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Dissertations / Theses on the topic 'Germany Drama'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

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Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressioni

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2

Findlay, H. "The representation and function of angels in medieval German Easter and passion plays." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381869.

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3

Waldmann, Elinor. "Frank Wedekinds Bismarck : deutschnationale Heldenverehrung oder Dokument subversiver Kritik /." Frankfurt am Main [u.a.] : Lang, 2005. http://www.loc.gov/catdir/toc/fy0716/2007468668.html.

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4

Muirhead, Rachael. "Johann von Rist (1607-77) and the theory and performance of drama in seventeenth century Germany." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11227/.

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Receiving Rist’s theatre – a literary-historical challenge A claim in Die AllerEdelste Belustigung Kunsst- und Tugenliebender Gemüther (1666) indicates that Rist may have composed as many as 30 dramas. There are now only five dramatic works attributed to him: Irenaromachia (1630), Perseus (1634), Das Friedewünschende Teutschland (1647), Das Friedejauchtzende Teutschland (1653), Depositio Cornuti Typographici. The best estimate claims that only a further two had been published, a Herodes and a Wallenstein. The others have since been lost, perhaps even destroyed during Rist’s lifetime as his hom

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5

Schor, Ruth. "Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:f182a548-e450-4efa-a3a0-478461d44ab6.

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This dissertation situates late nineteenth-century Berlin's reception of naturalist drama in contemporary discourse about European modernism, which to date has disregarded the significant impact of this cultural environment. Examining the Berlin avant-garde's demand for "truth" and "authenticity," this study highlights its legacy of promoting more honest and dynamic forms of human interaction. Sketching the historical background, Chapter 1 demonstrates how the reception of Henrik Ibsen in Berlin fuelled creative strategies for a more honest approach to theatre. From literary matinees to more e

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6

Georgiou, Michalis. ""Digital Theatre" and "Cyber Theatre" in Drama Education at School : A study of 2 performance projects at a High-school in Eberswalde, Germany." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-105834.

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The aim of this study is to highlight: 1. how the introduction of new technologies in Drama Education at school can renew the context in which performance projects take place and 2. how the constraints imposed by a pandemic, such as those caused by COVID-19, can be overcome through cybertheatre. The phenomenological method is used to analyze a digital and a cyberperformance project, as theatre is an event that takes place between its creators and its spectators. With the use of digital tools in school performances a new experience emerges for students and spectators, as the "living" actor is c

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7

Heuer, Imke. "'The German's tale' : German history, English drama and the politics of adaptation." Thesis, University of York, 2008. http://etheses.whiterose.ac.uk/14111/.

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This thesis investigates the adaptation history of Harriet Lee's novella 'Kruitzner, or The German's Tale' (1801). Published in The Canterbury Tales, a collection of novellas by Harriet Lee and her sister Sophia, 'Kruitzner' is now largely remembered as the source of Byron's tragedy Werner (1822) . However, in addition to Werner, the story was incarnated as a closet drama (1802) by Georgiana, Duchess of Devonshire, in collaboration with her sister Harriet, Countess of Bessbororough; a stage play by Lee herself (1825), and a stage adaptation of Werner by William Charles Macready (1830).

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8

Koszta, Cindy A. "The hero in German revolutionary drama." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/MQ52096.pdf.

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9

Jefferis, Sibylle Anna Bierhals. "Ein spätmittelalterliches Katharinenspiel aus dem Cod. Ger. 4 der University of Pennsylvania Text und Studien zu seiner legendengeschichtlichen Einordnung /." Göppingen : Kümmerle, 2007. http://books.google.com/books?id=PO5lAAAAMAAJ.

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10

Weiss-Schletterer, Daniela. "Das Laster des Lachens ein Beitrag zur Genese der Ernsthaftigkeit im deutschen Bürgertum des 18. Jahrhunderts /." Wien : Böhlau, 2005. http://catalog.hathitrust.org/api/volumes/oclc/61488343.html.

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11

Boran, Erol M. "Eine Geschichte des türkisch-Deutschen Theaters und Kabaretts." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1095620178.

