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Journal articles on the topic 'Ghanaian anthropology'

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1

Killiam, G. D., and Richard K. Priebe. "Ghanaian Literatures." African Studies Review 33, no. 1 (1990): 134. http://dx.doi.org/10.2307/524631.

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2

van Dijk, Rijk. "Localisation, Ghanaian Pentecostalism and the Stranger's Beauty in Botswana." Africa 73, no. 4 (2003): 560–83. http://dx.doi.org/10.3366/afr.2003.73.4.560.

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AbstractThis contribution considers the current position of the Ghanaian migrant community in Botswana's capital, Gaborone, at a time of rising xenophobic sentiments and increasing ethnic tensions among the general public. The article examines anthropological understandings of such sentiments by placing them in the context of the study of nationalisms in processes of state formation in Africa and the way in which these ideologies reflect the position and recognition of minorities. In Botswana, identity politics indulge in a liberalist democratic rhetoric in which an undifferentiated citizenship is promoted by the state, concealing on the one hand inequalities between the various groups in the country, but on the other hand defending the exclusive interests of all ‘Batswana’ against foreign influence through the enactment of what has become known as a ‘localisation policy'. Like many other nationalities, Ghanaian expatriate labour has increasingly become the object of localisation policies. However in their case xenophobic sentiments have taken on unexpected dimensions. By focusing on the general public's fascination with Ghanaian fashion and styles of beautification, the numerous hair salons and clothing boutiques Ghanaians operate, in addition to the newly emerging Ghanaian-led Pentecostal churches in the city, the ambiguous but ubiquitous play of repulsion and attraction can be demonstrated in the way in which localisation is perceived and experienced by the migrant as well as by the dominant groups in society. The article concludes by placing entrepreneurialism at the nexus of where this play of attraction and repulsion creates a common ground of understanding between Ghanaians and their host society, despite the government's hardening localisation policies.
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3

CASEY, JOANNA. ":Ghanaian Video Tales." American Anthropologist 109, no. 3 (2007): 543–44. http://dx.doi.org/10.1525/aa.2007.109.3.543.

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4

Breckenridge, Keith. "The World's First Biometric Money: Ghana's E-Zwich and the Contemporary Influence of South African Biometrics." Africa 80, no. 4 (2010): 642–62. http://dx.doi.org/10.3366/afr.2010.0406.

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ABSTRACTIn January 2008 the Ghanaian Central Bank announced that it had introduced a new centralized mechanism for the settlement of transactions between the Ghanaian banks. This interbank switch, as it was called, was purchased from, and managed by, the South African company Net 1 UEPS, and it had a unique central organizing principle. The switch was indexed biometrically, using a key derived from the ten fingerprints of account holders. This new interbank switch and a smartcard encoded in the same way has equipped Ghana with the world's first biometric money supply. This article is an effort to explain the development and significance of this biometric money, which Ghanaians call the e-Zwich. It traces the way in which biometric registration in Ghana (as in other African countries) has leaked from the mundane, difficult, and mostly unrewarding, task of civil registration into the more properly remunerated domain of monetary transactions. Viewed in the light of the rich historical anthropology of money in West Africa, what is at stake in Ghana may be much more significant than any of the current participants fully realize. Perhaps the most interesting finding of this study is that the e-Zwich system might actually succeed.
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5

Mikell, Gwendolyn. "Ghanaian Females, Rural Economy and National Stability." African Studies Review 29, no. 3 (1986): 67. http://dx.doi.org/10.2307/524084.

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6

Oduro-Frimpong, Joseph. "SakawaRituals and Cyberfraud in Ghanaian Popular Video Movies." African Studies Review 57, no. 2 (2014): 131–47. http://dx.doi.org/10.1017/asr.2014.51.

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Abstract:Sakawaindexes a cyberfraud practice in Ghana allegedly linked with occult rituals. This article examines the phenomenon as an analytically relevant example of a material understanding of religion. It then offers a critical reading of a popularsakawavideo series and contrasts its thematic perspectives with the reactions of some Ghanaian political leaders to the possible motivations for the practice. This critical approach is conceived as a response to the persistent myopic view of such popular genres as irrelevant to key debates around problematic Ghanaian issues and also to calls in global media studies to de-Westernize the field.
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7

Saaka, Yakubu. "Recurrent Themes in Ghanaian Politics." Journal of Black Studies 24, no. 3 (1994): 263–80. http://dx.doi.org/10.1177/002193479402400303.

