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Journal articles on the topic 'German Religious poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Dhahir, Thamer Abdulkareem. "Einfluss des Nahen Ostens auf die deutsche Literatur." JOURNAL OF LANGUAGE STUDIES 5, no. 1 (2022): 294–310. http://dx.doi.org/10.25130/jls.5.1.22.

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The purpose of this research is to show how the oriental nation affected the German literature as it affected other nation's culture and literature. In these pages we can see how the conflict was and what the current position is the opinion of European most great German authors such as Harder and Goethe, which distinguish Arabic oriental literary life from the west part of the glop where armies vividly occupied eastern Arabic lands through their power the Arabs got rid of the Superficiality and looked deeper into their own identification. German writers tried to reach the essence of Islamic ci

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Montover, Nate, and Albrecht Classen. "Late-Medieval German Women's Poetry: Secular and Religious Songs." Sixteenth Century Journal 37, no. 3 (2006): 773. http://dx.doi.org/10.2307/20478001.

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Volkova, Anna G. "THE RECEPTION OF FRANCISCAN MYSTICS IN EUROPEAN POETRY OF THE 17TH CENTURY." Vestnik of Kostroma State University, no. 3 (2020): 117–21. http://dx.doi.org/10.34216/1998-0817-2020-26-3-117-121.

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European poetry of the 17th century has its own complicated metaphoric language the interpretation of which depends on understanding of different contexts. It is especially true about religious poetry that does not only use metaphors, motifs and stories from the Bible but also perceive the biblical text through some confessions and often through some directions within a confession. Such cultural and historical code is important and necessary for reception and interpretation of poetical text. Franciscans as a special direction in Roman Catholic spirituality influenced very much on European lite

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Mysovskikh, Lev Olegovich. "Existential and Religious Concepts of Fyodor Tyutchev's Poetry as Proof of the Existence of God." Litera, no. 7 (July 2022): 102–10. http://dx.doi.org/10.25136/2409-8698.2022.7.38487.

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The philosophical nature of Tyutchev's poetry was noted by researchers of his work during the poet's lifetime. The study of Tyutchev's work makes it possible to trace the origin of a unique direction of philosophical thought in Russian poetry of the XIX century – religious existentialism. The research carried out within the framework of this article allowed us to trace the genesis of the original direction of religious existentialism in the poetry of F. Tyutchev, who interpreted Nature in his work in philosophical categories. In his poetic works, Tyutchev does not just depict the splendor of N

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Mysovskikh, Lev Olegovich. "The formation of a unique paradigm of religious Existentialism in the poetry of Fyodor Tyutchev." SENTENTIA. European Journal of Humanities and Social Sciences, no. 4 (April 2022): 20–29. http://dx.doi.org/10.25136/1339-3057.2022.4.38468.

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The philosophical nature of Tyutchev's poetry was noted by researchers of his work during the poet's lifetime. The study of Tyutchev's work makes it possible to trace the origin of a unique direction of philosophical thought in Russian poetry of the XIX century – religious existentialism. The research carried out within the framework of this article allowed us to trace the genesis of the original direction of religious existentialism in the poetry of F. Tyutchev, who interpreted Nature in his work in philosophical categories. In his poetic works, Tyutchev does not just depict the splendor of N

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Sibirtseva, Vera G. "Musicality of Klopstock’s poetry." Vestnik of Saint Petersburg University. Language and Literature 19, no. 4 (2022): 692–709. http://dx.doi.org/10.21638/spbu09.2022.403.

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The article analyzes the semantic and structural features of the poetry by Friedrich Gottlieb Klopstock, collectively demonstrating the affinity of the entire work of the outstanding German poet and music. The changing attitude towards symphonic and vocal music from the middle of the 18th century to the beginning of the 19th century and the spread of musical and aesthetic views in related fields of science had a significant impact on Klopstock’s work. The complex multidimensional musicality of his works was misunderstood by his contemporaries who perceived only the superficial layer of Klopsto

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Oberhauser, Claus. "“A sinister creature is on the loose”: Anti-Jesuit Conspiracy Allegations as Political and Poetological Strategies in the First Half of the Nineteenth Century in Tyrol." Journal of Jesuit Studies 10, no. 1 (2023): 122–40. http://dx.doi.org/10.1163/22141332-10010009.

