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Books on the topic 'Ghostly matters'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Gordon, Avery. Ghostly matters: Haunting and the sociological imagination. University of Minnesota Press, 2008.

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2

Gordon, Avery. Ghostly matters: Haunting and the sociological imagination. 2nd ed. University of Minnesota Press, 2008.

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3

Ghostly matters: Haunting and the sociological imagination. University of Minnesota Press, 1997.

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4

Ghostly matters: Haunting and the sociological imagination. 2nd ed. University of Minnesota Press, 2008.

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5

Grey matters. Severn House Large Print, 2012.

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6

ill, Robinson Stacey, and Jennings John ill, eds. I am Alfonso Jones. Lee & Low Books, Incorporated, 2017.

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7

Ghostly Matters: Haunting and the Sociological Imagination. University of Minnesota Press, 1996.

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8

Sprinker, Michael. Demarcaciones espectrales/ Ghostly Demarcations: En torno a espectros de Marx, de Jacques Derrida/ A Symposium on Jacques Derrida's Specters of Marx (Cuestiones De Antagonismo/ Antagonism Matters). Akal Ediciones, 2002.

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9

Grey Matters. Severn House Publishers, 2010.

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10

Simons, Clea. Grey Matters by Clea Simons. Worldwide, 2012.

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11

Engle, Marty M., and Johnny Ray Barnes. Nightcrawlers (Strange Matter, No 24). Frontline Publications, 1997.

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12

Tsang, Raymond. What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0002.

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Many Hong Kong horror films of the 1950s were pedagogical in nature, and subsequently had a great influence on the Hong Kong New Wave (1980–90). Without examining these earlier films, we cannot fully understand the practice of adaptation and the depiction of the neoi gwei (female ghost) in New Wave horror. Because of the criticism from both intellectuals and cultural elites, earlier Cantonese filmmakers had tried to elevate Cantonese cinema since the 1930s, by the means of making films with ‘healthy’ themes of nationalism and anti-superstition. In the 1950s one of the means was adaptation of c

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13

Andy Matthews Greatest Haunts Dont Believe In Ghosts Read The Stories Of The Ghosts We Recorded. Foulsham, 2010.

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14

Regier, Jonathan. Ghosts in the Celestial Machine. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190490447.003.0016.

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The brief reflection that follows is a discussion of how and why celestial bodies were seen as alive in the celestial physics of the sixteenth and early seventeenth centuries. From Aristotle to the angelology of the Scholastics and through to the new astronomy of Johannes Kepler, vitalism of some kind played a part in the study of celestial bodies. Celestial vitalism probably reached its height in the late Renaissance, when it was strongly informed by medical ideas. Those living skies seemed to embody animal souls and their forces. William Gilbert, a doctor, described the rotation of the earth

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15

Clifford, John, and John Schilb. Making Literature Matter 2e and Ghost Dancing: An Anthology for Readers and Writers. Bedford/St. Martin's, 2003.

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16

Engle, Marty M., and Johnny Ray Barnes. The Midnight Game (Strange Matter, No 2). Frontline Publications, 1995.

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17

Tangle of Matter and Ghost: Leonard Cohen's Post-Secular Songbook of Mysticism Jewish and Beyond. Academic Studies Press, 2017.

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18

Glazer, Aubrey. Tangle of Matter and Ghost: Leonard Cohen's Post-Secular Songbook of Mysticism Jewish and Beyond. Academic Studies Press, 2017.

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19

Glazer, Aubrey. Tangle of Matter and Ghost: Leonard Cohen's Post-Secular Songbook of Mysticism Jewish and Beyond. Academic Studies Press, 2017.

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20

Hiltebeitel, Alf. Introduction: Freud’s “The ‘Uncanny’ ” and the Mahābhārata. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878337.003.0001.

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Chapter 1 provides entrée to the book’s Mahābhārata subject matter. Among what Freud calls three “classes” of the uncanny, it treats Freud’s handling of castration anxiety and his emphasis on Oedipal themes, but also discusses Freud’s belated handling of the pre-Oedipal, along with his explanations of sources for burial alive, doubles, and ghosts (which he calls “revenants”). It discusses parallels between Freud’s view that “ontogeny recapitulates phylogeny” and Indian theories of karma and reincarnation. The author argues that the Mahābhārata forges a comparable empire to Freud’s with its own

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21

I Am Alfonso Jones. Turtleback Books, 2017.

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22

Weissman, Susan. Final Judgement and the Dead in Medieval Jewish Thought. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781906764975.001.0001.

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Through a detailed analysis of ghost tales in the Ashkenazi pietistic work Sefer ḥasidim, this book documents a major transformation in Jewish attitudes and practices regarding the dead and the afterlife that took place between the rabbinic period and medieval times. The book reveals that a huge influx of Germano-Christian beliefs, customs, and fears relating to the dead and the afterlife seeped into medieval Ashkenazi society among both elite and popular groups. In matters of sin, penance, and posthumous punishment, the infiltration of Christian notions was so strong as to effect a radical de

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23

Antonio, Jackson. Ghost after Lives Matter Funny Paranormal Gift: Blank Lined Journal, Funny Gag Gift for Best Friend, Coworker, Boss, Men, Women, Graduation, Office or Stocking Stuffer. Independently Published, 2020.

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24

Singer, Kate, Ashley Cross, and Suzanne Barnett, eds. Material Transgressions. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621778.001.0001.

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Material Transgressions reveals how Romantic-era authors think outside of historical and theoretical ideologies that reiterate notions of sexed bodies, embodied subjectivities, isolated things, or stable texts. Essays examine how these writers rethink materiality, especially the subject-object relationship, in order to challenge the tenets of Enlightenment and the culture of sensibility that privileged the hegemony of the speaking and feeling lyric subject and to undo supposedly invariable matter, and representations of it, that limited their writing, agency, knowledge, and even being. In this

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25

Conolly, Jez, and David Owain Bates. Dead of Night. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9780993238437.001.0001.

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Released a matter of days after the end of the Second World War and a dozen years ahead of the first full-blooded Hammer Horror, the Ealing Studios horror anthology film Dead of Night featured contributions from some of the finest directors, writers and technicians ever to work in British film. Since its release it has become ever more widely regarded as a keystone in the architecture of horror cinema, both nationally and internationally, yet for a film that packs such a reputation this is the first time a single book has been dedicated to its analysis. Beginning with a brief plot-precis ‘road

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26

Chislett, William. Spain. Oxford University Press, 2013. http://dx.doi.org/10.1093/wentk/9780199936441.001.0001.

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Spain has undergone significant transformations over the past three decades, from a dictatorship to a democracy and from a mostly local and agriculture-based economy to one of the biggest financial systems in the EU and internationally. Until 2008, it enjoyed a major influx of foreign investment and the most rapid economic growth of any of the countries in the EU, resulting in half of the new jobs created during the early days of the Union. Yet, it now faces the highest rate of unemployment in Europe and slow growth for the foreseeable future. Additionally, the country faces internal strife fr

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