Relevant bibliographies by topics / Ghots stories

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Ghots stories'

Author: Grafiati
Published: 26 July 2024

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Journal articles on the topic "Ghots stories"

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Oh, Jeongmi. "Research on world “Water ghost stories”: Focusing on the types of water ghosts and the functions of ‘Seizer’." Institute of Humanities at Soonchunhyang University 42, no. 4 (December 31, 2023): 39–71. http://dx.doi.org/10.35222/ihsu.2023.42.4.39.

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Water demons are beings that have an inseparable relationship with water, seducing people through their voices and eventually leading them to death. Water demons are dual beings, both human and ghost, and the mechanism of seduction and death through their voices is emphasized. Even to this day, ''‘Water ghost’ stories'' stands out among ''modern ghost stories'' more than any other story, and is actively handed down. In addition to beings called ''Water ghosts'', there are also monster-like water fairies, feminine beings with ''恨'' who seduce and eat people. It is found all over the world, including Germanic mythology, Slavic mythology, and Indonesian legends. They are people and ghosts, and monsters and fairies. Until now, this linguistic gap could not be resolved because the standards and foundations for storytelling had not been established. Now these Water ghost types need to be sorted out and redefined. We have experienced various symbolic dimensions of nature through the presence of water ghosts in the story. The archetype of the Water ghost changes over time, from the Water ghost who tempts people to death with voices from the past to the mermaid princess who sacrifices herself for love. In this paper, I have newly introduced the “Water ghost' stories” and have attempted to establish the types and prototype meanings of new theory of “Water ghost' stories” around the world. In addition to comparing stories from Korea and abroad, focusing on stories in which water ghost appear, we will also consider women's ‘Seizure’ and death through their voices. I would also like to classify the types and clarify the meaning of the original form of the World Water ghost.
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Adinkrah, Mensah. "Beliefs about ghosts among the Akan of Ghana." International journal of linguistics, literature and culture 9, no. 4 (June 1, 2023): 121–31. http://dx.doi.org/10.21744/ijllc.v9n4.2278.

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As a thanatologist who specializes in mortuary beliefs and rites in Ghana, I frequently come across information on Akan cultural beliefs about ghosts, as well as individual or personal stories of ghost encounters. Yet, there has been virtually no academic inquiry into the topic. Between January and February 2015, I listened to four consecutive weekly radio programs focusing primarily on ghosts on a commercial radio station in Ghana. The programs were broadcast in Twi, the Akan lingua franca, which the author is fluent in. Following extensive discussions about Akan cultural beliefs regarding ghosts and other superhuman entities by the host and co-hosts of the program, listeners were invited to share their personal stories about ghost sightings and other encounters with ghosts. The current article presents a narrative of the discussion that occurred on the four featured programs. The data show that Akans of Ghana maintain a strong cultural belief in ghosts. Several listeners shared with the host and listeners their personal encounters with ghosts and ghost activities.
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Krebs, Paula M. "Folklore, Fear, and the Feminine: Ghosts and Old Wives' Tales in Wuthering Heights." Victorian Literature and Culture 26, no. 1 (1998): 41–52. http://dx.doi.org/10.1017/s1060150300002266.

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Wuthering heights is haunted, of course. But not only by the ghost of Catherine, who harries Heathcliff and terrifies Lockwood. Not only by the shades of Heathcliff and Catherine (or Laurence Olivier and Merle Oberon) who set off toward Penistone Crag. The ghosts in Wuthering Heights are not Gothic ghosts nor the ghosts from Victorian magazine ghost stories. They represent a different kind of haunting altogether — the haunting of the Victorian middle classes by fear of the people they designated as “the folk.”
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SANGHA, LAURA. "THE SOCIAL, PERSONAL, AND SPIRITUAL DYNAMICS OF GHOST STORIES IN EARLY MODERN ENGLAND." Historical Journal 63, no. 2 (January 16, 2019): 339–59. http://dx.doi.org/10.1017/s0018246x1800047x.

