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Journal articles on the topic 'Gershom Scholem and Walter Benjamin'

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Published: 3 June 2025
Last updated: 31 July 2025

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1

Deuber-Mankowsky, Astrid. "Room for a Different Kind of Future." MLN 139, no. 5 (2024): 947–57. https://doi.org/10.1353/mln.2024.a959716.

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Abstract: This essay is a meditation on the relationship between thought, happiness and fatelessness in Sam Weber, Walter Benjamin, Gershom Scholem, and Jacques Lacan. The starting point is a discussion about a line in the poem “Greetings from the Angel” by Gershom Scholem, which introduces the famous IXth thesis of Benjamin’s “On the Concept of History.”
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2

Styfhals, Willem. "Predicting the Present: Gershom Scholem on Prophecy." Journal of Jewish Thought and Philosophy 28, no. 2 (2020): 259–86. http://dx.doi.org/10.1163/1477285x-12341311.

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Abstract This article presents an analysis of the conception of prophecy that Gershom Scholem developed in his early essay “On Jonah and the Concept of Justice” (1919). I argue that Scholem did not so much develop a theological interpretation of the nature of prophecy but was rather concerned with the philosophical issues of time and justice. These concerns are demonstrably related to his friend Walter Benjamin’s interests in the late 1910s and early 1920s. Scholem’s philosophical reflections on prophecy, therefore, offer a unique insight into the complex intellectual relation between him and
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3

Barral, Céline. "Du style musif ( Musivstil ). Langue canonique et langue profane. Karl Kraus lu par Gershom Scholem et Walter Benjamin à la lumière de la poésie néohébraïque." Revue de littérature comparée 387, no. 3 (2024): 275–97. http://dx.doi.org/10.3917/rlc.387.0021.

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Gershom Scholem et Walter Benjamin se sont intéressés dans les années 1916-1931 à l’œuvre de « l’anti-journaliste » Karl Kraus et à son procédé citationnel. Scholem le désigne par la notion de Musivstil (style mosaïque ou musif, en hébreu shibboutz ), empruntée à l’histoire de la littérature juive. Cette notion, qui a influencé la réflexion de Walter Benjamin sur la citation, leur donne un regard singulier sur le journalisme de leur époque, et sur l’articulation du canonique et du profane en contexte de sécularisation.
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4

Moses, Stéphane. "Walter Benjamin et Gershom Scholem: deux expériences de l’exil." Les Temps Modernes 641, no. 7 (2006): 95. http://dx.doi.org/10.3917/ltm.641.0095.

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5

Britt, Brian. "The Inversions of Walter Benjamin’s Anarchism." New German Critique 50, no. 1 (2023): 83–102. http://dx.doi.org/10.1215/0094033x-10140747.

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Walter Benjamin’s ambivalent engagement with anarchist thought extends beyond well-known works from the early 1920s such as “Critique of Violence” (1921). Contemporary anarchist thinkers, including Gustav Landauer and Georges Sorel, influenced Benjamin and many of his associates, including Ernst Bloch, Erich Unger, Hugo Ball, and Gershom Scholem. This article describes the place of anarchism in Benjamin’s work, particularly in the fragment “World and Time” (1919) and in the essay on surrealism (1929), as a rhetorical double inversion, in which two reversals reconceptualize anarchist thought to
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6

COMAY, REBECCA. "Scholem, Gershom, Ed. The Correspondence of Walter Benjamin and Gershom Scholem, 1932-1940: Smith, Gary, Ed. on Walter Benjamin: Critical Essays and Recollections." Journal of Aesthetics and Art Criticism 49, no. 2 (1991): 179. http://dx.doi.org/10.1111/1540_6245.jaac49.2.0179.

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7

Comay, Rebecca, Gershom Scholem, Gary Smith, Andre Lefevere, and Gary Smith. "The Correspondence of Walter Benjamin and Gershom Scholem, 1932-1940." Journal of Aesthetics and Art Criticism 49, no. 2 (1991): 179. http://dx.doi.org/10.2307/431713.