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8

Dei, George S. "Deforestation in a Ghanaian Rural Community." Anthropologica 32, no. 1 (1990): 3. http://dx.doi.org/10.2307/25605556.

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9

Lentz, Carola. ""This is Ghanaian territory!": Land conflicts on a West African border." American Ethnologist 30, no. 2 (2003): 273–89. http://dx.doi.org/10.1525/ae.2003.30.2.273.

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10

Hutchful, Eboe, Deborah Pellow, Naomi Chazan, and Donald I. Ray. "Ghana and the Ghanaian Revolution." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 21, no. 3 (1987): 420. http://dx.doi.org/10.2307/485656.

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11

Anapey, Gideon Mensah, Ama Otwiwah Adu-Marfo, and Olivia Adwoa Tiwaah Frimpong Kwapong. "Conceptualising Male Vulnerability in a Ghanaian Context: Implications for Adult Education and Counselling." Journal of Black Studies 52, no. 4 (2021): 379–402. http://dx.doi.org/10.1177/0021934721992262.

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Gender advocates have bemoaned the diatribe about women inequality at the neglect of males’ vulnerability in abstract narratives. We propose that achievement of female empowerment will be complimented by empirically exploring men’s vulnerability themes wrapped in “masculinity” with cultural differences. This study documented views on male vulnerability in the Ghanaian environment using mixed-method design with 189 respondents conveniently. Chi square goodness-of-fit test, and thick descriptions were applied to the open-ended questionnaire items. Indeed, 74% of the participants agreed that Ghanaian males were vulnerable with 26% expressing contrary views. With nine overarching themes generated, gender was not a significant factor in categorising male vulnerability (Σ2 (8) = 10.836, p > .05). We concluded that both sexes appear to have shared views on Ghanaian males’ vulnerability issues and recommended for gender advocates to expand the equality discourse to cover males’ vulnerability. Implications for adult education and guidance and counselling practices are indicated.
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12

Dei, George J. S. "Crisis and Adaptation in a Ghanaian Forest Community." Anthropological Quarterly 61, no. 2 (1988): 63. http://dx.doi.org/10.2307/3317157.

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13

Abarry, Abu Shardow. "The Significance of Names in Ghanaian Drama." Journal of Black Studies 22, no. 2 (1991): 157–67. http://dx.doi.org/10.1177/002193479102200201.

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14

Mikell, Gwendolyn, and Christine Oppong. "Sexual Complementarity in Traditional Ghanaian Society." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 22, no. 3 (1988): 656. http://dx.doi.org/10.2307/485961.

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15

Brato, Thorsten. "Noun phrase complexity in Ghanaian English." World Englishes 39, no. 3 (2020): 377–93. http://dx.doi.org/10.1111/weng.12479.

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16

Dei, George J. Sefa. "The Women of a Ghanaian Village: A Study of Social Change." African Studies Review 37, no. 2 (1994): 121. http://dx.doi.org/10.2307/524769.

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17

Quarcoo, Emmanuel. "The English Language as a Modern Ghanaian Artifact." Journal of Black Studies 24, no. 3 (1994): 329–43. http://dx.doi.org/10.1177/002193479402400307.

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18

Drah, Bright B. "Power in Child Caregiving in a Patrilineal Ghanaian Society: Implications for Childcare Research and Practice." Annals of Anthropological Practice 44, no. 1 (2020): 91–103. http://dx.doi.org/10.1111/napa.12138.

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19

Malaquais, Dominique. "Hollywood Icons, Local Demons:Hollywood Icons, Local Demons: Ghanaian Popular Paintings by Mark Anthony.;Hollywood Icons, Local Demons: Ghanaian Popular Paintings by Mark Anthony." American Anthropologist 102, no. 4 (2000): 870–77. http://dx.doi.org/10.1525/aa.2000.102.4.870.