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AbstractIn early modern England, spectral figures were regular visitors to the world of the living and a vibrant variety of beliefs and expectations clustered around these questionable shapes. Yet whilst historians have established the importance of ghosts as cultural resources that were used to articulate a range of contemporary concerns about worldly life, we know less about the social and personal dynamics that underpinned the telling, recording, and circulation of ghost stories at the time. This article therefore focuses on a unique set of manuscript sources relating to apparitions in late seventeenth- and early eighteenth-century England to uncover a different vantage point. Drawing on the life-writing and correspondence of the antiquarian who collected the narratives, it lays bare concerns about familial relations and gender that ghost stories were bound up with. Tracing the way that belief in ghosts functioned at an individual level also allows the recovery of the personal religious sensibilities and spiritual imperatives that sustained and nourished continuing belief in ghosts. This subjective angle demonstrates that ghost stories were closely intertwined with processes of grieving and remembering the dead, and they continued to be associated with theological understandings of the afterlife and the fate of the soul.
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Abd Rahman, Ain Nur Iman, and Zainor Izat Zainal. "HUMAN AND GHOST ATTACHMENT IN HANNA ALKAF’S THE GIRL AND THE GHOST." Platform : A Journal of Management and Humanities 5, no. 1 (June 30, 2022): 2. http://dx.doi.org/10.61762/pjmhvol5iss1art17206.

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For centuries, authors of literary works have sought to bewitch and enchant readers with accounts of supernatural elements such as monsters, spirits and ghosts. Ghosts especially are often depicted as representations of evil and the polar opposite of mankind. In Hanna Alkaf’s The Girl and The Ghost (2020) the adolescent protagonist, Suraya, develops an unusual bond with a ghost, Pink. This is indeed refreshing, considering the human-ghost relationship in the local literary scene is often represented as antagonistic, opposing forces, resulting in ghosts being portrayed as evil, vengeful creatures set to taunt, haunt and wreck humans’ lives. Critical examination of the human-ghost bond in the local literary-critical practice is lacking. This research aims to fill this gap by examining the human-ghost bond in The Girl and The Ghost and how this bond contributes to the (human) protagonist’s personal development. In this paper, The Girl and The Ghost is read using John Bowlby’s theory of attachment due to its robust approach to understanding human beings' emotional bond, or attachment, with their attachment figures. We argue the human-ghost bond in The Girl and The Ghost sets the novel apart from other local ghost stories filled with wicked, destructive ghosts. The findings suggest other possibilities of attachment figures when the relationship between a mother and child grows apart. The unusual but enduring relationship between Suraya and Pink demonstrates that a child’s secure attachment need not be limited to motherly figures. Keywords: Malaysian literature in english, the girl and the ghost, hanna alkaf, ghost tales, attachment theory
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Ye, Hanwen. "An Analysis of the Female Ghost Images in Ancient Chinese Novels on the Theme of Romantic Relationship Between Man and Ghost." Communications in Humanities Research 28, no. 1 (April 19, 2024): 1–7. http://dx.doi.org/10.54254/2753-7064/28/20230005.

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From Jin to Qing Dynasty of China, there are a large number of novels depicting human-ghost romance. In this literature, female images, femininity and gender relationship patterns reflect the patriarchal values of a specific historical period. Previous research on ancient Chinese female ghost novels often focused on their romantic story with a male human and the awakening consciousness of female, but the research on Character depiction of female ghost was very few. Therefore, this paper aims to investigate the relationship between the image shaping of female ghosts and the values of contemporary Chinese ancient patriarchal society, existing in the stories of the ancient Chinese romances novels of Song, Yuan and Ming dynasty. Studies have suggested that the female ghosts in ancient Chinese "human-ghost romance" novels are essentially projections of the male author's ideals, reflecting the phallocentrism of ancient Chinese ghost fiction.
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Halimah, Umi. "HANTU PEREMPUAN JAWA DALAM ALAMING LELEMBUT SEBAGAI REPRESENTASI FEMME FATALE." Sabda : Jurnal Kajian Kebudayaan 10, no. 1 (February 3, 2017): 1. http://dx.doi.org/10.14710/sabda.v10i1.13302.

