Relevant bibliographies by topics / Ghosh, Amitav. The hungry tide

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  2. Dissertations / Theses
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Academic literature on the topic 'Ghosh, Amitav. The hungry tide'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Ghosh, Amitav. The hungry tide"

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Tasnim, Zakiyah. "Transformation of English Language in Amitav Ghosh’s The Hungry Tide." Advances in Language and Literary Studies 9, no. 3 (2018): 145. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.145.

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With millions of non-native English language users, English has gained the position of ‘global language’ in the last century. English literature also has a significant number of non-native writers from around the world. While grasping their own cultures in English, these non-native writers have been transforming English language to a remarkable extent. On many occasions, these transformed varieties are recognised as versions of English language. This essay explores the notion of translingual writers and their use of English language, taking The Hungry Tide, a novel of the Indian translingual w
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S, Maharajan. "AN ECOCRITICAL APPROACH TO AMITAV GHOSH’S THE HUNGRY TIDE." Kongunadu Research Journal 4, no. 1 (2017): 18–21. http://dx.doi.org/10.26524/krj167.

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The aim of this paper to Projects the impact of ecology in literature Ecocriticism is the interdisciplinary area which includes the study literature and environment. The literary scholar analyzes the text not only for the environmental concerns but also to the treatment of ecology as the subject of nature in literature. The word ecocriticism may have been first used William Rueckart's essay which entitled “Literature and Ecology: An Experiment in Ecocriticism”. The Hungry Tides tells the very present story of the present day adventure, identity, history and love. Ghosh here presents the nature
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Giles, Jana María. "Can the Sublime Be Postcolonial? Aesthetics, Politics, and Environment in Amitav Ghosh’sThe Hungry Tide." Cambridge Journal of Postcolonial Literary Inquiry 1, no. 2 (2014): 223–42. http://dx.doi.org/10.1017/pli.2014.18.

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AbstractSet in the vast Sundarban mangrove forest of Bangladesh in the shadow of the colonial past and the 1979 Morichjhapi massacre,The Hungry Tidetraces the transformation of three metropolitan characters from disengaged spectators to invested insiders. The novel may be read as elaborating the theories of Jean-François Lyotard, whose revision of the sublime as the “differend” in both aesthetics and politics provides a compelling context for exploring the postcolonial sublime. Suggesting ecocentric ways of engaging the world that loosen the bonds of the colonial past and critiquing the failur
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Raja, A. Aravinth. "The Journey Towards the Self: A Study of Amitav Ghosh’s The Hungry Tide in an Ecocritical Perspective." SMART MOVES JOURNAL IJELLH 6, no. 10 (2018): 7. http://dx.doi.org/10.24113/ijellh.v6i10.5093.

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This paper attempts to study The Hungry Tide by Amitav Ghosh from anecocritical perspective. The researcher identifies the journey of the characters in the novel towards nature as a metaphorical symbol to the journey in discovering the self. The conflict between the people and the environment is the only obstacle during the journey of the characters in the novel. The characters experience the conflict between the environment and people through observation and at the same time, self-realisation. This paper also identifies the author's concern for nature through the fictional characters in the n
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Dutta, Nandana. "Amitav Ghosh and the Uses of Subaltern History." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 8 (December 1, 2015): 14. http://dx.doi.org/10.12681/syn.16209.

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The interface between history and fiction has been an area of rich potential for the postcolonial novelist in South Asia and this is evident in the practice of many novelists from the region who have used historical material as backdrop but have also used fiction to comment on recent events in their countries. In this paper I examine the work of Amitav Ghosh as offering a fictional method that has evolved out of his immersion in subaltern historical practice and one that successfully bridges the gap between these two genres. I show this through his deployment of historical material in the thre
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K. Rathiga, K. Rathiga. "Strut of Political Eventsand Disavowal of Borders In Amitav Ghoshs The Hungry Tide." International Journal of English and Literature 8, no. 6 (2018): 27–34. http://dx.doi.org/10.24247/ijeldec20184.

