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Journal articles on the topic 'Ghost-written'
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1
Dorfman, Ariel, and Jemimah Steinfeld. "A ghost-written tale of love." Index on Censorship 51, no. 1 (March 23, 2022): 152–57. http://dx.doi.org/10.1177/03064220221084525.
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FRAU, M., S. SCIUTO, and A. LERDA. "A SIMPLE EXPRESSION FOR THE GHOST CONTRIBUTION TO THE FERMION EMISSION VERTEX IN SUPERSTRING THEORY." Modern Physics Letters A 01, no. 08 (October 1986): 485–90. http://dx.doi.org/10.1142/s0217732386000610.
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Dinu, Cristina. "The Narrative Motif of the Ghost in Classical Chinese Literature." International Journal of Linguistics, Literature and Culture 9, no. 1 (March 31, 2022): 1–9. http://dx.doi.org/10.19044/llc.v9no1a1.
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The first part of this paper presents a brief history of the ghost narrative motif in classical Chinese literature, arguing that this motif first appears in Chinese culture during the Shang Dynasty (16 c. - 1066 BC), and it is a recurring concept defined in the Book of Liezi and it is also present in the Daoist principle yin - yang. Despite the Confucian tradition of rejecting the belief in ghosts and any other metaphysical elements, ever since the Tang Dynasty (618 – 907) the literary motif of the ghost appears in the so-called fantastic stories chuanqi which will later influence the strange stories zhiguai written by Pu Songling (1640 - 1715), and will serve as inspiration for Guan Hanqing (1225 - 1302) when he writes the famous zaju play Snow in Midsummer. This paper is an aesthetic, hermeneutic and anthropological analysis of the concept of the wandering ghost or spirit in classical Chinese literature, starting from the evolution of the character gui 鬼 which means ghost in Chinese. I will observe the narrative role of the ghost in classical Chinese literature, using as representative examples literary works such as the chuanqi play The Peony Pavillion written by Tang Xianzu (1550 –1616), the strange story zhiguai, “Gongsun Jiuniang” by Pu Songling, and the zaju play, Snow in Midsummer, written by Guan Hanqing.
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deJong-Lambert, William. "Lysenko’s Ghost: Epigenetics and Russia, written by Loren Graham." Soviet and Post-Soviet Review 45, no. 2 (April 9, 2018): 215–17. http://dx.doi.org/10.1163/18763324-20171276.
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Healy, David T. "Transparency and trust: Figure for ghost written articles was misquoted." BMJ 329, no. 7478 (December 2, 2004): 1345.1. http://dx.doi.org/10.1136/bmj.329.7478.1345.
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Bhattacharya, Sayan. "The Koti’s Ghost." Radical History Review 2021, no. 140 (May 1, 2021): 151–56. http://dx.doi.org/10.1215/01636545-8841730.
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Abstract In 2001 a group of gay men and kotis (one of several terms used in India for feminine persons assigned male at birth, who may or may not identify as transfeminine) wrote a play titled Koti ki atma (Soul of the Koti), about a koti who dies of AIDS and returns as a ghost to prevent other kotis from having unprotected sex. This article investigates the sociopolitical context in which the play was written, analyzes its plot, and, most importantly, follows the ghost to track the labors she performs. The author offers a glimpse into the histories of care and queer community-making that exceed the terror of death and state apathy in the wake of HIV in India.
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Withrow, Frank B. "Education Technology: Innovations." Bulletin of Science, Technology & Society 6, no. 2 (June 1986): 319–20. http://dx.doi.org/10.1177/027046768600600234.
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“We raised the power of reason, the power of manipulating words, above all other faculties. The written word became our god. We forgot that before words there were actions … that there have always been things beyond words. We forgot that spoken words preceded the written one. We forgot that written form of our letters came from ideographic pictures … that standing behind every letter is an image like an ancient ghost. The image stands for natural movements of the body and other living things.” Frank Herbert
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Ancuta, Katarzyna. "The Waiting Woman as the Most Enduring Asian Ghost Heroine." Gothic Studies 22, no. 1 (March 2020): 81–97. http://dx.doi.org/10.3366/gothic.2020.0039.
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The waiting woman is a ghost who appears to be endlessly waiting – for recognition, for her lover, for a chance to reincarnate, or to exact revenge. In Asia, her roots can be found in early medieval Chinese records of the strange, arguably the oldest written ghost stories in the region. The romanticized version of this ghost, introduced in Tang Xianzu's drama Peony Pavillion ( Mudan ting, 1598), influenced many writers of Japanese kaidan (strange) stories and merged with East and Southeast Asian ghostlore that continues to inspire contemporary local fiction and films. The article proposes to read the figure of the waiting woman as a representation of the enduring myth of the submissive Asian femininity and a warning against the threat of possible female emancipation brought about by the socio-economic changes caused by modernisation.
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Sismondo, Sergio. "Corporate Disguises in Medical Science." Bulletin of Science, Technology & Society 31, no. 6 (December 2011): 482–92. http://dx.doi.org/10.1177/0270467611422838.
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Roughly 40% of the sizeable medical research and literature on recently approved drugs is “ghost managed” by the pharmaceutical industry and its agents. Research is performed and articles are written by companies and their agents, though apparently independent academics serve as authors on the publications. Similarly, the industry hires academic scientists, termed key opinion leaders, to serve as its speakers and to deliver its continuing medical education courses. In the ghost management of knowledge, and its dissemination through key opinion leaders, we see the pharmaceutical industry attempting to hide or disguise the interests behind its research and education.
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Carter, Michael. "Byland Abbey: Using the Dead to Bringa Medieval Monastery to Life." Preternature: Critical and Historical Studies on the Preternatural 11, no. 1 (March 1, 2022): 8–24. http://dx.doi.org/10.5325/preternature.11.1.0008.
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ABSTRACT The twelve ghost stories written by a monk at Byland Abbey, North Yorkshire, around 1400 CE have received extensive comment by scholars of medieval ghost stories and the supernatural. Public interpretation of the site, which has been in State care since 1921, has largely focused on the acknowledged importance of Byland's buildings in the development of Cistercian architecture in the British Isles in the late twelfth century. With a strong architectural focus, Byland's English Heritage guidebook makes no mention of the stories or indeed medieval beliefs about death, the afterlife, and the supernatural. This article aims to demonstrate that the ghost stories, together with the architectural, artifactual, and documentary evidence pertaining to monastic beliefs and observance about death, burial, and spiritual salvation, are in fact key to the interpretation of Byland—indeed, to all medieval monasteries—for twenty-first-century visitors.
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Sheykhi, A., E. Ebrahimi, and Y. Yousefi. "Generalized ghost dark energy in Brans–Dicke theory." Canadian Journal of Physics 91, no. 8 (August 2013): 662–67. http://dx.doi.org/10.1139/cjp-2012-0531.
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It was argued that the vacuum energy of the Veneziano ghost field of QCD, in a time-dependent background, can be written in the general form, H + O(H2), where H is the Hubble parameter. Based on this, a phenomenological dark energy model whose energy density is of the form ρ = αH + βH2 was recently proposed to explain the dark energy dominated universe. In this paper, we investigate this generalized ghost dark energy model in the setup of Brans–Dicke cosmology. We study the cosmological implications of this model. In particular, we obtain the equation of state, the deceleration parameters, and a differential equation governing the evolution of this dark energy model. It is shown that the equation of state parameter of the generalized ghost dark energy can cross the phantom line (wD = −1) in some range of the parameters spaces.
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Amin, Dina. "Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost, written by Margaret Litvin." Journal of Arabic Literature 47, no. 1-2 (July 11, 2016): 227–29. http://dx.doi.org/10.1163/1570064x-12341322.
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ÜLKER, KAYHAN. "ON THE ALL ORDER SOLUTIONS OF SEIBERG-WITTEN MAP FOR NONCOMMUTATIVE GAUGE THEORIES." International Journal of Modern Physics: Conference Series 13 (January 2012): 191–98. http://dx.doi.org/10.1142/s201019451200685x.
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We review the recursive solutions of the Seiberg–Witten map to all orders in θ for gauge, matter and ghost fields. We also present the general structure of the homogeneous solutions of the defining equations. Moreover, we show that the contribution of the first order homogeneous solution to the second order can be written recursively similar to inhomogeneous solutions.
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Sorgenfrei, Carol Fisher. "‘Supernatural Soliciting’: Pathways from Betrayal to Retribution in Macbeth and Yotsuya Kaidan." New Theatre Quarterly 31, no. 1 (January 30, 2015): 28–32. http://dx.doi.org/10.1017/s0266464x15000032.
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Although written two centuries apart and in divergent cultures, the kabuki play Tōkaidō Yotsuya Kaidan and Shakespeare's Macbeth exhibit marked similarities (as well as differences) in plot. Here, Carol Fisher Sorgenfrei analyzes some of the ways that these plays reflect (mostly male) anxieties regarding shifting patterns of gender and political power in Jacobean England and Tokugawa Japan. Professor Emerita of Theatre at UCLA, Carol Fisher Sorgenfrei is a specialist in Japanese theatre and intercultural performance, and was recently a Research Fellow at the International Research Institute in Interweaving Performance Cultures at the Free University, Berlin. She is the author of Unspeakable Acts: the Avant-Garde Theatre of Terayama Shūji and Postwar Japan (University of Hawaii, 2005) and co-author of Theatre Histories: an Introduction (Routledge, third edition, 2015). She is also a playwright whose latest play, Ghost Light, is a contemporary fusion of Macbeth and Yotsuya Ghost Stories, in which the ghost of a Japanese-American actress returns to wreak vengeance on the husband who betrayed her. The play will be staged as an Equity Showcase in New York in Autumn 2015.
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Sjögren, Ji Sun. "Dream's End." Adoption & Fostering 21, no. 2 (July 1997): 16–18. http://dx.doi.org/10.1177/030857599702100205.
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Born in Korea, Ji Sun Sjögren grew up in Belgium where she was adopted by her Swiss mother and Swedish father at around the age of two. In ‘A ghost in my country’ ( Adoption & Fostering 20:2, 1996), Ji Sun gave a moving personal account of transracial adoption and the disturbing feelings of being ‘caught between two worlds’. That original testimony was inspired by the experience of visiting her native Korea for the first time, aged 26, when she was invited to to exhibit at an international art exhibition. This follow-up account tells of another, quite different journey to Korea when, after an intensive search, Ji Sun finally met up with her birth parents. Like ‘A ghost in my own country’, it is written in collaboration with her adoptive father, Eric Sjögren, who is a journalist living in Brussels.
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DAYI, ÖMER F. "N=1 SUPERSYMMETRIC YANG–MILLS THEORY IN d=4 AND ITS BATALIN–VILKOVISKY QUANTIZATION BY SPINOR SUPERFIELDS." Modern Physics Letters A 21, no. 28 (September 14, 2006): 2161–69. http://dx.doi.org/10.1142/s0217732306019815.
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Four-dimensional N=1 supersymmetric Yang–Mills theory action is written in terms of the spinor superfields in transverse gauge. This action is seemingly first order in spacetime derivatives. Thus, it suggests that the generalized fields approach of obtaining Batalin–Vilkovisky quantization can be applicable. In fact, generalized fields which collect spinor superfields possessing different ghost numbers are introduced to obtain the minimal solution of its Batalin–Vilkovisky master equation in a compact form.
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Cavanagh, Natali, Sarah James, and Shannon Walter. "The Fate of a Materialistic Buddhist: A Cultural Editioin of "Jikininki" by Lafcadio Hearn." Digital Literature Review 4 (January 13, 2017): 77–92. http://dx.doi.org/10.33043/dlr.4.0.77-92.
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Lafcadio Hearn has written and adapted many Japanese folktales that explore religious and cultural traditions of the civilization. "Jikininki" tells the tale of a Buddhist priest who encounters a cursed, corpse-eating ghost. The authors examine the depiction of this corpse-devouring moster, its relation to teh cultural forces in rural Japan, and the representation of a fear of losing both the global Zen Buddhist and rural traditions through selfish mistreament and material desires.
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Dinu, Cristina-Mădălina. "A Comparative Study of the Ghost Literary Motif in Snow in Midsummer by Guan Hanqing and Hamlet by Shakespeare." Journal of Foreign Languages and Cultures 5, no. 1 (June 28, 2021): 125–34. http://dx.doi.org/10.53397/hunnu.jflc.202101010.
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In classical Chinese literature, employing the literary motif of the ghost represents both the writers’ desire to escape the pattern of didactic literature promoted by Confucianism and their attempt to revolt against the rigidity of the Confucian dogma that is far too entrenched in reality and inhibits their creativity. Written during the Yuan Dynasty (1279– 1368) by Guan Hanqing (1225–1302), Snow in Midsummer presents the injustice of Dou’E who dies for a crime she did not commit, with the girl returning to the world of the living in the form of a ghost to obtain her justice. The motif of the vengeful ghost also appears in Shakespeare’s (1564–1616) play, Hamlet . In this essay, I will investigate comparatively the dramatic aesthetics through which the spirits are outlined in the two plays, the comedy used by Guan Hanqing and Shakespeare, respectively, in the scenes of the appearance of spirits, and last but not least, the religious substratum contained in the symbolism of these ghosts. After a contrastive analysis of the dramaturgical and aesthetic construction of the two spirits in these plays, I argue that, despite their belonging to two different cultural spaces, both authors question through the supernatural the moral values of the societies in which they lived.
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Saunders, Edward. "Celebrity, Scriptedness and Alleged Sexual Violence in Ghost-Written Autobiographies by Julian Assange and Samantha Geimer." European Journal of Life Writing 4 (May 2, 2015): VC85—VC107. http://dx.doi.org/10.5463/ejlw.4.159.
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This article explores issues relating to the way scripts of sexual violence are employed or rejected in auto/biographical writing. It addresses ghost-written autobiographical responses to two famously unresolved cases of alleged male–female rape: those of Julian Assange and Roman Polanski. In both cases, the alleged perpetrator was a famous man and the allegation of rape has not conclusively been proven in court. The article looks at rape as a narratological problem beyond the definition or symbolic meaning of the crime, and contrasts the narration from the perspective of an alleged perpetrator (Assange) with that of a victim (Samantha Geimer), addressing the way the act of sexual violence becomes a point of orientation in the lives of both – perhaps disproportionately so. In both cases, the management of the autobiographical account through the use of ghost-writers focuses attention on the constructed nature of the life narrative. In cases relating to famous men, reflecting the impact of media reporting is a necessary counterpart to the consideration of the auto/biographical text. This article was submitted to the European Journal of Life Writing on 7 July 2014 and published on 2 May 2015.
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Jayawati, Maini Trisna. "Paralelisme Antara Dongeng Dengan Realita dalam Cerpen-Cerpen Intan Paramaditha." ATAVISME 11, no. 1 (June 30, 2008): 63–72. http://dx.doi.org/10.24257/atavisme.v11i1.325.63-72.
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All short stories in the book. written by lntan, are using a woman perspectives; therefore, the book is used as a feminism propaganda. The book writer is trying to encourage her readers to see the truth beneath the face a ghost, called "woman" and that there is nothing to be afraid of since it is similar to look at our own reflection. What lntan has done through her short stories is actually a great contribution to the world oflndonesian women literacy.
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Adji, Alberta Natasia. "SERI FANTASTEEN GHOST DORMITORY: PRODUKSI KOMERSIAL SASTRA DI INDONESIA." Jurnal Pena Indonesia 2, no. 2 (January 16, 2017): 102. http://dx.doi.org/10.26740/jpi.v2n2.p102-118.
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The trend of horror genre has spread towards Indonesian literature, marked by the emergence of light noves for teenagers aged 13-18 under the label of Fantasteen, an imprint of DAR! Mizan starting in 2011, a division of PT Mizan Pustaka, one of the biggest publishing companies in Indonesia. Among various printed Fantasteen light novels, the Ghost Dormitory series became the most prominent work as each story is set in one foreign city such as Tanzania, Den Haag, etc. The study reveals the interconnecting phenomenon between literary works and commercial ways through the perspective of Pierre Bourdieu’s the field of cultural production and Tzvetan Todorov’s Fantastic theory. Using a qualitative method, this article proves that DAR! Mizan has successfully achieved popular legitimation owing to the rising horror-themed light novels which are presented through Fantasteen brand, written by teenagers and also targeted for young readers. With the rise of the special series Ghost Dormitory among other Fantasteen works, the result of the study shows that as one of the major publishers, DAR! Mizan has successfully conducted a strategy to influnce the face of the Indonesian teenage literary world which is presenting a horror genre as its main theme.
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Adu-Frimpong, Augustine. "Ghost Protocol: Development And Displacement In Global China, written by Carlos Rojas and Ralph A. Litzinger." African and Asian Studies 16, no. 3 (September 4, 2017): 272–73. http://dx.doi.org/10.1163/15692108-12341366.
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Flowers, James. "A Time of Lost Gods: Mediumship, Madness, and the Ghost after Mao, written by Emily Ng." Asian Medicine 17, no. 2 (November 10, 2022): 337–39. http://dx.doi.org/10.1163/15734218-12341522.
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Maldawati, Komang. "Ekranisasi Novel Asih Karya Risa Saraswati." Humanis 25, no. 3 (August 27, 2021): 325. http://dx.doi.org/10.24843/jh.2021.v25.i03.p09.
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This article discusses the story of Asih or Kasih. Asih is a ghost in the Novel of Asih was written by Risa Saraswati. She was chosen as an object of research based on several reasons such as the public’s response, both oral and written on social media. The characteristic of Risa Saraswati when she wrote this novel, The film of "Asih" was the fifth highest grossing film in Indonesia in 2018. Nurgiyantoro’s theory is used and the elevation of Eneste. The structure theory of Nurgiyantoro explains the plot, setting and the characterization. Eneste’s theory verifies the alterations in the novel Asih to the film such as increment, decrement and variation. A qualitative method is used with the reading technique, observe and note. The data was analyzed using descriptive analysis and cooperative methods by describing and comparing the results of the data that was found. This study was explained the alteration of plot, decrement and the alteration of variation.
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Koh, Young-Ran. "A Study about Social Aspect of Female Ghost Story written in Korea and Japan ‒Focusing on Contemporary film‒." Japanese Modern Association of Korea ll, no. 41 (August 2013): 133–48. http://dx.doi.org/10.16979/jmak..41.201308.133.
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Goto, Atsushi. "The Ghost of Namamugi: Charles Lenox Richardson and the Anglo-Satsuma War, written by Robert S. G. Fletcher." Asian Review of World Histories 9, no. 2 (July 16, 2021): 307–9. http://dx.doi.org/10.1163/22879811-12340100.
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Zheng, Guangjie. "Children’s historical narrative of the early XXI century (based on the story “The Ghost of the Network» by Tamara Kryukova)." Neophilology, no. 26 (2021): 328–34. http://dx.doi.org/10.20310/2587-6953-2021-7-26-328-334.
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In the core of the research is a modern Russian historical narrative for children. On the example of the historical adventure fiction “The Ghost of the Network” written by Tamara Kryukova the work identifies and describes the main characteristics of this type of narrative due to the trends in modern children’s literature, features of modern teenagers’ world perception, changed conditions of social life, etc. The artistic narrative is analyzed in the mainstream of discursiveness due to its open and fluid nature, the cultural and historical nature of the narrative artistic discourse and its inclusion in a wide cultural and discursive context, the polyphonic nature of the stories that form the basis of the narrative discourse of Tamara Kryukova’s children story “The Ghost of the Network”, which covers almost 700 years old and takes the reader to the distant era of Ancient Russia, the main “ingredients” of the historical narrative include the author’s fantasy in the form of a ghost from ancient history, which frightens a scientist who finds himself on a night highway, completely deserted by a mystical coincidence. The leading method is narrative analysis. Thematic and discourse analysis is used as an auxiliary method. In the course of the study, conclusions are drawn. The work reveals the features of a modern children’s historical narrative, combining elements of an adventure-fantasy genre, interweaving the past and the present, history and fiction, taking into account the peculiarities of a modern teenager, living not only in real, but also in virtual space. The enrichment of this story allows the authors to achieve cultural and historical continuity, give the text a semantic dimension, educational meanings, and include modern linguocultural national knowledge in it.
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Delijani, Clare Finburgh. "The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre." Modern Drama 65, no. 4 (December 1, 2022): 471–98. http://dx.doi.org/10.3138/md-65-4-1239.
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Over the past five years, a number of Black British women authors have written what might be called postcolonial ghost plays. This article focuses, to varying degrees, on four: ear for eye (2018), debbie tucker green’s dissection of enslavement and its afterlives; Rockets and Blue Lights (2020), Winsome Pinnock’s historical film-within-a-play about the Middle Passage; The Gift (2020), Janice Okoh’s semi-biography of an African girl who became Queen Victoria’s ward; and Selina Thompson’s salt. (2018), an autobiographical performance piece tracing her ancestors’ enslavement. Ghosts and haunting, which I examine from multiple perspectives, appear across this range of theatrical genres. With their multiple, doubled, spectral, interpenetrating stories, tucker green, Pinnock, Okoh, and Thompson’s postcolonial ghost plays reactivate the past of enslavement that has not passed, that is still active in the form of racial and social injustices today. Ghosts, prevalent across the plays, represent the dead who, plumbing the depths of the Middle Passage, are denied a resting place. The ghost, the figure of the living dead par excellence, reflects the dehumanization of trafficked Africans, from whom their enslavers sought to subtract all subjectivity. Ghosts, too, reveal the work of mourning performed by the living for those who were never properly buried. This mourning exposes and disrupts enduring structures of injustice, and searches for reparation. Ghosts, or revenants, returning and refusing to rest, represent the resilient resistance to injustice. Finally, ghosts, neither fully past nor present, absent or present, symbolize indeterminacy and instability, illustrated in the plays by subjects determined to take control of their own identities and destinies. Together, these plays demonstrate how we must look back to the roots of historical racism in order to look forward to its eradication.
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Veyis, Fatih, and Sebile Alkyr. "Narratological Perspective on Death and Grief in Children's Literature: “The Ghost Postman” Example." Iasaýı ýnıversıtetіnіń habarshysy 121, no. 3 (September 30, 2021): 80–91. http://dx.doi.org/10.47526/habarshy.v3i121.736.
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“The Ghost Postman” to be analyzed is a children's picture story book. The adventure of a child in the process of mourning in this book, in which he accepts death by using his imagination with the help of his mother, also carries a reference to sleep, which is the most important door that opens to the subconscious. While the story was being told, the pictures were also spoken. The subject of death, which is widely covered and general, is incomprehensible like other abstract concepts in the world of children. Losing and mourning a loved one causes mental trauma, even for adults, while the loss of a parent seems more difficult for a child to understand and accept. However, the child who looks at death from his own world, from the game window, accepts this fact more easily. Because he lives in a world with no borders, intertwined with dreams and reality, and he has decorated it with his dreams. In Ghost Postman, the child's exit from this mourning process is explained and made more evident with pictures. The theme of this story, written by Nurgul Atesh, is love, and it is intended to convey the message that people can overcome all difficulties with the power of love, overcome the difficulties encountered, and turn negativities into beauty by imagining.
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FAIZAL, MIR. "NONCOMMUTATIVITY AND NON-ANTICOMMUTATIVITY PERTURBATIVE QUANTUM GRAVITY." Modern Physics Letters A 27, no. 13 (April 30, 2012): 1250075. http://dx.doi.org/10.1142/s0217732312500757.
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In this paper, we will study perturbative quantum gravity on supermanifolds with both noncommutativity and non-anticommutativity of spacetime coordinates. We shall first analyze the BRST and the anti-BRST symmetries of this theory. Then we will also analyze the effect of shifting all the fields of this theory in background field method. We will construct a Lagrangian density which apart from being invariant under the extended BRST transformations is also invariant under on-shell extended anti-BRST transformations. This will be done by using the Batalin–Vilkovisky (BV) formalism. Finally, we will show that the sum of the gauge-fixing term and the ghost term for this theory can be elegantly written down in superspace with a two Grassmann parameter.
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Mulia, Sandra Whilla. "REALISME MAGIS DALAM NOVEL SIMPLE MIRACLE DOA DAN ARWAH KARYA AYU UTAMI." Lakon : Jurnal Kajian Sastra dan Budaya 5, no. 1 (October 10, 2016): 30. http://dx.doi.org/10.20473/lakon.v5i1.2780.
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This study are intend to reach some goals. First, this aimed to uncover the magic realism which is narrated in Ayu Utami’s novel, entitled Simple Miracle DoaDan Arwah. Second, this study aimed to discover socio cultural context which form the background of the emerging of magic realism of narrative in Ayu Utami’s novel entitled Simple Miracle Doa dan Arwah. This research utilizes magic realism narrative theory on the book Ordinary Enchantments Magical Realism andRemystifiction of Narratives written by Wendy B. Faris (2004). This is a qualitative study which employed textual analysis to analyze the obtained data. The results of 2 this study were magic realism which was narrated in the novel were not only loaded by the characteristics of Faris’ magic realism by showing the exquisite existence of myth in this modern era, but also written to be in charge of bracing and reorganizing people’s believe in Javanese myth. Socio cultural context which form the background of the emerging of this novel was Javanese culture that still exist in this modern era. This was also added by the comeback of traditional ambience which made its existence popular nowadays. From the analysis this had emerged two issues, social issues and signification issues. The emerging social issues are the Javanese culture in which the people tend to fancy mystics. These mystics are related to ghosts. In addition, the other issue is about acculturation of religions in Java Island. Besides the issues, the signification obtained were: (1) Javanese will always hold their believe in ghost; (2) in Java, shaman and spirits or ghost are correlated to the second alternative to realize dreams; (3) shaman identity is identical with someone who has an ability to see and communicate with spirits or ghosts; (4) there is a believe that spirits and ghosts are everywhere; (5) Javanese believe that every dead person will soon become spirits and ghosts and they will eternally live around them; (6) atheist will rarely be seen in Java; (7) religions in Java Island will always blend themselves with the culture.
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Purigali Prabhakar, Prema. "Invoking The Spectral Body: A Study of Potential Corporealities in the Work of Marina Abramovic and Francesca Woodman." Excursions Journal 1, no. 1 (September 12, 2019): 91–101. http://dx.doi.org/10.20919/exs.1.2010.129.
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At the beginning of his much written about Specters of Marx Derrida writes, “For there is no ghost, there is never any becoming specter of the spirit without at least the appearance of flesh, in a space of invisible visibility like the disappearing of an apparition. For the ghost, there must be a return to the body, but to a body that is more abstract than ever,” In Specters, Derrida is not only proposing a theory of history, a theory of hauntology, but in describing and redescribing the very substantive nature of the specter, he is also proposing a theory of corporeality, a theory of what the flesh is and can be. By using Derrida’s theory of, what I will call, “spectral corporeality” in conjunction with the photographs of Francesca Woodman and the performance art of Marina Abramovic, my paper will ask such questions as: How can the specter return to the body, but not be of the flesh? How can a living fleshly body extend into a spectral body? And, what does it mean to have a theory of the body that is not of the flesh, blood, bone and sinew of the living body?Abramovic’s grappling with bones (in “Cleaning The House” and “Balkan Baroque”) and Woodman’s faceless figure simultaneously going into and escaping from a grave stone , not only contend with the spectrality of objects (relics), spectral histories inhabiting fleshly bodies and the spectral presence between audience and performer, viewer and artist, but with the gender of the spectral body. To invoke “a body that is more abstract than ever”, Derrida wrestles with Marx, conjures the ghost of Hamlet’s father and summons Hamlet himself—an all male cast of spectral bodies; by examining Abramovic and Woodman’s art, I hope to understand how a female spectral body might make itself present, inhabit a visual space of both flesh and ether.
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Bøggild, Jacob. "Set sådan lidt fra oven. - Om det unaturlige i narratologien og i J.P. Jacobsens "Et Skud i Taagen"." K&K - Kultur og Klasse 39, no. 112 (December 25, 2011): 51–70. http://dx.doi.org/10.7146/kok.v39i112.15744.
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AS VIEWED SOMEWHAT FROM ABOVE | First; the relationship between the two positions of natural and unnatural narratology is discussed. It is pointed out that even if they appear to live together in relative harmony and supplement each other in productive ways, they may have to disagree more fundamentally with each other if they are to formulate their respective conceptions of language. Subsequently, an exemplary reading of J.P. Jacobsen’s short story “Et skud i Taagen” is undertaken.First, the question of genre is discussed, since the story appears to be a ghost story that does not really want to be such a story in a traditional sense. Todorov’s idea that the fantastic in literature originates from rhetorical figures becomes the point of departure for a further reading of the story. It is demonstrated that the literalization of a now forgotten idiom, the becoming fictional reality of a simile, and metonymy, is what conjures up the ghost in the narrative. The unnatural or supernatural is thus a product of language in the strictest sense possible. Furthermore, another rhetorical or literary phenomenon, namely free indirect speech, is used with devious effects by Jacobsen, since it is evoked to produce a couple of perspectives or points of view that are simplyimpossible. The literary language of the story can thus not only conjure up the unnatural or supernatural, it can also blind the reader to the sheer impossibility of what is written on the page.
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Richardson, Michael. "Ghosting Politics: Speechwriters, Speechmakers and the (Re)crafting of Identity." Cultural Studies Review 23, no. 2 (November 27, 2017): 3–17. http://dx.doi.org/10.5130/csr.v23i2.5472.
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Despite public awareness of their role, speechwriters occupy an anxiously liminal position within the political process. As the ongoing dispute between former Australian prime minister Paul Keating and Don Watson over the Redfern Speech suggests, the authorship and ownership of speeches can be a fraught proposition, no matter the professional codes. Crafting and re-crafting identity places speechwriter and speechmaker in a relation of intense intimacy, one in which neither party may be comfortable and from which both may well emerge changed. Having written speeches for Jack Layton, former leader of the New Democratic Party of Canada, I know just how complex, uncertain and productive that relation can be. This article conceives of identity as transindividual, formed in the intensity and flux of encounter, and weaves together the personal and the critical to examine politics’ speechwriting ghost.
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Wynne, Deborah. "Charlotte Brontë’s Gothic Fragment: ‘The Story of Willie Ellin’." Victoriographies 11, no. 1 (March 2021): 20–37. http://dx.doi.org/10.3366/vic.2021.0407.
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Charlotte Brontë’s eighteen-page fragment, ‘The Story of Willie Ellin’, written shortly after the publication of Villette in 1853, combines the gothic and realism and uses multiple narrators to tell a disturbing story of cruelty towards a child. The generic instability and disordered temporal framework of this fragment make it unlike anything Brontë had previously written, yet it has attracted the attention of few scholars. Those who have discussed it have condemned it as a failure; the later fragment ‘Emma’, also left incomplete by the author's premature death, has been seen as the more likely beginning of a successor to Villette. ‘The Story of Willie Ellin’ reveals Brontë at her most experimental as she explores the use of different narrative voices, including that of an unnamed genderless ‘ghost’, to tell a story from different perspectives. It also shows Brontë representing a child's experience of extreme physical abuse which goes far beyond the depictions of chastisement in Jane Eyre (1847). This essay argues that ‘The Story of Willie Ellin’ affords rich insights into Brontë’s ideas and working practices in her final years, suggesting that it should be more widely acknowledged as a unique aspect of Brontë’s oeuvre, revealing the new directions she may have taken had she lived to complete another novel.
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Lim, Ji Yeun, Sun Mi Lim, and Kye-Hyun Kim. "Doctors’ consciousness on CCTV installation in operating rooms: A survey." Journal of the Korean Medical Association 65, no. 1 (January 10, 2022): 79–84. http://dx.doi.org/10.5124/jkma.2022.65.1.79.
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Background: A bill for the mandatory installation of closed-circuit television (CCTV) in operating rooms, still likely in breach of the constitution, was approved. When a bill infringing on individuals’ fundamental rights is drafted, alternative means of minimizing the infringement of the offender’s rights should be considered ahead of the draft. To this end, alternatives on the bill identified through the consciousness of the offender would be most realistic and much more effective. Thus, this study examined doctors’ consciousness on the mandatory installation of CCTV in operating rooms, the appropriateness of punishment for members who commit immoral and unethical behaviors, and doctors’ alternative ideas to CCTV installation in operating rooms.Methods: The online survey was conducted for a week from July 9, 2021, to July 16, 2021, by the Korean Medical Association Doctors News, and 2,345 doctor members responded to the investigation.Results: According to the survey, the following alternatives to CCTV installation in operating rooms were proposed: strengthening punishment for performing ghost surgery (38.3%), placing cameras at the entrance of the operating room (21.8%), mandatory written consent (pledge) (13.7%) to prevent ghost surgery for medical staff participating in the surgery, promoting self-purification (whistle-blowing) (11.5%), and a biometrics function for entering operating rooms (8.8%).Conclusion: The revised medical law delegated legislative devices to subordinate statutes for minimizing infringement. Thus, new regulations should be set to reduce infringement of fundamental rights. It is hoped that doctors’ consciousness on new law could be preliminary data to regulate new rules in discussing lower statutes.
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Sosnowska, Monika. "Co zjada Hamleta? Robaki jako aktywni aktorzy w elsynorskiej (i nie tylko) gastronomii." Zoophilologica, no. 6 (December 29, 2020): 125–42. http://dx.doi.org/10.31261/zoophilologica.2020.06.09.
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Having been inspired by William Shakespeare’s Hamlet – a drama where both a ghost and a worm find their shelter – the author discusses contacts, interactions relations, and interdependence between human and non-human animals. During the investigation of his father’s “unnatural death,” Hamlet becomes aware of many natural phenomena, including organic cycle (in which worms play a crucial role). Although worms are culturally insignificant, they are significant organisms for ecosystems. As recyclers and fertilizers, they have real impact on ecosystem’s condition and equilibrium. The author exploits contemporary scientific knowledge to identify worms (mentioned in the play) by naming specific invertebrates in accordance with valid taxonomy. To refer to non-human Others, an innovative word – ‘The BioDiverse’ – is proposed. Additionally, Hamlet becomes an inspiration to reflect upon old and new funeral eco-practices, as well as the author’s future funeral – its place and form. The article is written from an ecocritical perspective.
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Smith, David Lionel. "Booker T. Washington's Rhetoric: Commanding Performance." Prospects 17 (October 1992): 191–208. http://dx.doi.org/10.1017/s0361233300004713.
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Booker T. Washington's classicUp from Slaveryis unquestionably the finest black autobiography ever written by a European-American. In the final sentence of the book's preface, Washington notes, “without the painstaking and generous assistance of Mr. Max Bennett Thrasher I would not have succeeded in any satisfactory degree.” This is a typical Washingtonian understatement. Thrasher wrote the book. Beginning that same paragraph, Washington has declared, “I have tried to tell a simple, straight-forward story, with no attempt at embellishment. My regret is that what I have attempted to do has been done so imperfectly.” This is either false modesty or a harsh assessment of his ghost writer. Since Thrasher remained in Washington's employ until his abrupt death (from appendicitis) in 1903, we must infer that “the Wizard” was not so displeased with their collaborative product. Washington had no peers in the use of rhetorical humility as a strategy of manipulation.
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Liu, Lydia H. "The Ghost of Arthur H. Smith in the Mirror of Cultural Translation." Journal of American-East Asian Relations 20, no. 4 (2013): 406–14. http://dx.doi.org/10.1163/18765610-02004004.
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Arthur H. Smith’s Chinese Characteristics (1890) remained the most widely read American book on China until Pearl Buck’s The Good Earth (1931). Smith’s collection of pungent and humorous essays, originally written for white expatriates in Asia, was accepted by Americans at home as a wise and authentic handbook. The book was soon translated into Japanese (1896), classical Chinese (1903), and at least three more times into Chinese since 1990. The characteristics Smith identified reflect his conception of the American Way of Life, racial hierarchy, the idea of progress, and the middle-class values with which he was brought up. He used race and “national character” to explain Chinese food, dress, body care, music, art, language, and architecture, as well as politics and religion. Lu Xun, the preeminent Chinese cultural critic of the early twentieth century, pondered why his country had been defeated and came to believe that the character of his countrymen was the key to their future survival. Smith’s criticisms were valuable for this task of introspection but Lu Xun took him to task for misunderstanding the concept of “face” because he did not grasp it in the social context of unequal power. The ghost of Arthur Smith thus haunts both Chinese and Americans.
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Mahmudah, Mahmudah. "Magical Realism in Aḥmad Sa‘dāwiy’s Frankenstein fī Bagdād." Jurnal Humaniora 28, no. 2 (November 12, 2016): 142. http://dx.doi.org/10.22146/jh.v28i2.16397.
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This article discusses the use of magic realism as a literary device in the Iraqi novel Frankenstein fī Bagdād written by Aḥmad Sa‘dāwiy. The novel is set in the period of inter-ethnic conflict which arose after the American invasion of 2003. Hādī, the main character of the novel, ‘creates a monster’ namely Syismah from the corpses of the many bomb victims in Baghdad. The writer combines setting of the novel with belief of the Iraq people, horoscope practice, and magic, in mystical and illogical atmosphere. Given its magic realist qualities, the analysis draws on the approach of Wendy B. Faris. The article identifies five key elements from magic realism present in the novel, and discusses the relationship between these elements in order to better understand the social, ideological, and political context of the novel. The analysis shows that there are relationships between two worlds: death and life, human and ghost, physical and metaphysical, natural and supernatural.
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Lipinskaya, Anastasia A. "A PHANTOM COACH: FROM FOLKLORE TO FICTION." Вестник Пермского университета. Российская и зарубежная филология 13, no. 2 (2021): 97–103. http://dx.doi.org/10.17072/2073-6681-2021-2-97-103.
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The image of a phantom coach is very common in British folklore and, like its predecessors – Four Horsemen of the Apocalypse and the Wild Hunt, it is closely associated with death and bad omens. Quite understandably, it was widely used in ghost stories written in the late 19th and early 20th centuries. There are stories close to the folk tradition of storytelling, but much more often the authors create their own versions where the legends about phantom coaches are contaminated with other sources (such as ballads about demonic lovers) and lose certain elements which are essential for archaic mentality but can be easily neglected in modern fiction, e. g. death as punishment for doing or seeing something forbidden, church service as something that can drive away ghosts and demons. According to the rules of the genre, a coach turns into a kind of liminal zone, a subspace where the laws of the rational world do not work, a time capsule where the logic of a folktale prevails. There are versions where a coach is a means of communication between the world of the living and the world of the dead or demonic creatures. In later texts a coach gives way to a car, with all the functions preserved; this change is not connected with fears caused by the relatively new means of transport, the old image is merely transformed according to certain changes in everyday reality. The ancient themes of revenge, punishment, meeting the dead are recreated here, but sometimes the symbolism changes, it becomes more closely connected to the idea of time and memory. The analysis of how the image of a phantom coach works in ghost stories can help to understand certain tendencies in the development of the genre (what happens to folkloric sources, narrative principles, the ideas of time and death etc.).
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Gandhi, Leela. "Friendship and Postmodern Utopianism." Cultural Studies Review 9, no. 1 (September 13, 2013): 12–22. http://dx.doi.org/10.5130/csr.v9i1.3580.
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Believers insist that the ghost of utopianism returned to Europe in May 1968, and that it has been haunting the ruins of ‘the political’ ever since. This paper is written in the spirit of belief. It has two claims: first, and incidentally, that utopianism—namely, a politics of alternatives poised at the limits of thought and being, epistemology and ontology—is both expedient and inevitable in regard to a terrain where, à la Foucault, power is everywhere, ‘immanent to the social field, distributed through the brains and bodies of citizens’; and second, and here is the crux of my argument, the movement in our time from nihilism to utopianism has required a careful renegotiation with ideas of community, communication, sociability, conatus. This process, most apparent within contemporary postmodernism, I would like to call, after Derrida, the politics of friendship. The rest of this paper is an attempt to describe the restless itinerary of such a politics, which entails, in the main, postmodernism’s departure from the cult of the hybrid subject toward a non-communitarian understanding of community.
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Hutchcraft, Allison. "Swale, and: Ghost Forest, and: "I Have Written Myself into a Tropical Glow", and: Scurvy, and: You Like to Think the Whales Are Listening." Missouri Review 42, no. 2 (2019): 29–38. http://dx.doi.org/10.1353/mis.2019.0016.
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Lee, Jin Woo, and InSul Kim. "The Cultural-Cognitive, Normative, and Regulative Legitimacy of Artworks: Focusing on the Case of Cho Young Nam’s Ghost Painter." Korean Arts Association of Arts Management 64 (November 30, 2022): 5–30. http://dx.doi.org/10.52564/jamp.2022.64.5.
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The purpose of this study is to understand the legitimacy of artworks implemented in society beyond the art world through the case of Cho Young Nam’s ghost painter. This article theoretically reviewed the legitimacy of artworks in three pillars (cultural-cognitive, normative, and regulative) drawn from the neo-institutional approach and the perspective of the sociology of arts. A qualitative case study, then, was conducted on Cho Young Nam’s Hwatu paintings by mainly collecting secondary data such as newspapers, the written judgments of courts, books, journal articles, and so on. As a result, this study found the existence of experts, the public, and the judiciary, both inside and outside the art world, who are involved in the legitimation of the art. Accordingly, this study is meaningful in understanding that the discussion on the legitimacy of artworks is conducted at normative and regulative levels in addition to the cultural-cognitive layer by intermediaries in the art world that have been stressed in previous research. However, this study discusses that the arguments about the legitimacy of Cho Young Nam’s Hwatu paintings at the level of cultural-cognitive continue, albeit reserving judgment of the judiciary on and ethically criticizing by the public that legitimacy. This implies that the debate about the legitimacy of artworks within and outside the art world is again limited to the inside of the art world.
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Robinson, Elizabeth. "Frida Kahlo's Ghost At The Algonquin Singing Dorothy Parker's "i Don't Care What's Written About Me So Long As It Isn't True" With A Mexican Accent." Iowa Review 40, no. 2 (October 2010): 184. http://dx.doi.org/10.17077/0021-065x.6926.
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Elwell, Maggie. "Book Review: The Age of the Spirit: How the Ghost of an Ancient Controversy is Shaping the Church, written by Phyllis Tickle with Jon M. Sweeney." PNEUMA 37, no. 2 (2015): 287–88. http://dx.doi.org/10.1163/15700747-03702006.
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Lopes, André. "Believing in Ghosts." After Dinner Conversation 2, no. 1 (2021): 48–69. http://dx.doi.org/10.5840/adc2021216.
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What does it mean to be alive? At what point does artificial intelligence know enough to be alive? Does the Turing test even matter? If we want the best government policy possible, does it matter if it comes from a computer? In this work of philosophical short story fiction, Rain is hired to do cyber-security for Presidential candidate Mr. Booker. There is a cyber-attack into Booker’s computer network and Rain is called to answer for the breach. In the process of digging into the data, Rain finds out that Booker is an actor, what is known in society as a “ghost,” and that all of the policy and speeches he has been given are being written by a sophisticated artificial intelligence using polling and other data. He says, literally, the perfect things at the perfect times, to the perfect audience. While artificial people, like news reporters, bloggers, actors, and influencers, are slowly becoming standard in this near future story, the idea of a politician being nothing more but an actor serving as a vessel for AI is unprecedented. Before Rain can decide what to do with her newfound information she is framed and is forced to use all her computer skills just to keep herself out of jail.
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Hujoel, Philippe P. "How a Nutritional Deficiency Became Treated with Fluoride." Nutrients 13, no. 12 (December 3, 2021): 4361. http://dx.doi.org/10.3390/nu13124361.
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Ignoring evidence on causes of disease such as smoking can harm public health. This report explores how public health experts started to ignore evidence that pediatric vitamin D deficiencies are associated with dental caries. Historical analyses show that an organization of clinical specialists, the American Dental Association (ADA), initiated this view. The ADA was a world-leading organization and its governing bodies worked through political channels to make fluoride a global standard of care for a disease which at the time was viewed as an indicator of vitamin D deficiencies. The ADA scientific council was enlisted in this endeavor and authorized the statement saying that “claims for vitamin D as a factor in tooth decay are not acceptable”. This statement was ghost-written, the opposite of what the ADA scientific council had endorsed for 15 years, and the opposite of what the National Academy of Sciences concluded. Internal ADA documents are informative on the origin of this scientific conundrum; the ADA scientific council had ignored their scientific rules and was assisting ADA governing bodies in conflicts with the medical profession on advertising policies. The evidence presented here suggests that professional organizations of clinical specialists have the power to create standards of care which ignore key evidence and consequently can harm public health.
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Brown, Katrina. "circling, tumbling, dancing around: Back pieces." Choreographic Practices 13, no. 2 (December 1, 2022): 145–63. http://dx.doi.org/10.1386/chor_00048_1.
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This article consists of six text–image pieces that share practical research into modes of moving, perceiving and thinking through the back and extended notions of dorsality. Since 2019, through workshops, studio residencies, presentations and collaborative moving, conversational, drawing and writing practices, I have been developing physical exercises and choreographic devices for tuning into the back, bringing attention to and exploring the unseen surfaces and axial technologies of the back. These dorsal practices are evolving through movement and sensory research as well as opening a wider set of philosophical concepts and possibilities for orientating in and co-habiting a world amongst other bodies and things. The pieces combine short written texts, sidenotes and images. The texts have evolved from sensory observation in practical movement tasks and conversations, in the form of notes and recordings, often working in a dynamic process between embodied experience, memory and imagination. The footnotes are a playful device for allowing other peripheral ideas such as light, moth, vestibular labyrinth, tree, tracing paper, ghost, voice, front-crawling to enter and generate gaps for the reader in which to linger, skip, skim, imagine, (re)connect. The still images, diagrams and drawings are another way of taking note, testing, proposing, articulating and reading.
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Nazri Abdullah, Ahmad, and Maznah Abu Hassan. "Tamar Jalis’ Bercakap Dengan Jin or Discourse with the Jinn: A Modern-Day Malay Odyssey." International Journal of Comparative Literature and Translation Studies 7, no. 2 (April 30, 2019): 33. http://dx.doi.org/10.7575/aiac.ijclts.v.7n.2p.33.
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In April, 1981 Variasari, a Malay vernacular magazine that deals in the occult and the paranormal, published its first series of supernatural horror thriller written by a writer who went by the pseudonym Tamar Jalis titled Bercakap Dengan Jin or Discourse with the Jinn. The stories were apportioned into 284 series which saw the final instalment published in January, 2005. It was an unprecedented event in the history of Malay vernacular magazines’ success story. The story is about a teenager named Tamar who accompanied his grandfather, a faith healer and ghost buster of extraordinary prowess, on his journey to several places in Malaysia and Indonesia in the late sixties to help those who were in dire needs of assistance in fighting demonic–related cases. This paper attempts to discuss the collection of stories as a modern-day Malay odyssey. It will discuss four important elements in the story: the narratives of wandering; the ritualistic strands in the story; the theme of endurance as a mode of heroism; and the feminist role in the narratives. These are some of the elements that make the series of stories appeal to its die-hard fans. The series of stories simply had an uncanny effect on the Malay psyche. In its own unique way, the series of stories is akin to a modern-day Malay odyssey.