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12

Taylor, Ulrike E. "Theorie und Praxis im dramatischen Werk Rainer Lewandowskis." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1880.

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13

Sakellari, Alexandra. "The scenic presentation of the Electra-myth in Greek, German and American drama." Thesis, University of Bristol, 1994. http://hdl.handle.net/1983/844c957b-a33e-4e4a-a6ba-a3b3bd83174d.

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14

O'Regan, Inge Brigitta. ""Zuwachs unsrer existenz" : the quest for Being in J.M.R. Lenz." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31078.

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Jakob Michael Reinhold Lenz (1751-1792), whose plays have been acclaimed as the prototype of the modern drama of Brecht and Durrenmatt, is a controversial figure who rose to prominence on the German literary scene in the early seventeen seventies. Among Lenz's theoretical writings is the influential essay "Anmerkungen ubers Theater," in which he introduces his innovative dramatic theories and describes the independent protagonists he envisions for the German stage. In the same essay, he demands "Zuwachs unsrer Existenz" (a heightened awareness of existence) from contemporary drama. However,

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15

Salyer, Jeffrey William. "The expressionist stage in light of Bataillian expenditure /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6678.

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16

Krebs, Katja. "Dissemination of culture through a translational community : German drama in English translation on the London West End stage from 1900-1914." Thesis, University of Hull, 2002. http://hydra.hull.ac.uk/resources/hull:12373.

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This thesis seeks both to chart the dissemination of German drama 'on the London West End Stage between 1900 and 1914 and to provide an account of the ideological factors which inevitably underlie such a considerable programme of translational activity. In other words, the play a particular group or individuals decide to translate, the nature of the translational choices and strategies which are employed at every stage of the translation process, the particular time, place, and manner of staging, and the issues of reception are never ideologically neutral events. Translation always exists with

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17

Beus, Yfen Tsau. "Towards a paradoxical theatre : Schlegelian irony in German and French romantic drama, 1797-1843 /." New York : Peter Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb39018321j.

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18

Garde, Ulrike 1964. "The Australian reception of Austrian, German and Swiss drama : productions and reviews between 1945 and 1996." Monash University, German Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/8820.

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19

Peters, Jens. "Narration and dialogue in contemporary British and German-language drama (texts – Translations – mise-en-scène)." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14393.

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The aim of this thesis is to undertake a comparative study of contemporary British and German-language playwriting, with an eye specifically towards possible reasons and solutions for the problematic situation of German-language playtexts in Britain. I will first conduct a stylistic analysis of a selection of British and German-language playwrights, focusing on the differences in representation of interiority through dialogue and narration. I will then introduce a phenomenological lens that will expand this literary analysis by looking at specific stagings of these texts, and at the use of ges

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20

Sowerby, Gudrun. "Das Drama der Weimarer Republik und der Aufstieg des National sozialismus : der Feind Steht Rechts." Thesis, University of Nottingham, 1988. http://eprints.nottingham.ac.uk/11521/.

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This thesis examines plays written in the period from 1923 to 1933, whose subject matter is the rise of right wing radical forces and ultimately the rise of Hitler. Twelve plays, including those of well known authors such as Ernst Toller, Georg Kaiser, and Oedön von Horväth, as well as plays of minor authors, were chosen solely on the grounds of their antifascist stance. An attempt was made to interpret and analyse their contribution to the theory of fascism. The economic, socio-political and psychological issues raised in each individual play are examined in close reference to the historical

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21

Loehrmann, Jared. "Die Moderne Frau und ihr Drama: Marie Eugenie delle Grazies Drama Der Schatten (1901); ein Schlüsseltext zur Wiener Moderne." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1552.

