Academic literature on the topic 'Ghostly matters'

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Journal articles on the topic "Ghostly matters"

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Szeman, Imre. "Ghostly matters: On derrida'sspecters." Rethinking Marxism 12, no. 2 (2000): 104–16. http://dx.doi.org/10.1080/08935690009359004.

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Smith, Dorothy E., and Avery F. Gordon. "Ghostly Matters: Haunting and the Sociological Imagination." Contemporary Sociology 28, no. 1 (1999): 120. http://dx.doi.org/10.2307/2653923.

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Espiritu, Yen Le. "About Ghost Stories: The Vietnam War and “Rememoration”." PMLA/Publications of the Modern Language Association of America 123, no. 5 (2008): 1700–1702. http://dx.doi.org/10.1632/pmla.2008.123.5.1700.

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In her book Ghostly matters: Haunting and the sociological imagination, avery gordon writes that “to study social life one must confront the ghostly aspects of it”—the experiential realities of social and political life that have been systematically hidden or erased. To confront the ghostly aspects of social life is to tell ghost stories: to pay attention to what modern history has rendered ghostly and to write into being the seething presence of the things that appear to be not there (Gordon 7–8). By most accounts, Vietnam was the site of one of the most brutal and destructive of the wars bet
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Wonkeun, Chun. "Sociological Reading of Ghostly Matters in White Badge." Journal of Humanities and Social sciences 21 11, no. 5 (2020): 675–84. http://dx.doi.org/10.22143/hss21.11.5.49.

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Weinstein, Sheri. "Possessive Matters in "The Ghostly Rental"." Henry James Review 21, no. 3 (2000): 270–78. http://dx.doi.org/10.1353/hjr.2000.0032.

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Overend, Alissa. "Haunting and the ghostly matters of undefined illness." Social Theory & Health 12, no. 1 (2013): 63–83. http://dx.doi.org/10.1057/sth.2013.20.

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Pineau, Elyse. "Haunted by Ghosts." International Review of Qualitative Research 5, no. 4 (2012): 459–65. http://dx.doi.org/10.1525/irqr.2012.5.4.459.

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This essay troubles notions of presence, embodiment and subjectivity in collaborative writing practice by considering how collaboration operates in the ‘solitary’ practice of critically conscious, performative autoethnography. Drawing on Powell and Stephenson Shaffer's conceptualization of performance as Derridean “hauntology” and grounded in three collaborations with ‘ghostly’ partners, the essay explores when and why it matters to engage the deceased performatively, as articulate bodies in their own right.
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Dove, Danielle Mariann. "Ghostly Gloves, Haunted Hands: The Material Trace in Sarah Waters's Affinity and Fingersmith." Victoriographies 9, no. 3 (2019): 222–41. http://dx.doi.org/10.3366/vic.2019.0351.

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Drawing on existing work on the theoretical notion of the trace in neo-Victorian fiction, this article foregrounds the material trace as an appropriate framework for examining neo-Victorian gloves. Considering the ways in which gloves take on a ghostly life and agency of their own in neo-Victorianism, this article seeks to interrogate the material and spectral traces that they leave behind in Sarah Waters's Affinity (1999) and Fingersmith (2002). It aims to show the significance of sartorial matters in these contemporary re-imaginings of the Victorian period, and to examine neo-Victorian ficti
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Ferrero Carracedo, Luis. "Ecos derrideanos leyendo el "Ulises" de Joyce." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 19 (May 27, 2013): 18. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201319712.

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La lectura del Ulises de Joyce hace resonar en la mente del lector ecos múltiples de las lecturas de Glas, de Circonfession, de Parages, entre otras obras de Derrida. La deconstrucción del cristianismo a partir de una teología de los restos nos introduce en temas nucleares tanto en Joyce como en Derrida (la ma(d)r(e), la relación cielo/tierra, padre/hijo, paternidad/maternidad), afirmando un entreser espectral en un mundo de postcreación. Reading of James Joyce’s Ulysses brings to reader’s mind a lot of divers echoes of Glas and Circonfession and Parages, among other Derrida’s works. The Chris
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Gordon, Avery F., Katherine Hite, and Daniela Jara. "Haunting and thinking from the Utopian margins: Conversation with Avery Gordon." Memory Studies 13, no. 3 (2020): 337–46. http://dx.doi.org/10.1177/1750698020914017.

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Avery Gordon’s work exceeds the limits of disciplinary boundaries and so does her practice. She uses the term ‘itinerant’ to describe her strategies of inhabiting multidisciplinary spaces and of critiquing the worlds, peripheries and fractures produced by racial capitalism. Gordon moves as an intellectual itinerant, creating multidirectional and interdisciplinary dialogues as a sociology scholar at the University of California, Santa Barbara, while also collaborating with artist. Since 1997, Gordon speaks as a public intellectual on her KCSB FM radio programme, ‘No Alibis’, co-hosted with Eliz
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Dissertations / Theses on the topic "Ghostly matters"

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Engdahl, Christopher. "This is not my dance: re-documentation and ghostly matters of choreography." Thesis, University of the Arts London, 2013. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.758088.

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Henricksen, Richard A. "The Flux of Agency: Unsettling Objects in Contemporary Spanish Civil War Novels (1998-2008)." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1470585727.

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Bissell, Sarah Jane. "Haunted matters : objects, bodies, and epistemology in Victorian women's ghost stories." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/6402/.

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Haunted Matters interrogates objects, bodies, and epistemology in a selection of Victorian women’s ghost stories, arguing that these things provided a means through which the chosen writers could critique women’s troubled cultural position in mid- to late-nineteenth-century Britain. The four authors considered – Charlotte Riddell, Margaret Oliphant, Vernon Lee, and Edith Nesbit – were all fundamental figures in the development of the ghost story genre, using this popular fiction form to investigate social arenas in which women were subjugated, professional venues from which they were excluded,
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Bradbeer, Honor, and honor@honorbradbeer com. "Matter and Ghost: An Exploration of the Idea of the Sacred in Ordinary Things." RMIT University. Art, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080731.092724.

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The focus of this project is the exploration of notions of the sacred through the study of functional, unadorned forms and the processes by which I translate them into drawn images. My objective is to observe and represent what I see as visually essential to objects such as bowl, egg and rag. My intention is to engage aspects of archetypal simplicity, providing a visual starting-point for contemplation in the viewer. Detached from specific liturgical contexts, the notion of 'sacredness' is not anchored by traditional icons. The logic behind the austerity of my 'generic' subject matter is
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Khan, Erum. "IMAGE-BASED MATERIAL EDITING." Doctoral diss., University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3242.

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Photo editing software allows digital images to be blurred, warped or re-colored at the touch of a button. However, it is not currently possible to change the material appearance of an object except by painstakingly painting over the appropriate pixels. Here we present a set of methods for automatically replacing one material with another, completely different material, starting with only a single high dynamic range image, and an alpha matte specifying the object. Our approach exploits the fact that human vision is surprisingly tolerant of certain (sometimes enormous) physical inaccuracies. Th
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Overend, Alissa. "Candida and the discursive terms of undefined illness: ghostly matters, leaky bodies and the dietary taming of uncertainty." Phd thesis, 2010. http://hdl.handle.net/10048/1463.

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This dissertation examines the discursive terms upon which people come to understand their experiences with a yeast-related disorder known speculatively within biomedical practice as Candida. Following the critical interrogations posed by feminist and poststructural theorizings, I aim not to prove or disprove Candidas etiological case. My aim, rather, is to question what can be learned about the social workings of undefined illness through attending to how people talk about their experiences with Candida. I am concerned both with peoples experiences of Candida, and in how these illness experie
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Books on the topic "Ghostly matters"

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Gordon, Avery. Ghostly matters: Haunting and the sociological imagination. University of Minnesota Press, 2008.

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Gordon, Avery. Ghostly matters: Haunting and the sociological imagination. 2nd ed. University of Minnesota Press, 2008.

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Ghostly matters: Haunting and the sociological imagination. University of Minnesota Press, 1997.

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Ghostly matters: Haunting and the sociological imagination. 2nd ed. University of Minnesota Press, 2008.

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Grey matters. Severn House Large Print, 2012.

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ill, Robinson Stacey, and Jennings John ill, eds. I am Alfonso Jones. Lee & Low Books, Incorporated, 2017.

