Relevant bibliographies by topics / German Religious poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'German Religious poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "German Religious poetry"

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Dhahir, Thamer Abdulkareem. "Einfluss des Nahen Ostens auf die deutsche Literatur." JOURNAL OF LANGUAGE STUDIES 5, no. 1 (2022): 294–310. http://dx.doi.org/10.25130/jls.5.1.22.

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The purpose of this research is to show how the oriental nation affected the German literature as it affected other nation's culture and literature. In these pages we can see how the conflict was and what the current position is the opinion of European most great German authors such as Harder and Goethe, which distinguish Arabic oriental literary life from the west part of the glop where armies vividly occupied eastern Arabic lands through their power the Arabs got rid of the Superficiality and looked deeper into their own identification. German writers tried to reach the essence of Islamic ci
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Montover, Nate, and Albrecht Classen. "Late-Medieval German Women's Poetry: Secular and Religious Songs." Sixteenth Century Journal 37, no. 3 (2006): 773. http://dx.doi.org/10.2307/20478001.

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Volkova, Anna G. "THE RECEPTION OF FRANCISCAN MYSTICS IN EUROPEAN POETRY OF THE 17TH CENTURY." Vestnik of Kostroma State University, no. 3 (2020): 117–21. http://dx.doi.org/10.34216/1998-0817-2020-26-3-117-121.

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European poetry of the 17th century has its own complicated metaphoric language the interpretation of which depends on understanding of different contexts. It is especially true about religious poetry that does not only use metaphors, motifs and stories from the Bible but also perceive the biblical text through some confessions and often through some directions within a confession. Such cultural and historical code is important and necessary for reception and interpretation of poetical text. Franciscans as a special direction in Roman Catholic spirituality influenced very much on European lite
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Mysovskikh, Lev Olegovich. "Existential and Religious Concepts of Fyodor Tyutchev's Poetry as Proof of the Existence of God." Litera, no. 7 (July 2022): 102–10. http://dx.doi.org/10.25136/2409-8698.2022.7.38487.

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The philosophical nature of Tyutchev's poetry was noted by researchers of his work during the poet's lifetime. The study of Tyutchev's work makes it possible to trace the origin of a unique direction of philosophical thought in Russian poetry of the XIX century – religious existentialism. The research carried out within the framework of this article allowed us to trace the genesis of the original direction of religious existentialism in the poetry of F. Tyutchev, who interpreted Nature in his work in philosophical categories. In his poetic works, Tyutchev does not just depict the splendor of N
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Mysovskikh, Lev Olegovich. "The formation of a unique paradigm of religious Existentialism in the poetry of Fyodor Tyutchev." SENTENTIA. European Journal of Humanities and Social Sciences, no. 4 (April 2022): 20–29. http://dx.doi.org/10.25136/1339-3057.2022.4.38468.

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The philosophical nature of Tyutchev's poetry was noted by researchers of his work during the poet's lifetime. The study of Tyutchev's work makes it possible to trace the origin of a unique direction of philosophical thought in Russian poetry of the XIX century – religious existentialism. The research carried out within the framework of this article allowed us to trace the genesis of the original direction of religious existentialism in the poetry of F. Tyutchev, who interpreted Nature in his work in philosophical categories. In his poetic works, Tyutchev does not just depict the splendor of N
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Sibirtseva, Vera G. "Musicality of Klopstock’s poetry." Vestnik of Saint Petersburg University. Language and Literature 19, no. 4 (2022): 692–709. http://dx.doi.org/10.21638/spbu09.2022.403.

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The article analyzes the semantic and structural features of the poetry by Friedrich Gottlieb Klopstock, collectively demonstrating the affinity of the entire work of the outstanding German poet and music. The changing attitude towards symphonic and vocal music from the middle of the 18th century to the beginning of the 19th century and the spread of musical and aesthetic views in related fields of science had a significant impact on Klopstock’s work. The complex multidimensional musicality of his works was misunderstood by his contemporaries who perceived only the superficial layer of Klopsto
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Oberhauser, Claus. "“A sinister creature is on the loose”: Anti-Jesuit Conspiracy Allegations as Political and Poetological Strategies in the First Half of the Nineteenth Century in Tyrol." Journal of Jesuit Studies 10, no. 1 (2023): 122–40. http://dx.doi.org/10.1163/22141332-10010009.

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Abstract The restoration of the Jesuits in Tyrol in 1838/39 shocked the region’s liberals and this shock found expression in the medium of poetry as exemplified by the polemical “Jesuitenlieder” (Jesuit songs) that circulated throughout Tyrol and southern Germany. A few years later a debate developed in German newspapers about the influence of the Jesuits in Tyrol. While older, but also more recent studies often only focused on the literary quality and the liberal elements of the debate, the affinity of this discourse for the tropes of the conspiracy theory has been overlooked until now. Ultim
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Szaruga (Wirpsza), Leszek (Aleksander). "On various kinds of involvement of Avant-Garde." Tekstualia 4, no. 59 (2019): 173–90. http://dx.doi.org/10.5604/01.3001.0013.6443.