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This research entitled “The Javanese Female Ghost in “Panjebar Semangat” as a Representation of Femme Fatale”aims to show the feminist value in Javanese horror stories with female ghost as a villain and men as most of their victims. This research uses feminism as a main approach and femme fatale theory as the specific approach theory. This research shows that there are three kinds of of female ghost, they are female ghosts who experienced a miserable life before her death, sensual women and women whose background is not known. For the three kinds of women it can be revealed the causes of the female spirits to become evil spirits, the modes of female ghosts to ensnare and trap victims, the female ghost‟s harmful effects to men, and the solutions as the anti-climac in the story
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Lipinskaya, A. A. "Ghost hunt: Elliot O’Donnell’s non-fiction." Philology and Culture, no. 3 (October 4, 2023): 131–37. http://dx.doi.org/10.26907/2782-4756-2023-73-3-131-137.

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The article deals with the author’s strategies, used by E. O’Donnell in his Twenty Years’ Experience as a Ghost Hunter, and compares this peculiar text with ghost stories – a genre of fiction very popular those days. O’Donnell’s book is a part of a long tradition of occult ‘non-fiction’, but it is positioned as the author’s memoirs, a true story of his own life (his other books are basically collections of ‘real’ ghostly appearances in various regions of England), and begins with his (or his alter ego’s) youth and his first traumatic encounter with a ghost that influenced his career choice, but then this traditional life story turns into a set of cases, not necessarily witnessed by the narrator himself. Some stories are structured exactly like fictional ghost stories but their perception is preconditioned by the ‘rules of reading’ established by the author (the book is supposed to be his memoirs) and by the character of information – what the narrator knows about ghosts from various sources. Thus, the text is very uneven – its aesthetic characteristics are regarded as secondary in comparison with the ‘facts’ retold.
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Bergengruen, Maximilian. "Heilung des Wahns durch den Wahn." Daphnis 44, no. 3 (September 1, 2016): 374–95. http://dx.doi.org/10.1163/18796583-04403005.

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Andreas Gryphius’ Cardenio und Celinde is a ghost story which at the same time is also a psychological healing story and one of theological conversion. Both stories would not have been possible had the technical preconditions offered by Baroque theater not been available to let ghosts appear on stage with public appeal. For analyzing the entertaining function of these ghosts the mentioned three levels provide orientation. This article will therefore examine psychology (1), then turn to theology (2) in order to finally address the technical preconditions of their presentability (3).
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Kim, Hye-jin. "Ghosts Remembering and Healing - Ghost Stories from Toni Morrison's Beloved." Convergence English Language & Literature Association 9, no. 1 (April 30, 2024): 277–97. http://dx.doi.org/10.55986/cell.2024.9.1.277.

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This paper aims to explore the presence of a ghost and discuss how it carries memories of the past into the present while also telling stories. The ghost connects the past to the present, heals lives, and unites the black community in Beloved by Toni Morrison. The appearance of the ghost of “Beloved” breathes new life into the lives of people who have been living as if they were dead because of past traumas. The ghost, Beloved, initially appears as symbolic of individual trauma. As Sethe's story progresses, Beloved brings Sethe and Denver out of isolation and into the love and positive change of the black community. By integrating the power of the black community, the community plans for the future by reflecting on the past and present, enabling them to overcome past trauma and prepare for the future. The appearance of “Beloved” can make Sethe, Denver and Paul D remember their past traumas from the Sweet Home during the age of Slavery and heal within the black community.
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Dissertations / Theses on the topic "Ghots stories"

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Marshall, Matt, and n/a. "GHOST STORIES WITHOUT GHOSTS: A STUDY OF AUTHORSHIP IN THE FILM SCRIPT ?THE SEABORNE?" University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20090106.150522.