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20

Ninsin, Kwame A. "Ghanaian Politics after 1981: Revolution or Evolution?" Canadian Journal of African Studies / Revue Canadienne des Études Africaines 21, no. 1 (1987): 17. http://dx.doi.org/10.2307/485084.

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21

Dei, George J. Sefa. "The Renewal of a Ghanaian Rural Economy." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 26, no. 1 (1992): 24. http://dx.doi.org/10.2307/485401.

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22

Dei, George J. Sefa. "The Renewal of a Ghanaian Rural Economy." Canadian Journal of African Studies / Revue canadienne des études africaines 26, no. 1 (1992): 24–53. http://dx.doi.org/10.1080/00083968.1992.10804276.

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23

Meyer, Birgit. "Visions of Blood, Sex and Money: Fantasy Spaces in Popular Ghanaian Cinema." Visual Anthropology 16, no. 1 (2003): 15–41. http://dx.doi.org/10.1080/08949460309595097.

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24

Coe, Cati. "Orchestrating Care in Time: Ghanaian Migrant Women, Family, and Reciprocity." American Anthropologist 118, no. 1 (2016): 37–48. http://dx.doi.org/10.1111/aman.12446.

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25

OWUSU-ANSAH, LAWRENCE K. "Modality in Ghanaian and American personal letters." World Englishes 13, no. 3 (1994): 341–49. http://dx.doi.org/10.1111/j.1467-971x.1994.tb00320.x.

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26

Nkrumah, Amos. "Immigrants’ Transnational Entrepreneurial Activities: the Case of Ghanaian Immigrants in Canada." Journal of International Migration and Integration 19, no. 1 (2017): 195–211. http://dx.doi.org/10.1007/s12134-017-0535-z.

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27

Pinto. "The Effect of Western Formal Education on the Ghanaian Educational System and Cultural Identity." Journal of Negro Education 88, no. 1 (2019): 5. http://dx.doi.org/10.7709/jnegroeducation.88.1.0005.

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28

Klomegah, Roger. "Socio-Economic Characteristics of Ghanaian Women in Polygynous Marriages." Journal of Comparative Family Studies 28, no. 1 (1997): 73–88. http://dx.doi.org/10.3138/jcfs.28.1.73.

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29

Sikanku, Etse G. "Intermedia Influences Among Ghanaian Online and Print News Media." Journal of Black Studies 42, no. 8 (2011): 1320–35. http://dx.doi.org/10.1177/0021934711417435.

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Four major publications in Ghana ( Daily Graphic, Daily Guide, Ghana News Agency [GNA], and Ghanaweb) were used to investigate intermedia agenda-setting relationships in Africa’s emerging era of liberalization. The results are based on a content analysis of daily news reports ( N = 322) and a traditional cross-lagged analysis, which found limited reciprocal relationships between the websites of two print newspapers ( Daily Graphic and Daily Guide). Whereas one non-newspaper website (GNA) influenced both print news media, the other solely online publication, Ghanaweb, displayed weak intermedia effects. Strong correlations between the issue salience of both non-newspaper websites were observed. These findings indicate that intermedia agenda-setting effects in Ghana are mixed. The main contribution of this article is to extend the intermedia agenda-setting theory to Africa in the ferment of new media technologies and democratic reform.
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30

Venkatachalam, Meera. "BETWEEN THE UMBRELLA AND THE ELEPHANT: ELECTIONS, ETHNIC NEGOTIATIONS AND THE POLITICS OF SPIRIT POSSESSION IN TESHI, ACCRA." Africa 81, no. 2 (2011): 248–68. http://dx.doi.org/10.1017/s0001972011000180.