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8

Löwy, Michael. "Walter Benjamin,Gershom Scholem, Théologie et utopie. Correspondance 1933-1940." Archives de sciences sociales des religions, no. 156 (December 31, 2011): 111. http://dx.doi.org/10.4000/assr.23446.

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9

Biondillo, Rosana. "Benjamin e a doença da tradição em Kafka." Revista Limiar 3, no. 6 (2019): 355–70. http://dx.doi.org/10.34024/limiar.2016.v3.9234.

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O presente artigo reflete sobre a declaração de Walter Benjamin de que a obra de Kafka representa uma doença da tradição. Apoia-se, em particular, na bem conhecida carta que contém essa declaração, escrita ao amigo Gershom Scholem em 12 de junho de 1938, bem como no seu ensaio Franz Kafka (1934). Encerramos com Um artista da fome (1922) de Kafka como proposta de possível analogia.
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10

Schwebel, Paula. "Lament and the Shattered Expression of Mourning: Gershom Scholem and Walter Benjamin." Jewish Studies Quarterly 21, no. 1 (2014): 27. http://dx.doi.org/10.1628/094457014x13896210430667.

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11

Espinosa Proa, Sergio. "Teología y crítica en Walter Benjamin." Inflexiones. Revista de Ciencias Sociales y Humanidades, no. 07 (April 29, 2021): 125. http://dx.doi.org/10.22201/udir.2954341xp.111.

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En este artículo se abordan diversos aspectos de la obra de Walter Benjamin: su vínculo con el judaísmo a través de Gershom Scholem, su escritura micrológica tal como es practicada en Calle de sentido único, su valoración de la modernidad en su ensayo sobre Baudelaire, sus tesis de filosofía de la historia y su concepción del tiempo mesiánico. Contra la ciencia, que, aliada con el mito, es la ideología de los vencedores, Benjamin opta por la religión, que está, por definición, con las víctimas. Sin embargo, esta visión se compadece poco de la historia acontecida: la teología no está con las ví
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12

Souza, Guilherme Sam-Sin de. "NA ENCRUZILHADA ENTRE MESSIANISMO E REVOLUÇÃO." Virtuajus 8, no. 14 (2023): 109–24. http://dx.doi.org/10.5752/p.1678-3425.2023v8n14p109-124.

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O presente trabalho busca extrair diferentes níveis interpretativos em torno do sintagma violência divina, utilizado por Walter Benjamin em seu ensaio de 1921 intitulado “Para a crítica da violência”. Para tanto, nos utilizaremos de uma chave de leitura que priorize a importância dos cruzamentos entre as influências do messianismo judaico – em especial, a categoria de Redenção – e a categoria de revolução – anárquica e utópica – no pensamento benjaminiano. Nosso esforço consistirá em tatear as pistas deixadas por Gershom Scholem e os comentários de autores da obra de Walter Benjamin que dialog
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13

Borges Faria, Flávio. "AFINIDADES ELETIVAS ENTRE WALTER BENJAMIN E FRANZ KAFKA." PÓLEMOS – Revista de Estudantes de Filosofia da Universidade de Brasília 10, no. 20 (2022): 33–55. http://dx.doi.org/10.26512/pl.v10i20.38774.

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O presente trabalho objetivou interpretar os escritos de Walter Benjamin (1892-1940), proeminente filósofo alemão, sobre o escritor tcheco Franz Kafka (1883-1924). O objetivo principal foi investigar o contexto histórico em que houve o encontro dos autores, bem como o conjunto de ideias comum aos autores em tela. Desse modo, os conceitos de experiência (Erfahrung), tradição doente e esquecimento são escolhidos no sentido de mensurar os trânsitos intelectuais entre Benjamin e Kafka, unidos também pela ascendência judaica. Procuramos definir essa tríade de conceitos, cuja proximidade não permite
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14

Sax, Benjamin E. "Judaism, Experience, and the Secularizing of Life: Revisiting Walter Benjamin’s Montage of Quotation." Religions 13, no. 11 (2022): 1033. http://dx.doi.org/10.3390/rel13111033.

