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Journal articles on the topic 'Gernsback'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Gérard Kraus. "Gernsback Exhibit in Luxembourg." Science Fiction Studies 38, no. 1 (2011): 220. http://dx.doi.org/10.5621/sciefictstud.38.1.0220.

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2

Ross, Andrew. "Getting out of the Gernsback Continuum." Critical Inquiry 17, no. 2 (1991): 411–33. http://dx.doi.org/10.1086/448589.

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3

Erisman, Fred. "Stratemeyer Boys’ Books and the Gernsback Milieu." Extrapolation 41, no. 3 (2000): 272–82. http://dx.doi.org/10.3828/extr.2000.41.3.272.

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4

Moskowitz, Sam. "Henrik Dahl Juve and the Second Gernsback Dynasty." Extrapolation 30, no. 1 (1989): 5–52. http://dx.doi.org/10.3828/extr.1989.30.1.5.

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5

Ransom, Amy J. "Hugo Gernsback and the Century of Science Fiction." Journal of Popular Culture 41, no. 2 (2008): 360–62. http://dx.doi.org/10.1111/j.1540-5931.2008.00520.x.

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6

Moryń, Jan. "The airstream futuropolis: Hauntological reading of Gibson’s “The Gernsback Continuum”." Crossroads. A Journal of English Studies, no. 28(1) (2020): 67–77. http://dx.doi.org/10.15290/cr.2020.28.1.05.

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7

Baetens, Jan. "The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction." Leonardo 50, no. 5 (2017): 549–50. http://dx.doi.org/10.1162/leon_r_01511.

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8

Cuartero de León, Daniel, Sara Rietti Monfort, Anastasiya Raspitina, and Alberto Jesús Zoreda. "La influencia de la ciencia ficción en la tecnología y la robótica." CIC. Cuadernos de Información y Comunicación 26 (June 17, 2021): 165–77. http://dx.doi.org/10.5209/ciyc.73357.

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Las representaciones culturales que abordan el género conocido como ciencia ficción son más comunes cada día. La concepción de dicho género nació como tal en el año 1926, cuando el escritor Hugo Gernsback lo usó y popularizó con la portada de la revista Amazing Stories. Desde entonces, se conoce a la ciencia ficción como un género narrativo que sitúa la acción en unas coordenadas espacio-temporales imaginarias y diferentes a las actuales y que, además, ilustra un futuro o un presente alternativo marcado por la presencia de seres artificiales como los robots o los cyborg y su impacto en la soci

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9

Rabkin, Eric S., James B. Mitchell, and Carl P. Simon. "Who Really Shaped American Science Fiction?" Prospects 30 (October 2005): 45–72. http://dx.doi.org/10.1017/s0361233300001976.

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Treating science fiction, critics have taught us to understand that the field shrugged itself out of the swamp of its pulp origins in two great evolutionary metamorphoses, each associated with a uniquely visionary magazine editor: Hugo Gernsback and John W. Campbell Jr. Paul Carter, to cite one critic among many, makes a case that Hugo Gernsback's magazines were the first to suggest thatscience fiction was not only legitimate extrapolation… [but] might even become a positive incentive to discovery, inspiring some engineer or inventor to develop in the laboratory an idea he had first read about

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10

Wilson, Scott. "Nikola Tesla and the Science of ‘a Successful Paranoia’." Language and Psychoanalysis 6, no. 2 (2017): 4–25. http://dx.doi.org/10.7565/10.7565/landp.v6i2.1570.

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This essay offers a psychoanalytic reading of Nikola Tesla’s remarkable text My Inventions, a series of articles published in 1919 for the Electrical Experimenter magazine, edited by Hugo Gernsback (Tesla, 2011). The paper argues that the famous ‘elementary phenomena’ described in these articles operate as proto-linguistic elements or enigmatic ‘signifiers’ that form the basis of his subsequent scientific inquiry. These articles demonstrate that unusually for a scientist, Tesla did not give up on the object cause of his knowledge nor on his own position as the subject of his inventions – indee

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11

Westfahl, Gary. "“This Unique Document”: Hugo Gernsback’s Ralph 124C 41 + and the Genres of Science Fiction." Extrapolation 35, no. 2 (1994): 95–119. http://dx.doi.org/10.3828/extr.1994.35.2.95.