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Thomas, Julia Adeney, Prasannan Parthasarathi, Rob Linrothe, Fa-ti Fan, Kenneth Pomeranz, and Amitav Ghosh. "JAS Round Table on Amitav Ghosh,The Great Derangement: Climate Change and the Unthinkable." Journal of Asian Studies 75, no. 4 (2016): 929–55. http://dx.doi.org/10.1017/s0021911816001121.

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Amitav Ghosh, perhaps Asia's most prominent living author, moves among many genres and across vast territories. His fiction—The Circle of Reason(1986),The Shadow Lines(1988),The Glass Place(2000),The Hungry Tide(2004), andThe Ibistrilogy—takes us from Calcutta where he was born in 1956 to the Arabian Sea, Paris, London, and back again to the Indian Ocean, the Bay of Bengal, and beyond. His nonfiction—In an Antique Land(1992),Dancing in Cambodia and at Large in Burma(1998), andCountdown(1999)—rests on a PhD in social anthropology from Oxford. He went to Alexandria, Egypt, for his dissertation r
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Bhasin, Kamini. "Amitav Ghosh’s The Hungry Tide: Intoning Silence." Indian Journal of Applied Research 3, no. 8 (2011): 367–68. http://dx.doi.org/10.15373/2249555x/aug2013/118.

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Dutta, Nandana. "Subaltern Geoaesthetics in Amitav Ghosh’s The Hungry Tide." Commonwealth Essays and Studies 39, no. 1 (2016): 35–45. http://dx.doi.org/10.4000/ces.4738.

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Dr. Suddhojit Chatterji, Dr Suddhojit Chatterji. "Ecocriticism and Postcolonialism in Amitav Ghosh's the Hungry Tide." International Journal of English and Literature 11, no. 2 (2021): 55–60. http://dx.doi.org/10.24247/ijeldec20218.

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Dissertations / Theses on the topic "Ghosh, Amitav. The hungry tide"

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Singh, Nehna Daya. "The postcolonial aesthetics of beauty, nature and form: Reading the glass palace, the hungry tide and the shadow lines by Amitav Ghosh." University of Western Cape, 2020. http://hdl.handle.net/11394/7558.

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Magister Artium - MA<br>One can think of an aesthetic as one’s artistic mode and purpose. The aesthetic is differently foregrounded in each of Ghosh’s three selected novels: in the first novel studied, aesthetic concerns are linked with beauty. Female beauty in particular, is the primary aesthetic focus in The Glass Palace since it is beauty that inspires love and appreciation. In the second novel, The Hungry Tide, the aesthetic explores techniques of writing that encompass environmental questions. This novel shows nature as its primary aesthetic since it is through the encounter with na
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Johnson, Eleanore. "Ill at ease in our translated world ecocriticism, language, and the natural environment in the fiction of Michael Ondaatje, Amitav Ghosh, David Malouf and Wilma Stockenström." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002277.

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This thesis explores the thematic desire to establish an ecological human bond with nature in four contemporary novels: The English Patient by Michael Ondaatje, The Hungry Tide by Amitav Ghosh, An Imaginary Life by David Malouf, and The Expedition to The Baobab Tree by Wilma Stockenström. These authors share a concern with the influence that language has on human perception, and one of the most significant ways they attempt to connect with the natural world is through somehow escaping, or transcending, what they perceive to be the divisive tendencies of language. They all suggest that human pe
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Clare, Rebecca. "Elite and Subaltern Voices in Amitav Ghosh's The Hungry Tide." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-5757.

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Kuo, Yi-Ting, and 郭怡廷. "History and Redemption in Amitav Ghosh''s The Hungry Tide." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/rm2psu.

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碩士<br>淡江大學<br>英文學系碩士班<br>104<br>This thesis takes Amitav Ghosh’s The Hungry Tide as the text to develop the postcolonial concept by the setting of characters and plots. Structurally, this thesis is divided into three chapters. Chapter One introduces the traces of history. In this chapter, I use Benjamin’s “historical materialism”to flesh out the meanings of history with a particular emphasis on his seminal essay “Theses on the Philosophy of History.” In Chapter Two, I regard “translating history” as my focal point. For me, translating history refers to everyone’s own stand because each part of
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Lei, Jing, and 雷靜. "Translinguality as Code-switching or Code-meshing?: An Inter-objective Analysis of Figuration and Identity in Amitav Ghosh’s The Hungry Tide and Zakes Mda’s The Heart of Redness." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/z6py5m.