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Most scholarship on the life and thought of Walter Benjamin does not seriously engage the phenomenon of religion or the philosophy of religion in his thought. While some scholarship considers Benjamin a German-Jewish thinker, placed in the company of luminaries such as Martin Buber, Franz Rosenzweig, and Gershom Scholem, most readers assume that Benjamin’s secular identity motivated most of his inquiries and critical thinking. However, focusing on a secular sensibility obscures important elements of religious traditions in Benjamin’s writings. In fact, Benjamin suggested that widely contempora
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15

Bojanić, Petar. "“Leben und Gewalt” ou “Gewalt und Leben”." rth | 24, no. 2 (2021): 54–63. http://dx.doi.org/10.5216/rth.v24i2.71176.

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No parágrafo 18 de “Rumo à Crítica da Violência”, os termos vida , viver e violência , e as relações entre eles, complicam a justificativa de Walter Benjamin para a violência divina - a principal descoberta de seu texto. Este artigo procura reconstruir os usos de Benjamin da vida e vivência em textos anteriores e considerar a influência potencial de vários autores que ele estava lendo na época (Heinrich Rickert, Erich Unger, Kurt Hiller, Gershom Scholem). A distinção de Benjamin entre vida e viver é crucial para sua crítica ao pacifismo e para sua mudança de perspectiva: ele muda o foco da vít
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16

Bahun, Sanja. "The Burden of the Past, the Dialectics of the Present: Notes on Virginia Woolf's and Walter Benjamin's Philosophies of History." Modernist Cultures 3, no. 2 (2008): 100–115. http://dx.doi.org/10.3366/e2041102209000367.

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Writing in a Paris rife with war-anxieties, refugees and political plots, a stateless individual by the name of Walter Benjamin recorded on 11 January 1940: “Every line that we succeed in publishing today - given the uncertainty of the future to which we consign it - is a victory wrested from the power of darkness.” The fusion of desperation and mystical activism in the face of historical horror, expressed in Benjamin's last letter to Gershom Scholem, was echoed across the Channel. Only ten days later, Virginia Woolf - assailed by a mixture of historical, financial, creative and publishing wor
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17

Benjamin, Walter, and Maykson Mardônio Cardoso de Sousa. "TRADUÇÃO: NOTAS PARA UM TRABALHO SOBRE A CATEGORIA DE JUSTIÇA." Virtuajus 8, no. 14 (2023): 19–22. http://dx.doi.org/10.5752/p.1678-3425.2023v8n14p19-22.

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As Notas para um trabalho sobre a categoria de justiça, aqui traduzidas diretamente do alemão “Notizen zu einer Arbeit über die Kategorie der Gerechtigkeit”, estiveram em posse de Gershom Scholem até sua morte, em 1982, razão pela qual mantiveram-se desconhecidas até virem à tona com a publicação de seus diários, ensaios e rascunhos, em 1995. Ainda em 1995, Rolf Tiedemman e Hermann Schweppenhäuser — organizadores dos Gesammelten Schriften de Walter Benjamin —, surpreendidos com este novo achado depois de já terem finalizado o trabalho dos GS no final dos anos 1980, trataram de publicá-la no qu
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18

Wasserstrom, Steven M. "Uses of the androgyne in the history of religions." Studies in Religion/Sciences Religieuses 27, no. 4 (1998): 437–53. http://dx.doi.org/10.1177/000842989802700406.

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The image of the androgyne was used by historians of religions Mircea Eliade, Henry Corbin and Gershom Scholem to refer symbolically to a totality beyond gender differences. The androgyne was identified as perfect man by Eliade, as angel by Corbin, as demon by Scholem (in his interpretation of Walter Benjamin) and as the godhead by their common ancestor Goethe. This article reflects on these uses of the androgyne as they underwrote normative assumptions about the history of religions. Attention is also paid to the uses of the androgyne in related fields, especially fiction and philosophy, in o
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19

Raz-Krakotzkin, A. ""On the Right Side of the Barricades": Walter Benjamin, Gershom Scholem, and Zionism." Comparative Literature 65, no. 3 (2013): 363–81. http://dx.doi.org/10.1215/00104124-2325140.

