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1

Attah-Poku, Agyemang. The socio-cultural adjustment question: The role of Ghanaian immigrant ethnic associations in America. Avebury, 1996.

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Attah-Poku, Agyemang. The socio-cultural adjustment question: The role of Ghanaian immigrant ethnic associations in America. Avebury, 1996.

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3

Edu-Bekoe, Yaw Attah. Scattered Africans keep gathering: A case study of diaspora missiology on Ghanaian migration and Protestant congregations in the U.S.A. Missiological Society of Ghana, 2018.

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4

Ross, Doran H. Wrapped in pride: Ghanaian kente and African American identity. UCLA Fowler Museum of Cultural History, 1998.

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5

Ayisi, Eric O. Betrayal: An American paradox. Pentland Press, 2001.

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6

Anorbaah, Anneisha. Love, Peace, and Passion. Practice Makes Perfect, 2016.

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7

Bekoe, Anastasia. Society's "Expectations". [TORCH, National Institute for Reproductive Health], 2014.

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8

Oforiwaa, Yaa. The wisdom of the ages: Themes & essences of truth, love, struggle, and high-culture in the works of Ayi Kwei Armah and Kiarri T-H. Cheatwood. Native Sun, 1995.

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9

Jacko Jacobus. Peepal Tree Press, 1996.

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10

Kirby, Jon P. A North American's guide to Ghanaian English. Tamale Institute of Cross-Cultural Studies, 1998.

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11

Dadzie, Patience. Oral history interview with Patience Dadzie, October 21, 2001: Interview R-0156, Southern Oral History Program Collection (#4007). University Library, UNC-Chapel Hill, 2008.

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12

If the lord does not build the house ...: A ghanaian-american couple establish libraries in ... Westbow Press, 2013.

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13

Amethyst, Jewel. A marriage of convenience. Leisure Books, 2009.

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14

Copyright Paperback Collection (Library of Congress), ed. A marriage of convenience. Leisure Books, 2009.

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15

Lartey, Emmanuel Yartekwei. Pastoral Counseling In Inter-Cultural Perspective: A study of some African (Ghanaian) and Anglo-American views on human existence and counselling. Verlag Peter Lang, 1987.

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16

Joining the Choir: Religious Memberships and Social Trust among Transnational Ghanaians. Oxford University Press, Incorporated, 2018.

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17

Countries, Zajoo Journals. American Grown Ghanaian Roots: Vintage Ghanaian Flag Notebook / Gift for Ghanaian American Family / Retro Ghana Flag US Flag Composition Notebook for Ghanaian Dad Ghanaian Mom / College Ruled 108 Pages 8. 5 X 11. Independently Published, 2021.

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18

Manglos-Weber, Nicolette D. The Sources of Risk. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190841041.003.0003.

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There are a number of reasons why aspirational migrants from Ghana are engaged in a particularly risky enterprise. This chapter analyzes the sources of that risk in both the modern Ghanaian context of economic growth and inequality and in the U.S. context of anti-immigrant sentiment and the racial order. The chapter focuses particularly on how these larger forces place a strain on their relationships, both with others in the immigrant community and with native-born Americans in the host community. It shows how even extended migrant networks, which are usually portrayed as a resource for transnational migrants, can be a source of risk in the context of high aspirations and group competition.
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19

Ghanaian Literatures: (Contributions in Afro-American and African Studies). Greenwood Press, 1988.

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20

Fisher, Jennifer. Perception, Connections, and Performed Identities in American-Ghanaian Dance Encounters. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.020.

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This essay explores what dancers from different cultures can learn through exchanges when they involve concepts of nationalism, performed identities, spiritual practice, and the categories of “art” dance and “cultural” dance. A brief but impactful trip to Ghana by California university dance students and academics provides several scenes where energies, techniques, and ideas emerge. Studying with members the Ghana Dance Ensemble, one of the country’s national dance companies, as well as interacting with the dance department of the University of Ghana, Legon, results in enjoying and questioning embodied knowledge, as well as casting light on several questions: Do Ghanaians have the same freedom to be defined as “artists,” or might they be marginalized as “ancient” rather than “contemporary” people? What can young American university dancers learn about commitment to performance quality and the feeling of having deep roots in tradition? How can each group expand on the habit human beings have of categorizing others as having a “single story,” and how does dance figure in the process?
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21

Holsey, Bayo. Slavery Tourism. Edited by Paula Hamilton and James B. Gardner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199766024.013.26.