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The article analyses selected poems and tractates of poetry, with a special focus on the solutions regarding versifi cation, rhythm, and language (dialectological structures, syntactical forms and neologisms characteristic of poetic writing in Polish and Russian, as well as the contexts of English and German languages). Because the author attempts to distinguish the specifi city of poetry and the most important areas of literary biography in selected areas, he asks what the ways of poetry are, trying to present his point of view about the intellectual climate of the end of the 19th century, wh
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Andreiushkina, Tatiana N. "Poems-catalogues in the poetry of H.M.Enzensberger." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 400–428. http://dx.doi.org/10.21638/spbu09.2023.301.

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The article analyses the types of cataloguing and various sub-genres of the catalog in the poetry of the German poet, playwright and prose writer H.M.Enzensberger (1929–2022). The poet’s collections of 1957–2013 were anilysed. The article traces such methods of cataloguing lyrical material as a name indicating cataloguing, a series of baroque metaphors in Enzensberger’s catalogue poems, an arbitrary enumeration as an example of the illogicality of phenomena/actions, anaphoric repetitions of personal pronouns as a way of organizing a lyrical catalogue, dialogue as a method of lyrical cataloguin
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Piasta, Ewa Anna. "Metaphysical Aspects of Rose Ausländer’s Poetry." Respectus Philologicus 22, no. 27 (2012): 103–14. http://dx.doi.org/10.15388/respectus.2012.27.15340.

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This article analyzes six poems by Rose Ausländer, a poet of Jewish origin, who lived in the years 1901–1988. She was born at Chernivtsi (then in the Austro-Hungarian Empire), and died in Düsseldorf (Germany). Ausländer wrote in German and in English. The aim of this paper is to discuss the metaphysical aspects of Ausländer’s poems and to demonstrate that these aspects are manifested on the semantic, lexical and axiological levels. My interest is in the spiritual experience evoked by her poetry, resulting from a transcendence-and Absolute-oriented existence, experienced in terms of mystery. An
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Dissertations / Theses on the topic "German Religious poetry"

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Hopkins, Stephen Chase Evans. "Solving the Old English Exodus: An Active Problem Solving Approach to the Poem." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1303488106.

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Books on the topic "German Religious poetry"

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Albrecht, Classen, ed. Late-Medieval German women's poetry: Secular and religious songs. D.S. Brewer, 2004.

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Lähnemann, Henrike. Hystoria Judith: Deutsche Judithdichtungen vom 12. bis zum 16. Jahrhundert. De Gruyter, 2006.

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Gerhardt, Paul. Ich bin ein Gast auf Erden: Gedichte. Diogenes, 1998.

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Einhorn, Jürgen W. Franziskus im Gedicht: Texte und Interpretationen deutschsprachiger Lyrik 1900-2000. Butzon & Bercker, 2004.

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Brockes, Barthold Heinrich. Irdisches Vergnügen in Gott: Naturlyrik und Lehrdichtung. Reclam, 1999.

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Konda, Jutta. Das Christus-Bild in der deutschen Hymnendichtung vom 18. bis zum 20. Jahrhundert. Böhlau Verlag, 1998.

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Thelen, Christian. Das Dichtergebet in der deutschen Literatur des Mittelalters. W. de Gruyter, 1989.

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Wolfgang, Dietrich. Wortgesänge. Blaue Hörner, 2004.

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Frithjof, Schuon. Songs for a spiritual traveler: Selected poems : German-English edition. World Wisdom, 2002.

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Bach, Inka. Deutsche Psalmendichtung vom 16. bis zum 20. Jahrhundert: Untersuchungen zur Geschichte einer lyrischen Gattung. Walter de Gruyter, 1989.

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Book chapters on the topic "German Religious poetry"

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Klimek, Sonja, and Kilian Schindler. "Die „ungebundene Freiheit der Poesie“. Metrik, Reim, Religion und Politik in den frühen deutschen Übersetzungen von Miltons Paradise Lost." In Neues von der Insel. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-66949-5_11.

