Relevant bibliographies by topics / Ghosts – Ireland

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Ghosts – Ireland'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Ghosts – Ireland"

1

Murphy, Paul. "Ireland’s Haunted Stages." FOCUS: Papers in English Literary and Cultural Studies 8, no. 1 (2024): 24–36. http://dx.doi.org/10.15170/focus.8.2012.24-36.

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In this essay I will look at the metaphor of the ghost particularly in relation to the issue of class disparity which has haunted Ireland and its stages for decades and is especially poignant in the current economic situation. Taking my cue from Marvin Carlson’s seminal book The Haunted Stage, I extend his argument that for audiences “ghosting presents the identical thing they have encountered before, although now in a somewhat different context” (7), to the recurrence of class disparity and concomitant social injustice in Ireland as represented in Irish theatre across the twentieth century an
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Quealy-Gainer, Kate. "Ophie’s Ghosts by Justina Ireland." Bulletin of the Center for Children's Books 74, no. 8 (2021): 339. http://dx.doi.org/10.1353/bcc.2021.0159.

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Chace, William M. "Joyce's Ghosts: Ireland, Modernism, and Memory." Common Knowledge 22, no. 3 (2016): 516. http://dx.doi.org/10.1215/0961754x-3634262.

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Mydla, Jacek. "The Fertility of the Supernatural: Stuart Neville’s ”The Ghosts of Belfast”." Lublin Studies in Modern Languages and Literature 43, no. 2 (2019): 51. http://dx.doi.org/10.17951/lsmll.2019.43.2.51-59.

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<p>In <em>The Ghosts of Belfast</em> (2009), spectres of the conflict’s victims haunt Gerry Fegan, a former “soldier” and assassin. Picking up the metaphorical cue from the epigraph to Neville’s novel – “the place that lacks its ghosts is a barren place” – the article addresses the thriller’s supernatural content. The meaning and role of the titular ghosts have been in part determined by Neville’s debt to the Western traditions of making sense of the supernatural. However, they assume new roles within the narrative and possibly also in the author’s vision of the peace process
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Norris, Margot. "Luke Gibbons, Joyce's Ghosts: Ireland, Modernism and Memory." Irish University Review 47, no. 2 (2017): 387–89. http://dx.doi.org/10.3366/iur.2017.0292.

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Gibson, Andrew. "Joyce’s Ghosts: Ireland, Modernism, and Memory by Luke Gibbons." Modernism/modernity 23, no. 4 (2016): 920–22. http://dx.doi.org/10.1353/mod.2016.0085.

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O'Callaghan, Katherine. "Joyce's Ghosts: Ireland, Modernism, And Memory by Luke Gibbons." James Joyce Quarterly 54, no. 3-4 (2017): 441–46. http://dx.doi.org/10.1353/jjq.2017.0017.

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Zalewski, Marysia. "Gender Ghosts in McGarry and O'Leary and Representations of the Conflict in Northern Ireland." Political Studies 53, no. 1 (2005): 201–21. http://dx.doi.org/10.1111/j.1467-9248.2005.00524.x.

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This article focuses on how ideas about gender function in academic analyses of the conflict in Northern Ireland. Part of the reason for doing this is to explore the paradox afflicting contemporary feminism, namely that in the midst of apparent success feminism still seems largely irrelevant to matters of political significance. A second reason involves a demonstration of the political value of poststructural feminism. To achieve these aims, I first consider the use and political aims of poststructuralist analyses, partly through an analysis of the use of poetry in social scientific analyses.
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Susan Elizabeth Howe. "In Ireland, Meeting the Ghosts, and: Rhododendron Glade, Kew Gardens." Prairie Schooner 82, no. 4 (2008): 39–41. http://dx.doi.org/10.1353/psg.0.0167.

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10

Myers, Jason. "Ghosts of the Somme: commemoration and culture war in Northern Ireland." Irish Studies Review 27, no. 4 (2019): 592–94. http://dx.doi.org/10.1080/09670882.2019.1657620.

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Dissertations / Theses on the topic "Ghosts – Ireland"

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Parrott, Jennifer Mae. "Ghostly Faces and Liminal Spaces: Landscape, Gender, and Identity in the Plays of Marina Carr." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/dissertations/196.

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In my dissertation, I argue that Marina Carr creates liminal spaces in her plays, exploring the tensions inherent in the issues of landscape, gender, and identity. She uses these liminal spaces to expose her audiences to more complex conceptions of Ireland in the twenty-first century. For example, Carr frequently challenges perceived notions of gender identity, drawing attention to gender as performance and creating female protagonists who resist their roles as wives and mothers. Landscape is also an important element of Carr's plays; most frequently she uses the landscape of the Irish Midl
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2

Baxter, Patrick. "Ghost developments on film : an experimental ethnographic exploration of place and space in post-Celtic Tiger Ireland." Thesis, Manchester Metropolitan University, 2017. http://e-space.mmu.ac.uk/618444/.

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How can film and social research be used to interrogate the relationship between a marginalized place and its vacant spaces - what I refer to as Ghost Developments? This research project investigated aspects of the post-Celtic Tiger Ireland newly built environment through the production of an experimental ethnographic documentary film and an accompanying scholarly text. In the wake of the Global Financial Crisis, the Republic of Ireland experienced one of the most dramatic property market collapses in recorded history, resulting large swathes of vacant and/or unfinished housing and commercial
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3

Wong, Kuok. "The ghost story across cultures : a study of Liaozhai Zhiyi by Pu Songling and the Celtic Twilight by William Butler Yeats." Thesis, University of Macau, 2008. http://umaclib3.umac.mo/record=b1943892.

