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1

Britwum, Akua. Confronting sexual harassment in Ghanaian universities. Ghana Universities Press, 2006.

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2

Anorbaah, Anneisha. Love, Peace, and Passion. Practice Makes Perfect, 2016.

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3

Badoe, Yaba. True Murder. Random House Publishing Group, 2009.

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4

True murder. Jonathan Cape, 2009.

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5

True murder. Ulverscroft, 2009.

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6

Feddy, Beatrice Aku Dzifa. Perceptions of competence, affect, and persistence of Ghanaian elementary school students: Specialist versus non-specialist physical education teachers. 1998.

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7

Fisher, Jennifer. Perception, Connections, and Performed Identities in American-Ghanaian Dance Encounters. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.020.

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This essay explores what dancers from different cultures can learn through exchanges when they involve concepts of nationalism, performed identities, spiritual practice, and the categories of “art” dance and “cultural” dance. A brief but impactful trip to Ghana by California university dance students and academics provides several scenes where energies, techniques, and ideas emerge. Studying with members the Ghana Dance Ensemble, one of the country’s national dance companies, as well as interacting with the dance department of the University of Ghana, Legon, results in enjoying and questioning
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Adinkrah, Bernard Kofi. Overcoming the ‘Fatigue’ in Retirement. Noyam Publishers, 2022. http://dx.doi.org/10.38159/npub.eb2022301.

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There comes a time when every worker in the formal sector goes on retirement and there is a need to effectively plan towards that period. Today, many retirees across the Africa live in poverty. This occurs because the average worker does not prepare adequately for retirement. This transcends to Ghana where most people work in the informal sector. Hence, there is a need to develop strategies that would help people live comfortably in their old age when they can no longer work. Retirement is a crucial stage in life that should not be taken for granted. One basically stops working for a paid inco
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Owusu-Daaku, Frances. Playing Second Fiddle- Harmony Or Timidity?! Noyam Publishers, 2021. http://dx.doi.org/10.38159/npub.eb2021902.

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In Playing Second Fiddle, Frances vividly narrates how as a female, one can still play a significant and fulfilling role as the sacrificial lamb or ‘second fiddle’ that can eventually open doors for other females to excel or succeed! Using many biblical examples, Frances shows how significant accomplishments occurred through many people who played second fiddle (cannon fodder) roles such as John the Baptist for Jesus Christ the Saviour of the world; Andrew for Peter who later became the ‘rock’ among the disciples of Jesus; or Barnabas for John Mark who became the author of the first gospel in
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Badoe, Yaba. True Murder. Penguin Random House, 2009.

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Badoe, Yaba. True Murder. Penguin Random House, 1998.

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Gyasi, Yaa. Transcendent Kingdom: A Novel. Knopf Doubleday Publishing Group, 2020.

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Gyasi, Yaa. Transcendent Kingdom. Penguin Books, Limited, 2022.

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Gyasi, Yaa. SUBLIME ROYAUME. VOIR DE PRES, 2021.

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Gyasi, Yaa. Transcendent Kingdom: Shortlisted for the Women's Prize for Fiction 2021. Penguin Books, Limited, 2020.

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Gyasi, Yaa. Transcendent Kingdom. Random House, Incorporated, 2020.

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Gyasi, Yaa. Transcendent Kingdom: A novel. Random House Large Print Publishing, 2020.

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Gyasi, Yaa. Transcendent Kingdom: A Novel. Knopf Doubleday Publishing Group, 2020.

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