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ZusammenfassungThis chapter discusses the first German translation of Paradise Lost, which was begun by Theodor Haak and revised, completed, and published by Ernst Gottlieb von Berg in 1682. After situating Haak and Berg in their social, political, and religious contexts, we consider the several processes of linguistic, political, and metrical translation involved in this publication – not only from Milton to Haak, but also from Haak to Berg’s revision. While Haak retains the political topicality of Milton’s poem, Berg’s version neutralises its republican dimension in favour of an aesthetic and religious interpretation, which was eventually also championed by Johann Jakob Bodmer in his influential prose translation of Paradise Lost (1732). Notably, Berg’s edition is also the first published work of blank verse in German literature. However, while Haak closely reproduces the liberties of Milton’s poetic form, Berg consistently regularises Haak’s metre in terms of Opitz’ principle of alternation.
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Jabłecki, Tomasz. "Christoph Kölers Übersetzung von Joseph Halls Heaven upon Earth (1632)." In Neues von der Insel. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-66949-5_4.

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ZusammenfassungCalled “our English Seneca” in his time, Joseph Hall (1574–1656), Bishop of Exeter and Norwich, author of theological and moral treatises, wrote one of his most famous and important works Haeven upon Earth in 1606. This treatise was translated into German in 1632 by the Breslau poet, professor and librarian Christoph Köler (1602–1658). The subtitle of Hall’s work Of True Peace and Tranquillity of Mind places his philosophical-religious reflections in the succession of the Senecan and Lipsian “tranquillity of mind”, a philosophical standpoint that Köler, the resolute representative of Lipsian Neo-Stoicism in Silesia, held dear in a special way. The article examines the scope, aim and function of Köler’s translation for education, culture and literary history.
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Hilliard, Kevin. "Religious and Secular Poetry and Epic (1700–1780)." In German Literature of the Eighteenth Century. Boydell and Brewer, 2004. http://dx.doi.org/10.1515/9781571136435-007.

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Osipov, Petro, and Nataliia Bulyk. "TRANSLATION OF CLASSICS OF GERMAN POETRY IN UKRAINIAN." In Trends of philological education development in the context of European integration. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-069-8-9.

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Translation issues have long been in the field of view of translators and philologists-researchers. The focus was on the definition of the translation process in view of its psychological and lexical-semantic features and its perception as a certain creative action. The translation process is always functionally and thematically defined and controlled. Its main purpose is to provide the necessary information and establish communication between people of different languages and cultures. Considering translation as an interlingual communication process, we address the question of what language operations should be performed to ensure the integration of source and target texts and at the same time eliminate their interlinguistic structural differences at the conceptual and stylistic levels. The dominant of any translation is its goal (skopos), because differences in the definition of translation goals cause, in turn, differences in interlingual translation strategies. The translator's understanding of the text presupposes his knowledge of the history of society, institutions, social conditions, religious beliefs, culturally and situationally determined patterns of speech activity and behavior of the "source culture", as well as knowledge of the syntax and semantics of the "source text" and their structures. Each translation creates a dynamic connection and is an intercultural transfer of the text insofar as it takes into account the culturally specific comparison of language, situation and object in question. From the standpoint of hermeneutics and from the point of view of translation, the difference of cultures means the difference between "source culture" and thus – the culture of "source language" and "target culture" and thus - the culture of "target language". The analysis focuses on the translation of the most famous poems of German classics. In J. Goethe, along with the ballad "Erlkönig" ("The Forest King"), it is his popular excerpts from the tragedy "Faust". The translation was made by famous writers B. Hrinchenko and M. Rylsky. F. Schiller's poetry is represented by his ballads "Pirnach" ("DerTaucher") and "Glove" ("DerHandschuh"). The latter was translated by the famous poet and translator M. Orest. Heine's works were translated into Ukrainian by such well-known writers as I. Franko, L. Pervomaisky and others.
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Liska, Vivian. "Lasker-Schüler, Else (1868–1945)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1978-1.

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Else Lasker-Schüler can be regarded as the most important German female modernist and is one of the few women affiliated with the Expressionist movement. Her work—mainly poetry, poetic prose and several plays—has often been situated by its critics and readers in a realm not of this world and outside historical time, in a sphere of eternal poetic truth, a realm oblivious of the cultural, political, and social realities of her day. Although her eccentric and exalted poetic imagination indeed seemingly escapes her immediate environment into fairytale fantasies peopled by princes and princesses, sheiks and magicians, angels and tricksters, such a description of her work misses its importance as an artistic as well as existential endeavour of creative innovation in which a return to age-old religious, literary, cultural and textual traditions meets a radically modernist idea of poetry and selfhood.
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Marissen, Michael. "Historically Informed Renderings of the Librettos from Bach’s Cantatas." In Bach against Modernity. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197669495.003.0007.