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Abstract The restoration of the Jesuits in Tyrol in 1838/39 shocked the region’s liberals and this shock found expression in the medium of poetry as exemplified by the polemical “Jesuitenlieder” (Jesuit songs) that circulated throughout Tyrol and southern Germany. A few years later a debate developed in German newspapers about the influence of the Jesuits in Tyrol. While older, but also more recent studies often only focused on the literary quality and the liberal elements of the debate, the affinity of this discourse for the tropes of the conspiracy theory has been overlooked until now. Ultim

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Szaruga (Wirpsza), Leszek (Aleksander). "On various kinds of involvement of Avant-Garde." Tekstualia 4, no. 59 (2019): 173–90. http://dx.doi.org/10.5604/01.3001.0013.6443.

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The article analyses selected poems and tractates of poetry, with a special focus on the solutions regarding versifi cation, rhythm, and language (dialectological structures, syntactical forms and neologisms characteristic of poetic writing in Polish and Russian, as well as the contexts of English and German languages). Because the author attempts to distinguish the specifi city of poetry and the most important areas of literary biography in selected areas, he asks what the ways of poetry are, trying to present his point of view about the intellectual climate of the end of the 19th century, wh

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Andreiushkina, Tatiana N. "Poems-catalogues in the poetry of H.M.Enzensberger." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 400–428. http://dx.doi.org/10.21638/spbu09.2023.301.

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The article analyses the types of cataloguing and various sub-genres of the catalog in the poetry of the German poet, playwright and prose writer H.M.Enzensberger (1929–2022). The poet’s collections of 1957–2013 were anilysed. The article traces such methods of cataloguing lyrical material as a name indicating cataloguing, a series of baroque metaphors in Enzensberger’s catalogue poems, an arbitrary enumeration as an example of the illogicality of phenomena/actions, anaphoric repetitions of personal pronouns as a way of organizing a lyrical catalogue, dialogue as a method of lyrical cataloguin

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Piasta, Ewa Anna. "Metaphysical Aspects of Rose Ausländer’s Poetry." Respectus Philologicus 22, no. 27 (2012): 103–14. http://dx.doi.org/10.15388/respectus.2012.27.15340.

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This article analyzes six poems by Rose Ausländer, a poet of Jewish origin, who lived in the years 1901–1988. She was born at Chernivtsi (then in the Austro-Hungarian Empire), and died in Düsseldorf (Germany). Ausländer wrote in German and in English. The aim of this paper is to discuss the metaphysical aspects of Ausländer’s poems and to demonstrate that these aspects are manifested on the semantic, lexical and axiological levels. My interest is in the spiritual experience evoked by her poetry, resulting from a transcendence-and Absolute-oriented existence, experienced in terms of mystery. An

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Drews, Luisa, Patrick Hohlweck, and Stefan Willer. "Schauplätze des Künftigen." Daphnis 51, no. 1 (2023): 131–70. http://dx.doi.org/10.1163/18796583-12340079.

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Abstract The subject of this article are spatiotemporal manifestations of the future as they are formed in various genres of German-language Baroque literature. Using three examples – pastoral (Martin Opitz), religious poetry and hymns (Anna Ovena Hoyers), as well as Trauerspiel (Andreas Gryphius) – the authors examine how imminent, expected, planned, anticipated, or feared states are explored in 17th-century works, i.e., how they are composed processually and medially, and which spaces and places they occupy in each genre.

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Lutz, Angelika. "Æthelweard's Chronicon and Old English poetry." Anglo-Saxon England 29 (January 2000): 177–214. http://dx.doi.org/10.1017/s0263675100002453.

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The author of the Chronicon Æthelweardi is commonly identified with the ealdor-man of the western shires who signed charters from 973–98 and played an important political role particularly in King Æthelred's England. Ealdorman Æthelweard is also known as the patron of Abbot Ælfric, as the addressee of Ælfric's famous preface to his translation of Genesis and of his Old English preface to his Lives of Saints; that is, we know him as a person who took great interest in religious texts written in or translated into the vernacular. The Chronicon was written in Latin, although it was mainly based o

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Haskell, Yasmin. "The Vineyard of Verse." Journal of Jesuit Studies 1, no. 1 (2014): 26–46. http://dx.doi.org/10.1163/22141332-00101003.

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This review of scholarship on Jesuit humanistic literature and theater is Latin-oriented because the Society’s sixteenth-century code of studies, the Ratio Studiorum, in force for nearly two centuries, enjoined the study and imitation in Latin of the best classical authors. Notwithstanding this well-known fact, co-ordinated modern scholarship on the Latin poetry, poetics, and drama of the Old Society is patchy. We begin with questions of sources, reception, and style. Then recent work on epic, didactic, and dramatic poetry is considered, and finally, on a handful of “minor” genres. Some genres

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Salvatore, Roberta. "Boris Pasternak and Friedrich Gottlieb Klopstock (about Pasternak’s Poem The Starry River of a Week Ago)." Slovene 6, no. 2 (2017): 456–81. http://dx.doi.org/10.31168/2305-6754.2017.6.2.19.