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ABSTRACTThis article focuses on a number of Ga spirit mediums located in Teshi, a neighbourhood of the Ghanaian capital, Accra. These individuals host foreign spirits from areas north of Ga territory, such as the modern Ashanti, Gonja and Dagomba regions. Such encounters of cross-cultural spirit possession have often been analysed in the scholarly literature as an embedded history of contact between peoples. These histories of ethnic or cultural contact – which inform cross-cultural spirit possession – are constantly re-imagined by spirit mediums and the broader community they service. How this re-imagination occurs, in conjunction with developments in the contemporary political and public spheres, is a theme that remains understudied. The perceived shifts in the contours of ethnic alliances and rivalries on a national scale, against the backdrop of modern Ghanaian party politics and the ever-changing relationships between the Ga and their northern neighbours, led to a thematic reconfiguration of possession practices in 2004. This ethnographic vignette details how spirit mediums were able to apply the ethnic and conceptual cultural divisions intrinsic to this corpus of ritual practice to a critique of national political events, producing a commentary, through possession, on the changing discourses on ethnicity and ethnic relations in the Ghanaian state.
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31

Fumanti, Mattia. "‘A Light-Hearted Bunch of Ladies’: Gendered Power and Irreverent Piety in the Ghanaian Methodist Diaspora." Africa 80, no. 2 (2010): 200–223. http://dx.doi.org/10.3366/afr.2010.0202.

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This article explores the making of gendered and religious identities among a group of Ghanaian Methodist women in London by bringing to the fore the complex and irreverent ways in which the women of Susanna Wesley Mission Auxiliary (SUWMA) negotiate their recognition within the predominantly patriarchal settings of the Methodist Church. If, on the one hand, the association and its members conform to Christian values and widely accepted Ghanaian constructions of womanhood, on the other hand, flouting expectations of pious femininity, they claim a unique, elevated position within the church. Their transgressive hedonism can thus be read as a performative assertion of their claims to respect, recognition and leadership beyond the narrow parameters of gendered modesty. Many of the women are senior church leaders and respected members of the diaspora. All are successful professional career women and economically independent. Their association is simultaneously about promoting the Christian faith while being recognized as successful, cosmopolitan, glamorous middle-class women. It is this duality which the present article highlights by showing how members of the association negotiate and construct their subjectivities both within the Methodist Church and the Ghanaian diaspora, while they also negotiate their relationship with the Methodist Church in Ghana.
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32

Stasik, Michael. "Rhythm, Resonance and Kinaesthetic Enskilment in a Ghanaian Bus Station." Ethnos 82, no. 3 (2015): 545–68. http://dx.doi.org/10.1080/00141844.2015.1080748.

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33

Amponsah, Benjamin, and Sturla Krekling. "Sex Differences in Visual-Spatial Performance among Ghanaian and Norwegian Adults." Journal of Cross-Cultural Psychology 28, no. 1 (1997): 81–92. http://dx.doi.org/10.1177/0022022197281005.

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34

Hasty, Jennifer. "The Pleasures of Corruption: Desire and Discipline in Ghanaian Political Culture." Cultural Anthropology 20, no. 2 (2005): 271–301. http://dx.doi.org/10.1525/can.2005.20.2.271.

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35

Dzokoto, Vivian, and Glenn Adams. "Analyzing Ghanaian Emotions Through Narrative: A Textual Analysis of Ama Ata Aidoo’s Novel Changes." Journal of Black Psychology 33, no. 1 (2007): 94–112. http://dx.doi.org/10.1177/0095798406295097.

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36

Udry, Christopher, and Hyungi Woo. "Households and the Social Organization of Consumption in Southern Ghana." African Studies Review 50, no. 2 (2007): 139–53. http://dx.doi.org/10.1353/arw.2007.0124.

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Abstract:This article replicates Guyer's finding in Marginal Gains (2004) of a social gradient in expenditure patterns of Ghanaian households using more flexible statistical techniques than those used in the book. We show that similar gradients are found in Cote d'lvoire and in Kagera, Tanzania, suggesting that Guyer's finding in Ghana is a manifestation of a more general phenomenon. In addition, we examine patterns of measurement error in household expenditure data from Ghana. This reveals a worrying possibility that survey reports of expenditure may reflect respondents' beliefs about what expenditures should be, as well as actual expenditures within the household.
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37

Bloom, Peter J. "The Biopolitics of Media Currency: Transforming the Ghana Film Unit into TV3." African Studies Review 64, no. 1 (2021): 57–70. http://dx.doi.org/10.1017/asr.2020.79.