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Ghostly Matters: Haunting and the Sociological Imagination. University of Minnesota Press, 1996.

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Sprinker, Michael. Demarcaciones espectrales/ Ghostly Demarcations: En torno a espectros de Marx, de Jacques Derrida/ A Symposium on Jacques Derrida's Specters of Marx (Cuestiones De Antagonismo/ Antagonism Matters). Akal Ediciones, 2002.

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Grey Matters. Severn House Publishers, 2010.

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Simons, Clea. Grey Matters by Clea Simons. Worldwide, 2012.

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Book chapters on the topic "Ghostly matters"

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Magid, Shaul. "Preface." In Tangle of Matter & Ghost. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618115508-002.

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Wolfson, Elliot R. "Breaking the Brokenness and the Healing of the Poem: A Brief Meditation." In Tangle of Matter & Ghost. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618115508-016.

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Erevelles, Nirmala. "Of Ghosts and Ghetto Politics: Embodying Educational Policy as if Disability Mattered." In Disability and Difference in Global Contexts. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137001184_3.

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Gardner, Colin. "Matter and Memory: The Image as Impersonal Process in Eh Joe (1966), Ghost Trio (1977) and …but the clouds… (1977)." In Beckett, Deleuze and the Televisual Event. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137014368_5.

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Hayes, Marisa C. "Nature of the Curse – Analysis." In Ju-On: The Grudge. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325291.003.0004.

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This chapter presents a detailed analysis of Ju-on: The Grudge (2002). The film's links to the revenge hauntings outlined in onryō tales are undeniable, yet it is also true that Kayako's angry ghost does not always adhere to the formula outlined in folklore for tormented spirits of her kind. In the most traditional sense of the term, Ju-on: The Grudge is a kaidan film: few would deny that a strange and ghostly tale is central to its plot. However, the film's contemporary setting and integration of various national and international cinematic influences make it much more than a straightforward period kaidan. As a result, Ju-on: The Grudge leaves an exciting trail of themes and visual motifs to explore, not least of which is a nonlinear narrative for viewers to untangle. By confounding several subgenres of horror and expanding the established codes of familiar tropes, Takashi Shimizu renders the possibility of neatly classifying the film null and void. To further complicate matters, alongside elements of American slasher films and the bakeneko genre, Shimizu expertly revisits the haunted house archetype and morphs it into a contagion narrative that features shades of Japanese disaster films, expanding the story well beyond the limits of the home, and symbolically, that of the haunted house genre.
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"Front Matter." In Ghostly Apparitions. Zone Books, 2013. http://dx.doi.org/10.2307/j.ctv14gphx2.1.

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"Back Matter." In Ghostly Apparitions. Zone Books, 2013. http://dx.doi.org/10.2307/j.ctv14gphx2.13.

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"Front Matter." In Ghostly Encounters. Temple University Press, 2016. http://dx.doi.org/10.2307/j.ctvrdf2jc.1.

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"Back Matter." In Ghostly Encounters. Temple University Press, 2016. http://dx.doi.org/10.2307/j.ctvrdf2jc.13.

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"Front Matter." In Ghostly Desires. Duke University Press, 2016. http://dx.doi.org/10.2307/j.ctv11hppkk.1.

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Conference papers on the topic "Ghostly matters"

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Matos, Tonatiuh, and Galaxia Miranda. "Exact rotating wormholes with ghost matter." In Proceedings of the MG14 Meeting on General Relativity. WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813226609_0119.

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Aguilar, Arlene Cristina. "The impact of the ghost-gluon vertex on the ghost Schwinger-Dyson equations." In From quarks and gluons to hadronic matter: A bridge too far? Sissa Medialab, 2014. http://dx.doi.org/10.22323/1.193.0001.

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Erskine, David, Jon Eggert, Peter Celliers, and Damien Hicks. "Ghost fringe removal techniques using Lissajous data presentation." In SHOCK COMPRESSION OF CONDENSED MATTER - 2015: Proceedings of the Conference of the American Physical Society Topical Group on Shock Compression of Condensed Matter. Author(s), 2017. http://dx.doi.org/10.1063/1.4971756.

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