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The aim of this paper is to demonstrate that Boris Pasternak’s poem The Starry River of a Week Ago (1917) is a description of the creation process and a reflection on the nature of this process. To support this view, attention will be drawn to some significant sets of images and themes in this text that are found also in a group of five poems by Friedrich Gottlieb Klopstock, in which ice-skating functions as a metaphor of creation. These poems will give rise to a specific tradition within German poetry where ice-skating is symbolic of both the rapture and the risk of inspiration. In the last p

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Grant, Paul. "Dying German in Ghana: The Basel Mission Wrestles with Grief, 1830–1918." Studies in World Christianity 20, no. 1 (2014): 4–18. http://dx.doi.org/10.3366/swc.2014.0068.

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Throughout the eighty years preceding the First World War, the Basel Mission's activities in the Gold Coast were overshadowed by endless reports of missionary death and disease. Lengthy bouts of sickness and grief described the very context of mission work. With each turn in the road, the missionaries and the home office alike turned to writing and rewriting their history, and in the process incorporated death into the message of the mission: sacrifice with an assurance of ultimate accomplishment gave way to notions of sacrifice as service in itself. This conversation was profoundly emotional

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Arndt, Martin. "The German Poet Stefan George and Pre-National Socialism in Germany." Middle East Research Journal of Humanities and Social Sciences 3, no. 03 (2023): 23–31. http://dx.doi.org/10.36348/merjhss.2023.v03i03.001.

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Dr. Middle East Research Journal of Humanities and Social Sciences; -. DOI: Abstract|Download PDF As a comprehensive account of the European and American reception of George’s works and those of the appr. 40 members of his circle is - after the translation of all his poems in 1949 The Works of Stefan George by Olga Marx and Ernst Morwitz - yet to be written, the following article is an attempt to introduce George and his followers to the English-speaking world. It focuses on some exemplary, representative persons from a cultural and political point of view. As the male-bonded circle was concei

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Shahar, Galili. "Goethe’s Song of Songs : Reorientation, World Literature." Prooftexts 40, no. 1 (2023): 110–39. http://dx.doi.org/10.2979/ptx.2023.a899251.

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Abstract: The engagement of the German poet Johann Wolfgang von Goethe (1749–1832) with biblical Hebrew poetry already during the early stages of his career in the 1770s and later during the Divan period (1814–27) was associated with his study of Oriental literatures. Under the influence of his mentor and friend, Johann Gottfried Herder, Goethe devoted himself to studying and translating Hebrew and Arabic sources (mostly from the Latin), among them the Song of Songs, alongside chapters from the Qurʿan. In his late work his reflections on the Hebrew biblical poem were associated with his interp

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Rokem. "German–Hebrew Encounters in the Poetry and Correspondence of Yehuda Amichai and Paul Celan." Prooftexts 30, no. 1 (2010): 97. http://dx.doi.org/10.2979/prooftexts.2010.30.1.97.

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Ryzhkova, Anna V. "TRANSFORMATION OF CHAN-BUDDHIST MOTIFS IN MONASTERY POETRY OF THE SONG DYNASTY (GENDER ASPECT)." Alfred Nobel University Journal of Philology 1, no. 23 (2022): 107–17. http://dx.doi.org/10.32342/2523-4463-2022-1-23-10.

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There are phenomena of Chan Buddhism as philosophical and religious dogma and embodiment of its rules in the center of the article. Study object is poetry of monks and nuns written during Song dynasty (lyrics of Dumu Jingang, Zhenru, Daoqian and Daoqiang). The study is based on the works of the Chinese (Hu Shih), Ukrainian (N. S. Isaieva), Russian (M.I. Vorobyova-Desyatovskaya, M.S. Ulanov), French (H.Ciхоus, C. Clement), Germany (S. Weigel) and American (N. Miller) researchers. However, in the same time we have noticed lack of the works addressed to analysis of the Chan poetry, its’ themes, i

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Salyha, Taras. "MUNICH CONFESSION OF VOLODYMYR YANIV (dedicated to 110th anniversary of birth)." Polish Studies of Kyiv, no. 35 (2019): 321–33. http://dx.doi.org/10.17721/psk.2019.35.321-333.