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20

Larrauri Olguín, Gibrán. "Iluminaciones: Benjamin, Freud y el psicoanálisis." Revista de Filosofía Universidad Iberoamericana 54, no. 152 (2021): 86–112. http://dx.doi.org/10.48102/rdf.v54i152.129.

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 El texto esclarece el lugar que Freud y su invento tuvieron en la obra y pensamiento de Walter Benjamin. Lo hace recurriendo a la correspondencia entre Benjamin mismo y Theodor Adorno, y al testimonio al respecto de Gershom Scholem. Muestra cómo Adorno envía a Benjamin hacia Freud y su obra al menos un par de veces, una con relación al sufrimiento psicológico de su hijo, Stefan Benjamin, y la otra con relación a su proyecto de los Pasajes. Ambos envíos tienen un articulador explícito: la decadencia de la imago y la función paternas en la modernidad industrial, llam
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21

Zadoff, Mirjam, and Noam Zadoff. "FROM MISSION TO MEMORY: WALTER BENJAMIN AND WERNER SCHOLEM IN THE LIFE AND WORK OF GERSHOM SCHOLEM." Journal of Modern Jewish Studies 13, no. 1 (2014): 58–74. http://dx.doi.org/10.1080/14725886.2014.881043.

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22

Hannah Holtschneider, K. "Review: Metaphysics of the Profane: The Political Theology of Walter Benjamin and Gershom Scholem." Journal of Theological Studies 56, no. 1 (2005): 321. http://dx.doi.org/10.1093/jts/fli090.

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23

James, Thomas. "Eric Jacobson, Metaphysics of the Profane: The Political Theology of Walter Benjamin and Gershom Scholem." Political Theology 5, no. 4 (2004): 500–502. http://dx.doi.org/10.1179/pol.5.4.f5401765w3774857.

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24

Smith, Gary. "“Die Zauberjuden”: Walter Benjamin, Gershom Scholem, and Other German-Jewish Esoterics between the World Wars." Journal of Jewish Thought and Philosophy 4, no. 2 (1995): 227–43. http://dx.doi.org/10.1163/105369995790231317.

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25

Ketzer, Estevan de Negreiros. "Apontamentos preliminares para a tradução cabalística da letra Aleph." Revista Criação & Crítica, no. 37 (January 15, 2023): 212–24. http://dx.doi.org/10.11606/issn.1984-1124.i37p212-224.

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O presente trabalho aponta para alguns elementos que dizem respeito a concepção da letra Aleph na tradição hebraica. Esta letra parâmetro para pensarmos a tradução a partir da crítica do ritmo desenvolvida por Henri Meschonnic, com as contribuições de Walter Benjamin e Gershom Scholem, acerca de elementos da linguagem de difícil expressão. O som e sua repercussão como posição anterior ao arcabouço dos signos pretensamente cognoscíveis já nos dão um bom prognóstico do quanto a linguagem é mais ampla do que a língua em sua expressão vernacular. O trabalho se divide em três partes e sua conclusão
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Lipcen, Erika. "Crisis de la transmisión y «narraciones sin verdad» en la lectura benjaminiana de Kafka." Eikasía Revista de Filosofía, no. 110 (October 24, 2022): 51–68. http://dx.doi.org/10.57027/eikasia.110.342.

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En una carta de 1938 dirigida a Gershom Scholem, Walter Benjamin sostiene que la obra de Franz Kafka representa la «enfermedad de la tradición». En el presente trabajo, intentamos desentrañar esta afirmación, sosteniendo que con la misma el autor alude a la crisis de la transmisión del judaísmo a comienzos del siglo XX en Europa central. Buscamos, en primer lugar, desarrollar los procesos históricos que están a la base de dicha agonía de la tradición, para lo cual nos detenemos en la situación de una generación de judíos asimilados, para quienes la tradición ya no constituía un hecho vivo, y e
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Bojanić, Petar, and Edward Ðjordević. "“Leben und Gewalt” or “Gewalt und Leben”." Critical Times 2, no. 2 (2019): 320–29. http://dx.doi.org/10.1215/26410478-7708379.

