Relevant bibliographies by topics / German Wood sculpture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'German Wood sculpture'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "German Wood sculpture"

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Savchenko, Svetlana. "To the question of definition of the age of the Big Shigir idol." Camera Praehistorica 12, no. 1 (2024): 72–93. http://dx.doi.org/10.31250/2658-3828-2024-1-72-93.

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The article is devoted to problems of dating of the monumental wooden sculpture accidentally found in 1980 during gold mining at the Shigir peat bog in the Trans-Urals. In 1997 mesolithic age of wood of the sculpture was established with the help of conventional method in radiocarbon laboratories of the Institute for the History of Material Culture (St. Petersburg) and of the Geological Institute (Moscow). In 2014 series of radiocarbon dates were obtained with the help of AMS method in Claus Chir laboratory (Manheim, Germany) which enabled dating of the sculpture to the Early Mesolithic. Resul
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Meneses, José Carlos. "A Contrarreforma e a Restauração na identidade do Barroco nacional. Um caso de estudo em Penafiel." Cem, no. 19 (2025): 143–54. https://doi.org/10.21747/2182-9748/cem19a9.

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The national Baroque is a Portuguese originality, following the guidelines of the Counter­Refor­mation and also in the path of cultural independence concerning Spain, following the Restoration of Portugal (1640­1668). Wood carving, sculpture, painting and gilding were developed in the artistic schools of Lisbon, Porto and Braga, with ornamentation based on 17th­century prints from the Italian and German schools and also on French printed resources. The methodology focuses on the author's productions and specific bibliography of wood carving. We highlight two objectives: the originality of the
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3

Бірюльов, Ю. "Творчість єврейських скульпторів у Львові в 1919-1941 рр." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 55–71. https://doi.org/10.5281/zenodo.1313084.

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Objectives: to determine and systematize principal imaginative-stylistic and national peculiarities of sculptural art of Lviv Jewish sculptors in the period from 1919 to 1941. For the first time in the study of art this article in an integrated manner presents the view of imaginative-stylistic and national originality of Jewish sculptural heritage of Lviv of that period that has not been explored until present time and provides new biographical details of the sculptors. Discussion of the problem. The origins of efflorescence of the Jewish plastic arts in Lviv in the Inter-War Period can be fou
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Shkolna, Olha, and Ostap Kovalchuk. "Morčić, Moretto, Mohrenbüste, and Blackamoor as a Manifestation of Orientalism in European Jewellery Art." Bulletin of KNUKiM. Series in Arts, no. 49 (December 15, 2023): 34–47. https://doi.org/10.31866/2410-1176.49.2023.293282.

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<strong>The aim of the article</strong>&nbsp;is to reveal the artistic and figurative features of the concepts of Morčić in Croatian art, Moretto in Italian, in particular Venetian, Mohrenb&uuml;ste in German sculpture, and Blackamoor in the art of Great Britain as a typical for modern Europe manifestation of Orientalism in the jewellery art of the regions influenced by interactions with the Moors, representatives of the Negroid race, colonialism, and the fashion for exotic servants. <strong>Results.</strong>&nbsp;During the period of the end of the late Middle Ages &ndash; at the junction wit
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Lovett/Codagnone and Tom Zook. "Your Hero Is a Ghost, 2010." TDR/The Drama Review 56, no. 3 (2012): 2–3. http://dx.doi.org/10.1162/dram_a_00205.

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Stainless steel, wood, conduit, black paint, speakers, sound. Photo by Jason Mandella, courtesy Sculpture Center, New York, and the artists Lovett/Codagnone, an artist team based in New York, have worked together since 1995 using photography, performance, video, sound, and installation. Their ongoing exploration of relations of power, as manifested in explicit cultural signifiers as well as clandestine or unconscious practices, investigates the way power comes to play within social structures (relationships, family) to focus on intimacy and the construction of desire. Recent solo exhibitions:
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Kirschke, Krystyna, and Paweł Kirschke. "Colour and Light in Berlin and Wrocław (Breslau) Department Stores Built between 1927 and 1930." Arts 11, no. 1 (2022): 12. http://dx.doi.org/10.3390/arts11010012.

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This paper presents the theoretical assumptions and design praxis concerning colour schemes used in the multi-threaded Moderne, Streamline Moderne and Art Deco styles, which were used in Germany during the interwar period to design commercial facilities. We based our analysis on selected cases of department stores built in the years 1927–1930 in Berlin and Wrocław (Breslau at the time). Streamline Moderne and Art Deco, which was present in Germany alongside Expressionism, operated using a simple spatial structure that followed the precepts formulated by the Bauhaus: it featured rhythmically di
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Waszak, Przemysław. "Saint Bridget of Sweden and the Teutonic Knights. Her Revelations in the context of the Gothic crucifix from the Holy Trinity Cathedral in Kulmsee (Chełmża) and the legacy of other mystics." Ordines Militares Colloquia Torunensia Historica 27 (December 30, 2022): 253–73. http://dx.doi.org/10.12775/om.2022.009.