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Three major aspects of Volodymyr Yaniv’s life-creativity are described in the article: 1. biographical (his forma- tion as a creative person); 2. literary and art studies; 3. essayistic (author’s stories about the meetings with the perennial rec- tor of UFU). In parallel, there are “plots” about Volodymyr Yaniv as s historian of the church and Christianity, as a religious scholar, about his contacts with the Vatican, and in particular with His Beatitude Josyf Slipyj in the study. We can trace the “odyssey” of a young ascetic of the Galician revolutionary movement for the statehood and the unit

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Korovin, Vladimir L. "“Three Paraphrastic Odes of Psalm 143”: Religion and Politics in the Poetry Contest of Trediakovsky, Lomonosov and Sumarokov in 1743." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 81, no. 3 (2022): 40. http://dx.doi.org/10.31857/s160578800020757-8.

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The article clarifies the circumstances of the creation of the first translations of the psalms by V.K. Trediakovsky, M.V. Lomonosov and A.P. Sumarokov, printed in the brochure “Three Paraphrastic Odes of Psalm 143” (St. Petersburg, 1744; published at the end of 1743). As it is known, they were written in connection with their theoretical discussion about Russian versification (on the semantics of the iambic and trochee) and were brought to the public as the results of a poetic contest. In this article attention is focused not on questions of style and metrics, but on the content of these poem

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Daija, Pauls. "Kārlis Hūgenbergers 19. gadsimta sākumā latviešu literārās kultūras vēsturē." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 137–54. http://dx.doi.org/10.37384/aplkp.2021.26-2.137.

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In the article, the literary works of Baltic German writer Carl Hugenberger have been explored. Anthology of his poetry translations, “Derrigs laika kaweklis” (Useful Pastime, I–II, 1826–1827), has been analysed. The anthology was significant in the emancipation of Latvian literary culture and liberation from moral didacticism as well as the development of the self-sufficient aesthetic value of literature. Thus, the anthology prepared the way for the formation of Latvian national literature in the mid-19th century. Special attention has been turned towards Hugenberger’s translations of poems b

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Muir, Simo. "“Who Will Laugh the Last?”: Jac Weinstein’s Sketches, Poetry, and Songs during Finnish-German Co-Belligerency, 1941–44." Jewish Social Studies 27, no. 2 (2022): 24–52. http://dx.doi.org/10.2979/jewisocistud.27.2.02.

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Kuzin, Yu V. "Thought: Parmenides' prohibition / Gorgias' self-will." Voprosy kul'turologii (Issues of Cultural Studies), no. 8 (July 28, 2023): 602–15. http://dx.doi.org/10.33920/nik-01-2307-06.

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The paper presents the philosophical arguments of the Sophist Gorgias of Leontius. For a long time, he was considered a judicial orator, rhetorician, teacher of eloquence. It's time to talk about Gorgias as a philosopher. His ontology, epistemology, and epistemology are as important as his rhetorical legacy. In this article, Gorgias appears as a broad-minded thinker. His ideas were echoed in German classical philosophy and French existentialism. Its cosmology was in tune with the concepts of physics of the XXI century. Gorgias is at the origin of the idea of an infinite number of Universes and

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Mustafayeva, Nailya B. "Stanza form of mukhammas in Azerbaijan lyrics in 20th century." Neophilology, no. 21 (2020): 76–84. http://dx.doi.org/10.20310/2587-6953-2020-6-21-76-84.

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In Azerbaijan literature of the early 20th century mukhammas were created, they were distinguished by the search for new forms and the problematic range. For example, Sabir began mukhammas with beit (couplets) of tarji, repeated it at the end of each stanza. Many other poets repeated a similar technique afterwards. There are other features of the mukhammas of the specified period; the topic in general covered lyric and poetic, patriotic, social and political, philosophical, and religious issues. The patriotic mukhammas included a description of the nature beauties, the motherland defenders cou

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Vidas Sambunjak, Zaneta. "APOCALYPTIC CRISIS IN NIKOLAUS LENAU'S EPIC POEM "DIE ALBIGENSER"." Folia linguistica et litteraria XIII, no. 41 (2022): 51–72. http://dx.doi.org/10.31902/fll.41.2022.3.

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Nikolaus Lenau’s (1802–1850) Die Albigenser (1842) is one of the most important German-language political poems. The Albigensiansis a religious epic poem dealing with the history of the Middle Ages. The culmination of this period comes in the crisis of the Crusades and the persecution of heretics. In the research to date, Lenau's Albigensians have been portrayed as those devoted to the worship of the spirit. In its rejection of the physical, this dualistic heresy had incalculable social consequences. One of these consequences was the overthrow of an established order, which Lenau himself shows

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Lappo-Danilevskii, Konstantin Yu. "N. M. Karamzin’s Literary Transfer." Slovene 10, no. 2 (2021): 353–66. http://dx.doi.org/10.31168/2305-6754.2021.10.2.15.