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Abstract In paragraph 18 of “Toward the Critique of Violence,” the terms life, living, and violence, and the relations among them, complicate Walter Benjamin's justification of divine violence—his text's main discovery. This article seeks to reconstruct Benjamin's uses of life and living in earlier texts and to consider the potential influence of various authors he was reading at the time (Heinrich Rickert, Erich Unger, Kurt Hiller, Gershom Scholem). Benjamin's distinction between life and living is crucial for his critique of pacifism and for his shift in perspective: he moves the focus from
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28

Blower, David Benjamin. "Discharged from the Law: Paulos, Anarchy and Spirit. Exploring Romans 6-8 With Gershom Scholem and Walter Benjamin." Kenarchy Journal 4 (October 2022): 26–43. http://dx.doi.org/10.62950/vxkla43.

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This essay is a brief sketch on Paul’s writings about law and Spirit in the book of Romans. Christian theology has historically understood law as basically synonymous with Judaism, and Paul’s discourse on law is largely taken to be the reasoning of a superior religion over and against its failed or expired predecessor. In spite of the correctives of E. P. Sanders, it has been said that New Perspectives theologians are still describing some, albeit more nuanced, version of the same old picture. This has tended to reduce the complexity of the primitive messianic movement to a religion preoccupie
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Berdet, Marc. "Entrevista a Michael Löwy, galardonado con el Premio europeo Walter Benjamin 2020." Acta Poética 42, no. 2 (2021): 171–85. http://dx.doi.org/10.19130/iifl.ap.2021.2.18128.

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Professor Marc Berdet gets into a dialogue with the brasilian-french thinker Michael Löwy, to establish the origin of his career; authors who have influenced his theoretical work such as Walter Benjamin and Max Weber, Karl Marx, Gersom Scholem, Georges Sorel, André Breton, Auguste Blanqui, Anna Zeghers, José Carlos Mariátegui, Charles Fourier, among others; and the evolution of a reflection that touches both European and Latin American critical thought.
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Barbosa, Jefferson Eduardo da Paz. "Textualização da verdade e crise da tradição: ressonâncias cabalísticas em O castelo de Franz Kafka." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 12, no. 22 (2018): 111–28. http://dx.doi.org/10.17851/1982-3053.12.22.111-128.

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O objetivo deste artigo é identificar na escritura/leitura de Franz Kafka, a partir de O castelo, a intersecção entre a crise da tradição, levantada por Walter Benjamin e Gershom Scholem, e a textualização da verdade que se depreende das práticas exegéticas na tradição mística do judaísmo, sobretudo na teoria cabalística da linguagem. Seguindo a discussão das principais teorias presentes no referencial bibliográfico, analisaremos como a escritura em Kafka se utiliza do comentário como método, fundindo exegese e criação literária. O percurso do personagem de O castelo, mais do que peripécias in
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Barbosa, Jefferson Eduardo da Paz. "Textualización de la verdad y crisis de la tradición en El castillo, de Franz Kafka." Revista Valenciana, estudios de filosofía y letras, no. 23 (January 14, 2019): 89. http://dx.doi.org/10.15174/rv.v0i23.386.

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El objetivo de este artículo es identificar en la escritura / lectura de Franz Kafka, a partir de El Castillo, la intersección entre la problemática de la crisis de la tradición, planteada por Walter Benjamin y Gershom Scholem, y la textualización de la verdad que se desprende de las prácticas exegéticas en la tradición mística del judaísmo, sobre todo en la teoría cabalística del lenguaje. Siguiendo la discusión de las principales teorías presentes en el referencial bibliográfico, analizaremos cómo la escritura en Kafka se utiliza del comentario como método, fundiendo exégesis y creación lite
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Zard, Philippe. "Le rire théologique de Franz Kafka." Études françaises 47, no. 2 (2011): 83–99. http://dx.doi.org/10.7202/1005651ar.