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In 'The Crypt, the Haunted House of Cinema', Cholodenko argues that film is, metaphorically speaking, a haunted house: an instance of the uncanny. This raises the possibility the film script is also uncanny, from the Freudian notion of das Unheimliche, the strangely familiar and familiarly strange - and thus also a haunted house. This proposition engenders a search as self-reflexive practice for that which haunts the script' an uncanny process to explore the uncanny. The search requires drawing on Barthes, acting 'as dead' with that process' attendant contradictions and problematics' the most likely ghost in the script being the writing self. Establishing the characteristics of the writing self involves distinguishing that figure from the author. This requires outlining the development of theories of the author from the concept of authorial will, as per the argument of Hirsch, to the abnegation of the author as a philosophical certainty. Barthes and Foucault call this abnegation the death of the author. Rather than that marking the end of a particular branch of analysis, the death of the author can be considered an opening to the writing practice. From this perspective, the death of the author becomes a strategy in Foucault's game of writing, effecting the obfuscation of the writing self, by placing a figure as dead, the author figure, within the metaphorical topography of the text. Indeed, the author as dead is akin to a character in the narrative but at a substratum level of the text. What places this dead figure within the text is an uncanny writing self, a figure of transgression, brought into being in the experience of Blanchot's essential solitude. 'The Seaborne' written by Matt Marshall, provides an example of a film script that constitutes a haunted house, a site of the uncanny. In terms of the generic characteristics of the film script as text type, its relative unimportance in relation to any subsequent film based on the script becomes of itself a feature of the film script. This makes the film script a site of negotiation and contestation between the implied author as hidden director on the one hand and the implied reader as implied director on the other. This confirms the film script as, using Sternberg's terminology, a blueprint text type. Examples of the negotiation and relationship between hidden director and implied director are found in analysis of 'The Seaborne' as are the tensions in the relationship between the individualistic impulses of the hidden director and the mechanistic, formal requirements of the text type as blueprint. These tensions are ameliorated by the hidden director who is then effaced within the constructed layers of the film script text to allow interpretive space for the implied director. 'The Seaborne' as representative of the film script text becomes the after-image of a written text and the foreshadowing of a future filmic one. It therefore never finds completion within its own construction process and its formation begins in templates that accord with the Bakhtin's description of the epic, as is shown by comparing the construction notes for 'The Seaborne' with Aristotlean dramatic requirements. But at the same time there is present in 'The Seaborne' a Bakhtinian dialogism that points towards the individual markers of a writing self. This writing self, referring to Kristeva, is a figure of abjection. It transgresses itself and transgresses its own transgressions. It is a ghost in a ghost story without ghosts.
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Millbern, Ryan S. "Running down the ghosts : stories." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337200.

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The four short stories in this collection all take place in Galvin, a rural Midwestern town plagued by its reluctance to acknowledge the problems that are destroying it: methamphetamines, unemployment, and a dwindling police force to name a few. The characters in this collection realize that stasis eventually becomes paralysis, and that escape is both necessary and inevitable, whether it is through uprooting, obsession, or substance abuse. Each character experiences alienation and struggles with the way their past decisions have shaped the trajectory of their lives. There is a sense of danger throughout the collection for the next generation of the town's inhabitants, as small children are usually in trouble or under the guidance of adults who are still struggling to untie the knots of their own lies. These characters are all running down ghosts—of the loved ones they've lost or abandoned, of the innocence they've surrendered, of the lives they lived before regret.
Department of English
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Stewart, Clare. "Fighting spirit : Victorian women's ghost stories." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/1610/.

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Foreman, Hillary Jo. "The Holy and Other Ghosts: Stories." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1586528590411429.

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Lorenz, Johnny Anderson. "Haunted cartographies : ghostly figures and contemporary epic in the Americas /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Reed, Delanna. "Ghost Stories for Historic Rugby Ghostly Gathering." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1274.

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Celebrate Halloween Rugby style at Historic Rugby’s Annual Ghostly Gathering events with ghost stories, a bonfire, and visits from some of Rugby’s most prominent haunts! Ghost stories also performed during October 2014.
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Marvulli, Pietro <1988&gt. "The Gothic Spirit in Edith Wharton's Ghost Stories." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6666.