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Marie Eugenie delle Grazies Drama Der Schatten wurde am 28. September 1901 im Wiener Hofburgtheater, einer der bedeutendsten Bühnen Europas, uraufgeführt, jedoch nach nur vier Vorstellungen abgesetzt. Das mit dem Bauernfeld-Preis ausgezeichnete Stück bildet den Zenit von delle Grazies literarischem Schaffen und beinhaltet Diskurse von hohem damaligem Stellenwert, die uns einen tieferen Einblick, vom Standpunkt der modernen Frau, ins Fin-de-Siècle Wien geben können. Das Drama und seine Dichterin wurden im Wien der Jahrhundertwende sowohl gefeiert als auch gerügt. Delle Grazie hatte mit Vorurtei

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22

Mastag, Horst Dieter. "The transformations of Job in modern German literature." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30647.

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In modern times German authors have made ample use of the Job-theme. The study examines the transformations that the story of Job has undergone in German narrative and dramatic works from Leopold von Sacher-Masoch's Der neue Hiob (1878) to Fritz Zorn's Mars (1977). The most striking feature of these works lies in their diverse characterization of the Job-figure. As a mythical figure he remains synonymous with the sufferer, but he may be characterized as patient or impatient, humble or arrogant, innocent or guilty, rich or poor, courageous or cowardly; he may be a Jew or a Christian, a Nazi or

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23

Bahn, Michael. ""Geschehen" : Untersuchungen zur Buchform des Dramas." Master's thesis, Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2013/6536/.

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Die Arbeit befasst sich auf der Ebene des Textes mit der Frage nach dem Textproduzenten der Buchform des Dramas. Gibt es im Drama ähnlich wie in der Epik oder Lyrik eine vermittelnde Instanz? Und sind die Nebentexte tatsächlich als Anweisungen oder nicht doch eher als Hinweise zu verstehen? Am Beispiel des expressionistischen Dramas "Geschehen" von August Stramm werden die vorherigen Überlegungen überprüft und für eine Textanalyse fruchtbar gemacht.

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24

Hillenbrand, Sarah. "Before Bergson and beyond : canonical German Lustspiele in light of his theories and techniques of the comic /." abstract and full text PDF (UNR users only), 2008. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1455663.

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Thesis (M.A.)--University of Nevada, Reno, 2008.<br>"May, 2008." Includes bibliographical references (leaves 77-78). Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2009]. 1 microfilm reel ; 35 mm. Online version available on the World Wide Web.

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25

Harries, Rebecca Virginia. "The monstrous world and its shadow, the grotesque aesthetic and the apocalyptic in German Expressionist drama and film." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49873.pdf.

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26

Oswald, Franz. "A comparative study of the reception of Martin Walser's novels and dramas in the Federal Republic of Germany, the German Democratic Republic, The United Kingdom, and the United States of America between 1957 and 1980." Thesis, Oswald, Franz (1985) A comparative study of the reception of Martin Walser's novels and dramas in the Federal Republic of Germany, the German Democratic Republic, The United Kingdom, and the United States of America between 1957 and 1980. PhD thesis, Murdoch University, 1985. https://researchrepository.murdoch.edu.au/id/eprint/52970/.

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This thesis analyses the synchronic variety of the responses to Martin Walser's novels and plays by academic and journalistic critics between 1957 and 1980 in the Federal Republic of Germany, the German Democratic Republic, the United Kingdom, and the USA. The coexistence of several conflicting horizons of expectations is shown thus criticising the earliest reception aesthetics of Hans Robert Jauss which assumed a single horizon of expectations. The variety of responses is related to differences between academic and journalistic critics, between national cultures, and between the politicalphil

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27

Smith, Rupert James Buchanan. "The influence and effect of German expressionist drama on theatrical practice in Britain and the United States, 1910-1940." Thesis, Royal Holloway, University of London, 1987. http://repository.royalholloway.ac.uk/items/029505a4-509f-4f19-a34f-48048816d96b/1/.

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The thesis will consider the impact of German expressionist theatre in Britain and America in the period 1910 to 1940, concentrating on developments in writing, design, criticism and theatrical organisation. An introductory chapter will provide a resume of the major trends in European and American theatre in the period, leading to an examination of the detailed aspects of German Expressionism to be pursued in the following chapters. This will be followed by the two major sections of the thesis, dealing with the British and American theatrical scene respectively. The former will concentrate on

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28

Ebert, Reika D. "Vom Barbaren zum aufgeklärten Herrscher : zur Entwicklung des Türkenbildes im deutschsprachigen Drama des 17. Jahrhunderts /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9943.