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[Rev. of: Kafanova O. B., Perevody N. M. Karamzina kak kul’turnyi universum. St. Petersburg: Aleteiia, 2020. 356 p. (in Russian)] O. B. Kafanova’s monograph «N. M. Karamzin’s translations as a cultural universe» (2020) is the result of many years of comparative studies. Numerous articles on the topic preceded this book, which covers the period from 1783 to 1800. In the beginning Karamzin had good knowledge of French and German only so that he used numerous intermediaries in these languages to acquaint the Russian audience with world literature (ancient and eastern poetry, dramas of Shakespeare

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Tahir, Sobia, and Sidra Maqsood. "Muhammad Iqbal and Grman Idealism: A Comparative Review." Review of Applied Management and Social Sciences 6, no. 2 (2023): 257–68. http://dx.doi.org/10.47067/ramss.v6i2.327.

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The phrase Idealism is not new for the students and readers of Philosophy, however, when the prefix German is added before it, it acquires a different meaning, mood, taste and inclination. German Idealism is distinguished from all other forms of European Idealisms. It concentrated on mind as an active and self-conscious entity. German Idealists suppressed the traditional ontologies based on substances and their accidents. The most prominent German Idealists include I - Immanuel Kant (1724-1804), II- Johann Gottelib Fichte (1762-1814), III-Friedrich Wilhelm Joseph Von Schelling (1775-1854) and

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HAVRYLIV, Tymofii. "TWO «END OF THE WORLD»: APOCALYPSE AS A CODE OF MODERN POETRY AND ITS FUNCTIONALS." Ukraine: Cultural Heritage, National Identity, Statehood 36 (2022): 242–55. http://dx.doi.org/10.33402/ukr.2022-36-242-255.

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The apocalyptic code of modernist poetry is studied on the example of the poem «The End of the World» by the Ukrainian modernist poet, a native of Lemkivshchyna Bohdan-Ihor Antonych, and a poem of the same name by a German expressionist poet of Jewish origin, a representative of the apocalyptic Aesthetic, socio-critical and eschatological functionalities of the apocalyptic code of modernist poetry are singled out, characteristic verbal practices are analyzed, the connection between lexical-semantic level and the level of poetic semantics is highlighted, mechanisms of formation are revealed, a

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Clayton, J. "Milk and ashes poets Paul Celan and Nelly Sachs confront the trauma of the shoah." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 16, no. 29 (2023): 21–34. http://dx.doi.org/10.34079/2226-3055-2023-16-29-21-34.

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Both Paul Celan and Nelly Sachs were survivors of the Shoah who emerged deeply traumatized by the phenomenon. Both poets were thus displaced from their country of origin and linguistic environment. Their poetic strategies post-Holocaust were defined by the unspeakable enormity of the crime of genocide and the (contradictory) need to bear witness. In Celan’s famous poem “Todesfuge” (Death Fugue) the poet adopts the voice of a prisoner in a German death camp. Celan subsequently abandoned traditional formal poetic devices. His poetry became increasingly hermetic. The title of Celan’s poem contain

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Vinogradov, Igor. "THE “ARABESQUES” CYCLE BY N. V. GOGOL: UNITY OF COMPOSITION AND PROBLEMS." Проблемы исторической поэтики 19, no. 4 (2021): 234–304. http://dx.doi.org/10.15393/j9.art.2021.10262.

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The unity of the problematics and the author’s principles of composition of the collection of N. V. Gogol “Arabesques” (1835) are investigated. The unobvious unity and integrity of the writer’s poetic encyclopedia — “Arabesque” — become apparent through the coverage of the cross-cutting themes and motives of the cycle, the numerous interconnections and overlaps between the articles, essays and stories included in the collection. It is established that the organizing beginning of the cycle is the writer’s reflections of a religious and political nature. From the point of view of this main compo

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Makhmudova, Muattar Makhsatilloevna. "FUNDAMENTALS AND IDEOLOGICAL CONTENT OF THE CREATION OF Y.V. GOETHE'S "WEST-EAST COLLECTION OF POEMS"." Scientific Reports of Bukhara State University 5, no. 5 (2021): 119–30. http://dx.doi.org/10.52297/2181-1466/2021/5/5/11.