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The article presents an analysis of the early fifteenth-century wood-carved crucifix from the Holy Trinity cathedral in Kulmsee (Chełmża) in the context of the fourteenth-century Brigidian Revelations. The crucifix was created in a unique in the Teutonic Order State four-nails type. It differs from other, more distant, and older, crucifixes of the four-nails type. In my opinion, the crucifix, because of its inspirations which come from the Revelations of Saint Bridget of Sweden, is another type of a mystical work of art; however, it does not belong to the fourteenth-century widespread type of
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Schultka, S. "Ein fruktifizierender Sproß von Asolanus camptotaenia Wood aus dem Westfal D Nordwestdeutschlands." Fossil Record 1, no. 1 (1998): 139–50. http://dx.doi.org/10.5194/fr-1-139-1998.

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Erstmalig wird der fruktifizierende Sproß von &lt;i&gt;Asolanus camptotaenia&lt;/i&gt; beschrieben. Bei den nachgewiesenen fertilen Organen handelt es sich um Megasporangien, Microsporangien sind noch nicht gefunden worden. Der Bau des fertilen Sprosses sowie die Organisation der Sporophylle belegen die isolierte Stellung der Gattung Asolanus innerhalb der Lepidophyta. &lt;br&gt;&lt;br&gt; A megasporangia bearing axis of &lt;i&gt;Asolanus camptotaenia&lt;/i&gt; Wood from the Westphalian D of Northwestern Germany &lt;br&gt;&lt;br&gt; A fertil impression axis of &lt;i&gt;Asolanus camptotaenia&lt
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Jagla, Jowita. "From a Noble Substance to an Imitative Body. The Image and Meaning of Wax Figures in a Votive Offering." Roczniki Humanistyczne 67, no. 4 SELECTED PAPERS IN ENGLISH (2019): 59–79. http://dx.doi.org/10.18290/rh.2019.68.4-3en.

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The Polish version of the article was published in Roczniki Humanistyczne vol. 62, issue 4 (2014).&#x0D; In a wealth of votive gifts, the wax ones undoubtedly deserve special attention. They were common as early as in the Middle Ages, and they were used until the 20th century. There was a variety of such votive offerings, starting with candles, through lumps of wax, and ending with full-scale wax figures that started being used as a votive gesture at the break of the 13th and 14th centuries in the north of Europe. In the 15th and 16th centuries this custom became popular among the wealthy Germ
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Hugues, SCHARBACH. "The Resources of CREATIVITY to reinforced Self Identification and to obtain Well-Being Whatever the previous psychic State and the Age." Japan Journal of Medical Science 05, no. 1 (2024): 05. https://doi.org/10.5281/zenodo.11096262.

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<strong>ABSTRACT:</strong> Wellness describes a healthy lifestyle in which people have the energy and freedom to do that they want. Wellbeing includes the broader holistic of well-lived life. (GOOGLE) Different was the Search of optimization of one's mental and psychic abilities, for the Fulness of One's Sense of Self, for well-being is very current but, Creative Expression has only been highlighted in terms of its benefits for the Improvement of mentally ill people, who, on their own, had discovered their particular potential and their preserved Skills and Creative Talent. -The writing leadin
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Dissertations / Theses on the topic "German Wood sculpture"

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Benker, Maximilian. "Ulm in Nürnberg Simon Lainberger und die Bildschnitzer für Michael Wolgemut /." Weimar : VDG, Verlag und Datenbank für Geisteswissenschaften, 2004. http://catalog.hathitrust.org/api/volumes/oclc/57729582.html.

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Books on the topic "German Wood sculpture"

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Schweikert, Christine. Brenck: Leben und Werk einer fränkischen Bildschnitzerfamilie im 17. Jahrhundert. Fr ankisches Freilandmuseum, 2002.

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Sophie, Guillot de Suduiraut, and Musée du Louvre, eds. Sculptures allemandes de la fin du Moyen âge: Dans les collections publiques françaises : 1400-1530. Réunion des musées nationaux, 1991.

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Nadolny, Sten. Little people. Seltmann Publishers, 2022.

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Lutz, Gerhard. Das Bild des Gekreuzigten im Wandel: Die sächsischen und westfälischen Kruzifixe der ersten Hälfte des 13. Jahrhunderts. Michael Imhof, 2004.

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Benker, Maximilian. Ulm in Nürnberg: Simon Lainberger und die Bildschnitzer für Michael Wolgemut. VDG, Verlag und Datenbank für Geisteswissenschaften, 2004.

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Hartmetz, Georg. Christoph Rodt (um 1578-1634): Bildhauer zwischen Renaissance und Barock : Studien zur süddeutschen Holzskulptur des frühen 17. Jahrhunderts. Anton H. Konrad Verlag, 2019.

