planning, National Cheng Kung University No.1, University Rd., East Dist., Tainan City 70101, Taiwan ROC E-mail: chihhungchen@mail.ncku.edu.tw Keywords (3-5): Industrial City, City-like Settlement, Morphological Process, Town-Plan Analysis, Sugar Refinery Conference topics and scale: City transformations City-like Settlement (German: Teilweise Stadtähnliche Siedlungen) (Schwarz, 1989; Sorre, 1952) plays an important role in the course of civilizat
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Bokach, S. B. "SOCIAL RELATIONS IN THE PROCESS OF LAW CODIFICATION IN GERMANY." In RUSSIAN LEGAL SYSTEM: HISTORY, MODERNITY, DEVELOPMENT TRENDS. Amur State University, 2020. http://dx.doi.org/10.22250/lsr.2020.1.

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Benet Morera, Irene. "Hormigón armado y estética de la modernidad en el Colegio Alemán de Valencia. *** Reinforced concrete and modernity aesthetics at the German School of Valencia." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7601.

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El proyecto y construcción del Colegio Alemán de Valencia se desarrolla entre los años 1957 y 1961 por los arquitectos Pablo Navarro y Julio Trullenque (supervisado por Dieter Weisse y Peter Müller) adaptándose plenamente los principios de la arquitectura del Movimiento Moderno (los cinco puntos de Le Corbusier, el higienismo, etc.). Se detectan, además, influencias de prácticas constructivas y arquitectónicas propias del contexto alemán, debido al trabajo colaborativo entre ambas nacionalidades. Este es el caso de la concepción moderna del edificio como bloque dispuesto sobre una planta libre
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Zivkovic, Sasa, and Leslie Lok. "Ladakh Dental Clinic: The Local-Imported Modulars Negotiating Contradictory Material Practices in Remote Cities." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.25.

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This paper outlines the design and construction of the Ladakh Dental Clinic project as a case study for hybrid local imported material building practices. Referencing local vernacular types as well as comparable rapid assembly systems deployed in India and beyond for other development projects, the paper discusses opportunities and shortcomings of such building strategies. In admirably positivistic modernist spirit, modular construction is often praised as the harbinger or exporter of progress and, at times, architectural advancement. Regularly choking on its own ambitions, successful modular
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Almeida, Pedro, Ricardo Torquato, and Walmir Freitas. "Ressonâncias Harmônicas em Redes de Distribuição de Baixa Tensão Modernas." In Simpósio Brasileiro de Sistemas Elétricos - SBSE2020. sbabra, 2020. http://dx.doi.org/10.48011/sbse.v1i1.2434.

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A modernização das redes de distribuição de baixa tensão (BT) criou a possibilidade de conexão de novos tipos de componentes nas mesmas. Uma possibilidade atualmente considerada é a conexão de bancos de capacitores para compensação de potência reativa. Este artigo apresenta um estudo extensivo de caracterização das potenciais ressonâncias harmônicas criadas por esta conexão, considerando 66.433 redes de BT reais. Os resultados mostram que a conexão deste capacitor cria uma ressonância paralela e uma série na rede. Ambas podem ocorrer entre a 3ª e 15ª harmônicas, coincidindo com a faixa de dist
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Vasconcelos, Miguel F. S., and Daniel Cordeiro. "Distribuidor de Tarefas para uma plataforma de Computação Voluntária utilizando WebAssembly." In Escola Regional de Alto Desempenho de São Paulo. Sociedade Brasileira de Computação, 2018. http://dx.doi.org/10.5753/eradsp.2018.13594.

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A Computação Voluntária revolucionou a computação científica ao permitir o uso de recursos computacionais ociosos provenientes de colaboradores geograficamente espalhados pelo mundo. Entretanto, as plataformas mais populares requerem a instalação de softwares específicos na máquina do colaborador para, então, obter recursos computacionais, o que pode gerar um obstáculo na adesão de novos voluntários. Este trabalho propõe o uso de software compilado para WebAssembly — um novo formato de linguagem de montagem que pode ser executado por navegadores modernos—e de uma aplicação Web para a distribui
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Teixeira, Estevan, Pedro Moura, and Carlos Campos. "Classificação de Tweets sobre Trânsito Utilizando Diferentes Técnicas de Deep Learning." In Simpósio Brasileiro de Engenharia de Sistemas Computacionais. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/sbesc_estendido.2020.13095.

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No âmbito da mobilidade urbana, a obtenção de informação de forma rápida e localizada para tomada de decisão e um dos principais desafios atuais. Nesse contexto, redes sociais podem funcionar como uma das fontes de extração de conhecimento para diversas tarefas, dentre as quais controle de trânsito. Contudo, tais dados precisam ser bem classificados para garantir que somente informações relevantes sejam utilizadas. Particularmente em países lusófonos, não há muitos estudos sobre tal classificação, em especial explorando o potencial das redes neurais. Assim, este trabalho propõe um modelo de re
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Do Rosário, Vanderson, André Felipe Zanella, Anderson Da Silva, and Edson Borin. "Predição de Desempenho com Graph Neural Networks." In XXI Simpósio em Sistemas Computacionais de Alto Desempenho. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/wscad.2020.14053.

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Melhorar o desempenho de uma aplicação em computadores modernos envolve escolhas em um largo espaço de busca, pois tais arquiteturas possuem variadas características que impactam significativamente o desempenho das aplicações. Além disso, diferentes aplicações tendem a utilizar essas características de forma diferente, tornando a função que mapeia o desempenho de uma aplicação em um hardware bastante complexa. O que torna a tarefa de gerar códigos que maximizem tal função, por parte de compiladores ou especialistas, uma tarefa difícil. Uma possibilidade é avaliar automaticamente várias possibil
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Donohue, Brian P. "Seattle Center Monorail Train Refurbishment Program." In ASME 2011 Rail Transportation Division Fall Technical Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/rtdf2011-67021.

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Long the iconic transportation symbol of Seattle, the monorail system was constructed for the 1962 World’s Fair. Seattle’s monorail vehicles were the last and most technically advanced vehicles designed and built by the firm of Alweg-Forschung, GmbH (Alweg) of Cologne, Germany. The primary train operating systems and components were supplied by major US transit system equipment vendors of that era, including G.E., WABCO, and Rockwell. The two, 4-car train’s original layout and function generally conformed to US transit rail equipment standards and design practices of the early 1960s. However,
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