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Background. The article tells about the work of the famous German writer Johann Wolfgang Goethe and about the history of the creation of the famous "West-Eastern Divan". Methods. The famous German writer Johann Wolfgang Goethe (1749-1832) was a poet, playwright, literary critic, jurist, orientalist, historian and philosopher, painter, theater critic, naturalist, and scientist and statesman who made discoveries in biology and mineralogy. He was one of the first to use the term "world literature." His 143-volume artistic and scientific legacy includes his works such as Faust, The Sufferings of Y

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Baishy, Lalta Prasad. "Współczesna sytuacja sanskrytu." Gdańskie Studia Azji Wschodniej, no. 24 (December 2023): 277–82. http://dx.doi.org/10.4467/23538724gs.23.035.19031.

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The contemporary situation of Sanskrit This article presents the current situation of Sanskrit and the importance of Sanskrit in India. How is Sanskrit used in daily life in India and what is its role in the sub-continent’s religions? There are some television channels in Sanskrit and in schools Sanskrit is a mandatory subject. It is one of the twenty-three official languages in India. Sanskrit is not a dead language because there are some villages where people use it in daily life, for example in school, university, worship, and especially on traditional occasions. It has a role like Greek or

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Grey, Thomas, and Kirsten Paige. "The Owl, the Nightingale and the Jew in the Thorn-bush: Relocating Anti-Semitism in Die Meistersinger." Cambridge Opera Journal 28, no. 1 (2016): 1–35. http://dx.doi.org/10.1017/s095458671600001x.

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AbstractFor the past twenty-five years a key piece of evidence for an anti-Semitic subtext in Wagner’s Die Meistersinger has been identified in the Grimm Brothers’ anti-Semitic tale ‘The Jew in the Thorn-bush’ and a possible allusion to this in the text of Walther’s Act I ‘trial song’. This article argues that the passages in question are better explained with reference to a medieval poetic tradition still prevalent in nineteenth-century German culture involving the vocal contest between birds, paradigmatically the owl and the nightingale. Since the twelfth century, the owl and the nightingale

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Rubiés, Joan-Pau. "Tamil Voices in the Lutheran Mission of South India (1705-1714)." Journal of Early Modern History 19, no. 1 (2015): 71–81. http://dx.doi.org/10.1163/15700658-12342439.

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The English edition of the Bibliotheca Malabarica, a manuscript catalogue of the Tamil works collected by the young Lutheran missionary Bartholomäus Ziegenbalg during his first two years in India (1706-8), attests to his prodigious effort to acquire, read, and summarize all the works of the “heathens” of South India that he could possibly get hold of. Most of this literature seems to have originated from local Śaiva mattams. Besides epics and puranas, the collection included many popular works on ethics, divination and astrology, devotional poetry, or folk narratives and ballads. Ziegenbalg se

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Silva, Fernando M. F. "“A maximum in its kind” : the problem of the absolute between Novalis and Kant." Discusiones Filosóficas 20, no. 35 (2019): 15–29. http://dx.doi.org/10.17151/difil.2019.20.35.2.

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The problem of the absolute, in its religious, political, aesthetic and/or philosophical scopes, is one of the fundamental propeller springs of 18th century thought, especially in Kant’s time and until the period of German Idealism. This paper intends to approach the problem in its philosophical-aesthetic dimension and to discern how the problem of thinking or experiencing the absolute, in the form of philosophical systematicity, as it was legated by Kant and his generation, was one of the main theoretical questions received by a whole generation of young authors. In order to best demonstrate

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Miroshnichenko, Evgeny. "The Inner Form of Zaum'. Humboldtian Paradigm of P.A. Florensky in the Light of the Theoretical Works of I. Terent'ev and I. Zdanevich." Philosophy. Journal of the Higher School of Economics VI, no. 1 (2022): 253–77. http://dx.doi.org/10.17323/2587-8719-2022-1-253-277.

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The article discusses the genealogy of zaum' theory, associated with the Inner Form of Language concept, which was set forth in the works of W. von Humboldt and A.A. Potebnya. The author investigates the interpretation of zaum' poems by P. Florensky, and in this context, he studies theoretical treatises of representatives of the radical futuristic group 41° (A. Kruchenyh, I. Terent'ev, I. Zdanevich). The author concludes that zaumniki had a foundation in Humboldtian opposition ergon/energeia in the language, but they do not deconstruct one of its elements, but the very border between them, and

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Sarbash, Lyudmila N. "Non-Russian Mythology and Folklore in the Volga Travelogue of the 19th Century." Imagologiya i komparativistika, no. 15 (2021): 140–55. http://dx.doi.org/10.17223/24099554/15/8.

