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Books on the topic 'Gestalt laws of Perception'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Fierz, Peter. Gestalt ist sichtbar: Beobachtungen von innen. Bern: P. Haupt, 1997.

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2

Heider, Fritz. Ding und Medium. Berlin: Kadmos, 2005.

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3

Perception and imaging. 2nd ed. Boston, MA: Focal Press, 2002.

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4

Zakia, Richard D. Perception and imaging. Boston: Focal Press, 1997.

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5

Muskhelishvili, Georgi. DNA Information: Laws of Perception. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-17425-9.

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6

Salber, Wilhelm. Gestalt auf Reisen: Das System seelischer Prozesse. Bonn: Bouvier Verlag, 1991.

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7

Metzger, Wolfgang. Laws of seeing. Cambridge, MA: MIT Press, 2007.

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8

Crawford, Julia. A walk into awareness: A Gestalt approach to growth. San Antonio, Tex: Watercress Press, 1985.

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9

Perception and imaging: Photography : a way of seeing. 3rd ed. Burlington, MA: Focal Press, 2007.

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10

Saint-Martin, Fernande. La théorie de la gestalt et l'art visuel: Essai sur les fondements de la sémiotique visuelle. Sillery, Québec: Presses de l'Université du Québec, 1990.

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11

Lothar, Spillmann, and Wertheimer Michael, eds. On seen motion and figural organization. Cambridge, Mass: MIT Press, 2012.

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12

Kennedy, Desmond Joseph. Healing perception: The application of the philosophy of Maurice Merleau-Ponty to the theoretical structures of Gestalt psychotherapy. [Derby: University of Derby], 2002.

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13

Sensory neuroscience: Four laws of psychophysics. New York, NY: Springer, 2009.

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14

Zwislocki, Jozef J. Sensory neuroscience: Four laws of psychophysics. New York, NY: Springer, 2009.

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15

Oreopoulos, Philip. Do dropouts drop out too soon? international evidence from changes in school-leaving laws. Cambridge, Mass: National Bureau of Economic Research, 2003.

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16

Schaefer-Simmeren, Henry. Consciousness of artistic form: A comparison of the visual, gestalt art formations of children, adolescents, and layman adults with historical art, folk art, and aboriginal art. Edited by Schaefer-Simmern Gertrude, Abrahamson Roy E, and Fein Sylvia. Berkeley, CA: Gertrude Schaefer-Simmern Trust, 2003.

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17

Scarron. Le roman comique: Avec un choix de suites. [Paris]: Gallimard, 1985.

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18

The 15 invaluable laws of growth: Live them and reach your potential. New York: Center Street, 2012.

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19

Vitello, Corey J. The myth of a psychiatric crime wave: Public perception, juror research, and mental illness. Durham, N.C: Carolina Academic Press, 2006.

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20

Subliminal communication: Emperor's clothes or panacea? : with how to create your own subliminal program. 2nd ed. Las Vegas, Nev: Just Another Reality, 1990.

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21

Subliminal communication: Emperor's clothes or panacea? : with how to create your own subliminal program. Salt Lake City, Utah: Just Another Reality, 1986.

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22

Lacey, John M. Issues in the perception of auditor independence: A research project commissioned by the Chief Accountant of the United States Securities and Exchange Commission. [Los Angeles]: School of Accounting, University of Southern California, 1986.

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23

La dangerosité saisie par le droit pénal. Paris, France]: Presses universitaires de France, 2011.

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24

Nü xing xu shi yu ji yi: Women's narrative and memory. Beijing Shi: Jiu zhou chu ban she, 2007.

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25

Tenney, James. Hierarchical Temporal Gestalt Perception in Music. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0009.

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James Tenney talks about hierarchical temporal gestalt perception in music based on a metric space model, which he applied to compositions by Anton Webern, Edgard Varèse, and Claude Debussy. He begins with a discussion of temporal gestalt-units (TGs), using the terms “element,” “clang,” and “sequence” to designate TGs at the first three hierarchical levels of perceptual organization. He then considers a number of questions that might be the most relevant to musical perception, such as: how the perceptual boundaries of a TG are determined; or the extent to which the factors involved in temporal gestalt perception are objective. In an effort to provide some tentative answers to such questions, Tenney proposes a hypothesis of temporal gestalt perception and presents some results of a computer analysis program based on this hypothesis. The program, written by Larry Polansky, represents a simplified model of this aspect of musical perception, and Tenney describes some of the implications, limitations, and possible extensions of this model.