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博士<br>淡江大學<br>英文學系博士班<br>106<br>This dissertation will explore novels written in the post-colonial period from code-meshing perspective under a theme of translinguality, as that phenomenon reveals figurative paths of communication and indigenous identity. I try to redefine the notion of “translingual novel,” which is filled with a variety of translingual practices and whose author is a transnational or those bilinguals/pluri-linguals. This group of people has a chance to observe the world with their in-between lens. The “translingual novel” in the contemporary era, should be those fictions con
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Books on the topic "Ghosh, Amitav. The hungry tide"

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Trexler, Adam. Mediating Climate Change. Edited by Greg Garrard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.019.

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This article examines Amitav Ghosh’s climate change novel The Hungry Tide, which has become something of a canonical text for environmental critics. It explains that this novel shows the literary processes of mediation and argues that, instead of viewing mediation as a substitution of the sign for the real, we follow Latour suggestion that the mediated circulation of things is what makes them real. It also argues that by tracing mediation in literary texts, ecocriticism can begin to describe their innovations in the world of things.
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Book chapters on the topic "Ghosh, Amitav. The hungry tide"

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Filipova, Lenka. "Universalism and embodied knowledge in Amitav Ghosh's The Hungry Tide." In Ecocriticism and the Sense of Place. Routledge, 2021. http://dx.doi.org/10.4324/9781003162568-7.

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Jue, Melody. "From the Goddess Ganga to a Teacup: On Amitav Ghosh’s Novel The Hungry Tide." In Scale in Literature and Culture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64242-0_8.

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Loh, Lucienne. "A Distinctly Uncosmopolitan Present: The Postcolonial Rural in Amitav Ghosh’s The Hungry Tide and Mahasweta Devi’s Imaginary Maps." In The Postcolonial Country in Contemporary Literature. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137314611_6.

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Chowdhury, Kanishka. "The Prompter’s Whisper: The National Imaginary and the Cosmopolitan Subject in Amitav Ghosh’s In an Antique Land and The Hungry Tide." In The New India. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230117099_4.

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"The Ebb and Flow of Peoples across Continents and Generations: In An Antique Land, The Glass Palace, The Hungry Tide." In Amitav Ghosh. Foundation Books, 2005. http://dx.doi.org/10.1017/upo9788175968172.005.

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Bogumil-Notz, Sieghild. "Poesie als Ereignis des narrativen Textes Günter Grass′ Zunge zeigen und Amitav Ghoshs The Hungry Tide." In Text als Ereignis, edited by Winfried Eckel and Uwe Lindemann. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110541854-018.

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Bhattacharya, Nandini. "Revisiting Amitav Ghosh’s The Hungry Tide." In Writing India Anew. Amsterdam University Press, 2013. http://dx.doi.org/10.2307/j.ctt45kd51.7.

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"Refugees, Settlers, and Amitav Ghosh’s The Hungry Tide." In Local Natures, Global Responsibilities. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042028135_007.

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"The Search for Paradise: Amitav Ghosh’s The Hungry Tide." In Projections of Paradise. Brill | Rodopi, 2011. http://dx.doi.org/10.1163/9789401200332_005.

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Tsai, Robin Chen-Hsing. "Animality, Biopolitics, and Umwelt in Amitav Ghosh’s The Hungry Tide." In Animalities. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474400022.003.0008.

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Tsai explores Ghosh’s novel in relation to intersecting histories of both human and nonhuman violence. Set in the tide country of the Sundarbans in Bangladesh and India, the novel dramatizes vulnerable forms of life, including endangered river dolphins and dispossessed people, threatened not only by storms and floods stemming from global warming but also by the neo-imperialist violence of the state. Tsai’s reading of the novel draws upon the concept of the Umwelt from Jakob von Uexküll, as well as the fields of animality studies, biopolitics, systems theory, and phenomenology, in order to argue for what he calls a “critical bioregionalism” in which advocacy for vulnerable places needs to be attentive to the overlapping forms and histories of violence that connect human and nonhuman inhabitants.
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