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Peut-on rire en lisant Kafka et, si c’est le cas, de quoi rit-on ? Qu’est-ce qui rit en nous alors même que La métamorphose, La colonie pénitentiaire, Le procès ou Le château se sont acquis la réputation de fictions cauchemardesques ? Par réaction contre l’esprit de sérieux qui ramène ses romans à des allégories, certains critiques choisissent de mettre en lumière la force comique de Kafka. On se tromperait cependant en opposant les deux dimensions de l’oeuvre, car l’humour omniprésent n’y est aucunement dissociable de sa portée métaphysique. Le rire de Kafka est, entre autres, le surgeon inat
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Fabian, Hans J. "German Letters: The Correspondence of Georg Kaiser and of Walter Benjamin and Gershom Scholem as Opposing Mirrors of Inner and Outer Reality." World Literature Today 64, no. 2 (1990): 242. http://dx.doi.org/10.2307/40146402.

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Batista Pereira, João. "Právedniki:." Macabéa - Revista Eletrônica do Netlli 11, no. 1 (2022): 106–24. http://dx.doi.org/10.47295/mren.v11i1.175.

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Este artigo busca identificar como o mito influenciou Walter Benjamin na leitura dos contos “Kótin, o provedor, e Platonida”, “A sentinela”, “O artista dos topetes” e “O peregrino encantado”, de Nikolai Leskov. Apreendidos sob a ótica dos justos como categoria analítica, conforme pressupostos teóricos de Georg Lukács, Pierre Bouretz, Michael Löwy e Gershon Scholem, conjecturamos que a redenção e o tipo lukacsiano, alusivos ao messianismo e à teoria marxista, respectivamente, permearam o horizonte benjaminiano na interpretação dos protagonistas desses relatos, endossando os princípios neorromân
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Greiner, Bernhard. "“This Nothing of a Voice”: Kafka’s Josefine Narrative as a Modern Reflection on Revelation and Language." Naharaim 15, no. 1 (2021): 73–88. http://dx.doi.org/10.1515/naha-2020-0004.

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Abstract In reference to the paradoxical classification of art in Kafka’s Josefine story, religious aspects of the artist’s performances and their effect on the audience are scrutinized. The leading question is to what extent it evokes an allusion to the primal scene of divine revelation, following Stéphane Mosès’ commentary in his readings of the Bible. Josefine’s singing with a “nothing of a voice”, reduced to “the slightest of nullities”, the zero-point of signification, nevertheless affects an experience of presence and community that touches the listeners’ entire being. From the perspecti
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Romanň, Franco. "Walter Benjamin fra ebraismo e scuola di Francoforte." COSTRUZIONI PSICOANALITICHE, no. 23 (May 2012): 137–57. http://dx.doi.org/10.3280/cost2012-023010.

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Il dialogo fra Scholem e Benjamin, pur continuamente segnato da reciproche incomprensioni e fraintendimenti, costituisce un"opera originalissima e preziosa per comprendere l"evoluzione del pensiero di Benjamin sia nel suo giudizio su Kafka sia nei suoi rapporti con il marxismo e la scuola di Francoforte.
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Später, Jörg. "Der Verlorene." Zeitschrift für Ideengeschichte 15, no. 3 (2021): 34–38. http://dx.doi.org/10.17104/1863-8937-2021-3-34.

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Als Jürgen Habermas nach Frankfurt zum Institut für Sozialforschung stieß, hatte der 27-jährige Roth-acker-Schüler gewiss soziologische Ambitionen, aber darüber hinaus dürfte es ihm besonders reizvoll erschienen sein, Theodor W. Adorno Tür an Tür bei seinem eigenwilligen Philosophieren zuzuschauen. Habermas wurde im Institutsalltag in die verschüttete Welt der vertriebenen jüdischen Linksintelligenz eingeführt, vor allem von Gretel Adorno, in deren Zimmer Benjamins Klee-Gemälde Angelus Novus hing, welches der verstorbene Freund als Allegorie auf die Katastrophen der Geschichte gedeutet hatte.
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Kirchner, Renato. "Trabalho das passagens, de Walter Benjamin." Viso: Cadernos de estética aplicada 1, no. 3 (2007): 33–46. http://dx.doi.org/10.22409/1981-4062/v3i/45.