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AbstractThis article is an examination and extension of concepts that Achille Mbembe presented in his 2016 African Studies Association Abiola Lecture. In particular, “cognitive assemblages” are elaborated upon to consider how a shifting understanding of media has become part of a neoliberal digital media platform promoted by the Ghanaian state in association with Malaysia. Mbembe’s invocation of the “injunction to decolonize” is also discussed through information capture and data mining to consider the extent to which the promise of a digital future is a form of neo-colonialism or an opportunity for an expanded digital commons.
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38

Long, Rachel, Elisha Renne, Thomas Robins, et al. "Water Values in a Ghanaian Small-Scale Gold Mining Community." Human Organization 72, no. 3 (2013): 199–210. http://dx.doi.org/10.17730/humo.72.3.n060516488mwk236.

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Water scarcity, quality, and control are growing problems worldwide. In this paper, values associated with water—sociocultural, economic, and chemical—in a small-scale gold mining community in northeastern Ghana are considered. Mining activities have affected the quality of locally scarce water resources. In an area without government provision of water, this situation has also forced community members to develop innovative water strategies that reflect the ways that water is understood and valued with regard to personal health and the environment as well as to the seasonality of water acquisition. These community evaluations of water in the gold mining community are then compared with the chemical analysis of water samples collected near the gold mining site. The ways in which these evaluations of water quality—based on particular knowledge systems—coincide and differ suggest the need for community participation in environmental and health assessment as well as government oversight and water provision. An examination of the connections between gold mining, water, and health; work and gender; and cultural and chemical assessments of water quality situates this particular water world within larger global concerns about small-scale gold mining, the roles of mining communities and government, and water sustainability.
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39

Klein, Axel. "The barracuda's tale: trawlers, the informal sector and a state of classificatory disorder off the Nigerian coast." Africa 69, no. 4 (1999): 555–74. http://dx.doi.org/10.2307/1160875.

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AbstractThe expansion of Nigeria's artisanal fisheries has been a rare economic success story during the 1980s. Without assistance from government agencies the canoe fishermen, many of them Ghanaian migrants, have responded successfully to the opportunities offered by the Lagos market. In recent years declining fish stocks and competition from trawlers have forced shore-based fishermen to adapt their operations to changing circumstances. In describing a number of such responses the article tackles a number of wider themes in economic anthropology and African studies. Contrasting the opposition and co-operation of industrial and artisanal fisheries throws an interesting light on the informal sector debates, while the role played by the marine police and the navy feeds into the discussion on the African state.
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40

Kauppinen, Anna-Riikka. "God's Delivery State." Social Analysis 64, no. 2 (2020): 38–58. http://dx.doi.org/10.3167/sa.2020.640203.

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Middle-class Christians in Ghana’s capital Accra voice ambivalence about paying taxes: some claim that the government wastes their hard-earned money, while others consider taxes a Christian duty enshrined in the scripture. By contrast, most Christians in Accra esteem tithes to churches as contributions that yield infrastructural ‘development’ and divine favor. Drawing on the explicit comparisons that Ghanaian Christians make between the benefits of paying taxes vis-à-vis paying tithes, this article argues that taxes exist as part of a wider conceptual universe of monetary transfers. The efficacy of such transfers is evaluated in relation to what I call a ‘rightful return’. The unveiling of tithes as the counterpoint to taxes ultimately elicits an emergent Ghanaian conception of the public good between the state and God’s Kingdom.
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41

Schler, Lynn, and Itamar Dubinsky. "Green Eagle Nation: The Politicization of Sports Journalism in the Post-Independence Nigerian Press." African Studies Review 63, no. 4 (2020): 883–905. http://dx.doi.org/10.1017/asr.2020.3.