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12

Brockamp, O., M. Zuther, and N. Clauer. "K-Ar dating of episodic Mesozoic fluid migrations along the fault system of Gernsbach between the Moldanubian and Saxothuringian (Northern Black Forest, Germany)." Geologische Rundschau 83, no. 1 (1994): 180–85. http://dx.doi.org/10.1007/bf00211901.

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13

Ther, Philipp. "Deutsche Geschichte—keine Nationalgeschichte: Staatliche Einheit und Mehrstaatlichkeit, Volkszugehörigkeit und Nation in der deutschen Geschichte. By Jürgen Mirow. Gernsbach: Casimir Katz Verlag. 2002. Pp. 418. €37.10. ISBN 3-925825-81-9." Central European History 38, no. 1 (2005): 110–12. http://dx.doi.org/10.1017/s0008938900004611.

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14

"Hugo Gernsback and the Century of Science Fiction." American Literature 80, no. 1 (2008): 196. http://dx.doi.org/10.1215/00029831-80-1-196-b.

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15

"Science-fiction: the Gernsback years: a complete coverage of the genre magazines Amazing, Astounding, Wonder, and others from 1926 through 1936." Choice Reviews Online 36, no. 09 (1999): 36–4809. http://dx.doi.org/10.5860/choice.36-4809.

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16

"Hocheffiziente Antriebstechnik." Wochenblatt für Papierfabrikation 149, no. 4 (2021): 202–5. http://dx.doi.org/10.51202/0043-7131-2021-4-202.

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Seit September 2020 betreibt der Kartonhersteller Mayr-Melnhof in seinem Werk in Gernsbach einen neuen Streichteil mit modernster Antriebstechnik. Der neue und leistungsstärkere Streichteil wird getriebelos mit Synchronmaschinen gefahren.

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17

"Monika Kopra-Schäfer." packREPORT 53, no. 1-2 (2021): 12–13. http://dx.doi.org/10.51202/0342-3743-2021-1-2-012.

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Der Studiengang Papiertechnik an der Dualen Hochschule Baden-Württemberg in Karlsruhe hatte zum Wintersemester 2019 prominenten Zuwachs bekommen: Prof. Dr. Monika Kopra-Schäfer hat ihre hauptberufliche Lehrtätigkeit an besagter Institution, im Papierzentrum Gernsbach aufgenommen. Kopra-Schäfer stammt aus Finnland und war über Jahrzehnte in verschiedenen Managementpositionen der Papier- sowie metall- und kunststoffverarbeitenden Verpackungsindustrie tätig, insbesondere als Vorsitzende der Geschäftsführung der Linhardt-Gruppe.

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18

Spies, Hans−Bernd. "Jörg-Peter Findeisen, Axel Oxenstierna. Architekt der schwedischen Großmacht-Ära und Sieger des Dreißigjährigen Krieges. Gernsbach, Katz 2007." Historische Zeitschrift 297, no. 1 (2013). http://dx.doi.org/10.1524/hzhz.2013.0351.

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19

Bonner, Frances. "The Hard Question of Squishy Machines." M/C Journal 2, no. 6 (1999). http://dx.doi.org/10.5204/mcj.1785.

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Among the sub-genres of science fiction, one of the most traditional and most machine-laden is space opera. The name is dismissive and was coined in parallel with the now little recognised 'horse opera' (for westerns) in the wake of the success of the term 'soap opera' (for romantic serials). Space operas were adventure sagas across the galaxies with space ships carrying intrepid crews on voyages of discovery, into glorious battles and terrifying encounters with aliens. The 'opera' part presumably refers to their seriality and overstated melodrama. At various times during the last fifty years

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