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4

Ireland, Patricia Anne. "Live Ghosts." 2010. http://trace.tennessee.edu/utk_gradthes/634.

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In Live Ghosts, Patricia (Patty) Ireland offers a gathering of short stories based upon real life characters she encountered while growing up in the South. Exploring the diversity, complexity and moral ambiguity of those we might normally perceive as being stereotypically “Southern,” Ireland’s tales encompass a variety of time periods, settings, and characters, including: a modern-day family struggling to reconcile the reality of death, interracial lovers in the early 1950’s who are descended from masters and slaves, and an insane killer locked for life in a mental institution of the 1990’s. L
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Books on the topic "Ghosts – Ireland"

1

Holzer, Hans. The lively ghosts of Ireland. Wings Books, 1996.

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2

Butler, Rosemary. Ghostly encounters: Ireland, England, and Spain. Sun on Earth Books, 2010.

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3

Dillon, Eilís. The island of ghosts. Faber, 1991.

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Dillon, Eilís. The island of ghosts. Faber, 1990.

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5

Creedon, David. Ghosts of the faithful departed. Collins Press, 2011.

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6

Blake, Tarquin. Haunted Ireland. The Collins Press, 2014.

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7

Byrne, Trevor. Ghosts and lightning. Anchor Books, 2009.

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8

Clair, Sheila St. The stepon the stair: Paranormal manifestations in Ireland. Glendale, 1989.

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9

Byrne, Trevor. Ghosts and Lightning. Knopf Doubleday Publishing Group, 2009.

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10

Neville, Stuart. The ghosts of Belfast. Thorndike Press, 2010.

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Book chapters on the topic "Ghosts – Ireland"

1

Morash, Christopher. "Ghosts and Wires: The Telegraph and Irish Space." In Ireland and the New Journalism. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137428714_2.

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Sneddon, Andrew. "Fortune Telling, Culture, Law, and Gender in Ireland, C.1691–1840." In Magic, Witchcraft, and Ghosts in the Enlightenment. Routledge, 2022. http://dx.doi.org/10.4324/9781003049326-7.

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Peter, Christine St. "Returning from the ‘Ghost Place’: Recomposing History." In Changing Ireland. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230596467_4.

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Mitchell, Claire. "Northern Protestants' Irish Ghost Limb." In The Routledge Handbook of the Northern Ireland Conflict and Peace. Routledge, 2023. http://dx.doi.org/10.4324/9781003224372-40.

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Doyle, Martin. "A ghost estate and an empty grave." In The Routledge Handbook of the Northern Ireland Conflict and Peace. Routledge, 2023. http://dx.doi.org/10.4324/9781003224372-54.

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Moi, Ruben. "‘In a ghostly pool of blood / a crumpled phantom hugged the mud’: Spectropoetic Presentations of Bloody Sunday and the Crisis of Northern Ireland." In Crisis and Contemporary Poetry. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230306097_5.

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7

Fennell, Jack. "Ghosts, Narrative, and Noumenal Reality." In Rough Beasts. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620344.003.0005.

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This chapter considers Ireland’s rich tradition of ghost stories through the lens of Kant’s ‘noumenal reality’ – that is, facts of nature that are (and will forever remain) beyond the understanding of human minds: ghosts resist comprehension in proportion to the scrutiny applied to them, appearing as self-evident facts to the untroubled believer and as frustrating enigmas to those who look for scientific evidence. It is thus hardly surprising that their manifestations interfere with our ability to create narratives, whether on an interpersonal or national scale. The ghost stories considered he
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"Ghosts of our lives." In Northern Ireland a generation after Good Friday. Manchester University Press, 2021. http://dx.doi.org/10.7765/9781526139276.00009.

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9

Ryan, Ray. "Between the Falls Road and Kildare Street: Thomas McCarthy and the Location of Memory." In Ireland and Scotland. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780198187769.003.0005.

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Abstract In One Key episode from Thomas McCarthy’s 1991 novel Without Power, rival Fianna Fail and Coalition workers, campaigning in the presidential election of 19 81, wander lost in thick fog in their west-Waterford constituency. The Coalition workers have destroyed Fianna Fail election posters, but retribution is suspended as a swirling mist envelops both factions. The Fianna Fail workers become ‘one eye, one ear … as if the cold ghosts of the mountain’s memory had taken over, and were now directing the progress of their minibus’ (WP, n7).
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Pigott, Michael. "Chronotopic Ghosts and Quiet Men: José Luis Guerín’s Innisfree." In Journeys on Screen. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474421836.003.0005.

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In 1988 José Luis Guerín took a film crew from Spain to the western coast of Ireland, in search of the filming locations of John Ford’s The Quiet Man (1952). The resultant film, Innisfree (1990), blends documentary with fiction, and the present with the past, to seemingly uncover the physical, cultural and spectral remnants of the Hollywood production in this small rural locality. Innisfree is both the product of a journey (the Spanish filmmaker’s fannish field trip) and the representation of several journeys and returns. This essay examines Guerín’s depiction of the ghostly persistence of The
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