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La tesi si propone in un primo momento di dipingere tratti distintivi e peculiari della letteratura gotica Americana, al fine poi di approfondire lo stile e comprendere le tematiche che si celano dietro le "ghost stories" di Edith Wharton.
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Lake, Marilyn Hope. "Our mothers' ghosts /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091940.

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Felton, D. "Haunted Greece and Rome : ghost stories from classical antiquity /." Austin : University of Texas Press, 1999. http://www.loc.gov/catdir/toc/texas051/98039213.html.

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Sala, Carlotta <1992&gt. ""Recounting Nightmares": An Analysis of Five Dickens' Ghost Stories." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15227.

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La tesi tratterà cinque racconti di fantasmi di Charles Dickens: The Haunted Man and the Ghost’s Bargain (1848), The Ghost in the Bride’s Chamber (1857), The Haunted House (1859), The Trial for Murder (1865) e The Signalman (1866). L’introduzione parlerà dell’origine e della storia delle Ghost Stories in generale, spiegando l’attenzione verso questo tipo di racconti durante l’epoca vittoriana ed in particolare come mai Dickens vi fosse interessato, tanto da scriverli lui stesso e pubblicarli nelle sue riviste. Nei cinque capitoli verranno analizzati i racconti sopramenzionati, focalizzandosi sulla funzione di ogni fantasma e sul significato nascosto che l’autore intendeva dare ad ognuno di essi. Le conclusioni compareranno le analogie e le differenze presenti nei racconti analizzati, evidenziandone i temi ricorrenti.
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Books on the topic "Ghots stories"

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Sladja, Blazan, and American Comparative Literature Association, eds. Ghosts, stories, histories: Ghost stories and alternative histories. Newcastle, UK: Cambridge Scholars Pub., 2007.

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Ghost stories of Ontario. Toronto, Ont., Canada: Hounslow, 1995.

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D, Seymour St John, and Neligan Harry L, eds. True Irish ghost stories. 2nd ed. London: Fitzhouse, 1990.

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Ontario ghost stories. Edmonton: Lone Pine Pub., 1998.

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Scottish ghost stories. Norwich: Jarrold, 1990.

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Ron, Edwards. World's most mystifying "true" ghost stories. New York: Sterling, 1997.

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Jessome, Bill. The stories that haunt us. Halifax, NS: Nimbus, 2005.

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Jessome, Bill. The stories that haunt us. Halifax, NS: Nimbus, 2004.

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Richard, Davis. Great Australian ghost stories. Sydney South, N.S.W: HarperCollins Publishers, 2012.

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Seymour, St John D. True Irish ghost stories. Bristol, England: Parragon, 1998.

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Book chapters on the topic "Ghots stories"

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Heholt, Ruth. "Ghost Stories." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–3. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_90-1.

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Heholt, Ruth. "Ghost Stories." In The Palgrave Encyclopedia of Victorian Women’s Writing, 661–64. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_90.

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Rolls, Alistair. "Telling Ghost Stories." In Agatha Christie and New Directions in Reading Detective Fiction, 59–73. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003288527-5.

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Thompson, Tok. "Ghost Stories from the Uncanny Valley." In Posthuman Folklore, 117–32. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825087.003.0007.

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This chapter proposes that we will soon find ourselves haunted by the ghosts of androids. Although ghost stories have been centrally studied throughout the history of the discipline of Folklore (perhaps most notably during the time of Andrew Lang in the British Folklore society), it appears we are quickly approaching a new era in ghosts: the ghosts of artificial intelligence. This chapter takes as its starting point the proposition of android ghosts, exploring the implications and possibilities emanating from this discussion. What sorts of ghosts will androids make?
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Smith, Andrew. "The Ghosts of War: Writing Trauma." In Gothic Fiction and the Writing of Trauma, 1914-1934, 64–109. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474443432.003.0003.

