Relevant bibliographies by topics / German poetry Allegory

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'German poetry Allegory'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'German poetry Allegory.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "German poetry Allegory"

1

Moraes, Paulo Eduardo Benites de, and Rosana Cristina Zanelatto Santos. "A alegoria como poética do (ex)combro em Manoel de Barros: uma visada benjaminiana." Elyra, no. 15 (2020): 95–115. http://dx.doi.org/10.21747/21828954/ely15a6.

Full text
Abstract:
Walter Benjamin was one of the philosophers who most appropriately discussed the dialectics of history as a movement of extremes, that is, as an impoverished present experience before the glories of the past, which conceals, ironically, another formulation, exposed in the 9th thesis “On the concept of history”: which presents the interpretation of the allegory (ex)put in The Angelus Novus, by Paul Klee, as the “hippocratic facies of history” (Benjamin 1984), thinking this image as “the core of allegorical vision” (ibidem). Manoel de Barros, in his time, dialogues with both Klee and Benjamin, i
APA, Harvard, Vancouver, ISO, and other styles
2

Anderson, Timothy. "There’s Something about Murray: Victorian Literary Societies and Alfred Forman’s Translation of Richard Wagner’s Der Ring des Nibelungen." Modern Language Quarterly 82, no. 3 (2021): 281–313. http://dx.doi.org/10.1215/00267929-9090280.

Full text
Abstract:
Abstract Alfred Forman’s translations of Richard Wagner’s operas are often derided for their weird diction and minute imitation of German poetic devices. Forman has seemed to represent a zealous and uncritical approach to Wagner that was typical of the early London Wagner Society. But London’s literary societies were important preprofessional gatherings for the appreciation and research of vernacular literature at a time when universities restricted who could study and what could be studied. Forman contributed to other London societies and organized for them dramatic readings of Wagner’s poetr
APA, Harvard, Vancouver, ISO, and other styles
3

Cho, Hyowon. "Vergangene Vergängnis: Für eine Philologie des Stattdessen." arcadia 52, no. 1 (2017): 74–94. http://dx.doi.org/10.1515/arcadia-2017-0005.

Full text
Abstract:
AbstractBetween Erich Auerbach and Walter Benjamin, there existed a remarkable friendship, which on the one hand manifested itself as an unobtrusive disputation, and yet which on the other hand could be considered an unintended collaboration toward an old-new ideal of philology. Auerbach claims that with the Divine Comedy of Dante Alighieri, Western European literature reached the climax of the figuralism that Auerbach, if belatedly, wants to bring to the fore. Benjamin, in contrast, finds energy for the revolution in the surrealistic love that traces back not to Dante, but to the Provençal po
APA, Harvard, Vancouver, ISO, and other styles
4

Cormier, Raymond. "Peter Dronke, Sacred and Profane Thought in the Early Middle Ages. Millennio Medievale: Strumenti e Studi, 109. Florence: SISMEL/Edizioni del Galluzzo, 2016, pp. XXXIV, 298, 4 ill." Mediaevistik 31, no. 1 (2018): 360–61. http://dx.doi.org/10.3726/med012018_360.

Full text
Abstract:
With these seventeen retrospective essays (all dating from 1988–2015) peerless medieval Latinist Peter Dronke unearths certain links between sacred and profane notions and images, as well as Christian-Platonic motifs, particularly from the early Middle Ages. The first two parts of the book dwell on aspects (in the widest sense) of Christian Platonism, focusing on themes like sensuality, allegory, and the theme of silence, whether in the Latin tradition or in the vernacular (Old French or Middle High German, for example). The second (middle) segment touches on some of the greatest thinkers in t
APA, Harvard, Vancouver, ISO, and other styles
5

Bychkov, V. V. "The Symbolic Essence of Art in Friedrich Schlegel’s Romantic Aesthetics." Art & Culture Studies, no. 1 (2021): 266–87. http://dx.doi.org/10.51678/2226-0072-2021-1-266-287.

Full text
Abstract:
According to Friedrich Schlegel, one of the leading theorists of German Romanticism, the “highest” art is always symbolic, and it would be more precise to name the discipline that deals with it “symbolics”, rather than “aesthetics”. According to Schlegel, the highest arts comprise painting, sculpture, music, and poetry as the “arts of the beautiful and the ideally significant”. Using the examples of painting and literary arts, he demonstrates the symbolic character of art in general. Schlegel thinks that masterpieces of old Italian and German painters exemplify symbolic art. Schlegel is agains
APA, Harvard, Vancouver, ISO, and other styles
6

Drummond, Fernanda, and João Vilhena. "Fiama Hasse Pais Brandão e Walter Benjamin: poesia, ruína e aura / Fiama Hasse Pais Brandão and Walter Benjamin: Poetry, Ruin and Aura." Cadernos Benjaminianos 15, no. 2 (2020): 75. http://dx.doi.org/10.17851/2179-8478.15.2.75-90.

Full text
Abstract:
Resumo: Este artigo recorre ao conceito de aura e à alegoria do Anjo da História de Walter Benjamin para explorar como a obra de Fiama Hasse Pais Brandão comunica com o pensamento pensador alemão. Em Fiama, o sujeito poético recusa o fluxo contínuo do tempo, posicionando-se num «Agora» atemporal, que se sustenta das ruínas do passado e da destruição vindoura. Avessa como Benjamin à ideia de progresso, Fiama invoca uma tradição dinâmica e heterodoxa, mostrando-nos como o mundo não é mais que a vidraça onde embatem as palavras dos mortos. Palavras que junto com a experiência do sujeito poético n
APA, Harvard, Vancouver, ISO, and other styles
7

Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1028.

Full text
Abstract:
Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "German poetry Allegory"

1

Yao, Shao-Ji. "Der Exempelgebrauch in der Sangspruchdichtung vom späten 12. Jahrhundert bis zum Anfang des 14. Jahrhunderts." Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2834131&prov=M&dokv̲ar=1&doke̲xt=htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Post, Andy. "Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801)." 2014. http://hdl.handle.net/10222/50412.

Full text
Abstract:
In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthu
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "German poetry Allegory"

1

Klaus, Düwel, ed. Zur Datierung und Interpretation des Reinhart Fuchs. Kümmerle, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Yao, Shao-Ji. Der Exempelgebrauch in der Sangspruchdichtung vom späten 12. Jahrhundert bis zum Anfang des 14. Jahrhunderts. Königshausen & Neumann, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Die integumentale Methode in mittelhochdeutscher Epik. Lang, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Naser, Christian. "Der geistliche Streit": Synoptischer Abdruck der Fassungen A, C, B und D : Kommentar und Motivgeschichte. Königshausen & Neumann, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

1946-, Battafarano Italo Michele, ed. Conjugium Phoebi & Palladis, oder, Die erfundene Fortpflantzung des Goldes/Chymische Allegorie. P. Lang, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

John, Bunyan. The pilgrim's progress in the allegory of a dream. Tyndale House Publishers, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

1966-, Bauschke Ricarda, ed. Die Burg im Minnesang und als Allegorie im deutschen Mittelalter. P. Lang, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography