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Relevant bibliographies by topics / Ghost Dance War 1890-1891

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Academic literature on the topic 'Ghost Dance War 1890-1891'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Books on the topic "Ghost Dance War 1890-1891"

1

Miller, David Humphreys. Ghost dance. Lincoln: University of Nebraska Press, 1985.

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2

Mooney, James. The ghost-dance religion and the Sioux outbreak of 1890. Lincoln: University of Nebraska Press, 1991.

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3

Moorehead, Warren King. Ghost dances in the West: An eye-witness account. Kendall Park, N.J: Lakota Books, 1998.

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4

Coleman, William S. E. Voices of Wounded Knee. Lincoln: University of Nebraska Press, 2000.

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5

Mooney, James. The Ghost-Dance Religion and Wounded Knee. Dover Publications, 1991.

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6

Mooney, James. The Ghost Dance Religion And The Sioux Outbreak Of 1890. Kessinger Publishing, LLC, 2007.

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7

Mooney, James. The Ghost Dance Religion And The Sioux Outbreak Of 1890. Kessinger Publishing, LLC, 2006.

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8

The Arrest and Killing of Sitting Bull: A Documentary (Hidden Springs of Custeriana). Arthur H. Clark Company, 1986.

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9

Mohrmann, Gary. Wounded Knee Historic Site: Historic Monuments Series (Historic Monuments). Teaching & Learning Company, 2004.

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10

Red Cloud: Oglala Legend. Pierre, SD: South Dakota Historical Society Press, 2015.

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Book chapters on the topic "Ghost Dance War 1890-1891"

1

Frisken, Amanda. "“A First-Class Attraction on Any Stage”." In Graphic News, 85–122. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252042980.003.0004.

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This chapter examines the 1890 Ghost Dance, a nonviolent religious practice among the Lakota Sioux. In covering the Ghost Dance, daily newspaper editors Joseph Pulitzer (the New York World) and William Randolph Hearst (the San Francisco Examiner), along with the New York Herald and ChicagoTribune, experimented with the limits of news illustration. Their images mischaracterized the dance as a declaration of war, contributing to events leading to the massacre at Wounded Knee. Their quest for illustrations that were both “authentic” (photograph-based) and dramatic led editors to appropriate images from the entertainment marketplace (photographs of Sitting Bull, and Buffalo Bill’s Wild West show), for political and commercial benefit. The Lakota’s efforts had limited power to correct misrepresentations of the dance and its aftermath.

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2

Reckson, Lindsay V. "The Ghost Dance and Realism’s Techno-Spiritual Frontier." In Realist Ecstasy, 103–56. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479803323.003.0004.

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This chapter examines the mediated life of the Ghost Dance, a pan-tribal religious movement that emerged in the 1880s in the context of U.S. colonial expansion, genocide, and dispossession. Spectacularly suppressed at the Wounded Knee massacre of 1890, the Ghost Dance proliferated in turn-of-the-century ethnographic realism, a project that included literary, photographic, filmic, and sonic texts. Focusing on efforts to record and reenact the dance, this chapter argues that such reenactments signal the reiterative life of colonial violence in the supposed afterlife of the frontier. Yet they also point to realist media as a temporally and affectively dense terrain of performance. In the aftermath of Wounded Knee, realist ethnography drew its authority from the very visionary practices it aimed to reproduce, insisting on realism’s capacity to adequately record spiritual performance while channeling the power of media to resurrect and reanimate the dead. Such performances signal a tight fit between the cultural logic of Indian vanishing and modernity’s dreams of high-fidelity preservation. At the same time, reenactment’s contingencies of performance and reperformance offer a way to rethink the historical nexus between recording and vanishing.

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