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The Volga Travelogue is a large layer of travel essays in the 19th-century Russian literature. This layer has not become a subject of special research in literature studies. The “journey along the Volga” is distinguished by the wide diversity of issues and themes it discusses: the economic and industrial activities of the region, its cultural and historical sights, the uniqueness of the Volga region in an ethnographic perspective – of the multifaceted “Volga region resident”. One of the structural components of the travelogue is the Volga mythology and folklore: historical-geographical and cul

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Zhuk, Alexandra D. "The Problem of Genre in the Hymns by the Lake Poets and Thomas Moore." Imagologiya i komparativistika, no. 15 (2021): 7–30. http://dx.doi.org/10.17223/24099554/15/1.

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Though there are many seminal works on early Romanticism and Thomas Moore’s poetry, their hymns remain understudied. This article focuses on the genre problem in the hymns by the Lake Poets (S.T. Coleridge, W. Wordsworth, R. Southey) and Thomas Moore, whose poetry is studied in context of English Literature and German Romanticism. The characteristics of the hymn are emotionality, associative composition, abundance of repetitions and parallelisms, archaic grammatical forms of verbs and pronouns, and the use of verb contractions. The combination of genres in hymns results in such variants as the

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Pudełko, Brygida. "A Tribute to Joseph Conrad and Aleksandr Grin in Anastasia Tsvetaeva’s Poem “Twins”." Yearbook of Conrad Studies 15 (2023): 37–43. http://dx.doi.org/10.4467/20843941yc.20.002.19285.

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Anastasia Tsvetayeva was a Russian writer, poet and memoirist. She started to write earlier than her younger sister Marina Tsvetayeva. Although Anastasia Tsvetaeva published several stories in the 1910s, she was not a representative of any leading literary association or group. She worked as a teacher of English, and a librarian in the Moscow Museum of Fine Arts. She also translated literary and philosophical works from French, English and German. Living in Moscow, Tsvetaeva was not fundamentally involved in politics, giving time and energy to creative work. However, the religious nature of he

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Jurak, Mirko. "William Shakespeare and Slovene dramatists (I): A. T. Linhart's Miss Jenny Love." Acta Neophilologica 42, no. 1-2 (2009): 3–34. http://dx.doi.org/10.4312/an.42.1-2.3-34.

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One of the signs of the universality of William Shakespeare's plays is undoubtedly their influence on plays written by other playwrights throughout the world. This is also true of Slovene playwrights who have been attracted by Shakespeare's plays right from the beginning of their creativity in the second half of the eighteenth century, when Anton Tomaž Linhart (1756-1795) wrote his tragedy Miss Jenny Love.-However,-Slovene knowledge about-Shakespeare and his plays reaches back-into the seventeenth century, to the year 1698, when a group of Jesuit students in Ljubljana performed a version of th

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Acri, Andrea. "On birds, ascetics, and kings in Central Java Rāmāyana Kakawin, 24.95–126 and 25." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 166, no. 4 (2010): 475–506. http://dx.doi.org/10.1163/22134379-90003611.

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In the first part of the paper I introduce stanzas 95-126 of Sarga 24 and the whole of Sarga 25 of the Old Javanese Rāmāyaṇa, which present the most difficult and least understood pieces of poetry in the whole of Old Javanese literature. The two sections, displaying a close relationship between each other on account of several shared lexical items and corresponding motifs, describe in allegorical terms animals, birds and plants in order to satirically represent ascetic and political characters of mid-9th century Central Java. Because of their idiosyncratic language and style, and because of th

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Shepkaru, Shmuel. "Susan L. Einbinder. Beautiful Death: Jewish Poetry and Martyrdom in Medieval France. Princeton and Oxford: Princeton University Press, 2002. x, 219 pp." AJS Review 28, no. 2 (2004): 371–73. http://dx.doi.org/10.1017/s0364009404290213.

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Can medieval Jewish poetry teach us history? Asked differently, can scholars draw on medieval poetry (piyyutim) to reconstruct historical events? In Beautiful Death, Einbinder narrows down this matter to the case of Ashkenazic martyrological poetry. To answer this question, Einbinder has analyzed over seventy Hebrew poems from northern France, England, and Germany; they span the period following the First Crusade (1096), ending with the Rindfleisch massacres of 1298 in Germany and King Philip IV's expulsion of the French Jews in 1306.

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Arkha, Meiranisah, Elmustian, and Hadi Rumadi. "Kajian Semiotik Kumpulan Puisi Tersebab Aku Melayu Karya Taufik Ikram Jamil." GERAM 9, no. 1 (2021): 9–16. http://dx.doi.org/10.25299/geram.2021.vol9(1).5254.