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This chapter presents a case study of the slavery tourism industry in Ghana, tracing its development and noting some of the struggles it has faced. Based around the dungeons in the Cape Coast and Elmina castles used to warehouse slaves bound for the Atlantic trade, Ghana’s slavery tourism industry emerged in the 1990s through complex negotiations among different interested parties. The chapter notes in particular the disjuncture between Ghanaian understandings of the history of the slave trade and that of international and especially African American tourists. It also critiques the tourism industry’s focus on the triumph over slavery and considers the ways in which such an emphasis forecloses the possibility of a more radical interpretation of history. Finally, it places Ghanaian slavery tourism within the broader context of a global public history of slavery.
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22

Adventures of Elizabeth Sam. Afram Publications (Ghana) Limited, 2012.

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23

The Civilized World. Henry Holt, 2011.

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24

Wyss, Susi. Civilized World: A Novel in Stories. Holt & Company, Henry, 2011.

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25

Pastoral counselling in inter-cultural perspective: A study of some African (Ghanaian) and Anglo-American views on human existence and counselling. P. Lang, 1987.

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26

Shankar, Shobana. An Uneasy Embrace. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197619407.001.0001.

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The entwined histories of Blacks and Indians defy easy explanation. From Ghanaian protests over Gandhi statues to American Vice President Kamala Harris's story, this relationship--notwithstanding moments of common struggle--seethes with conflicts that reveal how race reverberates throughout the modern world. Shobana Shankar's groundbreaking intellectual history tackles the controversial question of how Africans and Indians make and unmake their differences. Drawing on archival and oral sources from seven countries, she traces how economic tensions surrounding the Indian diaspora in East and Southern Africa collided with widening Indian networks in West Africa and the Black Atlantic, forcing a racial reckoning over the course of the twentieth century. While decolonization brought Africans and Indians together to challenge Euro-American white supremacy, discord over caste, religion, sex and skin color simmered beneath the rhetoric of Afro-Asian solidarity. This book examines the cultural movements, including Pan-Africanism and popular devotionalism, through which Africans and Indians made race consciousness, alongside economic cooperation, a moral priority. Yet rising wealth and nationalist amnesia now threaten this postcolonial ethos. Calls to dismantle statues, from Dakar to Delhi, are not mere symbolism. They express new solidarities which seek to salvage dissenting histories and to preserve the possibility of alternative futures.
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27

Manglos-Weber, Nicolette D. Joining the Choir. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190841041.001.0001.

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Immigration and race are contentious issues in North America. As a result, black immigrants from Ghana and other countries of West Africa face significant challenges, even as their experiences and accomplishments confound stereotypes about blacks and foreigners. Religious congregations have often helped immigrants navigate the tricky waters of integration in the past; yet how do these particular black immigrants approach organized religion in light of their identities and aspirations? What are they looking for in religious membership, and how do they find it? In Joining the Choir, the author takes a deeply personal look at the lives of a few central characters in Accra, Ghana, and in Chicago, examining what religious membership means for them as Christians, transnational Ghanaians, and aspirational migrants. She sheds light on their search for people they can trust, and their desires to transcend divisions of race, ethnicity, and nationality in the context of Evangelical Christianity. Her characters are memorable, as motivated but also adaptable persons with complex identities and goals, for whom religious membership answers some questions of integration while raising others. Their stories show how racial divides are subtly perpetuated within congregations in spite of hopes for religious integration. Yet they also reveal the potential of religious-based personal trust to bridge those divides, as an imaginative and symbolic “leap of faith” in the unknown stranger. Finally, their stories highlight the continuing role of religion as a portable basis of trust in the modern world, where more and more people live between nations.
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28

Gyasi, Yaa. Transcendent Kingdom: A Novel. Knopf Doubleday Publishing Group, 2020.

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29

Gyasi, Yaa, and Bahni Turpin. Transcendent Kingdom: A novel. Random House Audio Publishing Group, 2020.

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30

Gyasi, Yaa. Transcendent Kingdom. Penguin Books, Limited, 2021.

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31

Gyasi, Yaa. TRANSCENDENT KINGDOM. Bond Street Books, 2020.

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32

Gyasi, Yaa. Transcendent Kingdom: A novel. Vintage, 2021.

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33

Gyasi, Yaa. Transcendent Kingdom: A Novel. Knopf Doubleday Publishing Group, 2020.

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34

Gyasi, Yaa. Transcendent Kingdom. Penguin Books, Limited, 2022.

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35

Gyasi, Yaa. SUBLIME ROYAUME. VOIR DE PRES, 2021.

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36

Gyasi, Yaa. Transcendent Kingdom: Shortlisted for the Women's Prize for Fiction 2021. Penguin Books, Limited, 2020.

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37

Gyasi, Yaa. Transcendent Kingdom: A novel. Random House Large Print Publishing, 2020.

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38

Gyasi, Yaa. Más allá de mi reino / Transcendent Kingdom. Salamandra, 2021.

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39

Gyasi, Yaa. Transcendent Kingdom. Random House, Incorporated, 2020.

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