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AbstractThe sports pages of the postcolonial press provide a vantage point for viewing the tensions surrounding nation-building in Nigeria. Following independence, coverage of the Green Eagles national football team reflected aspirations for a united Nigeria, but it was also an outlet for the deep political tensions plaguing Nigeria at this time. From 1960 to 1961, contentious games against Ghanaian rivals, disputes around the choice of a national coach, and clashes with referees in international matches all enabled sports journalists to become mouthpieces for both cohesion and discord. Schler and Dubinsky demonstrate that sports pages provide opportunities for viewing the links between postcolonial sports and politics.
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42

Botwe-Asamoah, Kwame. "Book Reviews: Boundaries of Self and Other in Ghanaian Popular Culture." Journal of Black Studies 37, no. 5 (2007): 792–94. http://dx.doi.org/10.1177/0021934705283659.

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43

Nkrumah, Amos. "The experiences of Ghanaian live-in caregivers in the United States." Ethnic and Racial Studies 42, no. 13 (2019): 2379–80. http://dx.doi.org/10.1080/01419870.2019.1583354.

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44

Donkor, Martha. "Looking back and looking in: Rethinking adaptation strategies of Ghanaian immigrant women in Canada." Journal of International Migration and Integration / Revue de l'integration et de la migration internationale 5, no. 1 (2004): 33–51. http://dx.doi.org/10.1007/s12134-004-1001-2.

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45

Schauert, Paul. "Shipley, Jesse Weaver: Living the Hiplife. Celebrity and Entrepreneurship in Ghanaian Popular Music." Anthropos 109, no. 1 (2014): 338–39. http://dx.doi.org/10.5771/0257-9774-2014-1-338.

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46

Daswani, Girish. "A prophet but not for profit: ethical value and character in Ghanaian Pentecostalism." Journal of the Royal Anthropological Institute 22, no. 1 (2015): 108–26. http://dx.doi.org/10.1111/1467-9655.12336.

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47

Daswani, Girish. "Ordinary ethics and its temporalities: The Christian God and the 2016 Ghanaian elections." Anthropological Theory 19, no. 3 (2019): 323–40. http://dx.doi.org/10.1177/1463499619832116.

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48

Rabinowitz, Beth S. "More than Elections: Rural Support and Regime Stability in Africa." African Studies Review 61, no. 3 (2018): 27–52. http://dx.doi.org/10.1017/asr.2018.36.

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Abstract:It is generally recognized that rural constituents are critical for winning elections. Development economists also recognize the importance of pro-agricultural policies to economic growth. Yet, little attention has been paid to the effect of rural politics on regime stability. Against conventional wisdom, this article argues that leaders who supportruralareas andsuppressurban demands are better able to stabilize the state and avoid coups. Because Ghana was able to politically stabilize after a period of state decay and five coups, the article presents an in-depth analysis of the tactical decisions made by the Ghanaian head of state who presided over these changes, John Jerry Rawlings. Using process-tracing, the study illustrates the importance of rural coalitions to stability and regime success.
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49

DASWANI, GIRISH. "Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music. Jesse Weaver Shipley. Durham, NC: Duke University Press, 2013. 344 pp." American Ethnologist 43, no. 4 (2016): 788–89. http://dx.doi.org/10.1111/amet.12417.

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50

Cole, Catherine M. "‘This is actually a good interpretation of modern civilisation’: popular theatre and the social imaginary in Ghana, 1946–66." Africa 67, no. 3 (1997): 363–88. http://dx.doi.org/10.2307/1161180.

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AbstractWest African popular theatre has been the subject of a growing body of scholarship. Yet what has not yet been adquately accounted for in this literature is historical change, both within particular theatre traditions and in their relation to society at large. This article begins to address the gap by focusing on the Ghanaian concert party in the volatile years from the end of World War II through the early years of independence. During this period the Ghanaian concert party underwent profound transformations in form, content, and its modes of production and consumption. Through their geographic mobility and widespread popularity, concert parties participated first-hand in the transformation of public consciousness. Just as the popular press played a central role in the formation of European nationalism, so popular travelling theatre performed a pivotal role among a largely non-literate population during Ghana's transition from colonialism to modern nation state. This article interprets the generic conventions through which the concert party convened and constituted its new public. By deploying an eclectic range of formal techniques to dramatise everyday realities, concert parties became a primary integrative mechanism through which audiences negotiated a tumultuous historical epoch.
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