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Semiotics is a method of analysis that examines signs. This collection of poems Tersebab Aku Melayu by Taufik Ikram Jamil works contains many semiotic elements such as icons, indexes, and symbols. This study only focused on 14 poems from 59 poetry collections Tersebab Aku Melayu by Taufik Ikram Jamil. In this study, three problem formulas examine semiotics, namely what are the icons contained in a collection of poetry Tersebab Aku Melayu by Taufik Ikram Jamil, what are the indices contained in a collection of poetry Tersebab Aku Melayu by Taufik Ikram Jamil, and what are the symbols contained

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Wilkinson, Robert J. "The Poetic Transformation of Christian Cabbala." Aries 20, no. 2 (2020): 173–206. http://dx.doi.org/10.1163/15700593-02002001.

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Abstract This article follows the development of a genre of eighteenth-century texts, explicitly self-designated as ‘cabbalistic’, initially intended for fortune telling by use of a number-alphabet. Such texts were found in Latin and German and eventually emerged from clandestinity into print, though initially they were often anonymous and with false places of printing. As these texts attracted the attention of those interested in promoting the German vernacular and demonstrating the poetic capacity of that language, they were increasingly identified as ‘paragrams’, lost much of their mantic p

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Reinis, Austra. "Poetry and Parental Bereavement in Early Modern Lutheran Germany - By Anna Linton." Religious Studies Review 36, no. 4 (2010): 298–99. http://dx.doi.org/10.1111/j.1748-0922.2010.01467_18.x.

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Michelsen, William. "Introduktion til Danne- Virke. I." Grundtvig-Studier 37, no. 1 (1985): 67–78. http://dx.doi.org/10.7146/grs.v37i1.15942.

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Introduction to Danevirke IBy William MichelsenGrundtvig never wished to give a systematic presentation of his philosophy. He was a historian, and as such he realised that we only know the development of human life up to our own time and that no man has experienced its origin. A systematic presentation of human life would presuppose a knowledge which we do not possess. However, in his periodical Danevirke (1816-19) he does offer a number of “considerations of human life in general”, as he writes in the preface to its final volume, and it is on this foundation that his later thoughts rested.The

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Shomary, Sudirman. "Membaca Nilai Sufistik dalam Kumpulan Puisi Mencari Sebuah Masjid Editor Husnu Abadi dan Nopri Ahadi." GERAM 10, no. 1 (2022): 117–25. http://dx.doi.org/10.25299/geram.2022.vol10(1).9389.

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The anthology of poetry Looking for a Mosque, editors Husnu Abadi and Nopri Ahadi contains 24 titles of poems by well-known Indonesian authors. This work was published as material for a poetry reading competition in commemoration of Islamic Holidays. That is why this anthology of poetry contains many religious themes and Sufistic values. The problem studied is how are the Sufistic values contained in the anthology of the poem Looking for a Mosque? This study uses descriptive analysis and content analysis methods. The results of the study found Sufistic values related to the rituals or wors

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Kolomiyets, Lada. "The Psycholinguistic Factors of Indirect Translation in Ukrainian Literary and Religious Contexts." East European Journal of Psycholinguistics 6, no. 2 (2019): 32–49. http://dx.doi.org/10.29038/eejpl.2019.6.2.kol.

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The study of indirect translations (IT) into Ukrainian, viewed from a psycholinguistic perspective, will contribute to a better understanding of Soviet national policies and the post-Soviet linguistic and cultural condition. The paper pioneers a discussion of the strategies and types of IT via Russian in the domains of literature and religion. In many cases the corresponding Russian translation, which serves as a source text for the Ukrainian one, cannot be established with confidence, and the “sticking-out ears” of Russian mediation may only be monitored at the level of sentence structure, wh

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Despotopoulou, Anna. "Underwater Monuments: Iossif Ventura and the Poetry of Commemoration." European Journal of Jewish Studies 14, no. 1 (2020): 137–48. http://dx.doi.org/10.1163/1872471x-11411092.

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Abstract The article looks at Iossif Ventura’s collected edition of “Tanaïs” and “Kyklonio” (two poems commemorating the death by drowning of almost the entire Jewish community of Crete in 1944, published in English in 2015), exploring the themes of memory, trauma, and guilt, while linking the poems’ haunting underwater imagery with current concerns about the deaths of refugees in the Mediterranean. Drawing connections between Ventura, Jason deCaires Taylor’s underwater statues, and Marie Jalowicz Simon’s book about survival in Nazi Germany, Gone to Ground, the essay considers the psychologica

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