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This chapter explores representations of ghosts in memoirs, short stories and novels, that are not contained within familiar plots. These ghosts are problematic to explain and typically represent moments of traumatic crisis in accounts of the war by Blunden, Graves, Sassoon, Brittain (among other memoirs discussed in this chapter), and various novels and short stories. Such ghosts personify no-man’s-land as a liminal zone associated with both death and life. These ghosts sit outside the narrative demands of the ghost story and appear as lost, or without a role, and so challenge the possibility of coherent meaning. They are not ghosts who can be brought back to life within domestic spaces. The lack of a literary plot for the aimless ghost implicates a failure in narrative composition. That failure is reflected in self-conscious meditations upon the problem of writing about the experience of war.
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"Ghost stories." In Petronius and the Anatomy of Fiction, 140–58. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511482359.010.

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DeCaroli, Robert. "Ghost Stories." In Haunting the Buddha, 87–104. Oxford University Press, 2004. http://dx.doi.org/10.1093/0195168380.003.0005.

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Ferguson, Gary. "Ghost Stories." In Same-Sex Marriage in Renaissance Rome, 159–66. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501755262.003.0012.

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This chapter proposes ways in which cases studies about same-sex marriage might be “usable” or lend itself to meaningful appropriation in the present. It brings the evidence from Renaissance Rome into dialogue with the issue of same-sex marriage from the perspectives of LGBT politics and queer politics. It also develops lines of reflection concerning forms of desire and resistance, including memory, loss, and place, sexual and social dissidence, creative and transformative appropriation, alternative temporalities, and histories yet unknown. The chapter reviews intimate information concerning the sex lives of a group of men from the sixteenth century, which is considered important for the history of sexuality. It explores the extent to which it was possible in early modern Europe to conceive of a marriage between two masculinities or two femininities.
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"Ghost Stories." In Queen of the Hillbillies, 85–102. University of Arkansas Press, 2022. http://dx.doi.org/10.2307/j.ctv2bz2md3.12.

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"Ghost Stories." In The House You Were Born In, 59–60. McGill-Queen's University Press, 2022. http://dx.doi.org/10.1515/9780228015789-035.

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Conference papers on the topic "Ghots stories"

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Sarjiati, Upik, and Ayu Nova Lissandhi. "Trio Hantu Cs: A Comic and Animation Series Adaptations of Indonesian Ghost Stories." In 1st International Conference on Folklore, Language, Education and Exhibition (ICOFLEX 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201230.025.

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Lipinskaya, Anastasia. "Vampire and Victim: Two Gender-Oriented Plots in E. F. Benson's Ghost Stories." In 45th International Philological Conference (IPC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.17.

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Mori, Masaki. "Ghost Stories of TV, Old and New: A Comparison between Ringu and “TV People”." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.83.

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Furno, Antonella. "Ricerca storica e cartografica delle domus federiciane “fantasma” della regione del Principatus et Terra Beneventana." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11535.

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Historical and cartographic research about the ghost domus built by Frederick II in Principatus et Terra Beneventana regionDuring his reign Frederick II built a series of representative fortified constructions in southern Italy, and after reinforcing the defence line of the border with the State of the Church, he decided to build many residential estates called domus or palacium in the fundamental medieval textual source of Statutum de reparatione castrorum. This research is focused on the study of the landscape in the ancient region of Principatus et Terra Beneventana during the thirteenth century: it is noticed the presence of five imperial domus cited in the Statutum with the name domus Castellucci Battipallae, castrum et palacium Sarni, domus imperatoris in Ebulo, domus imperatoris Apicii and the Castel Belvedere Marano palace. Every domus was studied through a historical and cartographic analysis, and in case of the structure is not recognised on the territory it was organized a landscape analysis in order to propose a hypothetical position. The data that was gathered into ArcGIS software to define the probable locations of the ghost domus were the detailed routes of ancient roads related to the positions of the casalia (little rural communities that paid taxes to maintenance of the royal structures), the Church properties, the urban site, and the other castra and domus.
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Krasovec, Aleksandra N. "“KALEIDOSCOPIC” NOVEL OF JOSIP OSTI IN THE ASPECT OF TRANSCULTURALITY." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.10.