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O propósito deste texto é fazer uma apreciação da obra capital de Walter Benjamin, cuja tradução brasileira foi publicada em 2006. O texto divide-se em dois momentos: o primeiro é uma tentativa de expor alguns dados biobibliográficos de e sobre o autor; o segundo propõe-se a fazer uma análise mais detalhada do Trabalho das passagens. Nessa perspectiva, são feitas algumas considerações técnicas sobre a obra e, em seguida, tomando por base o epistolário entre Benjamin e Scholem, busca-se entender o modo peculiar como esta obra foi concebida por Benjamin. Trabalho das passagens é um conjunto de t
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Cantinho, Maria João. "Walter Benjamin e a História Messiânica." Philosophica: International Journal for the History of Philosophy 19, no. 37 (2011): 177–95. http://dx.doi.org/10.5840/philosophica2011193726.

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Uma das problemáticas essenciais do pensamento benjaminiano é, precisamente, a questão da história. Numa época em que a tonalidade dominante é a ameaça da guerra e a destruição das ideologias, dos valores e ideais clássicos, em nome de uma desenfreada visão progressista e continuista da história humana, é preciso despertar do pesadelo da catástrofe da história. É esta que é responsável pela dissolução do conceito de experiência, alienando o homem e deixando-o desamparado e entregue ao vazio da experiência do choque, à fragmentação da narração e à perda da tradição. Recorrendo à tradição judaic
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Merchán Parra, Luis Antonio. "Reseña. Forster, Ricardo (1999). “Walter Benjamin y el judaísmo”. El exilio de la palabra. Buenos Aires: Eudeba. pp. 67-144." Análisis 49, no. 90 (En-Ju) (2017): 247. http://dx.doi.org/10.15332/s0120-8454.2017.0090.11.

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<p>El texto pretende determinar varios de los elementos fundamentales que, a juicio del autor, constituyen la relación del pensamiento judío con las ideas de Walter Benjamin. Se compone de siete partes: “Las huellas judías en el itinerario de Benjamin”, “Ante la presencia de la barbarie”, “La pregunta por el mesianismo judío (La huella de Max Weber)”, “Lo judío, lo teológico y Kafka”, “Martín Buber y las nuevas interpretaciones del judaísmo”, “Las experiencias de una generación” y “Gershom Sholem y la génesis de los estudios cabalísticos”.</p>
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Dias, Rayla, and Cláudio Guilarduci. "Benjamin leitor de eduard fuchs: coleção, arte e história." Cuadernos de Educación y Desarrollo 16, no. 8 (2024): e5093. http://dx.doi.org/10.55905/cuadv16n8-038.

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O artigo apresenta os resultados do projeto de iniciação científica intitulado Benjamin leitor de Eduard Fuchs: Coleção, Arte e História e seu plano de trabalho está inserido no projeto maior A educação das sensibilidades: os productos estéticos pedagógicos nas escolas de educação básica, coordenado pelo prof. Cláudio Guilarduci. Focando-se na articulação entre os textos Eduard Fuchs, colecionador e historiador (1937), de Walter Benjamin, e Walter Benjamin: aviso de incêndio: uma leitura das teses “Sobre o conceito de história” (1940). Em outubro de 1933 Benjamin conta a Adorno sobre seu encon
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Ng, Julia. "Walter Benjamin's and Gershom Scholem's Reading Group Around Hermann Cohen's Kants Theorie der Erfahrung in 1918: An Introduction." MLN 127, no. 3 (2012): 433–39. http://dx.doi.org/10.1353/mln.2012.0085.

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Rotlevy, Ori. "The “Enormous Freedom of the Breaking Wave”: The Experience of Tradition in Benjamin between the Talmud and Kant." New German Critique 47, no. 2 (2020): 191–216. http://dx.doi.org/10.1215/0094033x-8288195.