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29

Rissmann, Jeannette. "Dialect, drama and translation : a socio-cultural investigation into the factors influencing the choice of strategies in German-speaking Europe." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/58093/.

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This thesis examines the translation of dialect in drama in German-speaking Europe, exploring the complex influences on the choice of strategies by practitioners. Utilising paradigms of Descriptive Translation Studies, polysystem theory and norms theory, it investigates how the target culture influences dialect translation practice. The study offers, for the first time, a systematic overview of the functions of dialect in drama, and the translation strategies available, identifying the influences on dialect translation practice in northern Germany, German-speaking Switzerland and Scotland. Bas

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30

Regele, Hildegard C. "Kunstkrankheiten und Heilkünste : kathartische Dynamiken durch Samuel Hahnemanns Homöopathie und Bertolt Brechts episches Theater = [Art(ificial) illnesses and healing arts : cathartic dynamics through Samuel Hahnemann's homeopathy and Bertolt Brecth's epic theater] /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190541.

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Thesis (Ph. D.)--University of Oregon, 2005.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 518-539). Also available for download via the World Wide Web; free to University of Oregon users.

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31

Gillespie, Dana M. (Dana Marie). "Leni: A Screenplay Based on the Career of Leni Riefenstahl." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc500269/.

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This screenplay dramatizes the controversial career of German film maker Leni Riefenstahl during ten years of her association with the Nazi Party. Beginning with the premiere of her first film in 1932, this account chronicles her rise as a film director of such films as Triumph of the Will and Olympia to her arrest after World War II on charges that she had been a Nazi sympathizer. Besides delineating the character and talents of Leni Riefenstahl, this screenplay addresses the difficult question of the relationship between politics and art.

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32

Bouhouch, Souad. "L'esthétique du tragique chez Madame de Staël." Thesis, Université de Lorraine, 2016. http://www.theses.fr/2016LORR0155.

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Cette étude est consacrée au tragique dans les fictions d’amour staëliennes. Les héros nobles sont livrés à une lutte vaine contre le destin, en sachant qu’ils vont mourir. Leur ambivalence les empêche de vivre tout épanouissement individuel, dans une société qui vit un immense échec social, moral et politique. Le bonheur précaire vécu est suivi du silence, de l’absence et du sentiment d’une culpabilité mortelle dans un espace et un temps initialement tragiques. Le sujet tragique remet en cause ses qualités morales et intellectuelles. Lucide, démuni devant le savoir tragique, désillusionné sur

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33

Thomsen, Frank. "Von der Taktik zur Tugend Wandlung des Ethikkonzepts in Brechts marxistischen Dramen von 1929-1945 /." Frankfurt : Lang, 2008. http://catalog.hathitrust.org/api/volumes/oclc/272561135.html.

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34

Firaza, Joanna. "Die Ästhetik des Dramenwerks von Rainer Werner Fassbinder : die Struktur der Doppelheit /." Frankfurt am Main [u.a.] : Lang, 2002. http://www.gbv.de/dms/bs/toc/342126318.pdf.

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35

vom, Schemm A. (Axel). "Dichter am Ball:untersuchungen zur Poetik des Sports am Beispiel deutschsprachiger „Fußball-Literatur”." Doctoral thesis, University of Oulu, 2006. http://urn.fi/urn:isbn:9514283023.

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Abstract In view of numerous texts from completely different genres the study shows to what extent and degree of differentiation the topic soccer is covered in German-language literature and allows general conclusions on a poetics of sport. Here solely German-language literary sources are considered. The work is divided into a theoretical and a text-related part. In the former section the approaches to the topic – on one hand via German studies and on the other hand via interdisciplinary sport science – is made clear by means of basic considerations on the questions “what is literature?” and “

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36

Csehi, Jason. "When Two Worlds Collide: The Allied Downgrading Of General Dragoljub “Draža” Mihailović and Their Subsequent Full Support for Josip Broz “Tito”." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1258151570.