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7

A. M. P. P. Janssen. Spätmittelalterliche Holzskulptur zwischen Maas, Rur und Wurm =: Laatmiddeleeuwse houten beelden tussen Maas, Roer en Worm. 2nd ed. Kreis Heinsberg, 2001.

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Endemann, Heike. Heike Endemann: Zeit bewahren : Skulpturen = preserving time : sculptures. Heike Endemann, 2017.

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Stark, Ernst. Ernst Stark: Holz = Bois. Verlag für Moderne Kunst, 2010.

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1966-, Koko Bi Jems, Grieshaber, Helmut A. P., 1909-1981, and Spendhaus Reutlingen, eds. Im Wald geboren: Born in the woods : Jems Koko Bi & HAP Grieshaber. Dr. Cantz'sche Verlagsgesellschaft, 2020.

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Book chapters on the topic "German Wood sculpture"

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Butler, Lynn Edwards. "Construction Details of the St. Paul’s Organ." In Johann Scheibe. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044311.003.0007.

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This chapter deals with the details of how and with what materials the Scheibe organ at St. Paul's was constructed in the years between 1710 and 1716, palpably evoking an era in which everything was made by hand. Weekly records of expenditures as well as individual invoices from the artisans providing tin, lead, wood, leather, wire, screws, sculpture, painting—to name just the most obvious—provide a fascinating record of German organ-building practices in the early eighteenth century. They form the basis of extensive descriptions of the organ's case and façade, keyboards and key desk, stop and
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Onians, J. "Michael David Kighley Baxandall 1933–2008." In Proceedings of the British Academy, Volume 166, Biographical Memoirs of Fellows, IX. British Academy, 2011. http://dx.doi.org/10.5871/bacad/9780197264751.003.0002.

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Michael Baxandall was probably the most important art historian of his generation, not just in Britain but in the world. In a series of books published between 1971 and 2003 he kept expanding the frontiers of the discipline, introducing new topics, new ways of writing, and new explanatory models, always demanding of himself and his readers an undissembling clarity of thought and expression. If art history is now a field that can hold its own with more established areas of the humanities, it is largely because Baxandall had a talent to transmit to others through the printed page the powerful in
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Leopold, Estella B. "The Evolving Archery Endeavors." In Stories From the Leopold Shack. Oxford University Press, 2016. http://dx.doi.org/10.1093/oso/9780190463229.003.0011.

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This passage, from Dad’s essay “Man’s Leisure Time,” seems to sum up why Dad had turned to bow-and-arrow making as a favorite hobby in the late 1920s. Archery became a family enterprise. Dad loved to hunt, and we all grew up participating in hunting and archery practice at or near the Shack as well as further afield. And it turned out that Mother particularly had an extraordinary talent and skill for tournament archery. My father was a skilled carpenter, and probably learned from his father, Carl Leopold, who was skilled with hand tools. Dad’s father was the president of the Leopold Desk Compa
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Morel, Olivier. "In Search of the Ghost Country." In Transpositions. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789621112.003.0008.

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This paper revolves around the obsidional complex, also known as “fortress Europe,” that paralyses the European project today. In his 1991 text on Europe (L’Autre Cap) Derrida (re)affirms the need to cultivate the unconditional “openness” that defines Europe. In this sense, Europe is at the core of what “transposing” means as an active verb. If seen as a dynamic concept, a performative art of the transposition is what Hélène Cixous, Ariane Mnouchkine and the Théâtre du Soleil have engaged with the play Le Dernier Caravansérail. In this work, the journeys of refugees perform all kinds translati
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Conference papers on the topic "German Wood sculpture"

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TUĞLUK, Mehmet Emin. "A COMPETITION TO FIND AN EQUAL TO THE TWELVE FOREIGN WORDS ORGANIZED BY THE ŞEHBÂL MAGAZINE (1909-1914)." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-4.

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One of the important magazines of the Second Constitutional period was the magazine Şehbâl, which was published between 14 March 1909 and 14 July 1914. Political events and comments in Şehbâl magazine; culture, literature, music; painting, sculpture, architecture; health,sport; inventions and inventions, discoveries, accounting, humor, fashion, make-up, embroidery, housework; articles on many subjects such as information about new publications and selections from English, French, German and American magazines have been published. Another important feature of Şehbâl magazine is that it organize
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Reports on the topic "German Wood sculpture"

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Paradox and Coexistence: Latin American Artists, 1980 - 2000. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005931.

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The show represents a number of artistic trends developed by Latin American artists during the last two decades of the 20th Century. An assortment of works in different media¿oil on canvas, acrylics, rusted steel, photography, video, photography collage, ceramic, cedar wood and ropes, and paper sculpture¿provides a general view of the latest art trends in Latin America. The exhibit complements the book ¿Art of Latin America, 1981-2000¿ by Colombian Professor Germán Rubiano Caballero, which was launched in English and Spanish. Galleries and artists from Latin America and the United States colla
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