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Abstract How is freedom tied to tradition? What is the relation between the individual and the collective experience of tradition? To what extent is the experience of tradition part of a modern experience rather than only of an ancient one? This essay argues that these questions lie at the heart of Walter Benjamin’s early discussion of tradition. His peculiar reference to “Talmudic wit” and to Kant as a tradendum in letters to Scholem, alongside related Jewish sources, and his engagement with Kant in “On the Program of the Coming Philosophy” are used to address these questions. Thus the essay
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Rokem, Freddie. ""Lieber Walter"—"Lieber Gerhard": The Dramaturgical Strategies for Including the Correspondence of Benjamin and Scholem in the Performance of Passport." Journal of Dramatic Theory and Criticism 31, no. 2 (2017): 55–72. http://dx.doi.org/10.1353/dtc.2017.0003.

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Eric, Levi Jacobson. "Gershom Scholem, The Bolshevik Revolution [1918]. Translated from the German by Eric Levi Jacobson." July 1, 2007. https://doi.org/10.5281/zenodo.822455.

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an anarchist critique of Bolshevism, drawing on Walter Benjamin. The translation and commentary published as \"Theories of Justice, Profane and Prophetic: Gershom Scholem on the Bolshevik Revolution\" in Gershom Scholem: In memoriam, Vol. 2, Jerusalem Studies in Jewish Thought, 21, 2007. Available here: https://goo.gl/deFJt1
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Eric, Levi Jacobson. "La fotogrammetria nella filosofia del linguaggio di Benjamin." January 1, 2016. https://doi.org/10.5281/zenodo.822451.

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"The correspondence of Walter Benjamin and Gershom Scholem, 1932-1940." Choice Reviews Online 27, no. 06 (1990): 27–3126. http://dx.doi.org/10.5860/choice.27-3126.

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Rehm, Robin. "»Bildarchitektur«. Paul Klees Vorführung des Wunders 1916/54 und Walter Benjamin." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 66, no. 2 (2021). http://dx.doi.org/10.28937/9783787342006_7.

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Der Aufsatz wendet sich Walter Benjamins Aquarell Vorführung des Wunders von Paul Klee zu, also jenem Werk, das bereits 1920 – ein Jahr vor der aquarellierten Ölfarbezeichnung des Angelus novus – in seine Sammlung gelangt. Wesentliches Element des Bildes sind die Liniengefügen, von denen sich die Figuren und der Schauplatz mitsamt schmaler Bühne absetzen. In der damaligen Kunstkritik und Ästhetik werden solche Konstruktionen aus Linien im Sinn eines Architektonischen verstanden, das heißt als ein das Bild konstituierendes Regime. Benjamin beschäftigt sich mit entsprechenden Liniengebilden als
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Eric, Levi Jacobson. "Theories of Justice, Profane and Prophetic: Gershom Scholem on the Bolshevik Revolution." July 1, 2007. https://doi.org/10.5281/zenodo.822459.

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ERIC JACOBSON, Theories of Justice, Profane and Prophetic: Scholem on the Bolshevik Revolution. (Translation of Scholem's \"The Bolshevik Revolution\" (1918) with commentary drawn from Walter Benjamin's Critique of Violence) in: Gershom Scholem. In Memoriam, Vol. II. Jerusalem Studies in Jewish Thought, No. 21, ed. Joseph Dan, Jerusalem: The Hebrew University of Jerusalem, 2007, 59-75.
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Eric, Levi Jacobson. "Walter Benjamin, Notes to a Study of the Category of Justice [1916]. Notizen zu einer Arbeit über die Kategorie der Gerechtigkeit [1916]. Translated with the German original by Eric Levi Jacobson." July 1, 2003. https://doi.org/10.5281/zenodo.822453.

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a short text on the concept of justice by Walter Benjamin. The text was preserved by Gershom Scholem on 8 October 1916, the same method by which most of Benjamin's early writings have reached us. However, this piece somehow remained undetected by the editors of the Gesammelte Schriften. It first appeared in German and English in Metaphysics of the Profane, New York: Columbia University Press, 2003, pp. 166-169, with permission of the German publishers Suhrkamp Verlag. It is presented here with a typographical error corrected.
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