Relevant bibliographies by topics / Getty Conservation Institute

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Academic literature on the topic 'Getty Conservation Institute'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Getty Conservation Institute"

1

Otte, Marcel. "Los Angeles: The Getty Conservation Institute." L'Anthropologie 107, no. 5 (December 2003): 702–3. http://dx.doi.org/10.1016/j.anthro.2003.10.010.

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Crespo Ibañez, Ana. "Modern Metals in Cultural Heritage: Understanding and Characterization." Ge-conservacion 16 (December 11, 2019): 327–28. http://dx.doi.org/10.37558/gec.v16i0.720.

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Allen, Susan M. "Toward an international art library: the growth of the Research Library at the Getty Research Institute, 1979-2002." Art Libraries Journal 27, no. 4 (2002): 25–32. http://dx.doi.org/10.1017/s0307472200012827.

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The Getty Research Institute (GRI) is one of four programs of the J. Paul Getty Trust, an international cultural and philanthropic institution devoted to the visual arts, all of which reside at the Getty Center situated high on a beautiful hilltop in Brentwood, California. (The other programs of the Getty Trust are the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Grant Program.) From the beginning it was understood that the GRI would develop a research program in the discipline of art history and more generally the humanities, and that a library would support its work. Since its founding the GRI has, in fact, developed a major library as one of its programs alongside those for scholars, publications, exhibitions and a multitude of lectures, workshops and symposia for scholars, students and the general public. What is now known as the Research Library at the GRI has grown to be a significant resource and this article focuses on its history, the building that houses it, its collections and databases, and access to them all.
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Hansen, E. "Conservation I: Effects of wet cleaning on silk tapestries (Getty Conservation Institute)." Museum Management and Curatorship 10, no. 1 (March 1991): 93–96. http://dx.doi.org/10.1016/0260-4779(91)90048-3.

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5

Cobb, J. "KEYNOTE: USING THE GETTY VOCABULARIES TO CONNECT RESOURCES IN A LINKED AND OPEN WORLD: GROWING POTENTIAL THROUGH CONTRIBUTIONS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 3–4. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-3-2019.

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<p><strong>Abstract.</strong> The J. Paul Getty Trust is a cultural and philanthropic institution dedicated to the presentation, conservation, and interpretation of the world’s artistic legacy.</p><p>Through the collective and individual work of its constituent programs – the Getty Conservation Institute, the Getty Foundation, the J Paul Getty Museum, and the Getty Research Institute – the Getty pursues its mission in Los Angeles and throughout the world, serving both the general interested public and a wide range of professional communities in order to promote a vital civil society through an understanding of the visual arts.</p><p>The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its Research Library and Special Collections of rare materials and digital resources serve an international community of scholars and the interested public.</p><p>The Institute's activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.</p><p>The Getty Vocabularies have been produced and maintained for decades by the Getty Vocabulary Program, which is part of the Getty Research Institute (GRI).</p><p>They are compliant with ISO and NICO standards for multilingual thesaurus construction and contain terminology and other information about people, places, objects, and art-historical and conservation concepts.</p><p>They are compiled resources and grow through contributions from various Getty projects and from many external institutions.</p><p>Although there are now five vocabularies, this talk will concentrate on the three that have been released as Linked Open Data.</p><p>They are the Art &amp;amp; Architecture Thesaurus (AAT)®, the Union List of Artist Names (ULAN)&amp;reg;, and the Getty Thesaurus of Geographic Names (TGN)&amp;reg;. These three vocabularies were the first to be released because they are used universally in the cultural heritage and library communities and represent best practice.</p><p>The presentation will show examples of how AAT, TGN and ULAN are used and to highlight reasons why they have become such valuable resources. It will provide an overview of some of the major challenges and lessons learned since the vocabularies were made available as LOD. Topics will range from reconciling external resources with the Getty vocabularies to strategies for cultural heritage organizations to contribute new concepts and terminology and the need to easily and quickly provide contributors with the information they need to insert the link into their collection management systems.</p><p>The goal is not only to work with the community to help everyone make the best use of the LOD datasets, but to make sure the datasets themselves continue to grow through contributions.</p>
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Valentín Rodrigo, Nieves. "Environmental Management for Collections. Alternative Preservation Strategies for Hot and Humid Climates." Ge-conservacion 7 (June 15, 2015): 63–64. http://dx.doi.org/10.37558/gec.v7i0.284.