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26

Das Selbst-Verständnis in Gestalt-Theorie und Gestalt-Praxis: Dokumentation der Münchner Gestalt-Tage 89, 22. bis 24. September. Eurasburg: Gesellschaft zur Förderung der Humanisierung des Erziehungswesens, 1989.

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27

Greenlee, Mark, Adam Geremek, and Svein Magnussen. Perception Beyond Gestalt: Progress in Vision Research. Taylor & Francis Group, 2016.

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28

Perception Beyond Gestalt Explorations in Cognitive Psychology. Taylor & Francis Ltd, 2013.

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29

Irvin, Rock, ed. Indirect perception. Cambridge, Mass: MIT Press, 1997.

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30

Psychology of Perception: A Philosophical Examination of Gestalt Theory and Derivative Theories of Perception. Taylor & Francis Group, 2017.

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31

Perceptual Organization. Taylor & Francis Group, 2017.

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32

The World in Your Head: A Gestalt View of the Mechanism of Conscious Experience. Lawrence Erlbaum, 2002.

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33

Lehar, Steven M. The World in Your Head. Routledge, 2013.

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34

Spillmann, Lothar, and Wolfgang Metzger. Laws of Seeing. MIT Press, 2009.

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35

Spillmann, Lothar, Wolfgang Metzger, and W. Metzger. Laws of Seeing. MIT Press, 2009.

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36

(Translator), Lothar Spillmann, Steven Lehar (Translator), M. Stromeyer (Translator), and Michael Wertheimer (Translator), eds. Laws of Seeing. The MIT Press, 2006.

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37

Albertazzi, L. Shapes of Forms: From Gestalt Psychology and Phenomenology to Ontology and Mathematics. Springer, 2011.

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38

Liliana, Albertazzi, ed. Shapes of forms: From gestalt psychology and phenomenology to ontology and mathematics. Dordrecht: Kluwer Academic, 1999.

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39

Perception and Imaging, Fourth Edition: Photography--A Way of Seeing. Focal Press, 2012.

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40

Albertazzi, L. Shapes of Forms: From Gestalt Psychology and Phenomenology to Ontology and Mathematics (Synthese Library). Springer, 1998.

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41

Rock, Irvin, and Irvin Rock DECEASED. Legacy of Solomon Asch: Essays in Cognition and Social Psychology. Taylor & Francis Group, 2016.

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42

(Editor), Irvin Rock, and Irvin Rock - DECEASED (Editor), eds. The Legacy of Solomon Asch: Essays in Cognition and Social Psychology. Lawrence Erlbaum, 1990.

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43

1907-, Asch Solomon E., and Rock Irvin, eds. The Legacy of Solomon Asch: Essays in cognition and social psychology. Hillsdale, N.J: L. Erlbaum Associates, 1990.

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44

Wagemans, Johan. Oxford Handbook of Perceptual Organization. Oxford University Press, 2015.

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45

Hudson, Thomson Jay. The Perception of the Fixed Laws of Nature. Kessinger Publishing, 2005.

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46

The Judgement of the Eye. Springer, 2002.

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47

and, Bruno. Object Perception and Recognition. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198725022.003.0004.

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Perceived objects are unitary entities that enter our consciousness as organized wholes distinct from other entities and from empty parts of the environment, that are amenable to bodily interactions, and that possess several features such as a three-dimensional structure, a location in space, a colour, a texture, a weight, a degree of rigidity, an odour, and so on. In this chapter, we will discuss perceptual processes responsible for forming such units within and between sensory channels, typically for the purpose of recognition. Our discussion of multisensory interactions in object perception will provide a useful domain for illustrating the key notion of optimal multisensory integration and for introducing Bayesian models of perception. These models provide important novel ways of addressing classical problems in the philosophy of perception, in influential historical approaches such as the Gestalt theory of perception, and in applications to rehabilitation based on sensory substitution.

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48

Laws of Fear. Cambridge University Press, 2005.

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49

Maxwell, John C. The 15 Invaluable Laws of Growth: Live Them and Reach Your Potential. Center Street, 2012.

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50

Maxwell, John C. The 15 Invaluable Laws of Growth: Live Them and Reach Your Potential. Center Street, 2014.

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