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37

Auseller, Jordi. "Das Märchenstück im zeitgenössischen Kindertheater. Die Adaption von Grimms Märchen für die Bühne." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392678.

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Die vorliegende Arbeit befasst sich mit dem Kinder- und Jugendtheater im deutschsprachigen Raum, genauer mit dem Theater für Kinder und Jugendliche, um einer Verwechslung des Theaters mit Kindern und Jugendlichen vorzubeugen. Behandelt wird vorwiegend das professionelle Theater für junge Zuschauer mit ausgebildeten Schauspielern als Phänomen des 20. Jahrhunderts unter Ausklammerung anderer weitverbreiteter Formen des Theaters für Kinder, wie das Puppen-, Figuren-, Musik- und Tanztheater. Die Arbeit beschränkt sich auf die Untersuchung des Märchentheaters. An allen Bühnen für Kinder- und

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38

Kuhn, T. "Literary form and politics in German exile drama 1933 to 1939 : A study of Ferdinand Bruckner's 'Die Rassen', Theodor Fanta's 'Die Kinder des unbekannten Soldaten', and Bertolt Brecht's 'Furcht und Elend des Dritten Reiches'." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371683.

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Wedel, Heike. "Darstellendes Spiel auf Englisch als Perspektive für den bilingualen Sachfachunterricht." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2010. http://dx.doi.org/10.18452/16204.

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Deutschlandweit nehmen die Schulen zahlenmäßig von Jahr zu Jahr zu, die ein bilinguales Angebot z.B. als Zweig oder als Modul in ihr Unterrichtsprogramm aufnehmen. Die meisten Angebote sind in englischer Sprache, aber auch andere – vor allem europäische Sprachen – spielen eine Rolle. Mittlerweile gibt es bilinguale Angebote in fast allen Fächern, wobei die gesellschaftswissenschaftlichen Fächer wie z.B. Geschichte und Geographie nach wie vor dominieren. Überraschenderweise spielt das Fach Darstellendes Spiel in der Diskussion um potenziell geeignete bilinguale Fächer weder in der Theorie noch

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Jaeger, Dagmar. "Theater im Medienzeitalter : das postdramatische Theater von Elfriede Jelinek und Heiner Müller." Bielefeld Aisthesis-Verl, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015646186&linen̲umber=0002&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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41

Ranke, Wolfgang. "Theatermoral : moralische Argumentation und dramatische Kommunikation in der Tragödie der Aufklärung /." Würzburg : Königshausen & Neumann, 2009. http://d-nb.info/991845668/04.

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Boran, Erol M. "Eine Geschichte des türkisch-deutschen Theaters und Kabaretts." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1095620178.

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Tsampa, Anatoli. "Wort Ton Bild Welt." Doctoral thesis, Humboldt-Universität zu Berlin, 2017. http://dx.doi.org/10.18452/18053.

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Die Dissertation untersucht die Entwicklung des Gesamtkunstwerk-Konzeptes und seine Aktualität, Möglichkeit und Notwendigkeit in Bezug auf ein modernes filmisches Gesamtkunstwerk. Ausgegangen wird von der ästhetischen Theorie und Praxis der deutschen Frühromantik, in der das Konzept wurzelt. In einer umfassenden Betrachtung und Analyse der ästhetischen und gesellschaftspolitischen Dimension des Konzeptes in den Schriften und dem Werk Richard Wagners sollen wesentliche Strukturmerkmale erkundet und soll ein Maßstab für ein ‚positives‘ zeit-genössisches Gesamtkunstwerk gebildet werden, das sich

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"Das Zeitstück in den zwanziger Jahren." Thesis, 2009. http://hdl.handle.net/10210/1955.