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Reseña del libro: Environmental Management for Collections. Alternative Preservation Strategies for Hot and Humid Climates. Autores: Shin Maekawa, Vincent L. Beltran, Michael C. Henry. Publicado por: The Getty Conservation Institute. Los Ángeles, 2015. 419 páginas, 220 x 280 mm ISBN: 987-1-60606-434-4 (http://www.getty.edu/publications)
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7

Otte, M. "Los Angeles: The Getty Conservation Institute Clottes Jean, 2002. World Rock Art." L'Anthropologie 107, no. 5 (December 2003): 702–3. http://dx.doi.org/10.1016/s0003-5521(03)00072-4.

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8

Claudia, N., and B. Cancino. "Damage Assessment of Historic Earthen Sites after the 2007 Earthquake in Peru." Advanced Materials Research 133-134 (October 2010): 665–70. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.665.

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The Pisco earthquake of August 15, 2007 resulted in 519 deaths and 1366 injured, with a total of 650,000 people affected and 80,000 dwellings damaged. Preliminary reports indicated that significant earthen sites were damaged. A few months after the earthquake a rapid assessment to better understand the failure of the affected sites was performed by a multidisciplinary team convened by the Getty Conservation Institute (GCI) in response to a request from the Instituto Nacional de Cultura del Perú (INC). This paper presents the highlights of that evaluation and its implications for the future design and retrofit of earthen buildings.
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9

Kearney, Ann Carroll. "Historical Perspectives in the Conservation of Works of Art on Paper. ed. Margaret Holben Ellis. Los Angeles, Calif.: The Getty Conservation Institute, 2014. xx, 524p. ISBN 978-1-60606-432-0. $70.00." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 17, no. 1 (March 1, 2016): 84–85. http://dx.doi.org/10.5860/rbm.17.1.463.

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Historical Perspectives in the Conservation of Works of Art on Paper provides a comprehensive collection of ninety-six readings—spanning six centuries—related to the conservation of paper-based art. Published by the Getty Conservation Institute, one of this work’s greatest strengths is its masterful organization of texts, which builds and climaxes in a finale that offers a multifaceted yet distinct and straightforward representation of the field of conservation.The readings are gathered into eight sections based on the development of the technology behind and the thinking that underpins the field. “The Powers of Paper” illustrates various ideas about the role of paper. Practical, . . .
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MacDonald-Korth, Emily, and Leslie Rainer. "The Getty Conservation Institute Project to Conserve David Alfaro Siqueiros’s Mural América Tropical." Getty Research Journal 6 (January 2014): 103–14. http://dx.doi.org/10.1086/675793.

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Books on the topic "Getty Conservation Institute"

1

Ayres, J. Marx. Energy conservation and climate control in museums: Submitted to the Getty Conservation Institute. Marina del Rey, Calif: Getty Conservation Institute, 1988.

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Getty Conservation Institute. Scientific Program. Energy conservation and climate control in museums: Submitted to the Getty Conservation Institute ... Los Angeles, Calif: Ayres Ezer Lau Consulting Engineers, 1988.

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3

name, No. Personal viewpoints: Thoughts about paintings conservation : a seminar organized by the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute at the Getty Center, Los Angeles, June 21-22, 2001. Los Angeles, CA: J. Paul Getty Museum, 2003.

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Preusser, Frank. Environmental research at the Getty Conservation Institute: Background, recent findings and goals, 1984-1989. Marina del Rey, Calif: Getty Conservation Institute, 1989.

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5

Cass, Glen Rowan. Protection of works of art from photochemical smog: Final report submitted to the Getty Conservation Institute. Pasadena, Calif: Environmental Quality Laboratory, California Institute of Technology, 1988.

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Parmar, Sucha S. Removal of air pollutants from museum display cases: Final report prepared for the Getty Conservation Institute. Marina del Rey, CA: Getty Conservation Institute, 1989.

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7

Methodology for the conservation of polychromed wooden altarpieces (2002 Seville, Spain). Methodology for the conservation of polychromed wooden altarpieces: An international conference organized by the Getty Conservation Institute and the Instituto Andaluz del Patrimonio Histórico, Seville, May 2002. Sevilla, España: Junta de Andalucía, Consejería de cultura, 2006.

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8

Koestler, Robert J. Assessment of the susceptibility to biodeterioration of selected polymers and resins: Final report submitted to the Getty Conservation Institute. Bloomfield, N.J: Bloomfield College, 1988.

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Koestler, R. J. Assessment of the susceptibility to biodeterioration of selected polymers and resins: Final report submitted to the Getty Conservation Institute. Marina del Rey, Calif: Getty Conservation Institute, 1988.

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Koestler, Robert J. Assessment of the susceptibility to biodeterioration of selected polymers and resins: Final report submitted to the Getty Conservation Institute July 13, 1988. Bloomfield, N.J: Bloomfield College, 1988.

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