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The Slovenian-Bosnian poet, writer, essayist, literary critic, translator and editor Josip Osti (1945–2021) was born in Sarajevo, lived and worked in Slovenia since 1990. Being a recognized poet in his homeland, writing in Croatian, one of the largest translators of Slovenian literature into Serbo-Croatian, since 1997 he has been writing in Slovenian. The transcultural aspects of Josip Osti’s literary works, both poetry collections and novels, are a unique phenomenon. In our study, we turned to the novels of Josip Osti, namely his trilogy — Ghosts of the House of Heinrich Böll (2016), In Front of the Mirror (2016) and Life is a Creepy Fairy Tale (2019). All three works have a strong (auto)biographical component and form a special novel form, which the author calls the “kaleidoscope-mosaic” novel. The latter has a fragmented structure and consists of short stories, life stories, anecdotes, urban legends, essayistic notes, literary-critical digressions, lyrical passages, diary entries, etc. In Osti’s novels, we also find a connection with the tradition of short prose in Bosnian-Herzegovina literature, in particular, with the works of the 1990s by such authors as M. Jergović, D. Karahasan, N. Veličković, K. Zaimović and others. Their texts are characterized by a destabilized genre form, a mosaic narrative, personal and documentary evidence, and a palimpsest narrative model. The kaleidoscopic structure of Osti’s prose texts helps him to reflect the transcultural view characteristic of his intimate and artistic world, to embrace the complex overlap of heterogeneous elements. The novels are written in Slovene, but they are mainly devoted to the space of Sarajevo, the unique multicultural atmosphere of this city, as well as the tragedy unfolding in it; thus, the writer complements the so-called “Sarajevo text”, but already in the field of Slovenian literature, artistically comprehending the interconnectedness of Bosnia and Slovenia. Refs 19.
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Reports on the topic "Ghots stories"

1

Ahmed, Zainab, Matthew Azar, Sabrina Camarda, Larissa Duggan, David Dupont, Stephanie Emmanouil, Araceli Ferrara, et al. Victorian Ghosts, 1852-1907. York University, 2020. http://dx.doi.org/10.25071/10315/.

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Victorian Ghosts 1852-1907 is a collection of Victorian Ghost Stories collated and annotated by scholars at York University enrolled in the fourth-year Victorian Ghosts course offered through the department of English during Fall 2020. Starting with Elizabeth Gaskell’s “The Old Nurse’s Story” (1852)—a staple of many Victorian Ghost Story Anthologies—and ending with Ambrose Bierce’s “The Moonlit Road” (1907), this collection includes 21 ghost stories spanning six decades. Each story includes a short introduction and explanatory notes. This is supplemented by accompanying essays that helps guide readers through the anthology.
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2

Azar, Matthew, Sabrina Camarda, Larissa Duggan, David Dupont, Stephanie Emmanouil, Araceli Ferrara, Taylor Grigg, et al. Victorian Ghosts, 1852-1907. Edited by Matthew Dunleavy. York University, 2021. http://dx.doi.org/10.25071/10315/41231.

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The following collection of Victorian Ghost Stories was collated and annotated by scholars at York University enrolled in the fourth-year Victorian Ghosts course offered through the department of English during Fall 2020. Starting with Elizabeth Gaskell’s “The Old Nurse’s Story” (1852)—a staple of many Victorian Ghost Story Anthologies—and ending with Ambrose Bierce’s “The Moonlit Road” (1907), this collection includes twenty-one ghost stories spanning six decades. As our classes were moved online for the 2020-21 academic year, this Scalar project functioned as a collaborative space with each student responsible for one ghost story (writing a short introduction and creating explanatory notes) and then finding links between those texts (and texts outside the course) to create a critical apparatus that helps guide readers through the anthology. This is the first edition and attempt at creating a project of this kind for this course and I hope it offers a foundation for future projects for EN 4573 (Victorian Ghosts) at York University. I cannot praise the students enough for their effort and enthusiasm during our time together when faced with learning a new software and completing unfamiliar assignments—not to mention, doing this all while navigating a (new to many of them) completely remote learning environment.
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