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D.Litt. et Phil.<br>During the last half of the Twenties a widespread movement developed in the theatre that concerned itself with critical social subjects and matters impacting on society. Such topical plays were not an innovation, but a recurrent phenomenon in literature. This type of literature may be traced from the “Sturm-und-Drang” plays, over the “Jungdeutschen” (Young Germans) period to Naturalism. However, seldom does it occur as concentrated as during the Weimar Republic. With far over a hundred plays, topical theatre dominated the stage during the period of the Republic. The realist

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Sosulski, Michael Joseph. "Body, text, and nation : theatrical reform in eighteenth-century Germany /." 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9934123.

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Arjomand, Minou. "Theatre on Trial: Staging Postwar Justice in the United States and Germany." Thesis, 2013. https://doi.org/10.7916/D8VM4BK8.

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This dissertation studies the interchange between political theatre and postwar political trials. I argue that to an extraordinary extent, theatre history in this period is inextricable from trial history. Through close archival study of mid-century theatre productions including Bertolt Brecht's 1954 production of "The Caucasian Chalk Circle" and the fifteen simultaneous premiere productions of Peter Weiss's "The Investigation" in 1965, I show how directors and playwrights looked to legal trials in order to develop and articulate theories of epic and documentary theatre, and how this new theat

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Bílá, Alice. "Současná německá dramatika pro děti a mládež." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-357821.

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(in English): This diploma thesis deals with contemporary original drama for children in Germany. It is based on texts written by German writers, which were nominated for the dramatic competition of the prestigious German theater festival in a limited period. Through this selection, they try to capture their characteristic features and tendencies that can be traced back to the text themselves. At the same time, it wants the Czech reader to approach the specifics of the environment in which these texts are created. The work itself is reflected in term of broader contexts, on the background of i

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Oborska, Nina. "„A przedstawia X, podczas gdy S patrzy…” Dramaty niemieckojęzyczne na scenach polskich w latach 1990-2010." Doctoral thesis, 2013. https://depotuw.ceon.pl/handle/item/291.

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Przedmiotem badań dysertacji są polskie inscenizacje dramatów niemieckojęzycznych zrealizowane w latach 1990-2010. Narzędzia badawcze takie jak utworzona na pograniczu dyscyplin literaturoznawstwa, teatrologii, socjologii oraz antropologii analiza ramy inscenizacyjnej pozwalają autorce ustosunkować się do tezy, iż kryteria doboru oraz zastosowanie poszczególnych elementów ramy inscenizacyjnej mają wpływ na realizację tekstu dramatycznego w przestrzeni scenicznej. Schemat badania prowadzi od oryginalnego tekstu dramatu w języku niemieckim, przez jego tłumaczenie, scenariusz, aż do końcowego pro

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Cattell, Allison G. "Disability Drama: Semiotic Bodies and Diegetic Subjectivities in post-WWI German Expressionist Drama." Thesis, 2014. http://hdl.handle.net/10012/8417.

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In this dissertation, I examine discourses on disability and the body in three German Expressionist dramas written directly after WWI both for the discursive work they do in this context and for their relevance today: Ernst Toller’s Die Wandlung: Das Ringen eines Menschen (1918) and Der deutsche Hinkemann (1923) as well as Karl August Wittfogel’s Der Krüppel (1920). I analyze how these plays draw on ideas about disability in post-WWI Germany in the midst of a broad-ranging critique of the violence inherent in nationalistic, militaristic, economic, and rehabilitationist discourses. The analysis

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Glendinning, Lesley Kristin. "Mennonites at play : postmodern aspects of Low German drama." 2006. http://hdl.handle.net/1993/7947.

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For those approaching Mennonite culture with little or no previous knowledge, the official definition involves accounts of the martyrdom of early Anabaptists (the Mennonites' forerunners), a history of presecution, and a rigid biblical doctrine that persevered into the twentieth century. However, these aspects are matched, and countered, by a tradition of humour that existed alongside the more serious nature of Mennonitism. My thesis explores one expression of this humourous side of the culture in the Low German Drama created by Mennonites in Manitoba. My study explores the characterisitcs

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