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Relevant bibliographies by topics / Gernsback

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Academic literature on the topic 'Gernsback'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Gernsback"

1

Gérard Kraus. "Gernsback Exhibit in Luxembourg." Science Fiction Studies 38, no. 1 (2011): 220. http://dx.doi.org/10.5621/sciefictstud.38.1.0220.

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Ross, Andrew. "Getting out of the Gernsback Continuum." Critical Inquiry 17, no. 2 (1991): 411–33. http://dx.doi.org/10.1086/448589.

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Erisman, Fred. "Stratemeyer Boys’ Books and the Gernsback Milieu." Extrapolation 41, no. 3 (2000): 272–82. http://dx.doi.org/10.3828/extr.2000.41.3.272.

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Moskowitz, Sam. "Henrik Dahl Juve and the Second Gernsback Dynasty." Extrapolation 30, no. 1 (1989): 5–52. http://dx.doi.org/10.3828/extr.1989.30.1.5.

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Ransom, Amy J. "Hugo Gernsback and the Century of Science Fiction." Journal of Popular Culture 41, no. 2 (2008): 360–62. http://dx.doi.org/10.1111/j.1540-5931.2008.00520.x.

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Moryń, Jan. "The airstream futuropolis: Hauntological reading of Gibson’s “The Gernsback Continuum”." Crossroads. A Journal of English Studies, no. 28(1) (2020): 67–77. http://dx.doi.org/10.15290/cr.2020.28.1.05.

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Baetens, Jan. "The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction." Leonardo 50, no. 5 (2017): 549–50. http://dx.doi.org/10.1162/leon_r_01511.

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Cuartero de León, Daniel, Sara Rietti Monfort, Anastasiya Raspitina, and Alberto Jesús Zoreda. "La influencia de la ciencia ficción en la tecnología y la robótica." CIC. Cuadernos de Información y Comunicación 26 (June 17, 2021): 165–77. http://dx.doi.org/10.5209/ciyc.73357.

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Las representaciones culturales que abordan el género conocido como ciencia ficción son más comunes cada día. La concepción de dicho género nació como tal en el año 1926, cuando el escritor Hugo Gernsback lo usó y popularizó con la portada de la revista Amazing Stories. Desde entonces, se conoce a la ciencia ficción como un género narrativo que sitúa la acción en unas coordenadas espacio-temporales imaginarias y diferentes a las actuales y que, además, ilustra un futuro o un presente alternativo marcado por la presencia de seres artificiales como los robots o los cyborg y su impacto en la soci

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9

Rabkin, Eric S., James B. Mitchell, and Carl P. Simon. "Who Really Shaped American Science Fiction?" Prospects 30 (October 2005): 45–72. http://dx.doi.org/10.1017/s0361233300001976.

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Treating science fiction, critics have taught us to understand that the field shrugged itself out of the swamp of its pulp origins in two great evolutionary metamorphoses, each associated with a uniquely visionary magazine editor: Hugo Gernsback and John W. Campbell Jr. Paul Carter, to cite one critic among many, makes a case that Hugo Gernsback's magazines were the first to suggest thatscience fiction was not only legitimate extrapolation… [but] might even become a positive incentive to discovery, inspiring some engineer or inventor to develop in the laboratory an idea he had first read about

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10

Wilson, Scott. "Nikola Tesla and the Science of ‘a Successful Paranoia’." Language and Psychoanalysis 6, no. 2 (2017): 4–25. http://dx.doi.org/10.7565/10.7565/landp.v6i2.1570.

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This essay offers a psychoanalytic reading of Nikola Tesla’s remarkable text My Inventions, a series of articles published in 1919 for the Electrical Experimenter magazine, edited by Hugo Gernsback (Tesla, 2011). The paper argues that the famous ‘elementary phenomena’ described in these articles operate as proto-linguistic elements or enigmatic ‘signifiers’ that form the basis of his subsequent scientific inquiry. These articles demonstrate that unusually for a scientist, Tesla did not give up on the object cause of his knowledge nor on his own position as the subject of his inventions – indee

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Dissertations / Theses on the topic "Gernsback"

1

Jordan, Linda. "German science-fiction magazines of Hugo Gernsback, 1926-1935." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65493.

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Books on the topic "Gernsback"

1

Hugo Gernsback and the century of science fiction. McFarland, 2007.

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2

Ashley, Michael. The Gernsback days: The evolution of modern science fiction from 1911-1936. Borgo Press, 1995.

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Siegel, Mark Richard. Hugo Gernsback, father of modern science fiction: With essays on Frank Herbert and Bram Stoker. Borgo Press, 1988.

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4

Bleiler, Everett Franklin. Science-fiction: The Gernsback years : a complete coverage of the genre magazines ... from 1926 through 1936. Kent State University Press, 1998.

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5

Gernsbach im Murgtal. Casimir Katz Verlag, 1985.

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6

Hochstuhl, Kurt. Schauplatz der Revolution in Baden: Gernsbach 1847-1849. C. Katz, 1997.

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Gernsbach im Murgtal: Strukturen und Entwicklung bis zum Ende des badisch-ebersteinischen Kondominats im Jahre 1660. Kohlhammer, 2006.

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8

Lowndes, Robert W., and Michael Ashley. The Gernsback Days. Wildside Press, 2004.

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9

Ashley, Michael. The Gernsback Days. Wildside Press, 2004.

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10

Ackerman, Forrest J. The Gernsback Awards, 1926. Wildside Press, 2003.

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Book chapters on the topic "Gernsback"

1

Kreuzer, James, and Felicia Kreuzer. "How Marconi and Gernsback Sparked a Wireless Revolution." In Computer Aided Systems Theory – EUROCAST 2017. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74718-7_10.

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2

Withers, Jeremy. "Perfectibility and Techno-Optimism in the Pulp Era." In Futuristic Cars and Space Bicycles. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621754.003.0002.

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This chapter focuses on the pulp era (c. 1926-1940) of American science fiction and explores how a distinct techno-optimism dominated this era. This pulp era optimism is best exemplified by the influential editor Hugo Gernsback and the magazines he started: Amazing Stories and Wonder Stories. However, this chapter argues that many writers who appeared in Gernsback’s magazines stridently condemned the automobiles of their own time. Where their technological optimism manifests itself, then, is in their belief that the automobile is not worthy of abandonment and that a certain perfectibility resides in the machine.

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3

Del Rey, Lester. "The Magazines of Hugo Gernsback." In The World of Science Fiction, 1926–1976. Routledge, 2021. http://dx.doi.org/10.4324/9781003160113-7.

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4

Telotte, J. P. "Introduction." In Movies, Modernism, and the Science Fiction Pulps. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190949655.003.0001.

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Abstract: This chapter explores the nature of the science fiction (SF) pulp magazine in the 1910s–1940 period, with a special emphasis on the influence of the most influential editor of the period, Hugo Gernsback. It outlines how the subjects and aims of SF in this period paralleled the larger modernist agenda that was also shaping the development of film, with a special emphasis on the visual impact of early film and early film-viewing practices. The chapter especially emphasizes how cinema’s emphasis on “attractions” or “astonishments,” as film historian Tom Gunning labels them, finds a corollary in the new genre of SF’s concern with “wonders.”

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5

"Epilogue. Beyond the “Gernsback Continuum”: Science Fiction’s Community and Social Networks." In Astounding Wonder. University of Pennsylvania Press, 2012. http://dx.doi.org/10.9783/9780812206678.301.

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Landon, Brooks. "The Gernsback Years: Science Fiction and the Pulps in the 1920s and 1930s." In The Cambridge History of Science Fiction. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316694374.010.

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