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Books on the topic 'Gernsback'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Hugo Gernsback and the century of science fiction. McFarland, 2007.

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2

Ashley, Michael. The Gernsback days: The evolution of modern science fiction from 1911-1936. Borgo Press, 1995.

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3

Siegel, Mark Richard. Hugo Gernsback, father of modern science fiction: With essays on Frank Herbert and Bram Stoker. Borgo Press, 1988.

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4

Bleiler, Everett Franklin. Science-fiction: The Gernsback years : a complete coverage of the genre magazines ... from 1926 through 1936. Kent State University Press, 1998.

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5

Gernsbach im Murgtal. Casimir Katz Verlag, 1985.

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6

Hochstuhl, Kurt. Schauplatz der Revolution in Baden: Gernsbach 1847-1849. C. Katz, 1997.

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7

Gernsbach im Murgtal: Strukturen und Entwicklung bis zum Ende des badisch-ebersteinischen Kondominats im Jahre 1660. Kohlhammer, 2006.

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8

Lowndes, Robert W., and Michael Ashley. The Gernsback Days. Wildside Press, 2004.

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9

Ashley, Michael. The Gernsback Days. Wildside Press, 2004.

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10

Ackerman, Forrest J. The Gernsback Awards, 1926. Wildside Press, 2003.

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11

Edited By Larry Steckler, EHF/CET. Hugo Gernsback: A Man Well Ahead of His Time. BookSurge Publishing, 2007.

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12

Hugo Gernsback -- A Man Well Ahead of His Time. BookSurge.com, 2008.

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13

Edited, By Larry Steckler EHF/CET. Hugo Gernsback: A Man Well Ahead of His Time. BookSurge Publishing, 2007.

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14

Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction. University of Minnesota Press, 2017.

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15

Lowndes, Robert W., and Michael Ashley. The Gernsback Days: The Evolution of Modern Science Fiction from 1911-1936. Borgo Press, 1997.

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16

The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction (Electronic Mediations). Univ Of Minnesota Press, 2016.

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17

Westfahl, Gary. Finding his Own Uses for Things. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037801.003.0004.

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This chapter discusses William Gibson's short fiction. Among Gibson's early short stories are “Fragments of a Hologram Rose” (1977), which introduces the theme of virtual reality; “The Gernsback Continuum” (1981), his first metafictional consideration of science fiction and its effects; “Johnny Mnemonic” (1981), which first involves the underworld of the Sprawl, the vast megalopolis stretching down America's East Coast; and “Burning Chrome” (1982), which adds the ingredient of cyberspace. “The Gernsback Continuum” pays fond tribute to the prophecies of science fiction writers and futurists of

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18

Westfahl, Gary. Hugo Gernsback and the Century of Scienc Fiction (Critical Explorations in Science Fiction and Fantasy) (Critical Explorations in Science Fiction and Fantasy). McFarland & Company, 2007.

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19

Page, Michael R. The Way the Future Was, 1930–1951. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039652.003.0002.

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This chapter looks at Frederik Pohl's first foray into creating a science fictional world by focusing on his youthful adventures in science fiction (SF) fandom. Pohl discovered SF at age ten in 1930. At that time, SF as a defined category of fiction was only in its fifth year, although the genre itself had a much longer pedigree. Hugo Gernsback launched the first SF magazine, Amazing Stories, in April 1926. The first SF magazine Pohl read was the Summer 1930 issue of Wonder Stories Quarterly. This chapter discusses Pohl's discovery of a collection of pulp magazines in 1931 at his uncle's farm

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20

Gernsback. S,Gernsbacks 1927 Radio Encyclopedia (Product No. B-361). Antique Electronic Supply, 1990.

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21

Children of the Plague: The Riveting Conclusion to Hugo Gernsback's Ralph 124 C41+. Iuniverse Inc, 2000.

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22

Telotte, J. P. Inventions, Modern Marvels, and Mad Scientists. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190695262.003.0005.

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This chapter addresses animation’s fascination with strange inventions, modern marvels, and their inventors. It organizes these depictions by linking them to two pre-war developments: Hugo Gernsback’s efforts at promoting the serious and practical side of science and technology, and Rube Goldberg’s satiric and cautionary vision of a modern technological society, usually offered in newspaper cartoon form. The chapter gives special attention to the various World’s Fairs and other exhibitions that were popular in the period and that were the frequent subjects of cartoons, especially by the Fleisc

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