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Abstract This chapter discusses the various kinds of technical issues—premodern German vocabulary, historical Lutheran theology, interpretively significant biblical allusion, editorial problems of establishing proper source texts—that do or should plague historically informed readers and translators of the librettos from Johann Sebastian Bach’s cantatas. Each of the suggested renderings of the texts from Bach’s cantatas arises out of insights that depend upon knowledge of the broader linguistic, cultural, and religious contexts of Bach’s music and the poetry he set. Unlike people today, Bach lived and worked in a biblically literate culture. We cannot truly understand his (premodern) artistic output unless we become historically informed about his religious Sitz im Leben, whatever our own partialities might be.
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Lee, Charlotte. "Barthold Heinrich Brockes and Distributed Cognition: The Delicate Flux of World and Spirit." In Distributed Cognition in Enlightenment and Romantic Culture. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474442282.003.0003.

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This chapter discusses Barthold Heinrich Brockes, a prolific German poet of the eighteenth-century, as a precursor of theories of distributed cognition. It argues that developments in anti-dualist and radical Protestant thought around 1700, together with Brockes’ own commitment to the ‘mixed-science’ of physico-theology, cause his poetry to resonate with modern approaches to cognition. Through close readings of individual poems from the collection Irdisches Vergnügen in Gott, the chapter examines Brockes’ presentation of the flux between mind, body and world, and of the productive use which, through what we might call ‘epistemic engineering’, humankind can make of its environment. It also remarks on the compatibility of this religious work, geared towards the celebration of God, with modern, essentially secular understandings of our world.
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Schimmel, Annemarie. "1993." In The Life of Learning. Oxford University Press, 1994. http://dx.doi.org/10.1093/oso/9780195083392.003.0014.

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Once upon a time there lived a little girl in Erfurt, a beautiful town in central Germany—a town that boasted a number of Gothic cathedrals and was a center of horticulture. The great medieval mystic Meister Eckhart had preached there; Luther had taken his vow to become a monk there and spent years in the Augustine monastery in its walls; and Goethe had met Napoleon in Erfurt, for the town’s distance from the centers of classical German literature, Weimar and Jena, was only a few hours by horseback or coach. The little girl loved reading and drawing but hated outdoor activities. As she was the only child, born rather late in her parents’ lives, they surrounded her with measureless love and care. Her father, hailing from central Germany, not far from the Erzgebirge, was an employee in the post and telegraph service; her mother, however, had grown up in the north not far from the Dutch border, daughter of a family with a centuries-long tradition of seafaring. The father was mild and gentle, and his love of mystical literature from all religions complemented the religious bent of the mother, grown up in the rigid tradition of northern German protestantism, but also endowed with strong psychic faculties as is not rare in people living close to the unpredictable ocean. To spend the summer vacations in grandmother’s village was wonderful: the stories of relatives who had performed dangerous voyages around Cape Horn or to India, of grandfather losing his frail clipper near Rio Grande del Sul after more than a hundred days of sailing with precious goods—all these stories were in the air. Mother’s younger sister was later to weave them into a novel and to capture the life in the coastal area in numerous radio plays. Both parents loved poetry, and the father used to read aloud German and, later, French classical literature to us on Sunday afternoons.
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Steinby, Liisa. "Approaches to Myth and Mythology." In Oxford History of Modern German Theology, Volume 1: 1781-1848. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198845768.003.0018.

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Abstract The chapter discusses new approaches to the study of myth and mythology in late eighteenth- and early nineteenth-century Germany, focusing on four important thinkers or intellectual currents, namely Herder; the Early Romanticism of Friedrich Schlegel, Novalis, and Schelling; Friedrich Creuzer; and the late Schelling. In Herder’s anthropological approach, myth is regarded as a natural form of human cognition. Herder discusses myth as the material of poetry and interprets myths in the Bible. The Early Romantics’ view of myth is based on the idealist philosophy; myth, like art, is an important form of representing the Absolute. Creuzer, in his Symbolik und Mythologie der alten Völker, presents a temporally and geographically comprehensive overview of the religious imagery of ancient peoples, suggesting that mythologies share a common origin of a basically monotheistic character. Schelling, on the other hand, in his Philosophie der Mythologie, claims that the mythologies, or theogonies, in different cultures rather develop in parallel; this is because the theogonic process actually involves the true effectuality of God.
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Gillingham, S. E. "Law Poetry, Wisdom Poetry, and Popular Poetry." In The Poems and Psalms of the Hebrew Bible. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780192132420.003.0005.

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Abstract One convincing defence of this issue has been offered by Hermann Gunkel, in a seminal article on Israelite literature, written in German in 1900. He argues that, in the very first stages of cultural growth, poetry was a powerful mode of communication within the folk-religion of Israel. Poetry, linked to the music and dance of popular religion and folk-culture, was easier to memorize, and hence easier to impart to later generations, than prose. Much of the prophets’ teachings some centuries later was expressed in a poetic fonn precisely because of this feature. Gunkel’s observations in fact fit well with our own considerations concerning the poetic aphorisms found within the Gospels: the brief, binary form of Semitic verse has a distinct performative quality, and in many cases predates the prose literature into which it was later incorporated.
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